Bihar Urdu Academy Fellowship, 1987-89

Total Page:16

File Type:pdf, Size:1020Kb

Bihar Urdu Academy Fellowship, 1987-89 Faculty Details proforma for DU Web-site Title Prof./Dr./Mr./Ms./ First Name IRSHAD Last Name KHAN Photograph Mrs. AHMAD Designation ASSISTANT PROFESSOR Address H.NO-144 3rd floor, ST.NO-5, Nehru Gali,West Sant Nagar,Burari,Delhi- 110084 Phone No Office 011-27666627 Residence Mobile +91-9868099314 / 9968227057 [email protected] / [email protected] Email Web-Page Educational Qualifications Degree Institution Year Ph.D. Delhi University, Delhi 1999 M.Phil. / M.Tech. Delhi University, Delhi 1995 PG Magadh University, Bodh Gaya 1991 UG Magadh University, Bodh Gaya 1988 Any other qualification Career Profile Working as an assistant Professor in the Department of Urdu, University of Delhi From 22nd Jan 2014 Worked as an Assistant Professor (ad-hoc) from July 2007 to 20 Jan 2014 In the Department of Urdu, University of Delhi, Delhi - 110007 Worked as a Lecturer (ad-hoc) from 16 Oct, 1999 to 15 Nov. 2002 Department of Urdu, University of Delhi, Delhi – 110007 Lecturer (Guest) Sept. 2001, Department of Urdu Zakir Hussain College (D.U.) Lecturer (Guest) from Oct. 2001 to Dec,. 2001 Satyawati College, (D.U.). Lecturer (Guest) from August 2003 to feb 2007, Satyawati College, (D.U.) Administrative Assignments NODAL OFFICER, Arts Faculty, University of Delhi Areas of Interest / Specialization Criticism / Classical Prose / Shibliyat www.du.ac.in Page 1 Subjects Taught Certificate Course in Urdu for foreigners and non- Urdu knowing Indian students Diploma in Urdu for foreigners and non- Urdu knowing Indian students Advance Diploma in Urdu for foreigners and non- Urdu knowing Indian students Post M.A. Diploma in Urdu translation & media (Journalism & script writing) Post M.A. Diploma in Urdu Palaeography. M.A. classes (Previous and Final Year) M. Phil. (Textual Criticism & Research Methodology) Research Guidance List against each head (If applicable) 1. Supervision of awarded Doctoral Thesis None 2. Supervision of Doctoral Thesis, under progress None 3. Supervision of awarded M.Phil dissertations One 4. Supervision of M.Phil dissertations, under progress One Publications Profile List against each head(If applicable) (as Illustrated with examples) 1. Books/Monographs (Authored/Edited) RAJENDER YADAV : MUNTAKHAB KAHANIYAN- NBT.India 2014. MOWAZANA-E-ANEES-O-DABEER, MOTALA, MOHASBA, TAQABUL (Published, 2000). TAFHEEM-E-SHIBLI (Published, 2013). TAUZIHAT (published, 2002). YOG SADHANA aur YOG CHIKITSA : Swami Ram dev, Hindi to Urdu, Sep 2005 HITOPDESH: Pandit Narayan Sharma Hindi to Urdu 2012. MODERN WORLD: ESSENTIAL COMPONENTS (MHI -02(2)) English to Urdu THE MODERN WORLD AND POLITICS (MHI-02(3)) English to Urdu MODERN WORLD : EXPANSION OF EUROPE (MHI-02 (5)) English to Urdu above translated books are include in M.A One Year History Syllabus of MANUU. AMIR ARIFI published by Department of Urdu, Delhi University, 2010 2. Research papers published in Refereed/Peer Reviewed Journals “URDU MARSIA KE FAROGH MEIN SHIBLI KA KIRDAR” (URDU MARSIE KI AMHMIAT). A book complied by Prof. Shrib Rudaulvi 1999. KULLIAT-E-MAKHDOOM MOHIUDDIN, ESHARIYA Mahkdoommuhiuddin Edit-Farooque Argali 2007 URDU MARSIA KE FAROGH MEIN SHIBLI KA KIRDAR” AIWANE URDU” Delhi, May, 2000. AMIR ARIFI SHAKHSIAT AUR FAN – “Aiwan-e-Urdu”, Delhi Apr 2006. www.du.ac.in Page 2 WAJID ALI SHAH KI MARSIA NIGARI -“Aiwan-e-Urdu”, Delhi Jul 2010. GHALIB SHANASHI KA MOTABAR NAAM –“Abu Mohammad Sahar” Kitabe Numa Apr 2013. 