COMICS LAUREATE READING LIST Recommended Graphic Novels for 8-11 Year Olds Cover Title Publisher Creators

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COMICS LAUREATE READING LIST Recommended Graphic Novels for 8-11 Year Olds Cover Title Publisher Creators Space Dumplins Written by Craig Thompson Illustrated by Craig Thompson DC Super Hero Written by Girls: Hits and Shea Fontana Myths Illustrated by Yancey Labat Bunny vs Monkey: Written by Book One Jamie Smart Art by Jamie Smart Corpse Talk: Written by Season One Adam Murphy Art by Adam Murphy Hilda and The Written by Troll Luke Pearson Art by Luke Pearson The Stonekeeper Written by (Amulet #1) Kazu Kibuishi Art by Kazu Kibuishi Red’s Planet Written by Eddie Pittman Art by Eddie Pittman Gary’s Garden: Written by Book One Gary Northfield Art by Gary Northfield Phoebe and her Written by Unicorn Dana Simpson Art by Dana Simpson Tree Mail Written by Brian Smith, Mike Raicht Art by Brian Smith Bird Boy Volume Written by 1: The Sword of Mali Mani Annie Szabala Art by Annie Szabala Batman: Li'l Written by Gotham Vol. 1 Derek Fridolfs Dustin Nguyen Art by Dustin Nguyen Carrot to the Stars Written by Regis Lejonc Art by Riff Reb’s Asterix at the Written by Olympic Games Renee Goscinny Art by Alberto Uderzo Tintin: Explorers Written by on the Moon Herge Art by Herge Anders and the Written by Comet Gregory McKay Art by Gregory McKay Recommended Graphic Novels for 11-16 Year Olds Cover Title Publisher Creators Batman: Year One Written by Frank Miller Art by David Mazzucchelli Charley’s War: Written by Volume One Pat Mills Art by Joe Colquhoun Written by Ghosts Raina Telgemeier Art by Raina Telgemeier Written by Han Solo Marjorie Liu Art by Mark Brooks Written by Ms Marvel: Crushed G Wilson Art by Takeshi Miyazawa Written by All New Wolverine: The Tom Taylor Four Sisters Art by David Lopez David Navarrot Written by Welcome to Gotham Academy Becky Cloonan Art by Karl Kerschl Written by Mae Gene Ha Art by Gene Ha Written by Jem and the Kelly Thompson Holograms Art by Sophie Campbell Written by Paper Girls Brian K. Vaughan Art by Cliff Chiang Written by Dr Strange: The Way of the Weird Jason Aaron Art by Chris Bachalo Recommended Graphic Novels for 16+ Year Olds Cover Title Publisher Creators V For Vendetta Written by Alan Moore Art by David LLoyd The Walking Written by Dead, Volume 1: Robert Kirkman Days Gone Bye Art by Tony Moore Death: Deluxe Written by Edition Neil Gaiman Art by Chris Bachalo Fables, Volume 1: Written by Legends in Exile Bill Willingham Art by Lan Medina The Tale of One Written by Bad Rat Bryan Talbot Art by Bryan Talbot Blacksad Written by Juan Diaz Canales Art by Juanjo Guarnido Criminal, Volume Written by 1: Coward Ed Brubaker Art by Sean Phillips Lazarus, Volume 1 Written by Greg Rucka Art by Michael Lark Watchmen Written by Alan Moore Art by Dave Gibbons Garage Band Written by Gipi Art by Gipi Southern Written by Bastards Jason Aaron Art by Jason Latour White Death Written by Robbie Morrison Art by Charlie Adlard The Nao of Brown Written by Glyn Dillon Art by Glyn Dillon With thanks to Paul Register, Dave Gibbons, Mel Gibson, Ian Churchill, Bryan Talbot, Ian Churchill, Charlie Adlard, Gemma Sosnowsky and Peters' Books. Comics Laureate post main sponsor: Also supported by: .

