The Evolution of the Autobiographical Impulse from Austen to Angelou
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Play Guide Table of Contents
PLAY GUIDE TABLE OF CONTENTS ABOUT ATC 1 INTRODUCTION TO THE PLAY 2 SYNOPSIS 2 SONG LIST 3 MEET THE CHARACTERS 4 MEET THE CREATORS: PAUL GORDON AND JANE AUSTEN 5 INTERVIEW WITH PAUL GORDON 7 THE NOVEL IN THE MUSIC 9 POLLOCK’S TOY THEATRES 11 LITERARY CATEGORIZATION OF AUSTEN 12 LITERARY TIMELINE 13 THE AUSTEN INDUSTRY 14 AUSTEN IN POPULAR CULTURE 15 FEMINISM IN EMMA 16 THE EMMA DEDICATION 18 HISTORICAL CONTEXT 18 HISTORICAL TIMELINE 22 DISCUSSION QUESTIONS AND ACTIVITIES 23 Jane Austen’s Emma Play Guide written and compiled by Katherine Monberg, Literary Assistant, and R Elisabeth Burton, Artistic Intern Discussion questions and activities provided by April Jackson, Associate Education Manager, Amber Tibbitts and Bryanna Patrick, Education Associates Support for ATC’s education and community programming has been provided by: APS JPMorgan Chase The Marshall Foundation Arizona Commission on the Arts John and Helen Murphy Foundation The Maurice and Meta Gross Bank of America Foundation National Endowment for the Arts Foundation Blue Cross Blue Shield Arizona Phoenix Office of Arts and Culture The Max and Victoria Dreyfus Foundation Boeing PICOR Charitable Foundation The Stocker Foundation City Of Glendale Rosemont Copper The William L and Ruth T Pendleton Community Foundation for Southern Arizona Stonewall Foundation Memorial Fund Cox Charities Target Tucson Medical Center Downtown Tucson Partnership The Boeing Company Tucson Pima Arts Council Enterprise Holdings Foundation The Donald Pitt Family Foundation Wells Fargo Ford Motor Company -
August 8, 2003
Jane Austen Society of North America Vancouver Region Newsletter No. 131 October, 2017 Muse & Musings “The company of clever, well-informed people, who have a great deal of conversation” June 17th Meeting Sue Trusler introduced a new novel that has resonated with her, Margaret Drabble's The Dark Flood Rises, an Books and Berries apocalyptic novel about old age. Books and Berries is our annual members’ book review meeting. Here is a list of the books we shared: And my trifle with “whipt syllabub” was a “receipt” from the newly published Dining with Jane Austen by JASNA Laureen McMahon brought What Regency Women did for Life-member Julienne Gehrer. My copy arrived today and us by Rachel Knowles with the legacies of 12 women who I am impressed, flipping through pages packed with full- were contemporaries of Jane. colour photos. I can't wait to share it with everyone. Mary Atkins suggested two titles: a P&P sequel entitled Our book sale raised $118! Thank you Iris Dayson and An Enduring Love by Sophie Turner, with a good number Donna Ornstein for organizing, and everyone for opening of real events to satisfy the history buffs; and A Jane your pocketbooks and library shelves to give a new home Austen Education (because we all do have much to learn to a few gently-used books. from reading Jane) as compiled by now-enlightened “Jane's Bountiful Basket” went to Janice Sexton, William Deresiewicz. introduced by Donna. We hope to see Janice again in our Iris Dayson presented Textiles: The Whole Story by fall meetings! Beverly Gordon. -
Jane Austen's Reading
Jane Austen’s Reading: The Chawton Years Gillian Dow and Katie Halsey Of all the diversions of life, there is none so proper to fill up its empty spaces as the reading of useful and entertaining authors. Spectator 93 (16 June, 1711) Introduction to Jane Austen’s Reading The earliest description of Jane Austen‘s reading is Henry Austen‘s account in the ‗Biographical Notice of the Author‘ in the first edition of Northanger Abbey, published posthumously in December 1817. James Edward Austen-Leigh‘s Memoir of his aunt (1870) also describes her reading, drawing on the information in the ‗Biographical Notice‘. Henry and Edward focus firmly on authors considered