Futureeverything 2016 Programme (3MB)
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Female Musicians' Visual Gender Staging in Music Videos
016 Female Musicians’ Visual Gender Staging in Music Videos Tanja Godlewsky 32—47 The design analysis of the media presented in this article focuses on the representation of female musicians, looking at the ways in which they stage both themselves and their gender in music videos. According to my observation, the visual portrayal of female artists has been defined by a long history of stereotypical gender representations that have to be overcome. In the music videos published by female musicians, we can observe design strategies for self- portrayal and gender staging, as well as sources of aesthetic inspirations and trends. Different oppositional design strategies are described that either blur gender, provoke the viewer or overcome stereotypical gender representations.。 #female musicians #gender staging #visualisation #design #music video Tanja Godlewsky . Female Musicians’ Visual Gender Staging in Music Videos | 33 Focus, Rationale and Approach Developments Based on a visual communications perspective, The popular music business was and still is this article analyses strategies of ‘acting predominantly dominated by men, with only out genders’ applied by female artists in the 22.4 percent of performing artists being female, production of their music videos. The design and the numbers are much lower among analysis in this article focuses explicitly on the people behind the scenes like songwriters and representation of female musicians, looking at producers.1 Up to the end of the 1990s, male- the ways in which they stage both themselves dominated record companies and music labels and their gender in music videos. According to were responsible for the distribution and my observations of Artwork and Music Videos marketing of female musicians and bands, which of the last decades, due to a long history of also included the way in which their image was stereotypical gender representation, using design shaped. -
Classical Music
oct 19 now now soon always Hello! The story of modern art is often told through the Poetry born from Hidden lens of the works created by artists, but the envi- ronments which contributed to their inspiration is often missed out. We’re taking another look at traditional narratives with our major new exhibition Into the Night: Cabarets and Clubs cheating death Figures: in Modern Art, which opens this month. Explore the social spaces from around the world that were the cauldrons of their creativity, from cab- Jamie Hale’s Pit Party will be a celebration of arets to bars and clubs, as we not only share D/deaf and disabled artists – an opportunity to Euzhan some paintings by some of the 19th and 20th century’s most exciting artists, but recreate the see talent that is often excluded from the stage. venues they hung out in (see page 5-6). Elsewhere, there’s opportunity to see acts not Facing a worsening of their underlying The second half of Hale’s Pit Party will be physical impairment and increasingly severe performed by D/deaf and disabled artists. Palcy often seen on stage as Jamie Hale brings their Pit Party to our studio theatre, with an exciting infections that they knew had a high chance It will feature Signkid, Jackie Hagan, Amelia line-up of superb British D/deaf and disabled of killing them, Jamie Hale started writing a Cavallo, Elle Chante and Katie Walters, Donna talent (see page 1). What happens when you try poetry performance about facing death. But Williams and Jessi Parrott. -
What's That Sound?
What‘s That Sound? Part 2. Bittles‘ Magazine Here at ›Titel kulturmagazin‹ we have been receiving a load of complaints about last week’s reviews. Apparently there just wasn’t enough new music in there. So, bowing to public pressure, together with the threat of the sack, I managed to compile a further 17 albums which have been pleasuring my ears over these past few weeks. By JOHN BITTLES We have the shady hip hop of Tricky, the doom-rock thrash of Interpol, the spectral dream-pop of Ballet School, the body horror score of Gazelle Twin and one or two more. So. Put your feet up, grab yourself a beer, smoke a fag, get yourself comfortable, and let us begin. This week we’ll begin with some gloomy, chorus-driven rock with the eagerly anticipated new album by the mighty Interpol. An absence of four