66 Artists Selected for Fall Festival from 8 A.M
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The Uses of Animation 1
The Uses of Animation 1 1 The Uses of Animation ANIMATION Animation is the process of making the illusion of motion and change by means of the rapid display of a sequence of static images that minimally differ from each other. The illusion—as in motion pictures in general—is thought to rely on the phi phenomenon. Animators are artists who specialize in the creation of animation. Animation can be recorded with either analogue media, a flip book, motion picture film, video tape,digital media, including formats with animated GIF, Flash animation and digital video. To display animation, a digital camera, computer, or projector are used along with new technologies that are produced. Animation creation methods include the traditional animation creation method and those involving stop motion animation of two and three-dimensional objects, paper cutouts, puppets and clay figures. Images are displayed in a rapid succession, usually 24, 25, 30, or 60 frames per second. THE MOST COMMON USES OF ANIMATION Cartoons The most common use of animation, and perhaps the origin of it, is cartoons. Cartoons appear all the time on television and the cinema and can be used for entertainment, advertising, 2 Aspects of Animation: Steps to Learn Animated Cartoons presentations and many more applications that are only limited by the imagination of the designer. The most important factor about making cartoons on a computer is reusability and flexibility. The system that will actually do the animation needs to be such that all the actions that are going to be performed can be repeated easily, without much fuss from the side of the animator. -
Holocaust-Denial Literature: a Fourth Bibliography
City University of New York (CUNY) CUNY Academic Works Publications and Research York College 2000 Holocaust-Denial Literature: A Fourth Bibliography John A. Drobnicki CUNY York College How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/yc_pubs/25 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] Holocaust-Denial Literature: A Fourth Bibliography John A. Drobnicki This bibliography is a supplement to three earlier ones published in the March 1994, Decem- ber 1996, and September 1998 issues of the Bulletin of Bibliography. During the intervening time. Holocaust revisionism has continued to be discussed both in the scholarly literature and in the mainstream press, especially owing to the libel lawsuit filed by David Irving against Deb- orah Lipstadt and Penguin Books. The Holocaust deniers, who prefer to call themselves “revi- sionists” in an attempt to gain scholarly legitimacy, have refused to go away and remain as vocal as ever— Bradley R. Smith has continued to send revisionist advertisements to college newspapers (including free issues of his new publication. The Revisionist), generating public- ity for his cause. Holocaust-denial, which will be used interchangeably with Holocaust revisionism in this bib- liography, is a body of literature that seeks to “prove” that the Jewish Holocaust did not hap- pen. Although individual revisionists may have different motives and beliefs, they all share at least one point: that there was no systematic attempt by Nazi Germany to exterminate Euro- pean Jewry. -
Production Designer Jack Fisk to Be the Focus of a Fifteen-Film ‘See It Big!’ Retrospective
FOR IMMEDIATE RELEASE PRODUCTION DESIGNER JACK FISK TO BE THE FOCUS OF A FIFTEEN-FILM ‘SEE IT BIG!’ RETROSPECTIVE Series will include Fisk’s collaborations with Terrence Malick, Brian De Palma, Paul Thomas Anderson, and more March 11–April 1, 2016 at Museum of the Moving Image Astoria, Queens, New York, March 1, 2016—Since the early 1970s, Jack Fisk has been a secret weapon for some of America’s most celebrated auteurs, having served as production designer (and earlier, as art director) on all of Terrence Malick’s films, and with memorable collaborations with David Lynch, Paul Thomas Anderson, and Brian De Palma. Nominated for a second Academy Award for The Revenant, and with the release of Malick’s new film Knight of Cups, Museum of the Moving Image will celebrate the artistry of Jack Fisk, master of the immersive 360-degree set, with a fifteen-film retrospective. The screening series See It Big! Jack Fisk runs March 11 through April 1, 2016, and includes all of Fisk’s films with the directors mentioned above: all of Malick’s features, Lynch’s Mulholland Drive and The Straight Story, De Palma’s Carrie and Phantom of the Paradise, and Anderson’s There Will Be Blood. The Museum will also show early B- movie fantasias Messiah of Evil and Darktown Strutters, Stanley Donen’s arch- affectionate retro musical Movie Movie, and Fisk’s directorial debut, Raggedy Man (starring Sissy Spacek, Fisk’s partner since they met on the set of Badlands in 1973). Most titles will be shown in 35mm. See below for schedule and descriptions. