Jane Austen and the Society for Promoting Christian Knowledge
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August 8, 2003
Jane Austen Society of North America Vancouver Region Newsletter No. 131 October, 2017 Muse & Musings “The company of clever, well-informed people, who have a great deal of conversation” June 17th Meeting Sue Trusler introduced a new novel that has resonated with her, Margaret Drabble's The Dark Flood Rises, an Books and Berries apocalyptic novel about old age. Books and Berries is our annual members’ book review meeting. Here is a list of the books we shared: And my trifle with “whipt syllabub” was a “receipt” from the newly published Dining with Jane Austen by JASNA Laureen McMahon brought What Regency Women did for Life-member Julienne Gehrer. My copy arrived today and us by Rachel Knowles with the legacies of 12 women who I am impressed, flipping through pages packed with full- were contemporaries of Jane. colour photos. I can't wait to share it with everyone. Mary Atkins suggested two titles: a P&P sequel entitled Our book sale raised $118! Thank you Iris Dayson and An Enduring Love by Sophie Turner, with a good number Donna Ornstein for organizing, and everyone for opening of real events to satisfy the history buffs; and A Jane your pocketbooks and library shelves to give a new home Austen Education (because we all do have much to learn to a few gently-used books. from reading Jane) as compiled by now-enlightened “Jane's Bountiful Basket” went to Janice Sexton, William Deresiewicz. introduced by Donna. We hope to see Janice again in our Iris Dayson presented Textiles: The Whole Story by fall meetings! Beverly Gordon. -
Jane Austen's Reading
Jane Austen’s Reading: The Chawton Years Gillian Dow and Katie Halsey Of all the diversions of life, there is none so proper to fill up its empty spaces as the reading of useful and entertaining authors. Spectator 93 (16 June, 1711) Introduction to Jane Austen’s Reading The earliest description of Jane Austen‘s reading is Henry Austen‘s account in the ‗Biographical Notice of the Author‘ in the first edition of Northanger Abbey, published posthumously in December 1817. James Edward Austen-Leigh‘s Memoir of his aunt (1870) also describes her reading, drawing on the information in the ‗Biographical Notice‘. Henry and Edward focus firmly on authors considered in the nineteenth century to be ‗useful and entertaining‘. They both agree that she loved the works of Samuel Johnson, William Cowper, George Crabbe and Samuel Richardson, in particular Richardson‘s Sir Charles Grandison (1753-4). Henry Austen tells of her early infatuation with ‗Gilpin on the Picturesque‘, writing also that ‗her reading was very extensive in history and belles letters‘, and that she was ‗intimately acquainted with the merits and defects of the best essays and novels in the English language‘ (‗Biographical Notice‘, 330). James Edward suggests that what Henry had called ‗extensive‘ reading in history was actually ‗the old guides – Goldsmith, Hume and Robertson‘. He briefly alludes to her admiration of Sir Walter Scott‘s poetry and Waverley (1814), and quotes her joking determination to read no novels but Maria Edgeworth‘s, her relatives‘ and her own. James Edward then turns from Austen‘s reading: ‗It was not, however, what she knew, but what she was, that distinguished her from others‘ (Austen-Leigh, 78-80). -
T H E B E a C
A TEENAGER'S POINT OF VIEW from Chloe Wells, age 14. Nature and how the world can help All the time everywhere I go, my grandparents are talking about numerous hedgehogs and beautiful yellowhammers that they used to see before I was born. Every time, they say it I feel sad, sad that we never see them at least not like everyone used to, so why can’t we? Why can’t we bring them back? Why can’t we let everyone see the wonders of our earth? It is very possible, but the whole world needs to act in time. Everyone can do their part. Anyone can take part but only if they have the dedication to step up N for nature, only if they have the perseverance and only if they never give up. In the Old Testament the Jews were told by our God to care for their O environment and they did an amazing job so what happened? Why can’t we do the same? What is the difference between now and then? Let’s start C to sort this out again. Nature can thrive but it just needs our help. Climate change A Climate change is predicted to cause horrible flooding in other countries and I don’t think they should, why do they have to suffer? E Wildfires California and Australia have been experiencing terrible wildfires which have ruined too many habitats and killed so many animals. So, let’s all try B and help out more to get the animals to safety or stop wildfires that we often cause The impact on others E I think there is no point in making huge amounts of money in the short term. -
A Love That Lasts: Jane Austen╎s Argument for a Marriage Based On
