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Transgender-Identiti
Transgender Identities Overview Transgender is an umbrella term for a wide variety of identities describing an individual’s embodiment or gender presentation challenging the cultural or societal norm of their assigned sex at birth. An individual can identify as one or many of these identities. “Trans” is shorthand for “transgender.” Terminology has changed over time so we need to be sensitive to usage within particular communities. Gender Identity: An individual’s internal sense of Bi-Gendered: One who has a significant gender being male, female, or something beyond the binary. identity encompassing both male and female Gender identity is internal; ones gender identity is genders. Some may feel one side is stronger, but not necessarily visible to others. both sides are engaged. Gender Expression: How a person represents or Two-Spirit: Contemporary term referring to the expresses their gender identity to others, often historical and current First Nations people whose through behavior, clothing, hairstyles, voice or body individuals spirits were a blend of male and female characteristics. spirits. This term has been reclaimed by some Native American LGBT communities to honor their Intersex: Term used for people who are born with heritage and provide an alternative to the Western reproductive or sexual anatomy and/or chromosome labels of gay, lesbian, bisexual or transgender. patter that dos not align with typical definitions of male or female. Cross-Dresser: A term used for an individual who dress in clothing traditionally or stereotypically worn Transsexual: An older term for people whose by the other sex, but generally do not have an intent gender identity is different from their assigned sex at to live full-time as the other gender. -
Mobile Food Vending and the Public Realm: a Seattle Study
Mobile Food Vending and the Public Realm: A Seattle Study Jenny Ngo A thesis submitted in partial fulfillment of the requirements for the degree of Master of Urban Planning University of Washington 2012 Committee: Dennis Ryan Branden Born Program Authorized to Offer Degree: Urban Design and Planning University of Washington Abstract Mobile Food Vending and the Public Realm: A Seattle Study Jenny Ngo Chair of the Supervisory Committee: Professor Dennis Ryan Urban Design and Planning Due to its position in the public realm, low public-investment costs and popularity among residents, mobile food vending presents a potentially effective means of improving streetscapes and amenities within a neighborhood. The flexible and adaptable nature of mobile food vending provides opportunities for increased vitality, walkability and pedestrian activity for the public realm. This research explores the design potential of mobile food vending two-fold: if mobile food vending is effective at contributing to Seattle’s design goals of an “attractive, vibrant and liveable city” and what qualities of vending make it effective at addressing these goals. The research used structured observational studies for 20 vending sites within Seattle and evaluated the ways in which mobile food vendors addressed these citywide goals through three site characteristics: public or private ownership of the property, the duration of the vending unit and distance from the sidewalk. Through these evaluations, this research has found great variability in the ability for mobile food vendors to address design criteria and issues of walkability based on these factors. The distance from the sidewalk was the most showed the most variability in these results, however locating on public or private property as well as a vendor’s duration has additional implications to how vendors affect the public realm. -
A Look at 'Fishy Drag' and Androgynous Fashion: Exploring the Border
This is a repository copy of A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/121041/ Version: Accepted Version Article: Willson, JM orcid.org/0000-0002-1988-1683 and McCartney, N (2017) A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman. Critical Studies in Fashion and Beauty, 8 (1). pp. 99-122. ISSN 2040-4417 https://doi.org/10.1386/csfb.8.1.99_1 (c) 2017, Intellect Ltd. This is an author produced version of a paper published in Critical Studies in Fashion and Beauty. Uploaded in accordance with the publisher's self-archiving policy. Reuse Items deposited in White Rose Research Online are protected by copyright, with all rights reserved unless indicated otherwise. They may be downloaded and/or printed for private study, or other acts as permitted by national copyright laws. The publisher or other rights holders may allow further reproduction and re-use of the full text version. This is indicated by the licence information on the White Rose Research Online record for the item. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ 1 JACKI WILLSON University of Leeds NICOLA McCARTNEY University of the Arts, London and University of London A look at ‘fishy drag’ and androgynous fashion: Exploring the border spaces beyond gender-normative deviance for the straight, cisgendered woman Abstract This article seeks to re-explore and critique the current trend of androgyny in fashion and popular culture and the potential it may hold for gender deviant dress and politics. -
