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Adjectives ABBA – Money, Money, Money Adam Lambert / Tears For Fears – Mad World Alanis Morissette – Everything Alanis Morissette - Hand In My o!"et Bonnie Tyler - Holding #$t For A Hero %her - Believe &es'ree - (o$ )otta Be &ionne War*i!" / )abrielle / +eal - Wal" #n By Elton ,ohn - (o$r +ong Elvis resley - In The )hetto Fools )arden – Lemon Tree ,ason Mra- / %olbie %allait - L$!"y ,ames Bl$nt - (o$.re Bea$ti/$l Mi!hael Learns To 0o!" - Ta"e Me To (o$r Heart Mi!hael Montgomery - I +*ear Mi"a - 0ela1, Ta"e It Easy 0obbie Williams .+he.s The #ne 0oy #rbison - retty Woman +ade – By (o$r +ide +$2ertram2 - Logi!al +ong Adverbs vs3 Ad4e!tives The Beatles - I5m +o Tired The Beatles - Thin" For (o$rsel/ The $ssy!at &olls - H$sh H$sh Tom ,ones - +e1 Bomb Adverbs Britney +2ears -+ometimes Adverbs #/ Fre6$en!y %old2lay - 7iva La 7ida Adverbs #/ Fre6$en!y Elvis resley – Al*ays #n My Mind Adverbs #/ Fre6$en!y ,immy %li8 - I %an +ee %learly 9o* :The 0ain Has )one; Martina M!bride - I Love (o$ Mi!hael Montgomery - I +*ear +$2ertram2 - Logi!al +ong Adverbs vs3 Ad4e!tives Articles Maroon < - This Love %andi +taton - (o$ng Hearts 0$n Free Bon ,ovi - It5s My Li/e The Beatles - With A Little Hel2 From My Friends Ar!ti! Mon"eys - When The +$n )oes &o*n Auxiliary Verbs ,ohn Lennon / Eva %assidy - Imagine Modal A$1iliaries :Might= May= %o$ld= Wo$ld; Lemar - I/ There5s Any ,$sti!e In The World Modal A$1iliaries :Wo$ld= +ho$ld; The Beatles - With A Little Hel2 From My Friends A$1iliary 7erbs Causative in" – )et The arty +tarted Collocations )ene itney - >? Ho$rs From T$lsa rin!e – $r2le 0ain +im2le lan - Wel!ome To My Li/e The oli!e – Every Breath (o$ Ta"e Comparatives And Superlatives Alanis Morissette – Everything %hristina Ag$ilera – Fighter &estiny's %hild - +$rvivor %om2arative Elton ,ohn - (o$r +ong Tina T$rner – The Best Whitesna"e - The &ee2er The Love %om2arative %old2lay - Bigger, +tronger %om2arative Madonna - &ee2er And &ee2er %om2aratives Mi!hael ,a!"son @ AFriends'- We Are The World rin!e - The Most Bea$ti/$l )irl In The World +$2erlative +ade - 9ever As )ood As The First Time AAs333As'= %om2aratives Conditionals ABBA - Money Money Money >nd %onditional Barena"ed Ladies - I/ I Had A Million &ollars >nd %onditional Bea$ti/$l +o$th - I5ll +ail This +hi2 Alone Bst %onditional Beyon!e – I/ I Were A Boy >nd %onditional Bon ,ovi - In These Arms >nd %onditional Brian M!"night - +ho$lda, Wo$lda, %o$lda Crd %onditional= Modals %hi!ago - I/ (o$ Leave Me 9o* %eline &ion - When I Fall in Love %yndi La$2er – Time A/ter Time Bst %onditional &on Williams - I/ I Were A %ar2enter >nd %onditional Eri! %la2ton - %hange the World Eri! %la2ton - Tears In Heaven >nd %onditional Fran" +inatra - I/ (o$ )o A*ay Bst %onditional )arth Broo"s - I/ Tomorro* 9ever %omes : )loria )aynor - I Will +$rvive Crd %onditional )*en +te/ani - 0i!h )irl >nd %onditional Hoobastan" - I/ I Were (o$ >nd %onditional ,oan #sbo$rne - #ne #/ Ds >nd %onditional ,ohn Lennon / Eva %assidy - Imagine %onditionals= Modals Eatie Mel$a – I/ (o$ Were A +ailboat >nd %onditional Lisa +tansFeld - %hange Crd %onditional Mani! +treet rea!hers - I/ (o$ Tolerate This Bst %onditional Mariah %arey - Lead The Way Bst %onditional 9orah ,ones - ainter >nd %onditional #*l %ity – FireGies %onditionals= ast +im2le 0andy Travis - I/ I &idn't Have (o$ >nd %onditional 0od +te*art - I &on5t Want To Tal" Abo$t It Bst %onditional +im2ly 0ed - I/ (o$ &on't Eno* Me By 9o* Bst %onditional +$-anne 7ega - L$"a Bst %onditional Taylor +*i/t - +ho$ld5ve +aid 9o Crd %onditional The Beatles - %an't B$y Me Love Bst %onditional The Beatles - I/ I Fell Bst @ >nd %onditionals The Beatles - From Me To (o$ – Bst %onditional The Beatles - With A Little Hel2 From My Friends >nd @ Mi1ed %onditionals The ro!laimers - I Wo$ld Wal" <HH Miles Bst And >nd %onditionals Trini Lo2e- - I/ I Had A Hammer >nd %onditional Within Tem2tation - What Have (o$ &one Zero Mostel - I/ I Were A 0i!h Man >nd %onditional Conjunctions ,ohn Lennon - Imagine Contractions Britney +2ears - #ver2rote!ted &e2e!he Mode - +trange Love Fergie - Big )irls &on.t %ry Taylor +*i/t - +ho$ld5ve +aid 9o Also Crd %onditional Direct Speech The %hemi!al 0oman!e - %an!er Error Correction The Bla!" Eyed eas – +h$t D2 Future Forms Ali!ia Eeys – 9o #ne Avril Lavigne - I'm With (o$ F$t$re – WillJ 9egative K$estions Avril Lavigne - Eee2 Holding #n Bon ,ovi – Al*ays F$t$res Bryan Adams – Heaven )oing To= Will %eline &ion - When I Fall in Love &e2e!he Mode – +trange Love F$t$re – Will )loria )aynor - I Will +$rvive Will ,amie %$ll$m - 9e1t (ear Baby )oing To ,ames Bl$nt - (o$5re Bea$ti/$l Will ,a!" ,ohnson - We5re )oing To Be Friends )oing To Lady )aga – a2ara--i Will= Wo$ld Madonna - a2a &on.t rea!h )oing To= Will Madonna - (o$.ll +ee 9at Eing %ole - When I Fall In Love #ttis 0edding - +itting #n The &o!" #/ The Bay F$t$re %ontin$o$s hil %ollins - (o$'ll Be In My Heart F$t$re – Will 0ay %onni8 And +ingers - +ome*here My Love +avage )arden - Magi!al Eisses Will +avage )arden - Tr$ly, Madly, &ee2ly F$t$re – Will The oli!e - Every Breath (o$ Ta"e F$t$re %ontin$o$s The 0embrandts - I5ll Be There For (o$ Will The White +tri2es - We.re )oing To Be Friends )oing To= Will Third Eye Blind - Ho*'s It )oing to Be Whitney Ho$ston - I5ll Al*ays Love (o$ Will Future Perfect Faith Hill - (o$ Will Be Mine +heryl %ro*e - It5s #nly Love Gerund / Past Participle / Infinitive (With/Without %o) Annie Lenno1 – 9o More LI Love (o$'sM )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; Ar!ti! Mon"eys - When The +$n )oes &o*n )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; B$sted - %rashed The Wedding )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; %eline &ion - My Heart Will )o #n InFnitive ,ames Bl$nt - )oodbye My Lover )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; )loria )aynor - I Will +$rvive )er$nds Leo +ayer - Th$nder In My Heart )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; Maroon < - This Love )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; 9atasha BedingFeld - These Words )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; #asis - +to2 %rying (o$r Heart #$t 7erbs= InFnitives= )er$nds atsy %line - Wal"ing A/ter Midnight )er$nds +ha"ira - Whenever Wherever )er$nd vs ast arti!i2le vs InFnitive :With/Witho$t To; The %orrs - What %an I &o Imperatives Bobby M!