Running head: A LOVE THAT LASTS 1 A Love That Lasts: Jane Austen’s Argument for a Marriage Based on Love in Pride and Prejudice Katlin Berry A Senior Thesis submitted in partial fulfillment of the requirements for graduation in the Honors Program Liberty University Spring 2014 A LOVE THAT LASTS 2 Acceptance of Senior Honors Thesis This Senior Honors Thesis is accepted in partial fulfillment of the requirements for graduation from the Honors Program of Liberty University. ______________________________ Brenda Ayres, Ph.D. Thesis Chair ______________________________ Karen Swallow Prior, Ph.D. Committee Member ______________________________ Brittany Meng, M.A. Committee Member ______________________________ James H. Nutter, D.A. Honors Director ______________________________ Date A LOVE THAT LASTS 3 Abstract During the period of Regency England, a woman’s life was planned for her before she was born, and her place in society was defined by her marital status. Before she was married, she was her father’s daughter with a slim possibility of inheriting property. After she was married, legally she did not exist; she was subsumed into her husband with absolutely no legal, political, or financial rights. She was someone’s wife; that is, if she was fortunate enough to marry because spinsters had very few opportunities to earn enough money to live on alone. Therefore, it was imperative that women marry. It often did not matter what a man may look like or how he acted; however, it was essential that he be a man of equal or more wealth. Rather than marrying for love, women sought husbands as means for financial security. -
Legal Issues in Austen's Life and Novels
DePaul Journal of Art, Technology & Intellectual Property Law Volume 27 Issue 2 Spring 2017 Article 2 Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels Maureen B. Collins Follow this and additional works at: https://via.library.depaul.edu/jatip Part of the Computer Law Commons, Cultural Heritage Law Commons, Entertainment, Arts, and Sports Law Commons, Intellectual Property Law Commons, Internet Law Commons, and the Science and Technology Law Commons Recommended Citation Maureen B. Collins, Reading Jane Austen through the Lens of the Law: Legal Issues in Austen's Life and Novels, 27 DePaul J. Art, Tech. & Intell. Prop. L. 115 (2019) Available at: https://via.library.depaul.edu/jatip/vol27/iss2/2 This Lead Article is brought to you for free and open access by the College of Law at Via Sapientiae. It has been accepted for inclusion in DePaul Journal of Art, Technology & Intellectual Property Law by an authorized editor of Via Sapientiae. For more information, please contact [email protected]. Collins: Reading Jane Austen through the Lens of the Law: Legal Issues in READING JANE AUSTEN THROUGH THE LENS OF THE LAW: LEGAL ISSUES IN AUSTEN'S LIFE AND NOVELS Maureen B. Collins I. INTRODUCTION Jane Austen is most closely associated with loves lost and found and vivid depictions of life in Regency England. Austen's heroines have served as role models for centuries to young women seeking to balance manners and moxie. Today, Austen's characters have achieved a popularity she could have never foreseen. There is an "Austen industry" of fan fiction, graphic novels, movies, BBC specials, and Austen ephemera. -
Books Owned by Jane Austen's Niece, Caroline, Donated to Chawton House Library
VOL.1 No .4, 2015 Inside this issUE Books owned by Jane Austen’s House of Lords Tea niece, Caroline, donated to Chawton House Library N APRIL THIS YEAR, a North American Friend of Chawton House Library, Sandra Visiting Fellow Alexis Pogorelskin enjoys IClark, came to visit us all the way from afternoon tea with Baroness Williams of Crosby. Texas, bearing gifts. And what special gifts they are! They include a first edition of Frances Burney’s Camilla (1796), and a great many Improved Visitor Experience books to enhance our secondary collection, and our holdings on the Gothic novel. They also included a small collection of books once belonging to Caroline Mary Craven Austen (1805-80). Here, Executive Director Gillian The reference to Jane Austen’s acting skills came Numbers Dow discusses the importance of just one of back to me when I examined the donation from triple as the volumes in this collection, and looks at Sandra Clark. Because one of the books is a book new display what it can tell us about women’s reading, of French plays, an 1813 edition of Stéphanie- cases arrive education for girls, and women’s lives in the Félicité de Genlis’s Théatre à l’usage des jeunes early nineteenth century. personnes. All of Caroline’s books now forming part of the Chawton House Library collection When Sandra Clark came with her generous are delightful material objects. And in the case donation, I was thrilled to see the volumes once of this one, it is of particular interest, since it belonging to Caroline Austen. -
Jane Austen: a Family Record: Second Edition Deirdre Le Faye Frontmatter More Information