in the nineteenth century to be ‗useful and entertaining‘. They both agree that she loved the works of Samuel Johnson, William Cowper, George Crabbe and Samuel Richardson, in particular Richardson‘s Sir Charles Grandison (1753-4). Henry Austen tells of her early infatuation with ‗Gilpin on the Picturesque‘, writing also that ‗her reading was very extensive in history and belles letters‘, and that she was ‗intimately acquainted with the merits and defects of the best essays and novels in the English language‘ (‗Biographical Notice‘, 330). James Edward suggests that what Henry had called ‗extensive‘ reading in history was actually ‗the old guides – Goldsmith, Hume and Robertson‘. He briefly alludes to her admiration of Sir Walter Scott‘s poetry and Waverley (1814), and quotes her joking determination to read no novels but Maria Edgeworth‘s, her relatives‘ and her own. James Edward then turns from Austen‘s reading: ‗It was not, however, what she knew, but what she was, that distinguished her from others‘ (Austen-Leigh, 78-80). -
Sense and Sensibility Study Guide Is Aimed at Students of A’ Level Film and Communication and English
TEACHERS’ NOTES The Sense and Sensibility study guide is aimed at students of A’ Level Film and Communication and English. It may also be suitable for some students of GCSE Media Studies and English. SYNOPSIS When Henry Dashwood dies unexpectedly, his estate must pass by law to his son from his first marriage, John and wife Fanny. But these circumstances leave Mr. Dashwood’s current wife and daughters Elinor, Marianne and Margaret, without a home and barely enough money to live on. ©Film Education 1 As Elinor and Marianne struggle to find romantic fulfilment in a society obsessed with financial and social status, they must learn to mix sense with sensibility in their dealings with both money and men. Based on Jane Austen’s first novel, Sense and Sensibility marks the first big-screen adaptation of this classic romantic comedy. Directed by Ang Lee. Certificate: U. Running rime: 135 mins. INTRODUCTION “Jane Austen? Aren’t her novels just old-fashioned romantic stories about love amongst the rich and lazy?” To many people, including students of English Literature, there is a problem penetrating the ‘Mills and Boon’ romantic veneer of Jane Austen's plots to find the subtle analysis of social and moral behaviour that teachers and critics claim is beneath the surface. Even after studying her novels, many students find Austen’s world remote and perhaps rather trivial. READING NOVELS - READING FILMS - READING TEXTS The fact n that there are many film and television adaptations of Jane Austen's novels and this itself is a mark of her popularity as well as her skill as a writer. -
Female Psyche and Empowerment of Jane Austen and Lakshmi's Select
International Journal of Research (IJR) Vol-1, Issue-9 October 2014 ISSN 2348-6848 Female Psyche and Empowerment o f Jane Austen and Lakshmi’s Select Novels Dr. V. Asokkumar, M.A., M.Phil, Ph.D., Associate Professor of English, E.R.K.Arts & Science College, Erumaiyampatti – 636 905 Pappireddipatti (Tk), Dharmapuri (Dt) INDIA. Email: [email protected] ABSTRACT cultures. A nostalgic representative of the th This article aims at analyzing the classical 18 century, Jane Austen was occidental and oriental works of literary poised more in reason rather than art with special reference to the select emotion. Jane Austen wrote about what novels of Jane Austen and Lakshmi. she had experienced in her life. Hers is a Women novelists have a strong foundation world of the country middle class people. of social awareness and concentration on She deals with various aspects of love and family welfare. This article interprets Jane marriage and views them calmly and Austen’s three novels - Sense and dispassionately. She distrusts emotion and Sensibility Pride and Prejudice and describes it only by implication. Mansfield park and two of Lakshmi’s Lakshmi from Tamilnadu is a novels - Penn Manam and Oru Kaveriyai strong flavour of Tamil literature and Pola. This study except the first and the culture in her novels. She has a strong last are significantly titled implying the perception regarding the treatment of different strategies of female predicaments women in the Tamil society and is very amidst which Jane Austen and Lakshmi bold in portraying their emotions have set afloat their women characters kaleidoscopically. -
