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WORST COOKS in AMERICA: CELEBRITY EDITION Contestant Bios
Press Contact: Lauren Sklar Phone: 646-336-3745; Email: [email protected] WORST COOKS IN AMERICA: CELEBRITY EDITION Contestant Bios MINDY COHN Mindy Cohn made her acting debut as the witty, precious Eastland Academy student Natalie Green in the hit comedy series The Facts of Life. She was discovered while attending Westlake School for Girls in Bel Air, California, when actress Charlotte Rae and producer Norman Lear came to the school to authenticate scripts for their new show. Ms. Rae was so taken with the vivacious eighth grader she convinced producers to create a role for her. Mindy remained on the show for all nine seasons, also traveling to Paris and Australia with her co-stars to produce two successful television movies based on the series. Concurrently, with her role in Facts, Mindy played “Rose Jenko” in Fox’s 21 Jump Street. Other notable television appearances included Diff’rent Strokes, Double Trouble, Charles in Charge, Dream On and Suddenly Susan. In 1983, Mindy appeared in her first professional stage performance in Table Settings, written and directed by James Lapine and filmed for HBO Television. The illustrious cast included Eileen Heckart, Stockard Channing, Robert Klein, Peter Riegart, and Dinah Manoff. She went on to make her feature film debut in The Boy Who Could Fly, which co-starred Colleen Dewhurst, Fred Gwynne and Fred Savage. Mindy took a hiatus from her career to attend university, where she earned a Bachelor’s degree in Cultural Anthropology and a Masters in Education. During this time, she studied improvisation and scene work with Gary Austin and Larry Moss. -
Maintaining a Positive Online Presence
Maintaining a positive online presence What does this mean? How important is this to you? Watch the following video. Do you know of any examples where an individuals online behaviour has had a negative impact on their life When past tweets have come back to haunt them There are many cautionary tales where posts from the past have come back to haunt the individual who posted them An example of this was Kevin Hart when in 2018 tweets from 2011 resurfaced and he was slammed for being homophobic. This ended up with him having to step down as host of the Oscars Jack Maynard pulled out of I’m A Celebrity….Get Me Out Of Here! In 2017 after just 3 days in the jungle due to a series of Tweets he posted between 2011 to 2013. Maynard later apologised saying he was ‘young’ and ‘careless’ when he sent the posts, adding: ‘Don’t put anything online you wouldn’t say to your mum.’ There are many cases where this has happened over the years as people have easier and quicker access to the internet. Things that could be seen as funny at the time, may not be so funny in the future. Think about how much has changed in the past 50 years, even what is seen as comedy on TV has adapted. Twitter was What was funny then is most likely created in 2006 offensive now! Facebook was created in 2004 How online platforms have evolved Twitter was originally created as an alternative to SMS text messages as a form of free social networking. -
Public Politics/Personal Authenticity
PUBLIC POLITICS/PERSONAL AUTHENTICITY: A TALE OF TWO SIXTIES IN HOLLYWOOD CINEMA, 1986- 1994 Oliver Gruner Thesis submitted for the degree of Ph.D. University of East Anglia School of Film and Television Studies August, 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author’s prior, written consent. 1 TABLE OF CONTENTS Introduction 5 Chapter One “The Enemy was in US”: Platoon and Sixties Commemoration 62 Platoon in Production, 1976-1982 65 Public Politics/Personal Authenticity: Platoon from Script to Screen 73 From Vietnam to the Sixties: Promotion and Reception 88 Conclusion 101 Chapter Two “There are a lot of things about me that aren’t what you thought”: Dirty Dancing and Women’s Liberation 103 Dirty Dancing in Production, 1980-1987 106 Public Politics/Personal Authenticity: Dirty Dancing from Script to Screen 114 “Have the Time of Your Life”: Promotion and Reception 131 Conclusion 144 Chapter Three Bad Sixties/ Good Sixties: JFK and the Sixties Generation 146 Lost Innocence/Lost Ignorance: Kennedy Commemoration and the Sixties 149 Innocence Lost: Adaptation and Script Development, 1988-1991 155 In Search of Authenticity: JFK ’s “Good Sixties” 164 Through the Looking Glass: Promotion and Reception 173 Conclusion 185 Chapter Four “Out of the Prison of Your Mind”: Framing Malcolm X 188 A Civil Rights Sixties 191 A Change -
Productions in Ontario 2013
