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Bernhard Gander, Ensemble Modern, Attila Csihar, Kevin Paradis Oren
Bernhard Gander, Ensemble Modern, Attila Csihar, Kevin Paradis 20OOZING EARTH Oren Ambarchi, Attila Csihar, Stephen O’Malley GRAVETEMPLE 20 MUSIK Ort Halle E im MuseumsQuartier Warm up! Einführungen, Lectures und Gespräche 13. September, 18.30 Uhr, Crossing over: Neue Termin 13. September, 20 Uhr Musik meets Metal, Gespräch mit Bernhard Gander Dauer 2 Std. 30 Min., inkl. 1 Umbaupause und Attila Csihar, in englischer Sprache, Portikus im Haupthof des MuseumsQuartier Wir bitten Sie, während dieser kurzen Pause den Saal nicht zu verlassen. Der erste Engel blies seine Posaune. Da fielen Hagel und Feuer, die mit Blut vermischt waren, auf das Land. Es verbrannte ein Drittel des Landes, ein Drittel der Bäume und alles grüne Gras. OFFENBARUNG 8,7 The first angel sounded, and there followed hail and fire mingled with blood, and they were cast upon the Earth: and the Mit Musik von Bernhard Gander, Oozing Earth, for voice, extreme-metal drummer and ensemble third part of trees was burnt up, Interpretiert von Attila Csihar / Stimme, Kevin Paradis / Schlagzeug, Ensemble Modern (Dietmar Wiesner / Flöte, Christian Hommel / Oboe, Hugo Queirós / Klarinette, Johannes Schwarz / Fagott, Saar Berger / and all green grass was burnt up. Horn, Sava Stoianov / Trompete, Mikael Rudolfsson / Posaune, Ueli Wiget / Klavier, Hermann Kretzschmar / Klavier, David Haller / Perkussion, Rainer Römer / Perkussion, Jagdish Mistry / Violine, Giorgos Panagiotidis / Violine, Megumi Kasakawa / Viola, Paul Beckett / Viola, Eva Böcker / Violoncello, REVELATION 8:7 Michael Maria Kasper / Violoncello, Paul Cannon / Kontrabass, Norbert Ommer / Klangregie) Dirigent Bas Wiegers Und Musik von Gravetemple (Attila Csihar, Oren Ambarchi, Stephen O’Malley) Lichtkonzept Raphael Haider, Marlene Posch durchgeführt vom Team Wiener Festwochen Uraufführung Oozing Earth, März 2020, cresc… Biennale für aktuelle Musik Frankfurt Rhein Main 2 DE / EN 3 DER ULTIMATIVE ABGESANG AUF DIE MENSCHHEIT unfreiwilligen Propheten. -
Moment Sound Vol. 1 (MS001 12" Compilation)
MOMENT SOUND 75 Stewart Ave #424, Brooklyn NY, 11237 momentsound.com | 847.436.5585 | [email protected] Moment Sound Vol. 1 (MS001 12" Compilation) a1 - Anything (Slava) a2 - Genie (Garo) a3 - Violence Jack (Lokua) a4 - Steamship (Garo) b1 - Chiberia (Lokua) b2 - Nightlife Reconsidered (Garo) b3 - Cosmic River (Slava) Scheduled for release on March 9th, 2010 The Moment Sound Vol. 1 compilation is the inauguration of the vinyl series of the Moment Sound label. It is comprised of original material by its founders Garo, Lokua and Slava. Swirling analog synths, dark pensive moods and intricate drum programming fill out the LP and at times evoke references to vintage Chicago house, 80's horror-synth, British dub and early electro. A soft, dreamlike atmosphere coupled with an understated intensity serves as the unifying character of the compilation. ….... Moment Sound is a multi-faceted label overseen by three musicians from Chicago – Joshua Kleckner, Garo Tokat and Slava Balasanov. All three share a fascination with and desire to uncover the essence of music – its primal building blocks. Minute details of old and new songs of various genres are sliced and dissected, their rhythmic and melodic elements carefully analyzed and cataloged to be recombined into a new, unpredictable yet classic sound. Performing live electronics together since early 2000s – anywhere from art galleries to grimy warehouse raves and various traditional music venues – they have proven to be an undeniable and highly versatile force in the Chicago music scene. Moment Sound does not have a static "sound". Instead, the focus is on the aesthetic of innovation rooted in tradition – a meeting point of the past and the future – the sound of the moment. -
Reed First Pages