“—A Very Elegant Looking Instrument—” Musical Symbols And
('-a very elegant looking instrumgnl-"' Musical Symbols and Substance in Films of Jane Austen's Novels KATHRYN L. SHANKS LIBIN Department of Music, Vassar College, Poughkeepsie, NY 12604-0018 The recent flowering of Jane Austen novels on television and film raises fascinating issues of interpretation and authenticity. Great efforts have been made to recreate believable nineteenth-century backgrounds; the houses, furniture, costumes, jewelry, and so forth all show scrupulous historical research and attention to detail. origi- nal musical instruments have likewise been featured in these new visual versions of Jane Austen's texts. However, it is relatively easy to flt an attractive old instrument into its period setting; finding the right tone with the music itself is'a much more complicated problem, und fe* of the film makers involved with Austen's works have demonstrated perfect pitch in this matter. For the problem consists not simply of finding the right musical symbols: the proper instru- ments, or sound, or representative pieces of music that Jane Austen might have known; but of grappling, as well, with the musical substance ofher novels. In certain instances music is an essential plot device; and musical performance reveals key aspects of personality in many of her characters. Jane Austen herself faithfully practiced the piano, and copied out music into notebooks for her own use. Indeed, her music notebooks show that she was an accomplished musician, possessing a firm grasp of the rules and implications of musical notation and, not iurpiisingly, an elegant copyist's hand.' The mere existence of these notibooks, which represent countless hours of devoted labor as well as pleasure, shows the central role that music played in Austen's own life. -
Spring 2013 Course Descriptions
Spring 2013 English Course Offerings SPECIAL TOPICS COURSES ENGL 190: Harry Potter Section 1: M 4:00-6:45 Dr. Ward ENGL 190: Detective Fiction Section 2: MWF 11:00-11:50 Prof. Baker From Sherlock Holmes to Harry Hole, Sullivan’s Island to Stockholm, soft-spoken to hard-boiled, fictional detectives and their stories enjoy an enduring and seemingly universal appeal. This course examines the history, conventions, and surprising variety of the detective fiction genre. Authors covered include (tentatively): Edgar Allan Poe, Sir Arthur Conan Doyle, Agatha Christie, Dorothy Sayers, Raymond Chandler, Walter Moseley, Ruth Rendell, Elmore Leonard, Ian Rankin, Sue Grafton, Sara Parestky, Jo Nesbo. ENGL 190: Engaging Charleston Section 3: TR 10:50-12:05 Dr. Kelly How is it that we manage to live side by side with total strangers? Did you ever wonder why we’re not strangling each other all the time? These courses combine the study of the two oldest and most complex of human technologies – politics and cities – to figure out how human beings organize themselves. Ride the buses, chart the neighborhoods, study the streets even as you learn the theories that underpin it all. You’ll learn to read in the concrete walls, roads and buildings the ideas of political thinkers from Plato to Hobbes to Marx and the present day. Three hundred and forty years old, the gem of a pre-modern feudal society, the African portal to North America, a nexus of the Atlantic World, Charleston cherished Enlightenment ideals even as it shackled the nation to slavery. In this class you’ll study Charleston’s structures, its people and history, alongside those who have struggled to find answers about justice, equality and freedom. -