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand corner and continuing from left to right in equal sections with small overlaps. Each original is also photographed in one exposure and is included in reduced form at the back of the book. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6" x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. University Microfilms International A Bell & Howell Information Company 300 North Zeeb Road. Ann Arbor. Ml 48106-1346 USA 313/761-4700 800/521-0600 Order Number 9120640 Society, state, and electronic media policy: The introduction of cable to Taiwan Chang, Chung-jen, Ph.D. The Ohio State University, 1991 UMI 300 N. -
HOS Transcript 12/16/02
Heart of the Sea -Transcript RELL: A lot of grand-parents come up with the name before you're even in your mom. They have a dream and they tell your mother, well you’re going to have another girl and her name’s going to be: Kapolioka’ehukai, that means Heart of the Sea. COMMENTATOR (WOMAN): Next up is a native of Hawaii: Rell Sunn COMMENTATOR (MAN): She grew up at Makaha and really knows these waves well. Look at her maneuver here. Look right there, Andrea, that’s a nose ride, you don’t see many of them anymore, it’s an extremely different maneuver to perform on these small boards. Looking at in slow motion, you’ll notice she pulls herself up high in the wave, drops her weight back, stalls her board into the critical section and simply walks to the front of the board...plants herself on the nose and rides the wave; extremely difficult, it’s going to score. RELL: Before I could read, I could read the ocean. I knew the tides , I could read the wind on the ocean, I thought I knew everything I ever needed to know just from being on that beach every day, everything. I started surfing when I was four. It’s like you’re four and you’re having a revelation; you can’t quite articulate it but you know the feeling. And my dad was like a beach boy. And he used to surf all the time and so of course that was going to be a part of our lives. -
Sex and Disability
Sex and diSability Sex and diSability RobeRt McRueR and anna Mollow, editoRs duke univerSity PreSS duRhaM and london 201 2 © 2012 Duke University Press All rights reserved Printed in the United States of America on acid-free paper ♾ Designed by Nicole Hayward Typeset in Minion Pro by Tseng Information Systems, Inc. Library of Congress Cataloging- in- Publication Data and republication acknowledgments appear on the last printed page of this book. ContentS Acknowledgments / ix Introduction / 1 AnnA Mollow And RobeRt McRueR Part i: aCCeSS 1 A Sexual Culture for Disabled People / 37 tobin SiebeRS 2 Bridging Theory and Experience: A Critical- Interpretive Ethnography of Sexuality and Disability / 54 RuSSell ShuttlewoRth 3 The Sexualized Body of the Child: Parents and the Politics of “Voluntary” Sterilization of People Labeled Intellectually Disabled / 69 Michel deSjARdinS Part ii: HiStorieS 4 Dismembering the Lynch Mob: Intersecting Narratives of Disability, Race, and Sexual Menace / 89 Michelle jARMAn 5 “That Cruel Spectacle”: The Extraordinary Body Eroticized in Lucas Malet’s The History of Sir Richard Calmady / 108 RAchel o’connell 6 Pregnant Men: Modernism, Disability, and Biofuturity / 123 MichAel dAvidSon 7 Touching Histories: Personality, Disability, and Sex in the 1930s / 145 dAvid SeRlin Part iii: SPaCeS 8 Leading with Your Head: On the Borders of Disability, Sexuality, and the Nation / 165 nicole MARkotiĆ And RobeRt McRueR 9 Normate Sex and Its Discontents / 183 Abby l. wilkeRSon 10 I’m Not the Man I Used to Be: Sex, hiv, and Cultural “Responsibility” / 208 chRiS bell Part iv: liveS 11 Golem Girl Gets Lucky / 231 RivA lehReR 12 Fingered / 256 lezlie FRye 13 Sex as “Spock”: Autism, Sexuality, and Autobiographical Narrative / 263 RAchAel GRoneR Part v: deSireS 14 Is Sex Disability? Queer Theory and the Disability Drive / 285 AnnA Mollow 15 An Excess of Sex: Sex Addiction as Disability / 313 lennARd j. -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
