Emics and Etics Re-Examined, Part 1: Emics and Etics: Theoretical Considerations Author(s): Gerhard Kubik Source: African Music, Vol. 7, No. 3 (1996), pp. 3-10 Published by: International Library of African Music Stable URL: https://www.jstor.org/stable/30250055 Accessed: 04-03-2020 08:41 UTC JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact
[email protected]. Your use of the JSTOR archive indicates your acceptance of the Terms & Conditions of Use, available at https://about.jstor.org/terms International Library of African Music is collaborating with JSTOR to digitize, preserve and extend access to African Music This content downloaded from 195.176.241.245 on Wed, 04 Mar 2020 08:41:50 UTC All use subject to https://about.jstor.org/terms EMICS AND ETICS: THEORETICAL CONSIDERATIONS 3 EMICS AND ETICS RE-EXAMINED, PART 1 EMICS AND ETICS: THEORETICAL CONSIDERATIONS by Gerhard Kubik Emics/etics as a theoretical model in cultural anthropology is a familiar topic in discussions. Recently it surged up again through the publication of Emics and etics: the insider/outsider debate, edited by Thomas N. Headland, Kenneth L. Pike and Marvin Harris (1990). Soon thereafter the International Institute for Traditional Music in Berlin devoted a full volume of its journal The world of music (1/1993) to the topic. This coincided with the holding of the I.C.T.M.