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Swan Lake Audience Guide
February 16 - 25, 2018 Benedum Center for the Performing Arts, Pittsburgh Choreography: Marius Petipa and Lev Ivanov Staging: Terrence S. Orr Music: Peter Ilyich Tchaikovsky Swan Lake Sponsors: The Benter Foundation, The Pittsburgh Foundation, Eden Hall Foundation, Anonymous Donor February 16 - 25, 2018 Benedum Center for the Performing Arts | Pittsburgh, PA PBT gratefully acknowledges the following organizations for their commitment to our education programming: Allegheny Regional Asset District Henry C. Frick Educational Fund of The Buhl Anne L. and George H. Clapp Charitable Foundation Trust BNY Mellon Foundation Highmark Foundation Claude Worthington Benedum Foundation Peoples Natural Gas Eat ‘n Park Hospitality Group Pennsylvania Council on the Arts Edith L. Trees Charitable Trust Pennsylvania Department of Community ESB Bank and Economic Development Giant Eagle Foundation PNC Bank Grow up Great The Grable Foundation PPG Industries, Inc. Hefren-Tillotson, Inc. Richard King Mellon Foundation James M. The Heinz Endowments and Lucy K. Schoonmaker Cover Photo: Duane Rieder Artist: Amanda Cochrane 1 3 The Setting and Characters 3 The Synopsis 5 About Swan Lake 6 The Origins of the Swan Lake Story 6 Swan Lake Timeline 7 The Music 8 The Choreography 9 The Dual Role of Odette + Odile 9 Acts 1 & 3 10 Spotlight on the Black Swan Pas de Deux 10 The Grand Pas Explained 11 What’s a fouette? 11 Acts 2 & 4 12 Dance of the Little Swans 13 The White Act 13 Costumes and Scenic Design 13 Costumes By the Numbers 14 The Tutus 14 A Few Costume Tidbits! 15 Did You Know? Before She was the Black Swan 16 Programs at the Theater 17 Accessibility 2 The Setting The ballet takes place in and near the European castle of Prince Siegfried, long ago. -
Kunapipi 32 (1&2) 2010 Full Version
Kunapipi Volume 32 Issue 2 Article 1 2010 Kunapipi 32 (1&2) 2010 Full Version Anne Collett University of Wollongong, [email protected] Follow this and additional works at: https://ro.uow.edu.au/kunapipi Part of the Arts and Humanities Commons Recommended Citation Collett, Anne, Kunapipi 32 (1&2) 2010 Full Version, Kunapipi, 32(2), 2010. Available at:https://ro.uow.edu.au/kunapipi/vol32/iss2/1 Research Online is the open access institutional repository for the University of Wollongong. For further information contact the UOW Library: [email protected] Kunapipi 32 (1&2) 2010 Full Version Abstract Full text of issue. For individual articles see: ro.uow.edu.au/kunapipi/vol32/iss1/ This full issue is available in Kunapipi: https://ro.uow.edu.au/kunapipi/vol32/iss2/1 JournalKUNAPIPI of Postcolonial Writing & Culture VOLUME XXXII NUMBER 1–2 2010 ii Kunapipi is a biannual arts magazine with special but not exclusive emphasis on the new literatures written in English. It aims to fulfil the requirements T.S. Eliot believed a journal should have: to introduce the work of new or little known writers of talent, to provide critical evaluation of the work of living authors, both famous and unknown, and to be truly international. It publishes creative material and criticism. Articles and reviews on related historical and sociological topics plus film will also be included as well as graphics and photographs. The editor invites creative and scholarly contributions. The editorial board does not necessarily endorse any political views expressed by its contributors. Manuscripts should be double-spaced with notes gathered at the end, and should conform to the Harvard (author-date) system. -
Актуальнi Питання Гуманiтарних Наук: Humanities Science Current Issues