Celebrating 200 Years of Jane Austen at Sharon Public Library
Sharon Public Library (781) 784-1578 www.sharonpubliclibrary.org Celebrating 200 Years of Jane Austen at Sharon Public Library Austen’s Works The Novels of Jane Austen, Volumes Sanditon 1-5 Fic Austen, Jane Fic Austen, Jane Sense and Sensibility Mansfield Park Fic Austen, Jane Fic Austen, Jane Jane Austen’s Pride & Prejudice: The Persuasion Graphic Novel by Laurence Sach Fic Austen, Jane GN Austen, Jane Pride and Prejudice Sense and Sensibility Fic Austen, Jane New YA GN King, Stacy Sense Inspired by Austen The Mysterious Death of Miss Jane The Jane Austen Book Club Austen Fic Fowler, Karen Fic Ashford, Lindsay (Mystery) Austentatious Longbourn Fic Goodnight, Alyssa Fic Baker, Jo Midnight in Austenland Jane and the Unpleasantness at Fic Hale, Shannon Scargrove Manor Fic Barron, Stephanie (Mystery) Arsenic with Austen Fic Hyde, Katherine (Mystery) Jane Austen in Boca Fic Cohen, Paula Death Comes to Pemberley Fic James, P.D. (Mystery) Jane Austen in Scarsdale: or Love, Death, and the SATs The Missing Manuscript of Jane Fic Cohen, Paula Austen Fic James, Syrie Definitely Not Mr. Darcy Fic Doornebos, Karen Shades of Milk and Honey Fic Kowal, Mary Sharon Public Library (781) 784-1578 www.sharonpubliclibrary.org First Impressions Love & Friendship: In Which Jane Fic Lovett, Charlie Austen’s Lady Susan Vernon is Entirely Vindicated Emma: A Modern Retelling Fic Stillman, Whit Fic McCall Smith, Alexander Sense and Sensibility and Sea The Independence of Miss Mary Monsters Bennet Fic Winters, Ben Fic McCullough, Colleen The Jane Austen Project The -
A Love That Lasts: Jane Austen╎s Argument for a Marriage Based On
Running head: A LOVE THAT LASTS 1 A Love That Lasts: Jane Austen’s Argument for a Marriage Based on Love in Pride and Prejudice Katlin Berry A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2014 A LOVE THAT LASTS 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Brenda Ayres, Ph.D. Thesis Chair ______________________________ Karen Swallow Prior, Ph.D. Committee Member ______________________________ Brittany Meng, M.A. Committee Member ______________________________ James H. Nutter, D.A. Honors Director ______________________________ Date A LOVE THAT LASTS 3 Abstract During the period of Regency England, a woman’s life was planned for her before she was born, and her place in society was defined by her marital status. Before she was married, she was her father’s daughter with a slim possibility of inheriting property. After she was married, legally she did not exist; she was subsumed into her husband with absolutely no legal, political, or financial rights. She was someone’s wife; that is, if she was fortunate enough to marry because spinsters had very few opportunities to earn enough money to live on alone. Therefore, it was imperative that women marry. It often did not matter what a man may look like or how he acted; however, it was essential that he be a man of equal or more wealth. Rather than marrying for love, women sought husbands as means for financial security. -
Legal Issues in Austen's Life and Novels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 27 Issue 2 Spring 2017 Article 2 Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels Maureen B. Collins Follow this and additional works at: https://via.library.depaul.edu/jatip Part of the Computer Law Commons, Cultural Heritage Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Science and Technology Law Commons Recommended Citation Maureen B. Collins, Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels, 27 DePaul J. Art, Tech. & Intell. Prop. L. 115 (2019) Available at: https://via.library.depaul.edu/jatip/vol27/iss2/2 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Collins: Reading Jane Austen through the Lens of the Law: Legal Issues in READING JANE AUSTEN THROUGH THE LENS OF THE LAW: LEGAL ISSUES IN AUSTEN'S LIFE AND NOVELS Maureen B. Collins I. INTRODUCTION Jane Austen is most closely associated with loves lost and found and vivid depictions of life in Regency England. Austen's heroines have served as role models for centuries to young women seeking to balance manners and moxie. Today, Austen's characters have achieved a popularity she could have never foreseen. There is an "Austen industry" of fan fiction, graphic novels, movies, BBC specials, and Austen ephemera. -