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Copyright 2013 Shawn Patrick Gilmore
Copyright 2013 Shawn Patrick Gilmore THE INVENTION OF THE GRAPHIC NOVEL: UNDERGROUND COMIX AND CORPORATE AESTHETICS BY SHAWN PATRICK GILMORE DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in English in the Graduate College of the University of Illinois at Urbana-Champaign, 2013 Urbana, Illinois Doctoral Committee: Professor Michael Rothberg, Chair Professor Cary Nelson Associate Professor James Hansen Associate Professor Stephanie Foote ii Abstract This dissertation explores what I term the invention of the graphic novel, or more specifically, the process by which stories told in comics (or graphic narratives) form became longer, more complex, concerned with deeper themes and symbolism, and formally more coherent, ultimately requiring a new publication format, which came to be known as the graphic novel. This format was invented in fits and starts throughout the twentieth century, and I argue throughout this dissertation that only by examining the nuances of the publishing history of twentieth-century comics can we fully understand the process by which the graphic novel emerged. In particular, I show that previous studies of the history of comics tend to focus on one of two broad genealogies: 1) corporate, commercially-oriented, typically superhero-focused comic books, produced by teams of artists; 2) individually-produced, counter-cultural, typically autobiographical underground comix and their subsequent progeny. In this dissertation, I bring these two genealogies together, demonstrating that we can only truly understand the evolution of comics toward the graphic novel format by considering the movement of artists between these two camps and the works that they produced along the way.
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Brian Michael Bendis Chris Bachalo
Born with genetic mutations that give them abilities beyond those of normal humans, mutants are the next stage in evolution. As such, they are feared and hated by humanity. But a group of mutants known as the X-Men fight for peaceful coexistence between mutants and humankind. But not all mutants see peaceful coexistence as a reality. CYCLOPS IS THE PUBLIC FACE FOR WHAT HE CALLS “THE NEW MuTANT REVOLuTION.” VOWING TO PROTECT THE MuTANT RACE, HE’S BEGuN TO GATHER AND TRAIN A NEW GENERATION OF YOUNG MUTANTS. UPON THE READING OF CHARLES XAVIER’S LAST WILL AND TESTAMENT, THE X-MEN UNCOVERED HIS DARKEST SECRET. YEARS AGO, XAVIER DISCOVERED A YOUNG MUTANT NAMED MATTHEW MALLOY, WHOSE ABILITIES WERE SO TERRIFYING THAT XAVIER WAS FORCED TO MENTALLY BLOCK ALL THE BOY’S MEMORIES OF HIS POWERS. WITH THE MENTAL BLOCKS FAILING AFTER CHARLES’ DEATH, THE x-MEN SOUGHT MATTHEW OUT, BUT FAILED TO REACH HIM BEFORE HE UNLEASHED HIS POWERS uPON S.H.I.E.L.D.’S FORCES. CYCLOPS ATTEMPTED TO REASON WITH MATTHEW, OFFERING HIM ASYLUM WITH HIS MUTANT REVOLUTIONARIES, BUT MATTHEW LOST CONTROL OF HIS POWERS AGAIN. IN THE AFTERMATH, MAGNETO ARRIVED AND URGED MATTHEW NOT TO TRUST CYCLOPS, BUT FAILED AND WAS TRANSPORTED MILES AWAY. FACING THE OVERWHELMING THREAT OF MATTHEW’S POWER, S.H.I.E.L.D. FORCES UNLEASHED A MASSIVE BARRAGE OF MISSILES, SEEMINGLY INCINERATING MATTHEW, CYCLOPS, AND MAGIK. MEANWHILE, EVA BELL, CHOOSING TO TAKE MATTERS INTO HER OWN HANDS, TRAVELLED BACK IN TIME, COMING FACE-TO-FACE WITH CHARLES XAVIER. BRIAN MICHAEL BENDIS CHRIS BACHALO Writer Pencils TIM TOWNSEND, MARK IRWIN, CHRIS BACHALO & CHRIS BACHALO & JAIME MENDOZA, VICTOR OLAZABA & AL VEY ANTONIO FABELA TIM TOWNSEND Inks Colors Cover VC’S JOE CARAMAGNA XANDER JAROWEY MIKE MARTS Lettering & Production Assistant Editor Editor AXEL ALONSO JOE QUESADA DAN BUCKLEY ALAN FINE Editor in Chief Chief Creative Officer Publisher Executive Producer X-MEN created by STAN LEE & JACK KIRBY UNCANNY X-MEN No.