SHOT IN ONTARIO 2013 Feature Films – Theatrical A DAUGHTER’S REVENGE Company Name: NB Thrilling Films 5 Inc. Producer: Don Osborne Exec. Producers: Pierre David, Tom Berry, Neil Bregman Director: Curtis Crawford Production Manager: Don Osborne D.O.P.: Bill St. John Key Cast: Elizabeth Gillies, Cynthia Stephenson, William Moses Shooting Dates: Nov 30 – Dec 12/13 A FIGHTING MAN Company: Rollercoaster Entertainment Producers: Gary Howsam, Bill Marks Exec. Producer: Jeff Sackman Line Producer: Maribeth Daley Director: Damian Lee Production Manager: Anthony Pangalos D.O.P.: Bobby Shore Key Cast: Famke Janssen, Dominic Purcell, James Caan, Kim Coates, Michael Ironside, Adam Beach, Louis Gossett Jr., Sheila McCarthy Shooting Dates: Apr 15 – May 15/13 A MASKED SAINT Company: P23 Entertainment Producers: Cliff McDowell, David Anselmo Director: Warren Sonoda Line Producer/Production Manager: Justin Kelly D.O.P.: James Griffith Key Cast: Brett Granstaff, Lara Jean Chorostecki, Diahann Carroll Shooting Dates: Nov 4 – Nov 22/13 BEST MAN HOLIDAY Company: Blackmailed Productions / Universal Pictures Producer: Sean Daniel Exec. Producer: Preston L. Holmes Director: Malcolm Lee Production Manager: Dennis Chapman D.O.P.: Greg Gardiner Key Cast: Terrence Howard, Morris Chestnut, Sanaa Lathan, Nia Long, Taye Diggs Shooting Dates: Apr 8 - May 22/13 BERKSHIRE COUNTY Company: Narrow Edge Productions Producer: Bruno Marino Exec. Producers: Tony Wosk, David Miller Director: Audrey Cummings Production Manager: Paul Roberts D.O.P.: Michael Jari Davidson Key Cast: Alysa King, Madison Ferguson, Cristophe Gallander, Samora Smallwood, Bart Rochon, Aaron Chartrand Shooting Dates: Apr 4 - May 16/13 December 2013 1 SHOT IN ONTARIO 2013 BIG NEWS FROM GRAND ROCK Company: Markham Street Films Producer: Judy Holm, Michael McNamara Director: Daniel Perlmutter Production Manager: Sarah Jackson D.O.P.: Samy Inayeh Key Cast: Aaron Ashmore, Kristin Booth, Art Hindle, Ennis Esmer Shooting Dates: Sep 30 – Oct 24/13 BLUR Company: Black Cat Entertainment Producer: Bruno Marino Exec. -
“My” Hero Or Epic Fail? Torchwood As Transnational Telefantasy
“My” Hero or Epic Fail? Torchwood as Transnational Telefantasy Melissa Beattie1 Recibido: 2016-09-19 Aprobado por pares: 2017-02-17 Enviado a pares: 2016-09-19 Aceptado: 2017-03-23 DOI: 10.5294/pacla.2017.20.3.7 Para citar este artículo / to reference this article / para citar este artigo Beattie, M. (2017). “My” hero or epic fail? Torchwood as transnational telefantasy. Palabra Clave, 20(3), 722-762. DOI: 10.5294/pacla.2017.20.3.7 Abstract Telefantasy series Torchwood (2006–2011, multiple production partners) was industrially and paratextually positioned as being Welsh, despite its frequent status as an international co-production. When, for series 4 (sub- titled Miracle Day, much as the miniseries produced as series 3 was subti- tled Children of Earth), the production (and diegesis) moved primarily to the United States as a co-production between BBC Worldwide and Amer- ican premium cable broadcaster Starz, fan response was negative from the announcement, with the series being termed Americanised in popular and academic discourse. This study, drawn from my doctoral research, which interrogates all of these assumptions via textual, industrial/contextual and audience analysis focusing upon ideological, aesthetic and interpretations of national identity representation, focuses upon the interactions between fan cultural capital and national cultural capital and how those interactions impact others of the myriad of reasons why the (re)glocalisation failed. It finds that, in part due to the competing public service and commercial ide- ologies of the BBC, Torchwood was a glocalised text from the beginning, de- spite its positioning as Welsh, which then became glocalised again in series 4. -
Rewind, Play, Fast Forward : the Past, Present and Future of the Music Video, Bielefeld 2010, S
