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Table of Contents
1 •••I I Table of Contents Freebies! 3 Rock 55 New Spring Titles 3 R&B it Rap * Dance 59 Women's Spirituality * New Age 12 Gospel 60 Recovery 24 Blues 61 Women's Music *• Feminist Music 25 Jazz 62 Comedy 37 Classical 63 Ladyslipper Top 40 37 Spoken 65 African 38 Babyslipper Catalog 66 Arabic * Middle Eastern 39 "Mehn's Music' 70 Asian 39 Videos 72 Celtic * British Isles 40 Kids'Videos 76 European 43 Songbooks, Posters 77 Latin American _ 43 Jewelry, Books 78 Native American 44 Cards, T-Shirts 80 Jewish 46 Ordering Information 84 Reggae 47 Donor Discount Club 84 Country 48 Order Blank 85 Folk * Traditional 49 Artist Index 86 Art exhibit at Horace Williams House spurs bride to change reception plans By Jennifer Brett FROM OUR "CONTROVERSIAL- SUffWriter COVER ARTIST, When Julie Wyne became engaged, she and her fiance planned to hold (heir SUDIE RAKUSIN wedding reception at the historic Horace Williams House on Rosemary Street. The Sabbats Series Notecards sOk But a controversial art exhibit dis A spectacular set of 8 color notecards^^ played in the house prompted Wyne to reproductions of original oil paintings by Sudie change her plans and move the Feb. IS Rakusin. Each personifies one Sabbat and holds the reception to the Siena Hotel. symbols, phase of the moon, the feeling of the season, The exhibit, by Hillsborough artist what is growing and being harvested...against a Sudie Rakusin, includes paintings of background color of the corresponding chakra. The 8 scantily clad and bare-breasted women. Sabbats are Winter Solstice, Candelmas, Spring "I have no problem with the gallery Equinox, Beltane/May Eve, Summer Solstice, showing the paintings," Wyne told The Lammas, Autumn Equinox, and Hallomas. -
Recordings by Women Table of Contents
'• ••':.•.• %*__*& -• '*r-f ":# fc** Si* o. •_ V -;r>"".y:'>^. f/i Anniversary Editi Recordings By Women table of contents Ordering Information 2 Reggae * Calypso 44 Order Blank 3 Rock 45 About Ladyslipper 4 Punk * NewWave 47 Musical Month Club 5 Soul * R&B * Rap * Dance 49 Donor Discount Club 5 Gospel 50 Gift Order Blank 6 Country 50 Gift Certificates 6 Folk * Traditional 52 Free Gifts 7 Blues 58 Be A Slipper Supporter 7 Jazz ; 60 Ladyslipper Especially Recommends 8 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music". 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Calendars, Cards, T-shirts, Grab-bag 77 Asian 39 Jewelry 78 European 40 Ladyslipper Mailing List 79 Latin American 40 Ladyslipper's Top 40 79 Native American 42 Resources 80 Jewish 43 Readers' Comments 86 Artist Index 86 MAIL: Ladyslipper, PO Box 3124-R, Durham, NC 27715 ORDERS: 800-634-6044 M-F 9-6 INQUIRIES: 919-683-1570 M-F 9-6 ordering information FAX: 919-682-5601 Anytime! PAYMENT: Orders can be prepaid or charged (we BACK ORDERS AND ALTERNATIVES: If we are tem CATALOG EXPIRATION AND PRICES: We will honor don't bill or ship C.O.D. except to stores, libraries and porarily out of stock on a title, we will automatically prices in this catalog (except in cases of dramatic schools). Make check or money order payable to back-order it unless you include alternatives (should increase) until September. -
Touring Brochure 2014–2015 • 38Th Season
TOURING BROCHURE 2014–2015 • 38TH SEASON 2008 National Endowment for the Arts designated Dallas Black Dance Theatre as an “American Masterpiece Touring Artist.” PHOTO BY: SHAREN BRADFORD - THE DANCING IMAGE DALLAS BLACK DANCE THEATRE • ARTISTIC DIRECTOR April Berry Artistic Director April Berry, Artistic director for Dallas Black Dance Theatre, master teacher, dance educator, choreographer, and internationally-recognized dancer, is a native New Yorker. Previously based in Charlotte, North Carolina, she served on the dance faculty at the University of North Carolina-Charlotte, and was a Teaching Artist in the Charlotte Arts and Science Council’s Education Program. Ms. Berry has worked as a freelance choreographer and she is the Founder and former CEO of Arts ‘n Community, an agency dedicated