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The High Cost of Being Poor
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ALEX ROSS' Unrealized
Fantastic Four TM & © Marvel Characters, Inc. All Rights Reserved. No.118 February 2020 $9.95 1 82658 00387 6 ALEX ROSS’ DC: TheLost1970s•FRANK THORNE’sRedSonjaprelims•LARRYHAMA’sFury Force• MIKE GRELL’sBatman/Jon Sable•CLAREMONT&SIM’sX-Men/CerebusCURT SWAN’s Mad Hatter• AUGUSTYN&PAROBECK’s Target•theill-fatedImpact rebootbyPAUL lost pagesfor EDHANNIGAN’sSkulland Bones•ENGLEHART&VON EEDEN’sBatman/ GREATEST STORIESNEVERTOLDISSUE! KUPPERBERG •with unpublished artbyCALNAN, COCKRUM, HA,NETZER &more! Fantastic Four Four Fantastic unrealized reboot! ™ Volume 1, Number 118 February 2020 EDITOR-IN-CHIEF Michael Eury Comics’ Bronze Age and Beyond! PUBLISHER John Morrow DESIGNER Rich Fowlks COVER ARTIST Alex Ross COVER DESIGNER Michael Kronenberg PROOFREADER Rob Smentek SPECIAL THANKS Brian Augustyn Alex Ross Mike W. Barr Jim Shooter Dewey Cassell Dave Sim Ed Catto Jim Simon GREATEST STORIES NEVER TOLD: Alex Ross and the Fantastic Four That Wasn’t . 2 Chris Claremont Anthony Snyder An exclusive interview with the comics visionary about his pop art Kirby homage Comic Book Artist Bryan Stroud Steve Englehart Roy Thomas ART GALLERY: Marvel Goes Day-Glo. 12 Tim Finn Frank Thorne Inspired by our cover feature, a collection of posters from the House of Psychedelic Ideas Paul Fricke J. C. Vaughn Mike Gold Trevor Von Eeden GREATEST STORIES NEVER TOLD: The “Lost” DC Stories of the 1970s . 15 Grand Comics John Wells From All-Out War to Zany, DC’s line was in a state of flux throughout the decade Database Mike Grell ROUGH STUFF: Unseen Sonja . 31 Larry Hama The Red Sonja prelims of Frank Thorne Ed Hannigan Jack C. Harris GREATEST STORIES NEVER TOLD: Cancelled Crossover Cavalcade .
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Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours
i Being a Superhero is Amazing, Everyone Should Try It: Relationality and Masculinity in Superhero Narratives Kevin Lee Chiat Bachelor of Arts (Communication Studies) with Second Class Honours This thesis is presented for the degree of Doctor of Philosophy of The University of Western Australia School of Humanities 2021 ii THESIS DECLARATION I, Kevin Chiat, certify that: This thesis has been substantially accomplished during enrolment in this degree. This thesis does not contain material which has been submitted for the award of any other degree or diploma in my name, in any university or other tertiary institution. In the future, no part of this thesis will be used in a submission in my name, for any other degree or diploma in any university or other tertiary institution without the prior approval of The University of Western Australia and where applicable, any partner institution responsible for the joint-award of this degree. This thesis does not contain any material previously published or written by another person, except where due reference has been made in the text. This thesis does not violate or infringe any copyright, trademark, patent, or other rights whatsoever of any person. This thesis does not contain work that I have published, nor work under review for publication. Signature Date: 17/12/2020 ii iii ABSTRACT Since the development of the superhero genre in the late 1930s it has been a contentious area of cultural discourse, particularly concerning its depictions of gender politics. A major critique of the genre is that it simply represents an adolescent male power fantasy; and presents a world view that valorises masculinist individualism.
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Katalog Zur Ausstellung "60 Jahre Marvel
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Dundee Comics Day 2011
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National Conference
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