Adaptations of Jane Austen's Older Women Hilary Richards Clemson University, [email protected]
Clemson University TigerPrints All Theses Theses 8-2014 Silver Hair on the Silver Screen: Adaptations of Jane Austen's Older Women Hilary Richards Clemson University, [email protected] Follow this and additional works at: https://tigerprints.clemson.edu/all_theses Part of the Film and Media Studies Commons, and the Gender and Sexuality Commons Recommended Citation Richards, Hilary, "Silver Hair on the Silver Screen: Adaptations of Jane Austen's Older Women" (2014). All Theses. 1910. https://tigerprints.clemson.edu/all_theses/1910 This Thesis is brought to you for free and open access by the Theses at TigerPrints. It has been accepted for inclusion in All Theses by an authorized administrator of TigerPrints. For more information, please contact [email protected]. SILVER HAIR ON THE SILVER SCREEN: ADAPTATIONS OF JANE AUSTEN’S OLDER WOMEN A Thesis Presented to the Graduate School of Clemson University In Partial Fulfillment of the Requirements for the Degree Master of Arts English by Hilary Richards August 2014 Accepted by: Dr. Erin Goss, Committee Chair Dr. Elizabeth Rivlin Dr. Sean Morey ABSTRACT Three adaptations of Jane Austen novels were produced between 1995 and 1999. These late 90s films represented a set of romantic comedies created in the style of heritage cinema. In adapting Sense and Sensibility, Emma, and Mansfield Park, filmmakers reshaped the older women supporting characters in order to better fit the generic conventions of romantic comedies. Romantic comedies of the 1990s relied on a narrow view of the marriage plot whereby the focus in wholly on the courtship process of a predominately affluent, white, heterosexual couple. -
"SENSE and SENSIBILITY" Screenplay by Emma Thompson Based on the Novel by Jane Austen EXT. OPEN ROADS
"SENSE AND SENSIBILITY" Screenplay by Emma Thompson Based on the novel by Jane Austen EXT. OPEN ROADS - NIGHT - TITLE SEQUENCE A series of traveling shots. A well-dressed, pompous-looking individual (JOHN DASHWOOD, 35) is making an urgent journey on horseback. He looks anxious. EXT. NORLAND PARK - ENGLAND - MARCH 1800 - NIGHT Silence. Norland Park, a large country house built in the early part of the eighteenth century, lies in the moonlit parkland. INT. NORLAND PARK - MR DASHWOOD'S BEDROOM - NIGHT In the dim light shed by candles we see a bed in which a MAN (MR DASHWOOD, 52) lies his skin waxy, his breathing laboured. Around him two silhouettes move and murmur, their clothing susurrating in the deathly hush. DOCTORS. A WOMAN (MRS DASHWOOD, 50) sits by his side, holding his hand, her eyes never leaving his face. MR DASHWOOD (urgent) Is John not yet arrived? MRS DASHWOOD We expect him at any moment, dearest. MR DASHWOOD looks anguished. MR DASHWOOD The girls--I have left so little. MRS DASHWOOD Shh, hush, Henry. MR DASHWOOD Elinor will try to look after you all, but make sure she finds a good husband. The men are such noodles hereabouts, little wonder none has pleased her. They smile at each other. MRS DASHWOOD is just managing to conceal her fear and grief MRS DASHWOOD But Marianne is sure to find her storybook hero. MR DASHWOOD A romantic poet with flashing eyes and empty pockets? MRS DASHWOOD As long as she loves him, whoever he is. MR DASHWOOD Margaret will go to sea and become a pirate so we need not concern ourselves with her.