МІНІСТЕРСТВО ОСВІТИ І НАУКИ УКРАЇНИ ДРОГОБИЦЬКИЙ ДЕРЖАВНИЙ ПЕДАГОГІЧНИЙ УНІВЕРСИТЕТ ІМЕНІ ІВАНА ФРАНКА РАДА МОЛОДИХ ВЧЕНИХ MINISTRY OF EDUCATION AND SCIENCE OF UKRAINE DROHOBYCH IVAN FRANKO STATE PEDAGOGICAL UNIVERSITY YOUNG SCIENTISTS COUNCIL ISSN 2308-4855 (Print) ISSN 2308-4863 (Online) АКТУАЛЬНI ПИТАННЯ ГУМАНIТАРНИХ НАУК: Мiжвузiвський збiрник наукових праць молодих вчених Дрогобицького державного педагогiчного унiверситету iменi Iвана Франка HUMANITIES SCIENCE CURRENT ISSUES: Interuniversity collection of Drohobych Ivan Franko State Pedagogical University Young Scientists Research Papers ВИПУСК 29. ТОМ 1 ISSUE 29. VOLUME 1 Видавничий дім «Гельветика» 2020 Рекомендовано до друку Вченою радою Дрогобицького державного педагогічного університету імені Івана Франка (протокол № 8 від 18.06.2020 р.) Актуальні питання гуманітарних наук: міжвузівський збірник наукових праць молодих вчених Дрогобицького дер- жавного педагогічного університету імені Івана Франка / [редактори-упорядники М. Пантюк, А. Душний, І. Зимомря]. – Дрогобич: Видавничий дім «Гельветика», 2020. – Вип. 29. Том 1. – 296 с. Видання розраховане на тих, хто цікавиться питаннями розвитку педагогіки вищої школи, а також філології, мистецтво- знавства, психології. Редакційна колегія: Пантюк М.П. – головний редактор, доктор педагогічних наук, професор, проректор з наукової роботи (Дрогобицький державний педа- гогічний університет імені Івана Франка); Душний А.І. – співредактор, кандидат педагогічних наук, доцент, завідувач кафедри (Дрого- бицький державний педагогічний університет -
Exploring Kodiak Alutiiq Literature Through Core Values
LIITUKUT SUGPIAT’STUN (WE ARE LEARNING HOW TO BE REAL PEOPLE): EXPLORING KODIAK ALUTIIQ LITERATURE THROUGH CORE VALUES A THESIS Presented to the Faculty of the University of Alaska Fairbanks in Partial Fulfillment of the Requirements for the Degree of DOCTOR OF PHILOSOPHY By Alisha Susana Drabek, BA., M.F.A. Fairbanks, Alaska December 2012 UMI Number: 3537832 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMI 3537832 Published by ProQuest LLC 2013. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 LIITUKUT SUGPIAT’ STUN (WE ARE LEARNING HOW TO BE REAL PEOPLE): EXPLORING KODIAK ALUTIIQ LITERATURE THROUGH CORE VALUES By Alisha Susana Drabek Abstract The decline of Kodiak Alutiiq oral tradition practices and limited awareness or understanding of archived stories has kept them from being integrated into school curriculum. This study catalogs an anthology of archived Alutiiq literature documented since 1804, and provides an historical and values-based analysis of Alutiiq literature, focused on the educational significance of stories as tools for individual and community wellbeing. The study offers an exploration of values, worldview and knowledge embedded in Alutiiq stories. -
Evidence for the Indo-European Origin of Two Ancient Chinese Deities
SINO-PLATONIC PAPERS Number 118 June, 2002 The Spider’s Web. Goddesses of Light and Loom: Examining the Evidence for the Indo-European Origin of Two Ancient Chinese Deities by Justine T. Snow Victor H. Mair, Editor Sino-Platonic Papers Department of East Asian Languages and Civilizations University of Pennsylvania Philadelphia, PA 19104-6305 USA [email protected] www.sino-platonic.org SINO-PLATONIC PAPERS FOUNDED 1986 Editor-in-Chief VICTOR H. MAIR Associate Editors PAULA ROBERTS MARK SWOFFORD ISSN 2157-9679 (print) 2157-9687 (online) SINO-PLATONIC PAPERS is an occasional series dedicated to making available to specialists and the interested public the results of research that, because of its unconventional or controversial nature, might otherwise go unpublished. The editor-in-chief actively encourages younger, not yet well established, scholars and independent authors to submit manuscripts for consideration. Contributions in any of the major scholarly languages of the world, including romanized modern standard Mandarin (MSM) and Japanese, are acceptable. In special circumstances, papers written in one of the Sinitic topolects (fangyan) may be considered for publication. Although the chief focus of Sino-Platonic Papers is on the intercultural relations of China with other peoples, challenging and creative studies on a wide variety of philological subjects will be entertained. This series is not the place for safe, sober, and stodgy presentations. Sino- Platonic Papers prefers lively work that, while taking reasonable risks to advance the field, capitalizes on brilliant new insights into the development of civilization. Submissions are regularly sent out to be refereed, and extensive editorial suggestions for revision may be offered. -