4. Northern England 1. Progress in Hell Northern England was both the center of the European industrial revolution and the birthplace of industrial music. From the early nineteenth century, coal and steel works fueled the economies of cities like Manchester and She!eld and shaped their culture and urban aesthetics. By 1970, the region’s continuous mandate of progress had paved roads and erected buildings that told 150 years of industrial history in their ugly, collisive urban planning—ever new growth amidst the expanding junkyard of old progress. In the BBC documentary Synth Britannia, the narrator declares that “Victorian slums had been torn down and replaced by ultramodern concrete highrises,” but the images on the screen show more brick ruins than clean futurescapes, ceaselessly "ashing dystopian sky- lines of colorless smoke.1 Chris Watson of the She!eld band Cabaret Voltaire recalls in the late 1960s “being taken on school trips round the steelworks . just seeing it as a vision of hell, you know, never ever wanting to do that.”2 #is outdated hell smoldered in spite of the city’s supposed growth and improve- ment; a$er all, She!eld had signi%cantly enlarged its administrative territory in 1967, and a year later the M1 motorway opened easy passage to London 170 miles south, and wasn’t that progress? Institutional modernization neither erased northern England’s nineteenth- century combination of working-class pride and disenfranchisement nor of- fered many genuinely new possibilities within culture and labor, the Open Uni- versity notwithstanding. In literature and the arts, it was a long-acknowledged truism that any municipal attempt at utopia would result in totalitarianism. -
Throbbing Gristle 40Th Anniv Rough Trade East
! THROBBING GRISTLE ROUGH TRADE EAST EVENT – 1 NOV CHRIS CARTER MODULAR PERFORMANCE, PLUS Q&A AND SIGNING 40th ANNIVERSARY OF THE DEBUT ALBUM THE SECOND ANNUAL REPORT Throbbing Gristle have announced a Rough Trade East event on Wednesday 1 November which will see Chris Carter and Cosey Fanni Tutti in conversation, and Chris Carter performing an improvised modular set. The set will be performed predominately on prototypes of a brand new collaboration with Tiptop Audio. Chris Carter has been working with Tiptop Audio on the forthcoming Tiptop Audio TG-ONE Eurorack module, which includes two exclusive cards of Throbbing Gristle samples. Chris Carter has curated the sounds from his personal sonic archive that spans some 40 years. Card one consists of 128 percussive sounds and audio snippets with a second card of 128 longer samples, pads and loops. The sounds have been reworked and revised, modified and mangled by Carter to give the user a unique Throbbing Gristle sounding palette to work wonders with. In addition to the TG themed front panel graphics, the module features customised code developed in collaboration with Chris Carter. In addition, there will be a Throbbing Gristle 40th Anniversary Q&A event at the Rough Trade Shop in New York with Genesis Breyer P-Orridge, date to be announced. The Rough Trade Event coincides with the first in a series of reissues on Mute, set to start on the 40th anniversary of their debut album release, The Second Annual Report. On 3 November 2017 The Second Annual Report, presented as a limited edition white vinyl release in the original packaging and also on double CD, and 20 Jazz Funk Greats, on green vinyl and double CD, will be released, along with, The Taste Of TG: A Beginner’s Guide to Throbbing Gristle with an updated track listing that will include ‘Almost A Kiss’ (from 2007’s Part Two: Endless Not). -
Drone Music from Wikipedia, the Free Encyclopedia