Tabela Cell Phones Zawiera 30 Rekordów. Pole Price Oznacza
Zadanie: tabela cell_phones zawiera 30 rekordów. Pole price oznacza cenę danego modelu telefonu. Wyświetl dane zawarte w polach: brand , model i price dla dziesięciu najtańszych modeli telefonów posortowanych od najdroższego z nich do najtańszego. id title yea type director cast ratin r g 1 Blade runner 198 SF Ridley Scott Harrison Ford, Rutger Hauer, Daryl 8.3 2 Hannah 2 Commando 198 action Mark Lester Arnold Schwarzenegger, Rae Dawn 7.3 5 Chong, Dan Hedaya 3 Il buono, il brutto, il 196 action Sergio Clint Eastwood, Lee Van Cleef, Eli 8.7 cattivo 6 Leone Wallach 4 Top Gun 198 action Tony Scott Tom Cruise, Kelly McGillis, Val Kilmer 7.4 6 5 Four Weddings and 199 comed Mike Newell Hugh Grant, Andie MacDowell, 8.5 a Funeral 4 y Kristin Scott Thomas 6 Alien 197 SF Ridley Scott Sigourney Weaver, Tom Skerritt, Ian 8 9 Holm 7 Edge of Tomorrow 201 SF Doug Liman Tom Cruise, Emily Blunt, Brendan 7.6 4 Gleeson 8 Bean 199 comed Mel Smith Rowan Atkinson, Peter MacNicol, 7 7 y Pamela Reed 9 Minority Report 200 SF Steven Tom Cruise, Colin Farrell, Samantha 7.2 2 Spielberg Morton 1 Saving Private Ryan 199 drama Steven Tom Hanks, Edward Burns, Vin 7.5 0 8 Spielberg Diesel 1 The Fast and the 200 action Rob Cohen Vin Diesel, Paul Walker, Michelle 6.9 1 Furious 1 Rodriguez 1 Notting Hill 199 comed Roger Hugh Grant, Julia Roberts, Rhys Ifans 7.3 2 9 y Michell 1 Enemy of the State 199 action Tony Scott Will Smith, Gene Hackman, Jon 7 3 8 Voight 1 Days of Thunder 199 action Tony Scott Tom Cruise, Robert Duvall, Nicole 6.9 4 0 Kidman 1 Any Given Sunday -
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS
2012 Twenty-Seven Years of Nominees & Winners FILM INDEPENDENT SPIRIT AWARDS BEST FIRST SCREENPLAY 2012 NOMINEES (Winners in bold) *Will Reiser 50/50 BEST FEATURE (Award given to the producer(s)) Mike Cahill & Brit Marling Another Earth *The Artist Thomas Langmann J.C. Chandor Margin Call 50/50 Evan Goldberg, Ben Karlin, Seth Rogen Patrick DeWitt Terri Beginners Miranda de Pencier, Lars Knudsen, Phil Johnston Cedar Rapids Leslie Urdang, Dean Vanech, Jay Van Hoy Drive Michel Litvak, John Palermo, BEST FEMALE LEAD Marc Platt, Gigi Pritzker, Adam Siegel *Michelle Williams My Week with Marilyn Take Shelter Tyler Davidson, Sophia Lin Lauren Ambrose Think of Me The Descendants Jim Burke, Alexander Payne, Jim Taylor Rachael Harris Natural Selection Adepero Oduye Pariah BEST FIRST FEATURE (Award given to the director and producer) Elizabeth Olsen Martha Marcy May Marlene *Margin Call Director: J.C. Chandor Producers: Robert Ogden Barnum, BEST MALE LEAD Michael Benaroya, Neal Dodson, Joe Jenckes, Corey Moosa, Zachary Quinto *Jean Dujardin The Artist Another Earth Director: Mike Cahill Demián Bichir A Better Life Producers: Mike Cahill, Hunter Gray, Brit Marling, Ryan Gosling Drive Nicholas Shumaker Woody Harrelson Rampart In The Family Director: Patrick Wang Michael Shannon Take Shelter Producers: Robert Tonino, Andrew van den Houten, Patrick Wang BEST SUPPORTING FEMALE Martha Marcy May Marlene Director: Sean Durkin Producers: Antonio Campos, Patrick Cunningham, *Shailene Woodley The Descendants Chris Maybach, Josh Mond Jessica Chastain Take Shelter -
Saturday Morning Cartoons and Children's Perceptions of Social Reality
DOCUMENT RESUME ED 390 579 PS 023 908 AUTHOR Swan, Karen TITLE Saturday Morning Cartoons and Children's Perceptions of Social Reality. PUB DATE Apr 95 NOTE 27p.; Paper presented at the Annual Meeting of the American Educational Research Association (San Francisco, CA, April 18-22, 1995). PUB TYPE Reports Research/Technical (143) Speeches/Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Age Differences; Age Discrimination; *Cartoons; Childhood Attitudes; *Childrens Television; Consumer Economics; Ethnic Bias; Mass Media Effects; *Mass Media Role; Moral Values; *Programming (Broadcast); Racial Differences; Sex Bias; Sex Differences; Sex Stereotypes; *Social Cognition; Socioeconomic Influences; *Values