'Fairy' in Middle English Romance
'FAIRY' IN MIDDLE ENGLISH ROMANCE Chera A. Cole A Thesis Submitted for the Degree of PhD at the University of St Andrews 2014 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6388 This item is protected by original copyright This item is licensed under a Creative Commons Licence ‘FAIRY’ IN MIDDLE ENGLISH ROMANCE Chera A. Cole A thesis submitted for the degree of Doctor of Philosophy at the School of English in the University of St Andrews 17 December 2013 i ABSTRACT My thesis, ‘Fairy in Middle English romance’, aims to contribute to the recent resurgence of interest in the literary medieval supernatural by studying the concept of ‘fairy’ as it is presented in fourteenth- and fifteenth-century Middle English romances. This thesis is particularly interested in how the use of ‘fairy’ in Middle English romances serves as an arena in which to play out ‘thought-experiments’ that test anxieties about faith, gender, power, and death. My first chapter considers the concept of fairy in its medieval Christian context by using the romance Melusine as a case study to examine fairies alongside medieval theological explorations of the nature of demons. I then examine the power dynamic of fairy/human relationships and the extent to which having one partner be a fairy affects these explorations of medieval attitudes toward gender relations and hierarchy. The third chapter investigates ‘fairy-like’ women enchantresses in romance and the extent to which fairy is ‘performed’ in romance. -
CHAPTER I INTRODUCTION 1.1 Background of Study It Was
CHAPTER I INTRODUCTION 1.1 Background of Study It was amazing and amusing when in my childhood listen the fable story of Sang Kancil and its series (the mouse deer) as the most popular children stories in my childhood. This story firstly was undocumented and it was told orally from the parents to their children. Such the traditional story shows the traditional setting of culture, custom, and nature as well. The jungle, the river and the farm field characterizes the setting of story. While the crocodile, snail, tiger, elephant, farmer, and the mouse deer itself became the characters in the story. It firmly depicts the influence of culture and nature to the traditional children stories. Being Sang Kancil (the mouse deer) is the well - known story for children, mostly it was told every day before the children were slept by the parents. Consequently, the following day, the children discussion in the school will talk of the abundance of this story, discussing the smartness of the mouse deer, laughing at the elephant’s silliness, crocodile’s confusion, and tiger stupidity, chatting how could the mouse deer cheat them and so forth. The simple discussion of the children dealing with the story is always about the amusement, funny, and entertaining simple topics. Attending the children to listen the stories will emerge two kinds of possibilities, first they will be laughing and happy and perhaps secondly, they will yawn as the reaction of their boredom. It is the natural response and honest expression from the children from the entire world in acquainted with the interesting and uninteresting of the stories that they have heard. -
A Comparative Study of Japanese and Indonesian Folklores *