Drone music From Wikipedia, the free encyclopedia Drone music Stylistic origins Indian classical music Experimental music[1] Minimalist music[2] 1960s experimental rock[3] Typical instruments Electronic musical instruments,guitars, string instruments, electronic postproduction equipment Mainstream popularity Low, mainly in ambient, metaland electronic music fanbases Fusion genres Drone metal (alias Drone doom) Drone music is a minimalist musical style[2] that emphasizes the use of sustained or repeated sounds, notes, or tone-clusters – called drones. It is typically characterized by lengthy audio programs with relatively slight harmonic variations throughout each piece compared to other musics. La Monte Young, one of its 1960s originators, defined it in 2000 as "the sustained tone branch of minimalism".[4] Drone music[5][6] is also known as drone-based music,[7] drone ambient[8] or ambient drone,[9] dronescape[10] or the modern alias dronology,[11] and often simply as drone. Explorers of drone music since the 1960s have included Theater of Eternal Music (aka The Dream Syndicate: La Monte Young, Marian Zazeela, Tony Conrad, Angus Maclise, John Cale, et al.), Charlemagne Palestine, Eliane Radigue, Philip Glass, Kraftwerk, Klaus Schulze, Tangerine Dream, Sonic Youth,Band of Susans, The Velvet Underground, Robert Fripp & Brian Eno, Steven Wilson, Phill Niblock, Michael Waller, David First, Kyle Bobby Dunn, Robert Rich, Steve Roach, Earth, Rhys Chatham, Coil, If Thousands, John Cage, Labradford, Lawrence Chandler, Stars of the Lid, Lattice, -
Weirdo Canyon Dispatch 2018
Review: Roadburn Thursday 19th April 2017 By Sander van den Driesche It’s that time of the year again, the After Yellow Eyes it’s straight to the much anticipated annual pilgrimage to Main Stage to see Dark Buddha Rising Tilburg to join with many hundreds of perform with Oranssi Pazuzu as the travellers for Walter’s party at Waste of Space Orchestra, which is Roadburn. As I get off the train the another highly anticipated show, and in heat kicks me right in the face, what a this case one that won’t be played massive difference to the dull and rainy anywhere else (as far as I know). What morning I left behind in Scotland. This happened on that big stage was is glorious weather for a Roadburn phenomenal, we witnessed a near hour Festival! Bring it on! of glorious drone-infused psychedelic proggy doom. In fact, it felt a bit too early for me personally in the timing of the festival to experience such an extraordinarily mind-blowing set, but it was a remarkable collaboration and performance. I can’t wait for the Live at Roadburn release to come out (someone make it happen please!). Yellow Eyes by Niels Vinck After getting my bearings with the new venues, I enter Het Patronaat for the first of my highly anticipated performances of the festival, Yellow Eyes. But after three blistering minutes of ferocious black metal the PA system seems to disagree and we have our first “Zeal & Ardor moment” of 2018. It’s Waste of Space Orchestra by Niels Vinck not even remotely funny to see the On the same Main Stage, Earthless Roadburn crew frantically trying to played the first of their sets as figure out what went wrong, but luckily Roadburn’s artist in residence. -
Oslo, Norway – 31
OSLO, NORWAY – 31. MARCH - 03. APRIL 2010 MAYHEM A RETROSPECTIVE OF GIANTS A VIEW FROM BERGEN TAAKE NACHTMYSTIUM THE TRANSATLANTIC PERSPECTIVE REVELATORY, TRANSFORMATIVE MAGICK JARBOE TEN YEARS OF INFERNO – THE PEOPLE TELL THEIR STORIES OSLO SURVIVOR GUIDE – CINEMATIC INFERNO – CONFERENCE – EXPO – AND MORE WWW.ROSKILDE-FESTIVAL.DK NÅ PÅ DVD OG BLU-RAY! Photo: Andrew Parker Inferno 2010 (from left): Carolin, Jan Martin, Hilde, Anders, Runa, Torje and Melanie (not present: Lars) HAIL ALL – WELCOME TO THE INFERNO METAL FESTIVALS TEN YEAR ANNIVERSARY! n annual gathering of metal, the black and extreme, the blasphemous Aand gory – music straight from hell! Worshippers from all over the world congregate for the fest of the the black metal easter in the North. YOU are hereby summoned! ron fisted, the Inferno Fest has ruled the first decade of the new Millenn- INFERNO MAGAZINE 