3. a) Research papers published in Academic Journals other than Refereed/Peer Reviewed Journals “BEMANZARI KA MANZAR NAMA” by Hamid Suharwardi Hamari Zaban 15 August, 1997 (Review). “MAZAMINE GUJRAL” (Aajkal, Dec, 1996, Review). “Prof. SHARIB RUDAULVI” (Munsif 10, Nov, 1996). “TANQUIDI MOBAHIS” (by Sharib Rudaulvi, Review) Quami Awaz, Delhi 29 Sept., 1996. “Wazir Agha ke khotoot”, Complied by Akbar Hamidi Aajkal, August 1996 (Review). “6TH DECEMBER Complied by Ahmad Saghir, “AAJKAL,” July, 1996 (Review). “HASILE TAHQUEEQUE” by Daud Ashraf, “AAJKAL”, May, 1996 (Review). “AGHA SHAER QIZILABASH – SHAKSIAT AUR SHAIRY” by Faizan Ahmad” AAJKAL”, March, 1996 (Review). “AKHTARUL EMAN” complied by Dr. M. Firoz Dehlavi, KITABNUMA, Jan, 2001 (Review). “NAWADRATE TAHQUEEQ” by M. Ali Asar “KITABNUMA” Jun 2001. (Review). “MAJROOH SULTANPURI : MAQAM AUR KALAM” by M. Firoz Dehlavi, ‘ AIWAN-E-URDU” August, 2000. “RIND SAGRI, DHOOP KA MUSAFIR” Complied by Dr. Manazir Ashique Harganvi “AIWAN-E- URDU” Mar 2002. (Review). “FANE TAZMEEN NIGARI” Dr. Sheikh Auqeel Ahmad AIWAN-E-URDU, Delhi Oct, 2000. b) Research papers published in Refereed/Peer Reviewed Conferences “FIRAQUEKA NAZARIE NAQUD” (FIRAQUE AUR NAI NASL). A book compiled by Prof.Amir Arifi, 1998. “SURKH SAWERA KA SAFAR ROMANIAT SE INQULABIAT TAk (MAKHDOOM AUR NAI NASL). A book complied by Prof. Amir Arifi, 1998). DR. ZAKIR HUSSAIN SHAKSIAT AUR KARNAME” A Book complied by Khalique Anjum. “DO AADHE EK MOTALA” KITAB NUMA, Delhi , March, 1997. “Prof. SHARIB RUDAULVI” (Munsif 10, Nov, 1996). “NAZRE JAWED EK MOTALA” (Munsif 10, Nov, 1996). “SIR SYED TAHZIBUL IKHLAQUE KI ROSHANI MEIN” “SHAMME HEYAT” Zakir Hussain College Magazine. 1995-96. “HALIKA NAZRIEA NAQD”, ZABANO ADAB-PATNA” May 1997 . “TAZKERON” KI TAQUIDI AHAMIAT“ NAYADAUR LUCKNOW’ Feb 1998. www.du.ac.in Page 3 c) Research papers Published in Conferences/Seminar other than Refereed/Peer Reviewed Conferences NAUSHAD KI GHAZAL KA EK ISTEARA “HUSSAIN’’ “NAKHLISTA” Jun 2007. “BUNYADI QUAMI TALIM AUR DR. ZAKIR HUSSAIN” AIAN-E-URDU’’ August, 2001. “JAB KOI DOSRA NAHIN HOTA” TAMIR-E-HARYANA Sept, 2001“WAFOORE NISHAT KI MORAQUA KARI KA SHAYER QATIL “ “AIWAN-E-URDU” Sept. 2001. MANZAR PAS MANZAR-Gulo-Sanober,Munger,Sep-Oct 2012. ASRE JADID MEIN TARJUME KI AFADIAT, Urdu Dunya, Delhi, August 2013. URDU AFSANE RIWAYAT AUR MASAIL, Aiwan-e-Urdu-Delhi-under publication. “KITABSE PAHLE” MAJNO GORAKHPURI KE AFSANO KA TANQEEDI MOTALA, by Sahib Singh 2012 4. Other publications (Edited works, Book reviews, Festschrift volumes, etc.) GHALAIB SHANASI KA EK MOTABAR NAAM: ABU MOHAMMAD SAHAR MORATTIBIN-TAHIRA WAHID, SHAHIDA PARVEEN 2014. “MANZAR PAS MANZAR” ZAHIR ANWAR, FAN AUR FANKAR, Compiled by Shakiluzaman, 2013 KULIYAT-E-MAKHDOOM: Compiled by Farooq Argali 2007. FIRAQ KA NAZRIE NAQUD: Firaqu Aur Nasl Compiled by Amir Arifi 1997. SURKH SAWERA KA SAFAR..: Firaqu Aur Nasl Compiled by Amir Arifi 1999. Conference Organization/ Presentations (in the last three years) List against each head(If applicable) 1. Organization of a Conference “URDU MARISIA KE FAROGH MEIN SHIBLI KA KIRDAR” all India seminar by Marsia Adbi Trust 19, April 1998, Ghalib Academy. “BUNYADI QUAMI TALIM AUR DR. ZAKIR HUSSAIN” All India Seminar by Anjuman Traquei Urdu Hind (19, 20, 21 Dec. 1997, Urdu Ghar, Delhi. “DR. ZAKIR HUSSAIN KE TALIMI TASAWARAT” Deptt. Of Urdu, Jamia Millia Islamia Seminar, 5th March, 1998. “TAQUABLI MOTALA AUR SHIBLI” (NAYE PURANE CHIRAGH) Urdu Academy, Delhi, 19 March, 1997. Participated in the seminar of Urdu Deptt. University of Delhi. “FIRAQUE AUR NAI NASL”. 