Southeast Asian Studies, Vol. 33, No.3, December 1995 A Comparative Study of Japanese and Indonesian Folklores James DANANDJAJA * The History of Folklore Research in Japan and Indonesia As in Indonesia, folklore has long been collected and studied by Japanese scholars, especially those in the humanities. The difference is that, in .Japan. folklore was from the outset collected by the Japanese themselves, while in Indonesia it was mostly collected by European scholars, especially Dutch, in the initial stage. While, beginning in 1910, and particularly since 1930, Japanese folklore materials were collected by Japanese folklorists, in Indonesia such was not the case, since folklore materials were collected by scholars in other disciplines, such as philologists, musicologists, cultural anthropologists, theologists (Catholics as well as Protestant), Dutch civil servants etc. [Danandjaja 1994b: 9-10J. According to Ronald A. Morse, folklore in Japan began to be recorded in 1910 by folklorists or folklore lovers. and by 1930 folklore had become a discipline in its own right, since when it has grown into an independent and mature discipline [Morse 1990: xvJ. Officially the first folklore in Japan was collected in 1910, in which year Yanagita Kunio collected and published the first book of folklore, entitled Tono Monogatari (The Legend of Tono), a literal work that is now considered to be a classic [Zoe. cit.J. The year 1930 was also important, because it was then that folklore in Japan become a separate discipline, and folklore study was intensified. In that period there were three groups of folklorists in Japan. The first group led by Yanagita Kunio, emphasized the expressive aspect of folklore and tried to reconstruct the history of folk ideas. -
Лінгвокультурологічні Особливості Міфосвіту Художнього Тексту Роману Джульєт Марільєр “Child of the Prophecy”
Мовознавство. Лiтературознавство УДК 821.111(94) DOI https://doi.org/10.24919/2308-4863.1/29.209297 Аліса ГОРШКОВА, orcid.org/000-002-4579-5260 аспірантка кафедри англійської мови та методики її викладання, викладачка кафедри готельно-ресторанного та туристичного бізнесу Херсонського державного університету (Херсон, Україна) [email protected] Лінгвокультурологічні особливості міфосвіту художНього Тексту роману ДжульЄТ МарільЄР “CHILD OF THE PROPHECY” У центрі дослідження стоїть проблема ідентифікації архетипних елементів міфосвіту художнього прозо- вого тексту сучасної австралійської авторки Джульєт Марільєр, творчий доробок якої представлений числен- ними циклами романів у жанрі історичного фентезі. Матеріалом дослідження слугує англомовний роман тексту “Child of the Prophecy”, який є завершальним у трилогії “Sevenwaters”. Вибір текстового матеріалу дослідження обґрунтований тим, що однією з етико-естетичних і структуро формувальних основ літературного напрямку фентезі є міф. Жанр фентезі нині є одним з найпопулярніших і цікавих явищ культури. Для розуміння та вивчення феномена фентезі, на думку авторки, важливим є виявлення літературних і культурних елементів, які послугували основою для виникнення цього літературного напрямку. Тому для кваліфікованого аналізу аутентичного тексту необхідне знання екстралінгвістичних факторів – сучас- ний культурний розвиток країни, літературна спадщина й міфічна символіка. Стаття розкриває зміст понять «міф», «міфопоетика», «архетип», «архетипний словесний образ», дифе- ренціює значення двох останніх -
Motif-Index of Southeast Asian Folk- Literature
