Nicole Shalhoub Agent Resume

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NICOLE SHALHOUB FILM/TELEVISION Madam Secretary Guest Star CBS/Maggie Greenwald Bull Guest Star CBS/Tricia Brocks New Girl Co-Star FOX/Zooey Deschanel The Mentalist Guest Star CBS/Michael Nankin, dir Legends Co-Star TNT/Brad Turner, dir Criminal Minds Co-Star CBS/Larry Teng, dir Scandal Co-Star ABC/Tom Verica, dir The Good Wife Guest Star CBS/Felix Alcala, dir Law & Order C.I. Co-Star NBC/Jean deSegonzac, dir Wetware Lead Jay Craven, dir Hollywood Lead Davidson Cole, dir Sex & the City 2 Featured New Line/Michael Patrick King, dir The International Featured Columbia Pictures/Tom Tykwer, dir Only Mona Lead NYU/Olivia Newman, dir Arranged Featured CicalaFilmworks/StefanSchaefer DianeCrespo NEW MEDIA/INTERNET How’d You Get That? Writer Funny Or Die/Nate Smith,Pam Murphy Bad Interview Nicole Funny Or Die/Get to the Chopper THEATRE Five Mile Lake Peta South Coast Rep/Daniella Topol American Night: Ballad… Lydia/Sacagewea/Joan Baez Yale Repertory Theatre/Shana Cooper Arabian Nights Perfect Love/Jester’s Wife Arena Stage/Berkeley Rep/KC Rep Lookingglass/Mary Zimmerman The Fifth Column Anita The Mint Theatre/Jonathan Bank The Clean House Mathilde u/s Lincoln Center/Bill Rauch Alky Lydian The Pit/Broadway Comedy Club Icarus Naucrate Lookingglass/David Catlin Mirror of the Invisible World Persian Princess Goodman Theatre/Mary Zimmerman Snow In June Ensemble American Rep. Theatre/Chen Shi Zheng Inana Mena/Hana New Play Fest/Hartford Stage/ Rebecca Taichman Hell House Raver St. Ann’s Warehouse/Alex Timbers No Volveré María Cristína Papermill Playhouse/ Richard Staford De Donde? La Extraña Turtleshell Prod/Richard Hardin The Cherry Orchard Varya Atlantic Theatre Co/Scott Zigler LouLou The Acrobat Kayla Banf Arts Center (Canada)/Kelly Robinson A Lie of the Mind Beth American Repertory Theatre/Robert Walsh A Murder of Crows Crow Williamstown Theatre Festival/Trip Cullman TRAINING Acting: A.R.T. Institute/Moscow Art Theater, BADA, Lesly Kahn, Bob Krakower, Improv/Sketch/Standup: Lewis Black, Upright Citizen’s Brigade LA & NYC, The P.I.T. SPECIAL SKILLS: Fluent Spanish, Dialects: South American, Middle Eastern, East Asian, British, Boston, New York, Nuyorican, etc, Basic Aerial Silks, Yoga, 90s hip hop, Ukulele, A capella, Firearms & Tactical Schlegel Entertainment Colleen Schlegel 323-795-2900.

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MAY 20 - 26, 2018 staradvertiser.com LEGAL EAGLES Sandra’s (Britt Robertson) confi dence is shaken when she defends a scientist accused of spying for the Chinese government in the season fi nale of For the People. Elsewhere, Adams (Jasmin Savoy Brown) receives a compelling offer. Chief Judge Nicholas Byrne (Vondie Curtis-Hall) presides over the Southern District of New York Federal Court in this legal drama, which wraps up a successful freshman season. Airing Tuesday, May 22, on ABC. WE’RE LOOKING FOR PEOPLE WHO HAVE SOMETHING TO SAY. Are you passionate about an issue? An event? A cause? ¶ũeêh\Zgaêirhn[â^Zk][r^fihp^kbg`rhnpbmama^mkZbgbg`%^jnbif^gm olelo.org Zg]Zbkmbf^rhng^^]mh`^mlmZkm^]'Begin now at olelo.org. ON THE COVER | FOR THE PEOPLE Case closed ABC’s ‘For the People’ wraps Deavere Smith (“The West Wing”) rounds example of how the show delves into both the out the cast as no-nonsense court clerk Tina professional and personal lives of the charac- rookie season Krissman. ters. It’s a formula familiar to fans of Shonda The cast of the ensemble drama is now part Rhimes, who’s an executive producer of “For By Kyla Brewer of the Shondaland dynasty, which includes hits the People,” along with Davies, Betsy Beers TV Media “Grey’s Anatomy,” “Scandal” and “How to Get (“Grey’s Anatomy”), Donald Todd (“This Is Us”) Away With Murder.” The distinction was not and Tom Verica (“How to Get Away With here’s something about courtroom lost on Rappaport, who spoke with Murder”).
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How to Get Away with Colour: Colour-Blindness and the Myth of a Postracial America in American Television Series
UCC Library and UCC researchers have made this item openly available. Please let us know how this has helped you. Thanks! Title How to get away with colour: colour-blindness and the myth of a postracial America in American television series Author(s) Martens, Emiel; Póvoa, Débora Publication date 2017 Original citation Martens, E. and Póvoa, D. (2017) 'How to get away with colour: colour- blindness and the myth of a postracial America in American television series', Alphaville: Journal of Film and Screen Media, 13, 117-134. Type of publication Article (peer-reviewed) Link to publisher's http://www.alphavillejournal.com/Issue13/13_7Article_MartensPovoa.p version df Access to the full text of the published version may require a subscription. Rights © 2017, The Author(s) https://creativecommons.org/licenses/by-nc-nd/4.0/ Item downloaded http://hdl.handle.net/10468/6032 from Downloaded on 2021-09-24T05:10:11Z How to Get Away with Colour: Colour- Blindness and the Myth of a Postracial America in American Television Series Emiel Martens and Débora Povoa Abstract: The popular American television series How to Get Away with Murder (2014) seems to challenge the long history of stereotypical roles assigned to racial minorities in American media by choosing a multiracial cast to impersonate characters that, while having different racial backgrounds, share a similar socio-economic status and have multidimensional personalities that distance them from the common stereotypes. However, although it has been praised for its portrayal of racial diversity, the series operates within a problematic logic of racial colour-blindness, disconnecting the main characters from any sign of racial specificity and creating a fictional world in which racism is no longer part of American society.
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Charles M. Lagola
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