1997. “MAKADOOM MOHIYUDDIN AUR NAI NASL” Seminar Deptt., of Urdu, University of Delhi. “URDU TANQUEED KA MAUJODA MANZAR NAMA” Deptt. Of Urdu, Delhi University Seminar, 29th Sept, 1997. 2. Participation as Paper/Poster Presenter A lecture in Hyderabad University, Deptt. of Urdu for UGC Programme 4th August, 1996. www.du.ac.in Page 4 Paper presented “At Ghalib Academy” on Anjm Usmani Short Story “GHUMSHUDAH TASBEEH”, 14th Nov. 1998. “URDU TANQUEED KE ASASI TASAWARAT” “NAYE PURANE CHIRAGH” by Urdu Academy, Delhi, 25th March, 2000. “IQBAL KE TALIMI TASSAWARAT” By all India Urdu Teacher’s Association, Department of Urdu (D.U.) 24th April, 2000. “MABAD JADIDIAT EK TAFHIME-NAKAFI” NAYE AUR PURANE CHIRAGH by URDU ACADEMCY, Delhi 21th Oct, 2002. “MAASIR URDU TANQUEED ZIMMEDARI KI TALASH” NAYE AUR PURANE CHIRAGH by Urdu Academy, Delhi-2003. AZADI KI KAHANI MASHAHIR KE KHOTOOT KI ZABANI by Department of Urdu Cell Delhi Govt. 25.26/ April 2009 WAJID ALI SHAH KI MARSIA NIGARI by RNL force, Kalcutta 06 feb 2010. URDU AFSANA SORATE HAAL AUR IMKANAT Ch. Charan Singh University 2 Aug 2010 ASSI KE BAD URDU TANQUEED by Department of Urdu Satyawaty collage Oct 2011. MANZAR PAS MANZAR EK TAASUR by RNL force 4th March 2012 GHALIB SHANASHI ka ek motaber naam Abu Mohammad sahar, by association of India Muslims, Bhopal, 22-23 December 2012. DARD KE SAMAJI SAROKAR by Angel’s Education & Welfare Society Delhi, 14 December 2013. ADBE LATEEF KA EK NAQQUAD : Amir Arifi, by Deptt. Of Urdu Dyal singh College,18-19 Feb 2014. Participated on 1857 Revolt and Urdu Languages & Literrature Two days Seminar 27-28 Nov. by Deptt. Of Urdu. University of Delhi-110007 AMIR KHUSRO KI TARIKHI BASIRAT by National Amir Khusro Society Delhi 11-12-oct2014 MANTO APNE MAASRIN KI BATOON MEIN International Seminar by PWA 22-24 Dec2014. KHUSRO KI MAZHABI RAWADARI International Seminar by Khawaja Mohinuddin Chishti Urdu, Arbi, Farsi University Lucknow 3-4Mar2015. URDU TAHQU EEQ KA CHOTHA SATOON: Hanif Naqwi Natinal Seminar by Association of Indian Muslims, Bopal 7-8Mar2015. SHIBLI KI TANQWEEDI BASIRAT, National Seminar by Department of Urdu University of Delhi, 9-12Mar2015. SHIBLI KI TANQEED NIGARI, National Seminar by Urdu Academy Delhi 21-24Dec2014. SHIBLI KI TANQEED DAR BAB-E-MOWAZANA-E-ANIS-O-DABEER,by Center of Advanced Study Department of Urdu AMU 27-28Mar2015 www.du.ac.in Page 5 HAQUEQAT-E-HUSN EK TA ZIA ,by Bazm-e-adab, Department of Urdu KM collage (DU) 8Apr2015. Research Projects (Major Grants/Research Collaboration) Awards and Distinctions National Commission for Minority Educational Institution (Government of India) SHAIKHUL HIND MAULANA MAH MOOD UL HASSAN (R.H.) 2014. Award JRF/NET UGC Fellowship, Dec. 1993. P.G. Men’s Hostel (D.U.), Best Academy Award, 1992-93. Bihar Urdu Academy Fellowship, 1987-89. University Scholarship, 1982-84. Awarded Gold Medal by Magadh University in M.A. Exams 1987-89. Second Topper B.A. (Hons.) in Magadh University, 1986-87, Association With Professional Bodies 1. Editing 2. Reviewing 3. Advisory 4. Committees and Boards 5. Memberships Member of “Sawachhata Samiti” Deparment of Urdu University of Delhi, Delhi-7.
Recommended publications