/errin - &on.t Worry Be Ha22y Eagle-Eye %herry - +ave Tonight Elvis resley - Love Me Tender Eminem - Lose (o$rsel/ H$rri!ane +mith -&on.t Let It &ie ,oe %o!"er - (o$ %an Leave (o$r Hat #n Also hrasal 7erbs ,ohn a$l (o$ng - Love Is In The Air Eylie Minog$e - %an.t )et (o$ #$t #/ My Head Mi!hael ,a!"son – Heal The World 0EM - Losing My 0eligion +i12en!e 9one the 0i!her - Love Me +ting - 9othing Abo$t Me +$2ertram2 - Logi!al +ong The %ardigans – Love/ool The %ardigans - Eiss Me Wet Wet Wet - Love Is All Aro$nd Modals ABBA - The &ay Be/ore (o$ %ame er/e!t Modals Adam Lambert – Whataya Want From Me Might= Wo$ld= Won't= Wo$ldn't= %o$ld Billy ,oel - ,$st The Way (o$ Are Brian M!"night - +ho$lda, Wo$lda, %o$lda Crd %onditional= +ho$ld Have= Wo$ld Have= %o$ld Have Britney +2ears - Baby #ne More Time +ho$ldn.t Have= M$st= Wo$ldn.t Bob &ylan - Blo*ing In The Wind Bon ,ovi - Mis$nderstood %eline &ion - I5m Alive Modals %eline &ion - My Heart Will )o #n &aniel o*ter - Bad &ay &e2e!he Mode - oli!y #/ Tr$th ast Modals &ido - Than" (o$ ast Modals Elvis resley - Al*ays #n My Mind ast Modals Eri! %la2ton - %hange the World Eri! %la2ton - Tears in Heaven ,a!" ,ohnson - Better Together ,amiro6$ai – 7irt$al 0eality robability= Ability Lenny Eravit- - Al*ays #n The 0$n ast Modals Madness - It M$st Be Love Mariah %arey / 9ielson – I %an't Live I/ Living Is %an= %an.t Witho$t (o$ Meatloa/ - I Wo$ld &o Anything For Love Wo$ld Mi!hael B$blN - Moondan!e %an hil %ollins – Another &ay In aradise %an hil %ollins - (o$.ll be In My Heart 0 Eelly - I Believe I %an Fly3 %an For Ability 0o1ette - It M$st've Been Love ast Modals - M$st +ha"ira - Whenever, Wherever The Beatles - With A Little Hel2 From My Friends - Wo$ld= +ho$ld= %an The Beatles - All (o$ 9eed Is Love Modals – ossibility The %lash – +ho$ld I +tay #r +ho$ld I )o +ho$ld The %orrs - What %an I &o %an The oli!e - 0o1anne Westli/e - (o$ M$st Have Had A Bro"en Heart D> - +ometimes (o$ %an't Ma"e It #n (o$r #*n &on't Have To= M$stn't Whitney Ho$ston / Enri6$e Iglesias - %o$ld %o$ld I Have This Eiss Forever Nouns Avril Lavigne - +"Oter Boi Beyon!e - +*eet &reams My La E1 Bob Marley - Three Little Birds Elvis resley - In The )hetto Lo$is Armstrong - What A Wonder/$l World 9o$ns= %olo$rs 9atasha BedingFeld - These Words The Beatles - With A Little Hel2 From My Friends The oli!e - 0o1anne Particles Avril Lavigne - %om2li!ated re2ositions @ arti!les in" Floyd - Learning To Fly re2ositions @ arti!les )loria )aynor – I Will +$rvive re2ositions @ arti!les K$een - We Are The %ham2ions re2ositions @ arti!les K$een - The +ho* M$st )o #n re2ositions @ arti!les Maroon < - This Love re2ositions @ arti!les in" - Family ortrait re2ositions @ arti!les Avril Lavigne - Mobile re2ositions @ arti!les Annie Lenno1 - 9o More LI Love (o$'sM re2ositions @ arti!les 9atasha BedingFeld - +ingle re2ositions @ arti!les The Beatles – With A Little Hel2 From My Friends re2ositions @ arti!les 7an Morrison - Bro*n Eyed )irl resent arti!i2le Passives Allanah Myles - Bla!" 7elvet Bonnie Tyler - It's A Hearta!he %at +tevens – Moonshado* %ro*ded Ho$se - +omething +o +trong Elton ,ohn - +ad +ongs +ay +o M$!h )len %am2bell - +o$thern 9ights )loria )aynor - Let5s Mend What5s Been Bro"en ,e8erson Air2lane - White