years, together with the loss of influential bassist Carlos Dengler means fans would celebrate any new output from the band. That ›El Pintor‹ (the painter) is a rough, jagged rock beast which is easily their strongest release since ›Antics‹ will have many in fits of delirium even before the first song. ›All The Rage Back Home‹ is a magnificent opening number, which sticks itself firmly in the brain, sets up home and refuses to ever leave. Meanwhile, ›My Desire‹ explodes in glorious rock noise, ›Same Town, New Story‹ makes the heart yearn and ›Everything Is Wrong‹ is so good it could even make a believer of your Nan. So, dig out those black suits from the back of the wardrobe, because ›El Pintor‹ is a stunning return to form from one of the very few vital indie bands still around today. -
BUY 3 and DELIVERY IS FREE Select the Album You Want and Copy/Paste the Whole Row Into a PM to Admin
HOW TO ORDER: BUY 3 AND DELIVERY IS FREE Select the album you want and copy/paste the whole row into a PM to Admin. Prices are inclusive of VAT. P&P is £2.79 inc VAT (MyHermes courier) <2Kilos £3.50 for signed/tracked Once your PM is received we will contact you re payment via PayPal or BACS, all orders must be paid for in full before delivery. All orders taken over Easter will be delivered to you by Friday 21st April (last orders must be PM'd to Admin by midnight on Bank Holiday Monday) All albums are new and 180gm Artist Title Label Cat No Ean In Stock WAM PRICE 10 CC Bloody Tourists UMC 5705484 0602557054842 LP 12 17.39 10.000 MANIACS In The City Of Angels - 1993 Broadcast PARACHUTE PARA037LP 0803341505629 2LP 3 16.79 10CC How Dare You UMC 5705482 0602557054828 LP 19 16.79 10CC Deceptive Bends UMC 5705481 0602557054811 LP 6 16.79 10CC The Original Soundtrack UMC 5705483 0602557054835 LP 3 16.79 13TH FLOOR ELEVATOR Rockius Of Levitatum VINYL LOVERS 901233 0889397901233 LP 207 10.19 13TH FLOOR ELEVATORS Easter Everywhere Gold Vinyl CHARLY CHARLYL197 0803415819713 LP 118 18.59 30 SECONDS TO MARS 30 Seconds To Mars VIRGIN 4799365 0602547993656 2LP 24 25.19 5 SECONDS OF SUMMER Sounds Good Feels Good CAPITOL 4753191 0602547531919 LP 2 17.39 68 In Humour And Sadness EONE MUSIC EOMLP9436 0099923943617 LP 1 13.98 A TRIBE CALLED QUEST We Got It From Here Thank You 4 Your RCA 88985377871 0889853778713 2LP 143 17.39 A TRIBE CALLED QUEST People's Instinctive Travels And The Paths Of Rhythm SONY MUSIC 88875172371 0888751723719 2LP 118 14.99 A-HA -
Gazelle Twin & Max De Wardener the Power and the Glory
Gazelle Twin & Max de Wardener The Power and the Glory Composer, producer and musician Gazelle Twin’s collaboration with composer Max de Wardener brings the blend of traditional musical concepts and futuristic pop from her latest album Pastoral (an album of 2018 for BBC Radio 6Music, The Quietus and many more) to a full symphony orchestra. Gazelle Twin is the moniker for performance artist, composer and producer Elizabeth Bernholz whose conceptual albums present dystopian themes through unconventional electronic production and extraordinary live performances which feature changing personas. Commissioned by BBC Concert Orchestra. Artists: Gazelle Twin vocals • BBC Concert Orchestra • André de Ridder conductor Timing: 15’15 About Gazelle Twin Composer, musician and producer Elizabeth Bernholz, conceived Gazelle Twin in 2009, releasing her debut album, The Entire City, which includes the singles Changelings and I Am Shell I Am Bone in 2011. The album was followed in 2014 by the acclaimed release, Unflesh, which unveiled an onstage costume based on Bernholz’s teenage PE kit, allowing her to “go back to my teenage years to literally live out the idea of being a freak, like I thought I was (and was often made to feel) at the time”. The next release came in 2017, the studio soundtrack to a live performative piece, Kingdom Come, which depicts a fascist hell-scape based on JG Ballard’s final novel. Commissioned by Future Everything Festival (Manchester) in 2016, the audio-visual performance featured regular Gazelle Twin live member Jez Bernholz along with vocalists Natalie Sharp (Lone Taxidermist) and Stuart Warwick on treadmills set against a series of films and animated text by long time collaborators Chris Turner and Tash Tung.www.gazelletwin.com photo: Victor Frankowski About Max de Wardener Max de Wardener was born in London, and studied music at York University and Guildhall School of Music and Drama.