  • Proclamation to the People of Oude on Its Annexation. February 1856
    404 Indian Uprising/Sepoy Mutiny source: These illustrated biographies of the Indian rebels are from P. N. Chopra, ed., The Who’s Who of Indian Martyrs, 3 vols. (New Delhi: Ministry of Education and Youth Services, Govern- ment of India, 1969–1973). Proclamation to the People of Oude on its Annexation. February 1856 [This document contains the East India Company’s rationalization for its annexation of the Bengal region. The Company is depicted as a rescuing party whose gentle and superior government will ensure happiness and pro- tect the Indian people from unjust and exorbitant indigenous practices. The document presents the Company as a humanizing enterprise whose primary concern is civilizing India; the East India Company’s trading interests and mercantile mission are not referred to in the announcement.] By a treaty concluded in the year 1801, the Honourable East India Company engaged to protect the Sovereign of Oude against every foreign and domestic enemy, while the Sovereign of Oude, upon his part, bound himself to estab- lish ‘‘such a system of administration, to be carried into e√ect by his own o≈cers, as should be conducive to the prosperity of his subjects, and calcu- lated to secure the lives and property of the inhabitants.’’ The obligations which the treaty imposed upon the Honourable East India Company have been observed by it for more than half a century, faithfully, constantly, and completely. In all that time, though the British Government has itself been engaged in frequent wars, no foreign foe has ever set his foot on the soil of Oude; no rebellion has ever threatened the stability of its throne; British troops have been stationed in close promixity to the king’s person, and their aid has never been withheld whenever his power was wrongfully defied.
    [Show full text]
  • Garden Reach: the Forgotten Kingdom of Nawab Wajid Ali Shah
    http://double-dolphin.blogspot.com.es/2017/03/garden-reach-metiabruz-nawab-wajid-ali-shah- calcutta-kolkata.html The Concrete Paparazzi Sunday 19 March 2017 Garden Reach: The Forgotten Kingdom of Nawab Wajid Ali Shah My research into Wajid Ali Shah, the last Nawab of the Kingdom of Oudh (Awadh) started as a simple question – where was he buried? I knew that he had come to Calcutta once the East India Company had dethroned him. But if he had come to Calcutta, would he have died in Calcutta and if he had died in Calcutta, wouldn’t he have been buried in Calcutta? Google threw up a name – Sibtainabad Imambara. But where was this? Further curiosity would lead me to this post on the Astounding Bengal blog. There were scattered newspaper articles on the Nawab as well, but there seemed to be no one place where I could get the complete information. That is when I knew that I would have to do this myself, and as a friend and collaborator, I found Shaikh Sohail, who has the twin advantages of being a resident of the area where the Nawab once stayed and being on good terms with his descendants. More than 100 years after he died, are there any vestiges of Nawab Wajid Ali Shah that still remain? JAB CHHOR CHALEY LUCKNOW NAGRI It is important to begin by addressing a common misconception. In 1799, when Tipu Sultan was killed when the British stormed Srirangapatnam, the East India Company exiled his family to Calcutta to prevent them from stirring up any more trouble in the South.