to providing specialized services to small and emerging arts organizations in the United States. Ms. Berry, a former principal dancer with the Alvin Ailey American Dance Theatre, has danced with ballet companies in the United States, Italy and Switzerland. Berry worked directly with renowned choreographers and artists from the world of ballet, modern, jazz, and ethnic dance, including Alvin Ailey, Katherine Dunham, Talley Beatty, Carmen DeLavallade, Donald McKayle, Louis Johnson, Judith Jamison, Arthur Mitchell, Jerome Robbins, Choo San Goh, and Bill T. Jones, among others. Ms. Berry is a certified, master instructor in the Dunham Technique, a codified modern dance technique created by American dance pioneer, Katherine Dunham. Ms. Berry was personally certified by Ms. Dunham via the Katherine Dunham Center for Arts and Humanities and has the special distinction of having worked directly with Dunham, rehearsing and performing Dunham’s signature choreography in The Magic of Katherine Dunham, an evening-length retrospective. -
Barry Harris Is Passing It on New Format
A Guide to African-American Culture JUNE 7-20, 1994 Volume 4 Number 3 $1.00 LISTINGS INSIDE: ART • CABARETS • CONCERTS • DANCE DINING • FREE-FOR-ALL • THEATER !2–ROUTES, A Guide to African-American Culture, June 7-20, 1994 Barry Harris ew York's Symphony Children’s Chorus, which was Space, at 95th Street and founded in 1980 by one of his Broadway,N is a former movie students, Lennie Azzarello, almost house with an unassuming as a fluke. A music teacher in the facade, but great things are New York City public schools, known to take place within. Last Azzarello was coaching a group month, audiences had a special of students from Franklin treat when pianist Barry Harris Roosevelt High School for a brought onstage his 150-member forthcoming Barry Harris concert, Ensemble, and conductor but the rehearsals were not going Coleridge-Taylor Perkinson. well. Barry's suggestion that the There is something for everyone children might respond to jazz at a Harris concert; one might lyrics worked so well that the hear an adult chorus, an Franklin Roosevelt High School orchestra with strings, featured group became the core of the soloists, singers, and diverse Children's Chorus, and a regular dancers, and singers--all feature of all subsequent concerts. performing in the Jazz idiom, This year's Children's Chorus because that is the music to director is Randolph Noel, a which Barry Harris has devoted a former Harris student and lifetime. director of The Noel Singers. The Of course, today's economy concert, whose theme was "A makes such productions Lovely Way to Spend An prohibitive, but Barry Harris is a Evening," was dedicated to the determined man whose concert late saxophonist, Clifford Jordan. -
Poetry As Performing Art in the English-Speaking Caribbean
POETRY AS A PERFORMING ART IN THE ENGLISH-SPEAKING CARIBBEAN by JULIE PEARN UNIVERSITY OF SHEFFIELD, OCTOBER 1985 Thesis submitted in part fulfilment of the examination requirements for the degree of PhD. ACKNOWLEDGEMENTS I am deeply conscious of the fact that this thesis is a product of many minds, and wish to express my heartfelt appreciation of all those who shared ideas with me and so generously allowed re access to their personal collections of sound and printed materials. Others have been great facilitators, making the task of familiarizing myself with the field much easier than it might otherwise have been. I am grateful for the constructive criticism I have received, and the support and friendship which reinforced my belief in what I was doing. I express my appreciation to the Department of Education and Science and the University of Sheffield for the bursaries which made my study trip to the Caribbean possible. I would also like to thank those who took care of me in so many different ways during my stay . In particular, my thanks to: Christopher Heywood (my supervisor), Eddie Kamau Brathwaite, Mervyn Morris, Christiane Keane, Gordon Rohlehr, Maureen Warner Lewis, Velma Pollard, Evelyn O'Callaghan, Anson Gonzalez, Pearl Eintou Springer, James Lee Wah, Garth White and all the staff at the African Caribbean Institute of Jamaica, Billie Goldstraw, Marjorie Thorpe, the staff of the Radio Unit, Mona, Anne Walmsley, John La Rose, Andrew Salkey, Miss Lou, Oku Onuora, the late Michael Smith, Mutabaruka, Brian and Icelyn Meeks, Joe Ruglass, Abdul Malik, Claudette Richardson, Chris De Riggs, Jacob Ross, Merle Collins, Marc Matthews, Honor Forde- Smith, Bruce St. -