Originalveröffentlichung in: Keazor, Henry ; Wübbena, Thorsten (Hrsgg.): Rewind, play, fast forward : the past, present and future of the music video, Bielefeld 2010, S. 7-31 Rewind - Play - Fast Forward The Past, Present and Future of the Music Video: Introduction HENRY KEAZOR/THORSTEN WUBBENA "Art presses the "Stop"- and "Rewind"- buttons in the stream of life: It makes time stop. It offers reflection and re collection, it is an antidote against lost certitudes."1 Like perhaps no other medium, the music video clip is marking and shap ing our everyday culture: film, art, literature, advertisements they all are clearly under the impact of the music video in their aesthetics, their technical procedures, visual worlds or narrative strategies. The reason for this has not only to be sought in the fact that some of the video di rectors are now venturing into art or advertisement, but that also peo ple not working in the field of producing video clips are indebted to this medium.2 Thus, more or less former video clipdirectors such as Chris Cunningham or Jonas Akerlund have established themselves successfully with their creations which very often are based on ideas and concepts, originally developed for earlier music videos: both Cunningham's works Flex and Monkey Drummer, commissioned in 2000 respectively 2001 by the Anthony d'Offay Gallery, evolved out of his earlier music videos.' Flex relies on the fantastic and weightless underwater cosmos Cunningham designed for the images that accompanied Portishead's Only you in 1998. Monkey Drummer* is heavily based on the soundtrack written by the Irish musician Aphex Twin (Richard David James) for whom Cunningham had previously directed famous videos such as Come to Daddy (1997) and Win- dowlicker (1999). -
Crooklyn Johanne Larue
Document generated on 09/30/2021 11:13 a.m. Séquences La revue de cinéma Crooklyn Johanne Larue Number 172, May–June 1994 URI: https://id.erudit.org/iderudit/59453ac See table of contents Publisher(s) La revue Séquences Inc. ISSN 0037-2412 (print) 1923-5100 (digital) Explore this journal Cite this article Larue, J. (1994). Crooklyn . Séquences, (172), 37–38. Tous droits réservés © La revue Séquences Inc., 1994 This document is protected by copyright law. Use of the services of Érudit (including reproduction) is subject to its terms and conditions, which can be viewed online. https://apropos.erudit.org/en/users/policy-on-use/ This article is disseminated and preserved by Érudit. Érudit is a non-profit inter-university consortium of the Université de Montréal, Université Laval, and the Université du Québec à Montréal. Its mission is to promote and disseminate research. https://www.erudit.org/en/ la Fontaine (Julie), Dominique MicheKAline veut une fresque sociale. Notons jeune Troy au contact de ce nouvel Jobin), Yves Jacques (Jean-François Gobeil), cependant, qu'ici comme ailleurs dans le environnement familial (sa tante vit dans Patricia Tulasne (Charlotte Dubreuil), Benoit film, la réalisation vient à la rescousse de une maison proprette de banlieue au Brière (Caméraman Gourmand), Gilbert Lachance (Rémi), Jean L'Italien (Roger) — Prod.: cette scénarisation déficiente. Parmi les charme horriblement kitsch). Richard Sadler et Jacques Dorfmann — plans d'ouverture en mouvements, par À l'origine, Joie et Cinqué Lee devait Canada/France — 1994 — 93 minutes — Dist.: ailleurs très beaux, un seul demeure fixe et développer une série pour la télévision. -
A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices
University of Tennessee, Knoxville TRACE: Tennessee Research and Creative Exchange Doctoral Dissertations Graduate School 12-2015 Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices Sultana Aaliuah Shabazz University of Tennessee - Knoxville, [email protected] Follow this and additional works at: https://trace.tennessee.edu/utk_graddiss Part of the Social and Philosophical Foundations of Education Commons Recommended Citation Shabazz, Sultana Aaliuah, "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices. " PhD diss., University of Tennessee, 2015. https://trace.tennessee.edu/utk_graddiss/3607 This Dissertation is brought to you for free and open access by the Graduate School at TRACE: Tennessee Research and Creative Exchange. It has been accepted for inclusion in Doctoral Dissertations by an authorized administrator of TRACE: Tennessee Research and Creative Exchange. For more information, please contact [email protected]. To the Graduate Council: I am submitting herewith a dissertation written by Sultana Aaliuah Shabazz entitled "Active Critical Engagement (ACE): A Pedagogical Tool for the Application of Critical Discourse Analysis in the Interpretation of Film and Other Multimodal Discursive Practices." I have examined the final electronic copy of this dissertation for form and content and recommend that it be accepted in partial fulfillment of the equirr ements for the degree of Doctor of Philosophy, with a major in Education. Barbara J. Thayer-Bacon, Major Professor We have read this dissertation and recommend its acceptance: Harry Dahms, Rebecca Klenk, Lois Presser Accepted for the Council: Carolyn R. -
Exploring Films About Ethical Leadership: Can Lessons Be Learned?