    [Show full text]
  • The Beauties of Lucknow: an Urdu Photographic Album
    Journal of Journal of urdu studies 1 (2020) 141-176 URDU STUDIES brill.com/urds The Beauties of Lucknow: An Urdu Photographic Album Kathryn Hansen Professor Emeritus, Department of Asian Studies, University of Texas at Austin, Austin, TX, USA [email protected] Abstract ʿAbbās ʿAlī of Lucknow published several volumes of photographs which were unique in being accompanied by text in English and Urdu. The Beauties of Lucknow (1874), an album of female performers and costumed actors from the Indar Sabhā, is attributed to him. Based on examination of the rare book in five archival locations, this article accounts for the variations among them. It distinguishes between the photographer’s authorial intentions and the agency of artisans, collectors, and others who altered the artifact at various stages. Comparison of the textual apparatus of the English and Urdu editions reveals the author’s mode of address to different audiences. The Urdu intro- duction, saturated with poetic tropes, provides insight into ways of viewing photo- graphs as formulated among the local cognoscenti. The article proposes that ʿAbbās ʿAlī’s book was meant as a private gift, as well as a publication for wider circulation. Keywords History of photography – ʿAbbās ʿAlī – Lucknow – female performers – Urdu theatre and drama 1 Introduction In 2014, a set of images from The Beauties of Lucknow, an Indian photographic album published in 1874, appeared online in Tasveer Journal from Bangalore. These photographs revived interest in early portraits of courtesans from the subcontinent, a topic of perennial fascination. The inclusion of costumed © Koninklijke Brill NV, Leiden, 2020 | doi:10.1163/26659050-12340011 142 Hansen actors from a well-known work of Urdu musical theatre, Indar Sabhā (The Assembly of King Indar), was particularly compelling.
    [Show full text]
  • Psychological and Philosophical Interpretations of Ghalib's Compositions and It's Implications for Education
    PSYCHOLOGICAL AND PHILOSOPHICAL INTERPRETATIONS OF GHALIB'S COMPOSITIONS AND IT'S IMPLICATIONS FOR EDUCATION SUBMITTED DEGREE OF Under fihe-SUperVKio.n of - PROF. ROQUIYA ZAINUDDIN DEPARTMENT OF EDUCATION ALIGARH. MUSLIM UNIVERSITY ALIGARH (INDIA) cf .2013 M Department of Education T2r. i/u&a Zainuth n Aligarh Muslim University (Professor) Aligarh-202002 (U.P.), India Dated: 24►_ a J.-2/ TO WHOM IT MAY CONCERN This is to certify that the present research work entitled "Psychological and Philosophical Interpretations of Ghalib's Compositions and It's Implications for Education", has been completed by Shahia Khalid under my supervision in the Department of Education. The present work is an original contribution to the existing knowledge of the subject and is in my opinion suitable for submission and for the award of the degree of Doctor of Philosophy in Education. Prof. Roquiya Zainuddin (Supervisor) 0 2(cI&awIe4emenf First of a(( 9 Grow in reverence to (ie 74lm96i .4lla6 and Iea tfui'( ti anI m for j1vin j me a~~ foie sfren jtl, ins~k and required' ea(for completion of this work; 9 am ahunhnt f (acI ny in eloquence to express the eartiest yatfude to my esfeernelsupervisas^ Pnrror IBja . mu n Oepff of Ea'ucafion for tier expert supervision, keen interest, critical affitua'e, va~uah juihnce andsimpathetic aW(u throu..q bout m~ researcl work, 9n fact without her continuous encouragement and . elp, this sfu4 coulinot have peen comm((ei 9 etend' my sincere fhanis to ?Professor Na6i hmac Chairman, ?Jeptt. of Zduca6on for provian j me all the necessa y facilfies in completion of this tas6 9 express my deepest sense o fjrafitude to my beloved parents, Mr.