Cambridge University Press 978-0-521-53417-8 - Jane Austen: A Family Record: Second Edition Deirdre Le Faye Frontmatter More information JANE AUSTEN: AFAMILY RECORD This book is the outcome of years of research in Austen archives, and stems from the original family biography by W. and R. A. Austen- Leigh, Jane Austen: her Life and Letters. Jane Austen: A Family Record was first published in 1989, and this new edition incorporates information that has come to light since then, and provides new illustrations and updated family trees. Le Faye gives a detailed account of Jane’s life and literary career. She has collected together documented facts as well as the traditions concerning the novelist, and places her within the context of a widespread, affectionate and talented family group. Readers will learn how Jane transformed the stuff of her peaceful life in the Hampshire countryside into six novels that are amongst the most popular in the English language. This fascinating record of Austen and her family will be of great interest to general readers and scholars alike. Deirdre Le Faye has been actively researching the life and times of Jane Austen and her family for the last thirty years. In 1995 she pre- pared a completely new edition of Jane Austen’s Letters. She has also written several other books: a short illustrated biography, Jane Austen (1998), Jane Austen’s ‘Outlandish Cousin’, the Life and Letters of Eliza de Feuillide (2002) and Jane Austen: The World of Her Novels (2002)as well as numerous articles in literary journals. © in this -
1775 on 16 December, Jane Austen, the Seventh of Eight Children Of
Chronology 1775 On 16 December, Jane Austen, the 1803 Austen sells copyright for Northanger Abbey 1940 The Jane Austen Society is founded in seventh of eight children of George (then titled “Susan”) to Benjamin Crosby, England. and Cassandra Austen, is born in a London publisher, for £10. He never The first Austen film,Pride and Prejudice, Steventon, England. published it. starring Greer Garson and Laurence Olivier, is released. 1778 James Gillray is admitted to the Royal 1804 Austen starts drafting The Watsons, an Academy to study engraving. His tenure unfinished novel. 1979 The Jane Austen Society of North America overlaps that of William Blake. is founded. The majority of Gillray’s satirical engravings 1805 Austen’s father dies. appeared between 1793 and 1810. 1995 Colin Firth plays Mr. Darcy in the 1809 Austen settles at Chawton Cottage on her BBC/A&E film version ofPride and Prejudice. 1783 Austen’s brother Edward is formally brother Edward’s estate. Ang Lee’s film of Sense and Sensibility is adopted by Mr. and Mrs. Thomas Knight, nominated for an Oscar for best picture; wealthy distant cousins. 1811 Sense and Sensibility published. Emma Thompson wins an Oscar for best George iii declared insane, the prince of adapted screenplay. 1793 French Revolutionary War with England Wales (future George iv) becomes begins; France and England are at war prince regent. 2007 Becoming Jane, the first feature film inspired by almost continuously until the Battle of Austen’s life and letters, is released. Waterloo in 1815. 1813 Pride and Prejudice published. 2009 Later Manuscripts, the ninth and final volume 1794 The husband of Austen’s cousin Eliza is 1814 Mansfield Park published. -
Where Is Jane Austen in the Watsons?
84 Persuasions No- I Where Is Jane Austen in The Watsons? JAMES HELDMAN Department of English, Western Kentucky University, Bowling Green, Kentucky 42I01 The Watsons is unique amongJane Austen's works in many ways, not the least of which is that it is the only work of her maturity which she deliberately chose not to complete. Beyond that, the experience of reading The Watsons seems to me to be strikingly different from the experience of reading her other works. Something is missing-or almost missing-something which is characteristic and even essential in her completed novels. That something is the narrative voice ofJane Austen telling us the story, informing us, guiding us, shaping our responses, standing between us and her characters as we together watch them live their lives. In a very real sense, despite her profound skill in presenting her stories dramatically, every Jane Austen novel is to some degree an extended conversation withJane Austen herself. One need only recall the opening sentence of Pride and Prejudice as perhaps the most famous illustration of this voice: It is a truth universally acknowledged, that a single man in possession of a good fortune, must be in want of a wife. (PP, 3)t Of Sir Walter Elliot's passion for the Baronetage, we hear: Sir Walter Elliot, of Kellynch-hall, in Somersetshire, was a man who, for his own amusement, never took up any book but the Baronetage; . there any unwelcome sensations, arising from domestic affairs, changed natu- rally into pity and contempt, as he turned over the almost endless creations of the last century-and there, if every other leaf were powerless, he could read his own history with an interest which never failed. -
Rev. George Austen, a Second Generation Anglican Clergyman, and Cassandra Leigh, Whose Father Was Also an Anglican Clergyman