EXPLORING FILMS ABOUT ETHICAL LEADERSHIP: CAN LESSONS BE LEARNED? By Richard J. Stillman II University of Colorado at Denver and Health Sciences Center Public Administration and Management Volume Eleven, Number 3, pp. 103-305 2006 104 DEDICATED TO THOSE ETHICAL LEADERS WHO LOST THEIR LIVES IN THE 9/11 TERROIST ATTACKS — MAY THEIR HEORISM BE REMEMBERED 105 TABLE OF CONTENTS Preface 106 Advancing Our Understanding of Ethical Leadership through Films 108 Notes on Selecting Films about Ethical Leadership 142 Index by Subject 301 106 PREFACE In his preface to James M cG regor B urns‘ Pulitzer–prizewinning book, Leadership (1978), the author w rote that ―… an im m ense reservoir of data and analysis and theories have developed,‖ but ―w e have no school of leadership.‖ R ather, ―… scholars have worked in separate disciplines and sub-disciplines in pursuit of different and often related questions and problem s.‖ (p.3) B urns argued that the tim e w as ripe to draw together this vast accumulation of research and analysis from humanities and social sciences in order to arrive at a conceptual synthesis, even an intellectual breakthrough for understanding of this critically important subject. Of course, that was the aim of his magisterial scholarly work, and while unquestionably impressive, his tome turned out to be by no means the last word on the topic. Indeed over the intervening quarter century, quite to the contrary, we witnessed a continuously increasing outpouring of specialized political science, historical, philosophical, psychological, and other disciplinary studies with clearly ―no school of leadership‖with a single unifying theory emerging. -
Reminder List of Productions Eligible for the 88Th Academy Awards
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 88TH ACADEMY AWARDS ADULT BEGINNERS Actors: Nick Kroll. Bobby Cannavale. Matthew Paddock. Caleb Paddock. Joel McHale. Jason Mantzoukas. Mike Birbiglia. Bobby Moynihan. Actresses: Rose Byrne. Jane Krakowski. AFTER WORDS Actors: Óscar Jaenada. Actresses: Marcia Gay Harden. Jenna Ortega. THE AGE OF ADALINE Actors: Michiel Huisman. Harrison Ford. Actresses: Blake Lively. Kathy Baker. Ellen Burstyn. ALLELUIA Actors: Laurent Lucas. Actresses: Lola Dueñas. ALOFT Actors: Cillian Murphy. Zen McGrath. Winta McGrath. Peter McRobbie. Ian Tracey. William Shimell. Andy Murray. Actresses: Jennifer Connelly. Mélanie Laurent. Oona Chaplin. ALOHA Actors: Bradley Cooper. Bill Murray. John Krasinski. Danny McBride. Alec Baldwin. Bill Camp. Actresses: Emma Stone. Rachel McAdams. ALTERED MINDS Actors: Judd Hirsch. Ryan O'Nan. C. S. Lee. Joseph Lyle Taylor. Actresses: Caroline Lagerfelt. Jaime Ray Newman. ALVIN AND THE CHIPMUNKS: THE ROAD CHIP Actors: Jason Lee. Tony Hale. Josh Green. Flula Borg. Eddie Steeples. Justin Long. Matthew Gray Gubler. Jesse McCartney. José D. Xuconoxtli, Jr.. Actresses: Kimberly Williams-Paisley. Bella Thorne. Uzo Aduba. Retta. Kaley Cuoco. Anna Faris. Christina Applegate. Jennifer Coolidge. Jesica Ahlberg. Denitra Isler. 88th Academy Awards Page 1 of 32 CAPTURE THE FLAG Actors: Rasmus Hardiker. Sam Fink. Paul Kelleher. Adam James. Derek Siow. Andrew Hamblin. Oriol Tarragó. Bryan Bounds. Ed Gaughan. Actresses: Lorraine Pilkington. Philippa Alexander. Jennifer Wiltsie. CARE OF FOOTPATH 2 Actors: Deepp Pathak. Jaya Karthik. Kishan S. S.. Dingri Naresh. Actresses: Avika Gor. Esha Deol. CARL(A) Actors: Gregg Bello. Actresses: Laverne Cox. CAROL Actors: Jake Lacy. John Magaro. Cory Michael Smith. Kevin Crowley. Nik Pajic. Kyle Chandler. Actresses: Cate Blanchett. -