2010 Iium. It has been a trail of hellfire. Sagas have been written and legacies Editor: Runa Lunde Strindin carved in willing flesh with new bands and new musical territory continously Writers: Gunnar Sauermann, Jonathan Seltzer, Hilde Hammer, conquered ! Bjørnar Hagen, Trond Skog, Anders Odden, Torje Norén. Photos: Andrew Parker, Alex Sjaastad, Charlotte Christiansen, Trond Skog, ail to all the bands, the crew and the volunteers, venues and clubs! Lena Carlsen. HHail to the dedicated media, labels and managements, our partners and IMX and IMC photos: Viktor Jæger collaborators! Inferno logos and illustrations, magazine layout: Hail to the Inferno audience with their dark force and energy. Asgeir Mickelson at MultiMono (www.multimo.no) With you all onboard we set our sails for the next Inferno! Advertising: Melanie Arends and Hilde Hammer at turbine agency (www.turbine.no) Join this years fest and the forthcoming gatherings in the Distribution: turbine agency + Scream Magazine years to come. -
Pressemappe Donaufestival 2018
Krems / Austria Presseinformation 27.04.-29.04. & 04.-06.05.2018 donaufestival 2018 Endlose Gegenwart donaufestival 2018 .................................................................................................................................................. 2 ARTISTS A-Z ............................................................................................................................................................. 5 Kleiner Leitfaden durch das Programm .................................................................................................................. 9 PERFORMANCE ................................................................................................................................................... 9 ART & INSTALLATION ........................................................................................................................................ 11 SOUND .............................................................................................................................................................. 13 STOCKHOLM-SYNDROM I - IV ........................................................................................................................... 14 FILM & VIDEO .................................................................................................................................................... 15 TALK.................................................................................................................................................................. -
A Study in Scarlet 17
Press kit A Study in Scarlet 17. 05–22. 07.2018 Press visit, Wednesday 16th May, at 9.30am Grand opening, Wednesday 16th May, from 6pm to 9pm With Ethan Assouline, Beau Geste Press, Lynda Benglis, Kévin Blinderman : masternantes, Pauline Boudry / Renate Lorenz, Jean-Louis Brau & Claude Palmer, Monte Cazazza, Chris & Cosey, COUM Transmissions, Vaginal Davis, Brice Dellsperger, Casey Jane Ellison, Harun Farocki, Karen Finley, Brion Gysin, Hendrik Hegray, Her Noise Archive, Robert Morris, Ebecho Muslimova, Meret Oppenheim, Pedro, Muriel & Esther, Lili Reynaud-Dewar, Christophe de Rohan Chabot, Louise Sartor, Throbbing Gristle, Cosey Fanni Tutti, Amalia Ulman and Les Vagues. Exhibition curator : Gallien Déjean Action Jusqu’à la Balle Crystal, 9e Biennale de Paris, 1975 © Courtesy Cosey Fanni Tutti et Cabinet, Londres Contacts : Isabelle Fabre, Communication Manager > +33 1 76 21 13 26 > [email protected] Lorraine Hussenot, Press Officer > +33 1 48 78 92 20 > [email protected] +33 6 74 53 74 17 Le frac île-de-France- reçoit le soutien du le plateau, paris Conseil régional d’Île-de-France, du ministère 22, rue des Alouettes de la Culture – Direction Régionale des Affaires 75 019 Paris, France Culturelles d’Île-de-France et de la Mairie de Paris. T +33 (0)1 76 21 13 20 Membre du réseau Tram, de Platform, fraciledefrance.com regroupement des FRAC et du Grand Belleville 1 Press kit Contents 1. Press release —A Study in Scarlet /p. 3-4 2. Cosey Fanni Tutti, Art Sex Music —Extracts /p. 5 3. Notices /p. 6-16 4. Images available /p. 17-19 5. -