Touring Brochure 2015–2016 • 39Th Season
TOURING BROCHURE 2015–2016 • 39TH SEASON 2008 National Endowment for the Arts designated Dallas Black Dance Theatre as an “American Masterpiece Touring Artist.” PHOTO BY: SHAREN BRADFORD - THE DANCING IMAGE DALLAS BLACK DANCE THEATRE • FOUNDER ANN WILLIAMS, founded Dallas Black Dance Theatre in 1976. She is a founding member of the Dance Council and The International Association of Blacks in Dance. Ms. Williams received her early dance training under Barbara Hollis (a member of the Katherine Dunham Dance Company), Edith James, Doris Humphrey, and Charles Weidman. She received additional training under Alvin Ailey and Arthur Mitchell. Ms. Williams is a graduate of Prairie View A&M University and earned a Master of Arts Degree in Dance and Related Arts from Texas Woman’s University. She holds a certificate in Arts Management from Texas A&M University, received an honorary Doctor of Humanities from Northwood University, and in May 2008 was awarded an Honorary Doctor of Philosophy in Dance from TWU. She served six years on the Texas Woman’s University Board of Regents. She is a 2002 inductee into the Texas Women’s Hall of Fame; and in April 2005, she was honored at The Kennedy Center in Washington D.C. as a part of the Masters of African-American Choreography series. Ann Williams She has received many awards and honors for her support and commitment to the arts and service Founder organizations including Alpha Kappa Alpha Sorority, Inc., Phi Delta Kappa, Sankofa Foundation Legacy Award of Alpha Phi Alpha Fraternity, Inc., Dallas Dance Council, NAACP, the Dallas Historical Society, Zeta Phi Beta’s “Woman of the Year,” and she was honored as a “distinguished alumna” by Prairie View and TWU in 1990. -
Governs the Making of Photocopies, Other Reproductions, and Reproductions of Copyrighted Material
Access WARNING CONCERNING COPYRIGHT RESTRICTIONS The copyright law of the United States (Title 17, United States Code) governs the making of photocopies, other reproductions, and reproductions of copyrighted material. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be “used for any purpose other than private study, scholarship, or research.” If a user makes a request for, or later uses, a photocopy or reproduction in excess of “fair use,” that user may be liable for copyright infringement. Brooklyn Historical Society is not responsible for either determining the copyright status of the material or for securing copyright permission. Possession of a reproduction does not constitute permission to use it. Permission to use copies other than for private study, scholarship, or research requires the permission of both Brooklyn Historical Society and the copyright holder. For assistance, contact Brooklyn Historical Society at [email protected]. Read more about the Brooklyn Historical Society's Reproduction Rights Policy online: http://brooklynhistory.org/library/reproduction.html#Brooklyn_Historical_Society_Repro duction. 1 This transcript is hereby made available for research purposes only. Byron, Cheryl, Oral history interview conducted by Michael Roberts, August 8, 1994, West Indian Carnival Documentation Project records, 2010.019.07; Brooklyn Historical Society. Access GUIDELINES FOR USE This transcript is hereby made available for research purposes only. These oral history interviews are intimate conversations between two people, both of whom have generously agreed to share these recordings with the Brooklyn Historical Society archives and with researchers. -
Recording! Men Table of Contents
