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Séance Spéciale Tex Avery

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Séance Spéciale Tex Avery Animation? Séance spéciale Tex Avery Ciné-club universitaire Activités culturelles culture.unige.ch Lundi 29 mai 2017 à 20h | Auditorium Arditi âge légal: 16 ans Générique: 11 courts-métrages, Coul., 78' d'animation et d'humour visuel. […] Dans l’univers de Tex Avery, tout devient possible, Red Hot Riding Hood (1943) même l’impossible. Comme il le disait d'ail- Dumb-Hounded (1943) leurs lui-même: «le public trouve ça drôle The Cuckoo Clock (1950) parce qu’impossible ». Tex Avery, c’est l’anti Hound Hunters (1947) Disney, une imagination totalement débri- Droopy's Good Deed (1951) dée au service du gag et d'un sens inouï du Screwball Squirrel (1944) rythme. Who Killed Who? (1943) Disparu en 1980 à l'âge de 72 ans, ce génie Bad Luck Blackie (1949) de l'animation et du cinéma tout court, n'en The Cat That Hated People (1948) finit pas de nourrir l'imaginaire de cinéastes, The Screwy Truant (1945) artistes, dessinateurs ou publicitaires. King Size Canary (1947) Politiquement incorrect, le maître reste pour- tant sans égal et sans réel héritier. In a cartoon you can do anything (dans un Frederick Bean Avery, dit Fred ou surtout Tex cartoon on peut faire ce qu’on veut), c’est -en hommage au Texas-, voit le jour le 26 cette affirmation de Tex Avery que nous février 1908 à Taylor. Dès son jeune âge, Tex explorons avec cette séance dédiée aux films Avery développe un goût prononcé pour le du réalisateur américain. L’animation, poussée dessin. Après une formation aux métiers de à l’extrême, crée un univers aussi absurde que dessinateur et animateur au Art Institute of drôle, l’impossible devenant la norme. Les films Chicago, il tente sans succès de vendre ses de Tex Avery incarnent l’immense pouvoir de planches de dessins. Il part alors en Californie l’animation à pouvoir façonner des situations pour entamer une carrière dans l'animation. et personnages affranchis de toute logique. […] En 1935, Avery intègre le département animation de Warner Bros., dirigé par Leon Tex Avery selon Olivier Pallaruelo Schlesinger, et convainc ce dernier de le laisser Entre les années 1930 et le milieu des années diriger sa propre équipe d’animateurs […] 1950, un génie nommé Tex Avery révolu- L’équipe travaille dans un premier temps sur tionne le dessin animé. […] Son œuvre d'une les cartoons Looney Tunes en noir et blanc, incroyable folie créatrice -surtout la période puis sur les Merrie Melodies en couleurs. Avec MGM- reste une référence absolue en matière ses collaborateurs, Avery le perfectionniste va […] créer une série de personnages stars Source: PALLARUELO Olivier, Tex Avery, du genre, comme Daffy Duck, doublé par génie absolu de l’animation et toujours Mel Blanc, ou bien entendu Bugs Bunny. Il sans héritiers, allocine.fr [en ligne], 3 mars rejoint ensuite la MGM pour travailler sous 2014, [Consulté le 19 mai 2017], Disponible la supervision de Fred Quimby, et atteint ce à l’adresse : http://www.allocine.fr/article/ qu’on considère généralement comme son fichearticle_gen_carticle=18631159.html apogée, avec plus de marge de manœuvre et de moyens qu’auparavant […]. C'est à Tex Avery qu’on doit les premiers gags où il fait Fiche proposée par Lionel Dewarrat littéralement exploser les cadres de son outil de travail: un personnage emporté par son élan sort du film, le cartoon passe du techni- color au noir et blanc sans crier gare, appari- tion d'un faux cheveux sur une pellicule avant que le personnage du cartoon ne s’en rende compte et l’enlève derechef, joue sur la lecture sur plusieurs plans en faisant apparaître ses personnages sur une scène de théâtre ou un écran de cinéma, pendant que les spec- tateurs interrompent la séance le temps de s’asseoir…etc. […]il donne également vie à Screwy Squirrell, un écureuil fou et sadique, ou au duo d’ours George et Junior, inspiré du tandem de Des souris et des hommes, de John Steinbeck. Que ce soit dans les dessins animés (South Park, les Simpson..), la BD (chez Gotlib notamment), ou au cinéma, on trouve l'héritage de Tex Avery un peu partout. Au cinéma justement, le réalisateur Chuck Russell rendait un hommage savoureux dans The Mask, avec la séquence où Jim Carrey se transforme en Wolfie dans la scène du Night Club Coco Bongo. Prochaine projection du Ciné-club: Peur(s) du noir, Blutch, C. Burns, M. Caillou, ▶ P. Di Sciullo, L. Mattotti, R. McGuire, 2008 12 juin à 20h, Auditorium Arditi.
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