    [Show full text]
  • 1 the Discourse of Colonial Enterprise and Its Representation of the Other Through the Expanded Cultural Critique
    Notes 1 The discourse of colonial enterprise and its representation of the other through the expanded cultural critique 1. I use the term “enterprise” in a delimited manner to specifically denote the colonial enterprise of capitalism and corporate enterprise of multi-nationals under global capitalism. I also examine the subversion of the colonialist capitalist enterprise through the deployment of indigenous enterprise in Chapter 4. It is not within the purview of my project to examine the history of the usage of the term “enterprise” in its medieval and military context. 2. Syed Hussein Alatas in a 1977 study documents and analyses the origins and function of what he calls the myth of the lazy native from the sixteenth to the twentieth century in Malaysia, Philippines, and Indonesia. See his The Myth of the Lazy Native (1977). I pay tribute to this excellent study; however, my own work differs from Alatas in the following respects. Alatas treats colonialist labour practices as an ideology or a patently false “myth” not as discourse. Unlike Alatas my own study of labour practices is oriented towards discourse analysis. This difference in tools leads to a more fundamental theoretical divergence: Alatas foregrounds the myth of the lazy native without investigating the binary half of the industrious European that sustains the former. Contrarily I argue that the colonized native’s unproductive work and play within the expanded cultural critique cannot be discussed without taking into account the normative labour and leisure practices in post-Enlightenment enterprise. 3. My choice of the Defoe text, as well as my locating the colonial capitalist discourses of labour in the English Enlightenment is influenced by Marx’s brief but intriguing interpretation of Defoe’s Crusoe.
    [Show full text]
  • British Raj Film Series Media Advisory
    March 2018 Media Contacts: Leslie Denk | [email protected] | (626) 844-6941 Emma Jacobson-Sive | [email protected]| (323) 842-2064 The Norton Simon Museum Presents the Film Series ‘The British Raj between Page and Screen’ Four films examine the legacy of colonial rule in India Pasadena, CA— The Norton Simon Museum presents a series of films that portray life in India during the period of colonial rule known as the British Raj (1858–1947). Based on novels and short stories in English, Hindi-Urdu and Bengali that were published before 1947, these films examine the legacy of the Raj from the vantage point of an independent India. Kim (1950), NR Directed by Victor Saville Friday, May 4, 5:30–7:25 p.m. During the British Raj, the orphan (Dean Stockwell) of a British soldier poses as a Hindu and is torn between his loyalty to a Buddhist mystic (Errol Flynn) and aiding the English secret service. The film is based on the novel Kim by Rudyard Kipling, first published in book form in 1901. Shatranj Ke Khilari (The Chess Players) (1977), NR Directed by Satyajit Ray Friday, May 11, 5:30–7:40 p.m. In this movie set in 1856, shortly before the first Indian struggle for independence, Wajid Ali Shah is portrayed as an indifferent ruler who composes poems and listens to music, while British general James Outram (Sir Richard Attenborough) arrives on a secret mission to clear the way for the British. Meanwhile, two noblemen obsessively play endless games of chess, ignoring the situation that unfolds around them.
    [Show full text]
  • Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the 'Muslim' Courtesan (Tawaif) in Hindustani Cinema
    DOCTORAL DISSERTATIO Beneath the Red Dupatta: an Exploration of the Mythopoeic Functions of the ‘Muslim’ Courtesan (tawaif) in Hindustani cinema Farhad Khoyratty Supervised by Dr. Felicity Hand Departament de Filologia Anglesa i Germanística Universitat Autònoma de Barcelona 2015 Table of Contents Acknowledgements iv 1. Introduction 1 2. Methodology & Literature Review 5 2.1 Methodology 5 2.2 Towards Defining Hindustani Cinema and Bollywood 9 2.3 Gender 23 2.3.1 Feminism: the Three Waves 23 2.4 Feminist Film Theory and Laura Mulvey 30 2.5 Queer Theory and Judith Butler 41 2.6 Discursive Models for the Tawaif 46 2.7 Conclusion 55 3. The Becoming of the Tawaif 59 3.1 The Argument 59 3.2 The Red Dupatta 59 3.3 The Historical Tawaif – the Past’s Present and the Present’s Past 72 3.4 Geisha and Tawaif 91 4. The Courtesan in the Popular Hindustani cinema: Mapping the Ethico-Ideological and Mythopoeic Space She Occupies 103 4.1 The Argument 103 4.2 Mythopoeic Functions of the Tawaif 103 4.3 The ‘Muslim’ Courtesan 120 4.4 Agency of the Tawaif 133 ii 4.5 Conclusion 147 5. Hindustani cinema Herself: the Protean Body of Hindustani cinema 151 5.1 The Argument 151 5.2 Binary Narratives 151 5.3 The Politics of Kissing in Hindustani Cinema 187 5.4 Hindustani Cinema, the Tawaif Who Seeks Respectability 197 Conclusion 209 Bibliography 223 Filmography 249 Webography 257 Photography 261 iii Dedicated to My Late Father Sulliman For his unwavering faith in all my endeavours It is customary to thank one’s supervisor and sadly this has become such an automatic tradition that I am lost for words fit enough to thank Dr.