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    sunday morning tambourine by Juliana M Sartor B.S., Central Michigan University, 2010 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Fine Arts Department of English 2013 This thesis entitled: sunday morning tambourine written by Juliana M Sartor has been approved for the Department of English Ruth Ellen Kocher Noah Eli Gordon Date The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. IRB protocol # ____________________ iii Sartor, Juliana M (MFA, English) sunday morning tambourine Thesis directed by Ruth Ellen Kocher Like the chatter of its namesake, the poetry of sunday morning tambourine chimes between rhythm and ringing, between recall and recognition; an exploration of truth and record, language and retelling; building momentum and reason through repetition, a tinnitus of memory: the best i can do for whatever becomes my history. iv table of contents one recall poem 1 the CAVES of MAVES 2 sunday morning tambourine 11 miscellaneous swans one 24 first: 30 miscellaneous swans two 31 two recall poem 39 the bell/noise use 43 miscellaneous swans three 47 sunday morning tambourine 54 HYSHAM 69 then: 74 Annotated Bibliography 75 1 one recall poem when i wake, i stumble to recount. grey light pressed into pulled blinds. you at the kitchen table your fingers through a mug handle. this is how life moves. this is what recognition gives us.
  • 03.12.13 GGB Master Set List.Xlsx

    03.12.13 GGB Master Set List.Xlsx

    GGB MASTER SET LIST Name Artist Alone Heart Babe I'm gonna leave you Gina Glocksen Band Bad U2 Barely Gina Glocksen Before He Cheats Carrie Underwood Betterman Pearl Jam Blister in the Sun Violent Femmes Blown Away Carrie Underwood Can't Help Falling In Love With You Elvis Presley Crazy Train Ozzy Osbourne Dammit blink-182 Dream On Aerosmith Drink In My Hand Eric Church Eleanor Rigby Gina Glocksen Band Everlong Foo Fighters Everybody Talks Neon Trees Folsom Prison Blues Johnny Cash Forget You Cee Lo Green Gunpowder & Lead Miranda Lambert Harder to Breathe Maroon 5 Hemorrhage Fuel Hey Jude The Beatles Higher Ground Red Hot Chili Peppers Ho Hey The Lumineers Hot Stuff Donna Summer Hurt Gina Glocksen I'll Stand By You Pretenders I Knew You Were Trouble Taylor Swift I Think We're Alone Now Tiffany I Want You to Want Me Cheap Trick I Will Wait Mumford & Sons I Wish Stevie Wonder Interstate Love Song Stone Temple Pilots Jack & Diane John Mellencamp Landslide Dixie Chicks Let's Get It On Marvin Gaye Lightning Crashes Live Man in the Box Alice In Chains Mary Jane's Last Dance Tom Petty & the Heartbreakers Misery Business Paramore Mr. Brownstone Guns N' Roses Name Artist My Own Worst Enemy Lit Never Gonna Give You Up Rick Astley Old Dance Medley Gina Glocksen Band The Only Exception Paramore Over the Hills and Far Away Led Zeppelin Paradise City Guns N' Roses Piece of My Heart Janis Joplin Play That Funky Music Wild Cherry Pour Some Sugar on Me Def Leppard Livin' on a Prayer Bon Jovi Pride (In the Name of Love) U2 Raise Your Glass Pink Red Solo Cup Toby Keith Redneck Woman Gretchen Wilson Rihanna Medley Gina Glocksen Band Satellite Dave Matthews Band Say It Ain't So Weezer Shimmer Fuel Shine Collective Soul Shout The Isley Brothers (Sittin' On) The Dock of the Bay Sara Bareilles Spiderwebs No Doubt Stars Grace Potter & The Nocturnals The Story Brandi Carlile Stranglehold Ted Nugent Stuck like glue Gina Glocksen Band Sunday Bloody Sunday U2 Superhero Gina Glocksen Sweet Child O' Mine Guns N' Roses T.N.T.