f AOV^lf IPPFR C ATAI C%Cl Recording! men table of contents Welcome 2 Blues 58 Brand New Titles 2 Jazz 60 New Spring Titles 3 Classical 62 Women's Spirituality * New Age 9 Spoken 64 Recovery 22 Children's 65 Women's Music * Feminist Music 23 "Mehn's Music" 70 Comedy 35 Videos 71 Holiday 35 Kids'Videos 75 International: African 37 Songbooks, Books, Posters 76 Arabic * Middle Eastern 38 Jewelry, Cards, T-shirts, Grab-bag 77 Asian 39 Ladyslipper Mailing List 78 European 40 About Ladyslipper 78 Latin American 40 Gift Certificates 82 Native American 42 Be A Slipper Supporter 82 Jewish 43 Musical Month Club 83 Reggae * Calypso 44 Donor Discount Club 83 Rock 45 Free Gifts 84 Punk * New Wave 47 Ordering Information 84 Soul * R&B * Rap * Dance 49 Readers' Comments 85 Gospel 50 Ladyslipper's Top 40 85 Country 50 Order Blank 86 Folk * Traditional 52 Artist Index 87 welcome to our spring catalog! This 1991 Spring Update Catalog is a first for Lady 1990 was not a great year for most organizations in slipper! In past years we have published only one annual volved in retailing, and the recession forced many busi fall catalog, and last year we produced our first (limited) nesses into layoffs and cutbacks. We hung in, but things spring update supplement. This year, we decided to place were tight for us too. We're glad the outburst of war seems our entire array of offerings before you once again. to be over, at least for the time being, and hope our economy We hope that those of you who have seen our catalog will move steadily into recovery. -
Rhythms of the Afro-Atlantic World: Rituals and Remembrances
Nwankwo, Ifeoma C. Rhythms of the Afro-Atlantic World: Rituals and Remembrances. E-book, Ann Arbor, MI: University of Michigan Press, 2010, https://doi.org/10.3998/mpub.317074. Downloaded on behalf of Unknown Institution Rhythms of the Afro-Atlantic World Nwankwo, Ifeoma C. Rhythms of the Afro-Atlantic World: Rituals and Remembrances. E-book, Ann Arbor, MI: University of Michigan Press, 2010, https://doi.org/10.3998/mpub.317074. Downloaded on behalf of Unknown Institution Nwankwo, Ifeoma C. Rhythms of the Afro-Atlantic World: Rituals and Remembrances. E-book, Ann Arbor, MI: University of Michigan Press, 2010, https://doi.org/10.3998/mpub.317074. Downloaded on behalf of Unknown Institution Rhythms of the Afro-Atlantic World Rituals and Remembrances edited by mamadou diouf and ifeoma kiddoe nwankwo The University of Michigan Press Ann Arbor Nwankwo, Ifeoma C. Rhythms of the Afro-Atlantic World: Rituals and Remembrances. E-book, Ann Arbor, MI: University of Michigan Press, 2010, https://doi.org/10.3998/mpub.317074. Downloaded on behalf of Unknown Institution Copyright © by the University of Michigan 2010 All rights reserved Published in the United States of America by The University of Michigan Press Manufactured in the United States of America c Printed on acid-free paper 2013 2012 2011 2010 4 3 2 1 No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, or otherwise, without the written permission of the publisher. A CIP catalog record for this book is available from the British Library. -
London Metropolitan Archives Ogle-L'ouverture
LONDON METROPOLITAN ARCHIVES Page 1 BOGLE-L'OUVERTURE PUBLICATIONS LIMITED {BLACK CARIBBEAN PUBLISHERS AND BOOKSELLERS} LMA/4462 Reference Description Dates CORPORATE MEMORANDUM AND ARTICLES OF ASSOCIATION AND CERTIFICATES LMA/4462/A/01/001 Memorandum and Articles of Association 1974-1975 Incorporation and Share Capital Includes annotated draft copies and correspondence 1 file LMA/4462/A/01/002 Certificate of Incorporation 1969-1974 Includes company name registration letter 1 file LMA/4462/A/01/003 Certificate of Registration 1981 Shop name changed from Bogle-L'Ouverture Bookshop to Walter Rodney Bookshop 1 file MINUTES AND PLANNING NOTES LMA/4462/A/02/001 First Meeting of the Directors and first Annual 1974 General Meeting Minutes (unsigned) 2 documents LMA/4462/A/02/002 Minutes 1991-1993 1 volume LMA/4462/A/02/003 Editorial Board and General Minutes 1995-1996 (handwritten and typed) Includes a book report, 