Motif-Index of Southeast Asian Folk- Literature according to the system of Stith Thompson: Motif-Index of Folk-Literature Kristina Lindell Lund University 1 In Commemoration Of Kristina Lindell (1928 – 2005) She opened the door To the treasury of sout-east Asian folklore and made the Kammu culture Known to scholars all over the world Damrong Tayanin Jan-Öjvind Swahn 2 A. MYTHOLOGICAL MOTIFS A32.2. Creator's daughter. China: Bäcker 1988: 1 (Manchu); A120.1. God as shape-shifter. Vietnam: Terada 1989 p. 50; *A123.3.3. God with 12 eyebrows. Laos: FTK 4: 7.c. (Kammu), 7.d. (Kammu), 7.f. (Kammu); A132. God in animal form.Vietnam: Dang 1992 (Dao), Terada 1989 p. 50; A132. God in animal form. China: Bäcker 1988: 3 (Manchu), Cf. 7 (Manchu); A132.5. Bear-god (goddess). China: Bäcker 1988: 29 (Nanay); *A132.6.3.1. God takes form of cock (to destroy man's house). Vietnam: Dang 1992 (Dao); A132.10. Tiger-god. China: Bäcker 1988: 3 (Manchu), 29 (Nanay); A151.1. Home of gods on high mountain. China: Bäcker 1988: 29 (Nanay); A151.1.2. Home of gods in cave. China: Bäcker 1988: 29 (Nanay); A151.2. Garden of the gods. Laos: FTK 4: 7.h. (Kammu); A157.1. Thunderweapon. Laos: FTK 3: 6.a. (Kammu); A159.1. Deity's special drum. Philippines: Wrigglesworth 1981: 13, 14 (Ilianen Manobo); A162. Conflicts of the gods. China: Eberhard 1965: A180. Gods in relation to mortals.Vietnam: Terada 1989 p. 42, p. 54 (Dao); A183.1. Male god invoked in east; female in west. -
Fantasy Series
Fantasy Series Albert, Susan Wittig 41. Ghost Writer in the Sky 3. The High King’s Tomb Cottages Tales of Beatrix Potter 42. Fire Sail 4. Blackveil 1. The Tale of Hill Top Farm Baker, Mishell 5. Mirror Sight 2. The Tale of Holly How Arcadia Project 6. Firebrand 3. The Tale of Cuckoo Brow 1. Borderline Brooks, Terry Wood 2. Phantom Pains Magic Kingdom of Landover 4. The Tale of Hawthorn 3. Impostor Syndrome 1. Magic Kingdom for Sale House Barron, T.A. Sold! 5. The Tale of Briar Bank The Lost Years of Merlin 2. The Black Unicorn 6. The Tale of Applebeck 1. The Lost Years of Merlin 3. Wizard at Large Orchard 2. The Seven Songs of Merlin 4. The Tangle Box 7. The Tale of Oat Cake Crag 3. The Fires of Merlin 5. Witches’ Brew 8. The Tale of Castle Cottage 4. The Mirror of Merlin 6. A Princess of Landover Anthony, Piers 5. The Wings of Merlin Shannara Mode Bradbury, Ray First King of Shannara 1. Virtual Mode Douglas Spaulding (Prequel) 2. Fractal Mode 1. Dandelion Wine 1. The Sword of Shannara 3. Chaos Mode 2. Farewell Summer 2. The Elfstones of Shannara 4. Dooon Mode Bradley, Marion Zimmer 3. The Wishsong of Shannara Xanth Avalon The Heritage of Shannara 1. A Spell for Chameleon 1. The Mists of Avalon 1. The Scions of Shannara 2. The Source of Magic 2. The Forest House 2. The Druid of Shannara 3. Castle Roogna 3. Lady of Avalon 3. The Elf Queen of 4. Centaur Aisle 4. -
LCSH Section T
T (Computer program language) T cell growth factor T-Mobile G1 (Smartphone) [QA76.73.T] USE Interleukin-2 USE G1 (Smartphone) BT Programming languages (Electronic T-cell leukemia, Adult T-Mobile Park (Seattle, Wash.) computers) USE Adult T-cell leukemia UF Safe, The (Seattle, Wash.) T (The letter) T-cell leukemia virus I, Human Safeco Field (Seattle, Wash.) [Former BT Alphabet USE HTLV-I (Virus) heading] T-1 (Reading locomotive) (Not Subd Geog) T-cell leukemia virus II, Human Safeco Park (Seattle, Wash.) BT Locomotives USE HTLV-II (Virus) The Safe (Seattle, Wash.) T.1 (Torpedo bomber) T-cell leukemia viruses, Human BT Stadiums—Washington (State) USE Sopwith T.1 (Torpedo bomber) USE HTLV (Viruses) t-norms T-6 (Training plane) (Not Subd Geog) T-cell receptor genes USE Triangular norms UF AT-6 (Training plane) BT Genes T One Hundred truck Harvard (Training plane) T cell receptors USE Toyota T100 truck T-6 (Training planes) [Former heading] USE T cells—Receptors T. rex Texan (Training plane) T-cell-replacing factor USE Tyrannosaurus rex BT North American airplanes (Military aircraft) USE Interleukin-5 T-RFLP analysis Training planes T cells USE Terminal restriction fragment length T-6 (Training planes) [QR185.8.T2] polymorphism analysis USE T-6 (Training plane) UF T lymphocytes T. S. Hubbert (Fictitious character) T-18 (Tank) Thymus-dependent cells USE Hubbert, T. S. (Fictitious character) USE MS-1 (Tank) Thymus-dependent lymphocytes T. S. W. Sheridan (Fictitious character) T-18 light tank Thymus-derived cells USE Sheridan, T. S. W. (Fictitious