JANE AUSTEN AND HER FAMILY Jane Austen was born on December 16, 1775 in Steventon, Hampshire. Parents: Rev. George Austen, a second generation Anglican clergyman, and Cassandra Leigh, whose father was also an Anglican clergyman. Family of 8: James (1765) - became an Anglican clergyman; second wife was Jane's good friend, Mary Lloyd; Had 3 children. After his father's retirement, took over the parishes of Dean and Steventon. George (1766) - was handicapped (mentally deficient? deaf and dumb? epileptic?) Never lived with the family. Never married. Edward (1767) - as a young teen, was adopted by a wealthy cousin, lived at Godmersham, Kent, a noted property in England, and took the name Knight. Married the well-to-do Elizabeth Bridges who was not too fond of Jane. Had 11 children. Henry (1771) - was a soldier in the militia, a businessman, a banker and a clergyman. Married his cousin, Eliza de Feuillide, who was 10 years his senior. No children. Cassandra (1773) Francis (1774) - eventually became Sir Francis, Admiral of the Fleet; Had 11 children. Second wife was Jane's good friend, Martha Lloyd. Jane (1775) Charles (1779) - eventually commanded ships in the British Navy. Had 8 chidren. *AII married brothers except Edward married twice. 1783: Jane and Cassandra are sent for tutoring to a woman in Oxford and, after a few months, moved with this tutor to Southampton. A short time later, Jane became very ill, probably with typhus, which had been carried to England by troops returning from Gibraltar and the war with the French. Jane was taken home by her parents and very nearly died. -
Brotherly and Sisterly Dedications in Jane Austen's Juvenilia
y y Brotherly and Sisterly Dedications in Jane Austen’s : u : Juvenilia PETER SABOR Peter Sabor is Canada Research Chair in Eighteenth- Century Studies and Director of the Burney Centre at McGill University. His publications on Jane Austen include the Cambridge University Press edition of the Juvenilia (2006), and Juvenilia Press editions of Evelyn (1999) and Frederic and Elfrida (2002). J A the writings of her childhood and youth in three manuscript notebooks, to which she gave the mock-solemn titles of “Volume the First,” “Volume the Second ,” and “Volume the Third,” as though collectively they formed a three-volume novel. All four of the novels that she published during her lifetime, from Sense and Sensibility in 1811 to Emma in 1815, ap - peared in just such a format. Despite this ostensible resemblance to her pub - lished works, however, Austen’s juvenilia, written between about 1787 and 1793, di ffer from her full-length fiction in some obvious ways. First, the total length of the twenty-seven items in the three notebooks, some 74,000 words, is less than half that of either of her two longest novels, Mansfield Park and Emma , and considerably less than either Sense and Sensibility or Pride and Prejudice , although close to that of the two posthumously published novels, Northanger Abbey and Persuasion . Second, unlike the numbered chapters that comprise the volumes of each of the novels, the various items in the notebooks are unnumbered and di ffer markedly in length: there are sixteen short pieces in “Volume the First,” nine in “Volume the Second,” including such substantial ones as “Love and Freindship” and “Lesley Castle,” and only two in “Volume the Third ,” “Evelyn” and “Catharine, or the Bower.” Another feature that distinguishes the juvenilia from five of the pub - lished novels is the presence of dedications to family members and close friends, strewn throughout the three manuscript volumes. -
JANE AUSTEN Later Manuscripts
Cambridge University Press 978-0-521-84348-5 - Later Manuscripts Jane Austen Frontmatter More information the cambridge edition of the works of JANE AUSTEN later manuscripts © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-84348-5 - Later Manuscripts Jane Austen Frontmatter More information Cambridge University Press and Janet Todd wish to express their gratitude to the University of Glasgow and the University of Aberdeen for providing funding towards the creation of this edition. Their generosity made possible the employment of Antje Blank as research assistant during the project. © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-84348-5 - Later Manuscripts Jane Austen Frontmatter More information the cambridge edition of the works of JANE AUSTEN general editor: Janet Todd, Lucy Cavendish College, Cambridge and University of Aberdeen editorial board Marilyn Butler, University of Oxford Alistair Duckworth, University of Florida Isobel Grundy, University of Alberta Claudia Johnson, Princeton University Jerome McGann, University of Virginia Deirdre Le Faye, independent scholar Linda Bree, Cambridge University Press volumes in this series Juvenilia edited by Peter Sabor Northanger Abbey edited by Barbara Benedict and Deirdre Le Faye Sense and Sensibility edited by Edward Copeland Pride and Prejudice edited by Pat Rogers Mansfield Park edited by John Wiltshire Emma edited by Richard Cronin and Dorothy McMillan Persuasion edited by Janet Todd and Antje Blank Later Manuscripts edited by Janet Todd and Linda Bree Jane Austen in Context edited by Janet Todd © Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-84348-5 - Later Manuscripts Jane Austen Frontmatter More information Frontispiece: First manuscript page of Jane Austen’s poem ‘When stretch’d on one’s bed’.