'Reap the Forgotten Harvest' 1 file LMA/4462/A/02/004 Monthly Meetings 1993-1997 Including first meeting of the Editorial Board 1 file LMA/4462/A/02/005 Bogle-L'Ouverture Press Formation 1991 Includes draft notes on publishing policies 1 file LMA/4462/A/02/006 Organisational Chart detailing the operations of 1984-1985 the business 1 file LONDON METROPOLITAN ARCHIVES Page 2 BOGLE-L'OUVERTURE PUBLICATIONS LIMITED {BLACK CARIBBEAN PUBLISHERS AND BOOKSELLERS} LMA/4462 Reference Description Dates LMA/4462/A/02/007 Directors Meeting minutes 1986 Approval of Co-operative Bank loan 1 document LMA/4462/A/02/008 Publishing Contract Agreement: schedule of 1987 territories 1 file LMA/4462/A/02/009 Payment request and letter to debtors (Signed 198- by Morgan Dalphinis) Payment request. -
Annual Report Ministry of Education and Cultural
., TABLE Of' CONTENTS �E,NTARyl v� ., � ,� ? PAGE CL� 1l 1.0 EXECUTIVE SUMMARY -< 1 f o l· MISSION STATEMENT 3 3.0 ORGANI SATI ON AND MANAGEMENT 4 3.1.0 Structure 4 3.1.1 Education 4 J.1.2 Genaral Administration 4 J.1.3 Department of Culture 5 3.1.4 Department of Sport 7 3.2.0 �GANISATION CHARTS 9 3.2.1 Ministry of Education & Cultural Development 9 J.2.2 Cyril Potter College of Education 10 3.2.3 National Centre for Educational Resource Development 11 3.2.4 Carnegie School of Home Economics 12 a.2.s Boak Distribution Unit 13 J.2.6 Unit of Allied Arts 14 3.2.7 Division of Craft Production and Design 15 3.2.8 Government Technical Institute 16 3.2.9 Examinations Division 17 3.2.10 School Libraries Division 18 J.2.11 Department of Culture 19 3.2.12 National Library 20 3.2.13 Department af Sport 21 l.2.14 Guyana Industrial Training Centre 22 3.3.0 DESCRIPTION OF DIVISIONS, DEPARTMENTS, UNIT 23 3.3.l Educatimn 23 3.J.1.1 Nursery Edµcation 23 J.3.1.2 Priffllilry Education 24 3.3.1.3 Secondary Education 24 3.J.1.3.l President's College 25 3.3.1.4 Inspectorate Division 26 3.3.1.5 Technical and Vocational Education 26 Government Technical Institute 26 Guyana Industrial Training Centre 2B (i} 3.3.1.5.3 New Amsterdam Technical Institute 28 3.3.1.5.4 Carnegie School of Home Economics 29 3.3.1.5.5 Division of Craft Production and Design 31 3.3.1.5.6 Technical Adviser 32 3.3.l.6 Teacher Training 33 3.3.1.6.1 Cyril Potter College of Education 33 3.3.1.7 SUPPORTING UNI TS 34 3.3.l.7.l National Centre for Educational Resource Development 34 3.3.1.7.2 Examinations -
RALLY for DUBE Protestors Demand Justice & Academic Freedom by Sandra Danielle Dixon an Eyewitness Account by One of the March 2
"J B EuckworldE Publbhed bi-weekly by students at SUNY Stony Brook A SUNY STUDENT PUBLICATION-UNIVERSITY AT STONY BROOK Week of March 2, 1987 Vol. XV No. 2 RALLY FOR DUBE Protestors Demand Justice & Academic Freedom by Sandra Danielle Dixon An eyewitness account by one of the March 2. It was at this point that demonstrators. some students decided to stay in On the 4th of March 1987 at the Administration building until Dr. Marburger showed. 11:00am, students and faculty gathered in the Union's Fire Side Unfortunately some students in- Lounge to commence the rally, flicted minor damage to the lower "Tenure For Dube." After leav- right wall of the Presidents door. ing the Union the crowd marched Public Safety was called in, and toward the Administration build- they came with batons out, and ing, which was guarded by Public some dressed in bullet proof Safety. The crowd was not allowed vests. Some students were physi- to enter the building, but this did cally harrassed by officers who not deter us. The crowd marched were closing the doors in order to chanting, "Tenure For Dube, Just- keep students out. One young tice For Dube, and Marburger You lady got her contacts knocked oul, Can't Hide. You Support Apart- by a member of Public Safety, heid." who later denied any knowledge Representitives of various stu- of the incident. dent organizations and the Black During the night the media was faculty staff shared their thoughts notified as to what was taking and emotions concerning the Dube place here at SUNY Stony Brook.