    [Show full text]
  • Kathak's Marginalized Courtesan Tradition the I
    Varma 1 Tulika Varma English 184 Prof. Mott 3/22/18 Sensuality and Syncretism: Kathak’s Marginalized Courtesan Tradition The Indian classical dance form known today as Kathak is practiced widely across the subcontinent and the South Asian diaspora. A vibrant, entertaining dance, it has taken many shapes and forms across different stages and spaces. This paper is primarily interested in historicizing the form and exploring how the process was closely managed by Indian nationalism and British Anglicism. I draw on Margaret Walker’s historicization of Kathak in her book India’s Kathak Dance in Historical Perspective and Pallabi Chakravorty’s invaluable Marxist anthropological study of Kathak in Bells of Change: Kathak Dance, Women and Modernity in India to investigate the different genealogies of the form and which histories were preserved during the nationalist reconstruction of “Indian culture” in the 19th century. I explore Kathak’s rich syncretic, philosophical history – specifically the tawaif (courtesan) tradition and its subsequent marginalization, and show how despite concerted efforts to purge this tradition from the “official” history of Kathak, it lingers in the choreographic vocabulary of contemporary practitioners. I then outline the different relationships that these practitioners have with the tawaif tradition, and map how theories and experiences of sensuality and embodiment have shifted through the rise of Indian nationalism as well as contemporary efforts to “reclaim” or excavate the tawaif tradition. However, before elaborating more on this project, it is important to give a brief outline of Kathak as it is known and performed today – the cadences of the movements and gestures and Varma 2 the general repertoire.
    [Show full text]
  • Stratification and Role of the Elite Muslim Women in the State of Awadh, 1742-1857
    Athens Journal of History - Volume 7, Issue 4, October 2021 – Pages 269-294 Stratification and Role of the Elite Muslim Women in the State of Awadh, 1742-1857 By Naumana Kiran This paper focuses on stratification and role of the elite Muslim women in the State of Awadh during the second-half of the eighteenth, and first-half of nineteenth century India. It evaluates the categorization of women associated with the court and the division of political and domestic power among them. It also seeks their economic resources and their contribution in fields of art and architecture. The study finds that the first category of royal women of Awadh, including queen mothers and chief wives, enjoyed a powerful position in the state-matters unlike many other states of the time in India. Besides a high cadre of royal ladies, three more cadres of royal women existed in Awadh’s court with multiple ratios of power and economic resources. Elite women’s input and backing to various genres of art, language and culture resulted in growth of Urdu poetry, prose, drama and music in addition to religious architecture. The paper has been produced on the basis of primary and secondary sources. It includes the historical accounts, written by contemporary historians as well as cultural writings, produced by poets and literary figures of the time, besides letters and other writings of the rulers of Awadh. The writings produced by the British travelers, used in this paper, have further provided an insightful picture and a distinctive perspective. Introduction The study of Muslim women of Awadh, like women of all other areas of India during the 18th and 19th centuries, is a marginalized theme of study in historiography of India.
    [Show full text]
  • Adaptation of Premchand's “Shatranj Ke Khilari” Into Film
    ASIATIC, VOLUME 8, NUMBER 2, DECEMBER 2014 Translation as Allegory: Adaptation of Premchand’s “Shatranj Ke Khilari” into Film Omendra Kumar Singh1 Govt. P.G. College, Dausa, Rajasthan, India Abstract Roman Jakobson‟s idea that adaptation is a kind of translation has been further expanded by functionalist theorists who claim that translation necessarily involves interpretation. Premised on this view, the present paper argues that the adaptation of Premchand‟s short story “Shatranj ke Khilari” into film of that name by Satyajit Ray is an allegorical interpretation. The idea of allegorical interpretation is based on that ultimate four-fold schema of interpretation which Dante suggests to his friend, Can Grande della Scala, for interpretation of his poem Divine Comedy. This interpretive scheme is suitable for interpreting contemporary reality with a little modification. As Walter Benjamin believes that a translation issues from the original – not so much from its life as from its after-life – it is argued here that in Satyajit Ray‟s adaptation Premchand‟s short story undergoes a living renewal and becomes a purposeful manifestation of its essence. The film not only depicts the social and political condition of Awadh during the reign of Wajid Ali Shah but also opens space for engaging with the contemporary political reality of India in 1977. Keywords Translation, adaptation, interpretation, allegory, film, mise-en-scene Translation at its broadest is understood as transference of meaning between different natural languages. However, functionalists expanded the concept of translation to include interpretation as its necessary form which postulates the production of a functionalist target text maintaining relationship with a given source text.