Slugmag.Com 1
slugmag.com 1 SaltLakeUnderGround • Vol. 25 • Issue #310 • October 2014 • slugmag.com ABOUT THE COVER: There’s something out there, right in our back yard—in Ft. Duchesne, Utah, where Publisher: Eighteen Percent Gray Marketing Coordinator: people often report sightings of lights, noises and Editor: Angela H. Brown Robin Sessions voices possibly associated with UFOs. Revel in illus- Managing Editor: Alexander Ortega Marketing Team: Alex Topolewski, Carl Acheson, trator Robin Banks’ sensationalized presentation of Junior Editor: Christian Schultz Cassie Anderson, Cassie Loveless, Ischa B., Janie this Northeastern Utah point of interest. SLUG Senior Office Coordinator:Gavin Sheehan Greenberg, Jono Martinez, Kendal Gillett, Rachel Staff Writer Cody Kirkland went down to investi- Fact Checker: Henry Glasheen Roller, Raffi Shahinian, Robin Sessions, Zac Freeman gate—read his story on pg. 36. Copy Editing Team: Alex Cragun, Alexander Social Media Coordinator: Catie Weimer Ortega, Allison Shephard, Christian Schultz, Cody Distribution Manager: Eric Granato DISCLAIMER: SLUG Magazine does not necessarily Kirkland, Genevieve Smith, Henry Glasheen, Distro: Adam Okeefe, Eric Granato, John Ford, maintain the same opinions as those found in our John Ford, Jordan Deveraux, Julia Sachs, Maria Jordan Deveraux, Julia Sachs, Michael Sanchez, content. We seek to circulate ideas and dialogue Valenzuela, Mary E. Duncan, Shawn Soward, Traci Nancy Burkhart, Nancy Perkins, Nate Abbott, Ricky through quality coverage of contemporary music, art, Grant Vigil, Ryan Worwood, Tommy Dolph, Tony Bassett, action sports and the subcultures therein … except Content Consultants: Jon Christiansen, Xkot Toxsik rollerblading. Content is property of SLUG Magazine— Matt Hoenes Senior Staff Writers: Alex Springer, Alexander Cover Illustration: Robin Banks Ortega, Ben Trentelman, Brian Kubarycz, Brinley please do not use without written permission. -
World Scientists' Warning of a Climate Emergency
Supplemental File S1 for the article “World Scientists’ Warning of a Climate Emergency” published in BioScience by William J. Ripple, Christopher Wolf, Thomas M. Newsome, Phoebe Barnard, and William R. Moomaw. Contents: List of countries with scientist signatories (page 1); List of scientist signatories (pages 1-319). List of 153 countries with scientist signatories: Albania; Algeria; American Samoa; Andorra; Argentina; Australia; Austria; Bahamas (the); Bangladesh; Barbados; Belarus; Belgium; Belize; Benin; Bolivia (Plurinational State of); Botswana; Brazil; Brunei Darussalam; Bulgaria; Burkina Faso; Cambodia; Cameroon; Canada; Cayman Islands (the); Chad; Chile; China; Colombia; Congo (the Democratic Republic of the); Congo (the); Costa Rica; Côte d’Ivoire; Croatia; Cuba; Curaçao; Cyprus; Czech Republic (the); Denmark; Dominican Republic (the); Ecuador; Egypt; El Salvador; Estonia; Ethiopia; Faroe Islands (the); Fiji; Finland; France; French Guiana; French Polynesia; Georgia; Germany; Ghana; Greece; Guam; Guatemala; Guyana; Honduras; Hong Kong; Hungary; Iceland; India; Indonesia; Iran (Islamic Republic of); Iraq; Ireland; Israel; Italy; Jamaica; Japan; Jersey; Kazakhstan; Kenya; Kiribati; Korea (the Republic of); Lao People’s Democratic Republic (the); Latvia; Lebanon; Lesotho; Liberia; Liechtenstein; Lithuania; Luxembourg; Macedonia, Republic of (the former Yugoslavia); Madagascar; Malawi; Malaysia; Mali; Malta; Martinique; Mauritius; Mexico; Micronesia (Federated States of); Moldova (the Republic of); Morocco; Mozambique; Namibia; Nepal; -
Bel Canto Blank Sheets
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