IDENTIFIERS *Cartoon Characters ABSTRACT This paper examines the effects of Saturday morning cartoons on children's perceptions of social reality. The study consisted of an analysis of programs appearing between 8 and 11 o'clock in the morning on September 15, 1990, and June 9, 1992, focusing on the ethnicity, gender, and age of characters, the positive or negative portrayal of characters, and the characters' positions of authority. The study found that the Saturday morning cartoons reviewed contained few older characters, and that the majority of these were depicted as either evil or incompetent. Of the characters whose ethnicity could be determined, 32 percent belonged to ethnic minorities, though fully 60 percent of these minority characters were in one show ("Kid 'N Play"). Only 17.8 percent of the characters in 1990 and 23.8 percent in 1992 were female. Cartoon settings, plot types, values, morality, and inherent consumerism are also analy..ed and discussed. Overall, the paper concludes that Saturday morning children's programming teaches children that white men are the most important and powerful people in society; that women are underrepresented everywhere; that the world is a scary place; and, that they should belong and be loyal to a group and never act on their own. -
List of Shows Master Collection
Classic TV Shows 1950sTvShowOpenings\ AdventureStory\ AllInTheFamily\ AManCalledShenandoah\ AManCalledSloane\ Andromeda\ ATouchOfFrost\ BenCasey\ BeverlyHillbillies\ Bewitched\ Bickersons\ BigTown\ BigValley\ BingCrosbyShow\ BlackSaddle\ Blade\ Bonanza\ BorisKarloffsThriller\ BostonBlackie\ Branded\ BrideAndGroom\ BritishDetectiveMiniSeries\ BritishShows\ BroadcastHouse\ BroadwayOpenHouse\ BrokenArrow\ BuffaloBillJr\ BulldogDrummond\ BurkesLaw\ BurnsAndAllenShow\ ByPopularDemand\ CamelNewsCaravan\ CanadianTV\ CandidCamera\ Cannonball\ CaptainGallantOfTheForeignLegion\ CaptainMidnight\ captainVideo\ CaptainZ-Ro\ Car54WhereAreYou\ Cartoons\ Casablanca\ CaseyJones\ CavalcadeOfAmerica\ CavalcadeOfStars\ ChanceOfALifetime\ CheckMate\ ChesterfieldSoundOff\ ChesterfieldSupperClub\ Chopsticks\ ChroniclesOfNarnia\ CimmarronStrip\ CircusMixedNuts\ CiscoKid\ CityBeneathTheSea\ Climax\ Code3\ CokeTime\ ColgateSummerComedyHour\ ColonelMarchOfScotlandYard-British\ Combat\ Commercials50sAnd60s\ CoronationStreet\ Counterpoint\ Counterspy\ CourtOfLastResort\ CowboyG-Men\ CowboyInAfrica\ Crossroads\ DaddyO\ DadsArmy\ DangerMan-S1\ DangerManSeason2-3\ DangerousAssignment\ DanielBoone\ DarkShadows\ DateWithTheAngles\ DavyCrockett\ DeathValleyDays\ Decoy\ DemonWithAGlassHand\ DennisOKeefeShow\ DennisTheMenace\ DiagnosisUnknown\ DickTracy\ DickVanDykeShow\ DingDongSchool\ DobieGillis\ DorothyCollins\ DoYouTrustYourWife\ Dragnet\ DrHudsonsSecretJournal\ DrIQ\ DrSyn\ DuffysTavern\ DuPontCavalcadeTheater\ DupontTheater\ DustysTrail\ EdgarWallaceMysteries\ ElfegoBaca\ -
Raspecioli^ SATURDAY Army Puts Freeze on Active Personnel
20—MANCHESTER HERALD, Friday, Nov. 23, 1990 / Bridge SATURDAY Angling for by East, declarer's last diamond was ** </ rA Specioli^ NORTH U -23-S 0 ruffed with dummy’s queen of hearts, ♦ A843 a favorable lead making the game contract. YQ 8 5 Wasn’t it dangerous for South to bid ♦ 7 4 spades? What if North raised to four ♦ Q97 4 By James Jacoby FEATURES INSIDE TREE SERVICE/ CARPENTRY/ spades? That should not be possible in HanrhTHtrr EAST Suppose you held the South cards a well-ordered partnership. When a PRUNING REMODELING WEST major suit is supported, a new suit bid ♦ Q7 e K to 9 6 5 and opened one heart in third position. V4 3 Y J 9 When North raised you to two hearts, as a game-try may well be an artifi JAN'S NOW AVAILABLE TV listings grids /Pages 12,13 ♦ K J to 8 6 ♦ 5 2 what would you do? Perhaps you cial bid. North could raise spades very ♦ K J 10 3 properly but should not leap beyond HAWKES TREE SERVICE F. YOUNG VI^EIGLE'S PAINTING CO. FOR INDOOR WORK ♦ A652 would go right to four hearts, or may Whats Buclwt, kuck & chipper. .Quality work at a Lmn S UndKWM Ciar*, All Ywd be you would mention your diamond the four-heart level. Social and Seniors news /Page 5 REMODELING tilaintwuno*, noloriling. Hoo»« .SOUTH Stump removol. Free reasonable pricel I also held the South cards in Gene ★ Expert Craftsmanship CiMnIng, DrivwMr< Sm M, Odd Jotx. 4>.l 2 suit. Who knows? Anything could be .