    [Show full text]
  • List of Junior Clerk
    List of Junior Clerk S. No Name Father Name CNIC 1 Aadil Khan Shaad Muhammad 36302-4568832-7 2 Aadil Khan Khan Muhammad 17301-5497540-1 3 Aakash Ramesh Chand 17301-0540485-3 4 Aakif Khan Ilyas Khan 17301-0334421-7 5 Aamer Jan Sajid Khan 17101-7001946-7 6 Aamir Abbas Riaz Ali 17301-1876629-5 7 Aamir Aftab Aftab Khan 11202-0362498-1 8 Aamir Ahmad Saleh Muhammad 17301-8417263-7 9 Aamir Alam Said Alam 17301-3579095-7 10 Aamir Ali Sabtain Ali 16103-0372541-9 11 Aamir Ayub Ayub Khan 17301-7972148-7 12 Aamir Hussain Liaqat Hussain 17301-3766403-9 13 Aamir Hussain Amin ur Rehman 14201-1857052-7 14 Aamir Junaid Faqir Jan 17301-8970619-7 15 Aamir Khan Fazal Badshah 17101-6904429-1 16 Aamir Khan Fazl I Kareem 17202-0354505-3 17 Aamir Khan Muhammad Noor Shad Khan 17301-6171152-5 18 Aamir Khan Abdul Rasool 17301-0745399-1 19 Aamir Khan Ahmad Khan 42401-7569699-5 20 Aamir Khan Abdul Samad 17301-3879433-7 21 Aamir Khan Jamal Khan 42401-7395245-5 22 Aamir Khan Behram Khan 17101-1942516-7 23 Aamir kKhan Zaka Ullah 17301-0416153-5 24 Aamir Muhammad Khan Ghulam Ahmad Khan 11101-4248708-3 25 Aamir Nadeem Shah Mir Saddam Shah 11101-8450856-1 26 Aamir Rashid Rashid Gul 17301-4689440-3 27 Aamir Saeed Saeed Ullah 17201-3458553-7 28 Aamir Shehzad Ali Gohar Khan 16101-1764254-3 29 Aamir Sohaib Bakhtiar 17101-0864853-9 30 Aamir Sohail Ziarat Gul 14202-1147808-7 31 Aamir Sohail Gul Waheed Jan 17101-6920162-5 32 Aamir Sohail Nawar Khan 17201-4257911-5 33 Aamir Sohail Zahid Hussain 17101-9098317-1 34 Aamir Sohail Dahir Khan 17301-4879680-3 35 Aamir Sohail Zafar Ali
    [Show full text]
  • Nawab Wajid Ali Shah and "Babul Moraa" 
    From: Rajan P. Parrikar ([email protected]) Subject: Nawab Wajid Ali Shah and "Babul Moraa" Newsgroups: rec.music.indian.classical View: Complete Thread (7 articles) | Original Format Date: 1998/10/16 Namashkar. "BAbul morA, naihar chchooTo jAy" - a permanent fixture in the national consciousness thanks to K.L. Saigal, is known to every Indian to whom it is synonymous with Raga Bhairavi. The origins of this composition and its composer - the epicure Wajid Ali Shah - are not as well known. The following sketch by Susheela Mishra throws light on the unexpected turn of events that inspired the composition. Warm regards, r ************************************************** From: Great Masters of Hindustani Music by Susheela Mishra Hem Publishers, 1981 Nawab Wajid Ali Shah by Susheela Mishra Some years ago I saw the film 'Aavishkar' and was impressed by the subtle and soothing manner in which the famous Lucknow Thumri "Babul mora Naihar chchooto jaay" in Bhairavi had been used as a haunting and recurring background refrain throughout this good film. After the picture was over and as we were returning home, I asked some of my Lucknow friends if they knew who was the composer of this very popular song. I was disappointed when they confessed that none of them knew, although they had heard this Thumri many times and liked it very much. If even Lucknowwallas are not aware of this song, one cannot expect others from other parts of the country to know anything about it. This Bhairavi Thumri has been one of the favourites of famous light classical and classical musicians from Moizuddin, Malkajan, Gauharjan, and Ustad Faiyaz Khan, to Siddheswari Devi, Begum Akhtar and Girja Devi of more recent times.
    [Show full text]