Fundraising-TD Jakes- John Rewrite
Who Wants to Be Among the First to Experience The Bible in a Radically Different Way? Connect with God and Understand YOUR Role in His Plan with the “The Bible Experience” My Gift to YOU This Christmas Season Dear________ Now, don’t be concerned that you will need to READ the entire New Testament in order to be positioned for this miracle blessing. You do not READ this amazing new version of Scripture, you LISTEN to it! I have been extremely privileged to be called upon and appointed by Zondervan Publishers, the largest publishers of the Bible in the world, to be the voice of the Holy Spirit in a new multimedia presentation of the Bible called, “The Bible Experience!” I am joined by over 100 other African-Americans in producing this dramatic re-enactment of the Scriptures in the Bible: Blair Underwood, Angela Bassett, Cuba Gooding Jr., Samuel L. Jackson, Yolanda Adams, LeVar Burton, and Tisha Campbell Martin just to name a few! While we were in production on this masterful new version of the Bible, I had a private moment with Levar Burton… This is what he told me: “My work on this Bible Experience project is among the most gratifying in my career. I feel so Blessed to be a part of this and share God’s Word in a way that will change families. “ “The Bible Experience” is in today’s contemporary language, using the New International Version of the Bible. It comes in an amazing CD set and has just been released by Zondervan. Many expect it to top the charts and provide an even greater blessing to millions the world over. -
John Doyle Insurancedoyle Insurance AGENCY
FINAL-2 Sat, Jun 30, 2018 8:14:39 PM Your Weekly Guide to TV Entertainment for the week of July 7 - 13, 2018 OLD FASHIONED SERVICE FREE REGISTRY SERVICE John Doyle INSURANCEDoyle Insurance AGENCY Voted #1 1 x 3 Insurance Agency When a big city crime reporter (Amy Adams, “Arrival,” 2016) returns to her hometown Home sweet home to cover a string of gruesome killings, not all is what it seems. Jean-Marc Vallée (“Dal- las Buyers Club,” 2013) reunites with HBO to helm another beloved novel adaptation Auto • Homeowners in Gillian Flynn’s “Sharp Objects,” premiering Sunday, July 8, on HBO. The ensemble Business • Life Insurance cast also includes Patricia Clarkson (“House of Cards”) and Chris Messina (“The Mindy Patricia Clarkson stars in “Sharp Objects” 978-777-6344 Project”). www.doyleinsurance.com FINAL-2 Sat, Jun 30, 2018 8:14:41 PM 2•SalemNews•July 7 - 13, 2018 Into the fire: A crime reporter is drawn home in ‘Sharp Objects’ By Francis Babin by Patricia Clarkson (“House of ten than not, alone. The boozy try to replicate its success by fol- discussed this at the ATX Television TV Media Cards”). nights help with her ever-growing lowing the same formula: a trendy, Festival in Austin, Texas, explaining Video Three preteen victims and a po- sense of paranoia but trigger pain- well-known novel, big name talent that “Camille needed to be ex- releases n recent years, we’ve seen a real tential serial killer on the loose is a ful recollections of her sister Mari- and a celebrated auteur/director in plored over eight episodes.