  • A COLLECTION of SHORT STORIES by SHIRLEY MASON

    A COLLECTION of SHORT STORIES by SHIRLEY MASON

    A COLLECTION OF SHORT STORIES by SHIRLEY MASON LEWTER, B.A. A THESIS IN ENGLISH Submitted to the Graduate Faculty of Texas Tech University in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Approved Accepted August, 1993 ACKNOWLEDGEMENTS I owe special thanks to Professors Doug Crowell and Barbara Rodman, whose creative writing classes first inspired me to travel this route. Their suggestions and encouragement have been invaluable. Thanks, also, to Professor John Samson, who patiently read this manuscript and offered his critical advice. Finally, I thank classmates and friends who commented upon these stories. Their understanding of them, as well as their questions concerning them, helped me a great deal. Frank O'Connor, in The Lonely Art: A Study of the Short Story, states that the writing of short stories is "a lonely art, and [writers] too are lonely." Were it not for the people mentioned above, I would have to agree with him. ii TABLE OF CONTENTS ACKNOWLEDGEMENTS • ••••••••••••••••••••••••••••••••••••••••• ii CHAPTER I. INTRODUCTION • .••••••••••••••••••••••••••••••••••• 1 II. MINKS •••••••••••••••••••••••••••••••••••••••••••• 6 III. BROTHER, MY SIBYL •.••••••.•••••••••••••••••••••• 2 3 IV. LITTLE LOVE NEST ON THE TRACKS •••••••••••••••••• 34 v. PINK CRUISE ...................•.•.........•..... 40 VI. LA PETITE MORT DE RENART: UN FABLIAU •••••••••••• 60 VII. JIMMY CRACK CORN AND I DON'T CARE ••••••••••••••• 68 VIII. LAST DANCE AT THE WHITE GODDESS BURLESQUE ••••••• 82 IX. CHAMOIS AFTERNOON ••••••••••••••••••••••••••••••• 95 iii CHAPTER I INTRODUCTION "You can call every prostitute a Theban Sphinx. They babble not simply, but in riddles." (Athenaeus) " ... you yourselves are the riddle." (Freud [concerning women]) "Shall I create a world?" (Oedipa Maas/The Crying of Lot 49) In 1948, Robert Graves stated in The White Goddess, that .•• woman is not a poet: she is either a Muse or she is nothing.
  • Contextual Predictability Norms for Pairs of Words Differing in a Single Letter

    Contextual Predictability Norms for Pairs of Words Differing in a Single Letter

    H I LLINI S UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN PRODUCTION NOTE University of Illinois at Urbana-Champaign Library Large-scale Digitization Project, 2007. ~66' Technical Report No. 260 CONTEXTUAL PREDICTABILITY NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 Center for the Study of Reading TECHNICAL REPORTS UNIVERSITY OF ILLINOIS AT URBANA-CHAMPAIGN 51 Gerty Drive Champaign, Illinois 61820 BOLT BERANEK AND NEWMAN INC. 50 Moulton Street Cambridge, Massachusetts 02238 [LtHE LIBRARY OF TH-I The National Institute of Education U.S. Department of Education UNIVE.SITY OF ILL:S Washington. D.C. 20208 IT ^a -- CENTER FOR THE STUDY OF READING Technical Report No. 260 CONTEXTUAL PREDICTABILITY' NORMS FOR PAIRS OF WORDS DIFFERING IN A SINGLE LETTER Harry E. Blanchard, George W. McConkie and David Zola University of Illinois at Urbana-Champaign August 1982 University of Illinois at Urbana-Champaign Bolt Beranek and Newman Inc. 51 Gerty Drive 50 Moulton Street Champaign, Illinois 61820. Cambridge, Massachusetts 02238 This research was conducted under grants MH 32884 and MH 33408 from the National Institute of Mental Health to the first author, and National Institute of Education contract HEW-NIE-C-400-76-0116 to the Center for the Study of Reading. Copies of this report can be obtained by writing to George W. McConkie, Center for the Study of Reading, 51 Gerty Drive, Champaign, Illinois 61820. EDITORIAL BOARD William Nagy and Stephen Wilhite Co--Editors Harry Blanchard Anne Hay Charlotte Blomeyer Asghar Iran-Nejad Nancy Bryant Margi Laff Avon Crismore Terence Turner Meg Sallagher Paul Wilson Abstract Predictability Norms Four hundred sixty-seven pairs of short texts were written.