The Id, the Ego and the Superego of the Simpsons
Hugvísindasvið The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson January 2013 University of Iceland School of Humanities Department of English The Id, the Ego and the Superego of The Simpsons B.A. Essay Stefán Birgir Stefánsson Kt.: 090285-2119 Supervisor: Anna Heiða Pálsdóttir January 2013 Abstract The purpose of this essay is to explore three main characters from the popular television series The Simpsons in regards to Sigmund Freud‟s theories in psychoanalytical analysis. This exploration is done because of great interest by the author and the lack of psychoanalytical analysis found connected to The Simpsons television show. The main aim is to show that these three characters, Homer Simpson, Marge Simpson and Ned Flanders, represent Freud‟s three parts of the psyche, the id, the ego and the superego, respectively. Other Freudian terms and ideas are also discussed. Those include: the reality principle, the pleasure principle, anxiety, repression and aggression. For this analysis English translations of Sigmund Freud‟s original texts and other written sources, including psychology textbooks, and a selection of The Simpsons episodes, are used. The character study is split into three chapters, one for each character. The first chapter, which is about Homer Simpson and his controlling id, his oral character, the Oedipus complex and his relationship with his parents, is the longest due to the subchapter on the relationship between him and Marge, the id and the ego. The second chapter is on Marge Simpson, her phobia, anxiety, aggression and repression. In the third and last chapter, Ned Flanders and his superego is studied, mainly through the religious aspect of the character. -
Locally Grown, Fresh, Organic Product
The Special Events Department of The Gilmore Collection has been coordinating, perfecting and executing the most personalized and extraordinary events for our guests for over twelve years. We invite you to utilize our talents and experience to make your special event one that will last a lifetime. Our capabilities are endless. Whether you wish to plan a moonlit wedding reception under tents at Mangiamo!, a contemporary corporate occasion in Eve at The B.O.B., or simply an intimate gathering of friends and family in one of our functional rooms, our history speaks to excellence in catering and private events. From garden to plate, we choose locally grown, fresh, organic product. Our priority is you and your guests as we assist you in planning the grandest of events with the utmost proficiency. It is our skill and fine attention to every aspect of food, service and atmosphere that has kept our repoire with the community for over a decade. We welcome the opportunity to work one-on-one with you and are thrilled over your interest in The Gilmore Collection. Also, please check out all of our new off-site loactions at www.gilmore-catering.com LOCALLY GROWN -/.2/%!6%.7s'2!.$2!0)$3 -)s08s&s777'),-/2% #!4%2).'#/- We appreciate your interest in The Gilmore Collection Special Events Department, where we specialize in exceeding your expectations in detail, service and professionalism. Banquet rooms and other facilities are reserved through the sales office. Office hours are 9:00am to 5:00pm Monday through Saturday. The telephone number is 3562627 ext. -
Memoria Y Representación Audiovisual De Las Prácticas Travestis
UNIVERSIDAD COMPLUTENSE DE MADRID FACULTAD DE CIENCIAS DE LA INFORMACIÓN TESIS DOCTORAL Memoria y representación audiovisual de las prácticas travestis, transformistas y drag queens, de los carnavales de Barranquilla, Baranoa, Puerto Colombia y Santo Tomás en el Caribe colombiano MEMORIA PARA OPTAR AL GRADO DE DOCTOR PRESENTADA POR Danny Armando González Cueto Director Francisco A. Zurian Madrid Ed. electrónica 2019 © Danny Armando González Cueto, 2019 DOCTORADO EN COMUNICACIÓN AUDIOVISUAL, PUBLICIDAD Y RELACIONES PÚBLICAS FACULTAD DE CC. DE LA INFORMACIÓN TESIS DOCTORAL Memoria y representación audiovisual de las prácticas travestis, transformistas y drag queens, de los carnavales de Barranquilla, Baranoa, Puerto Colombia y Santo Tomás en el Caribe colombiano Autor: Danny Armando González Cueto Director: Prof. Dr. Francisco A. Zurian Fecha: Madrid, 2019. AGRADECIMIENTOS Durante cuatro años se desarrolló esta investigación, que desafió mi manera de ver el mundo, debido también a que esta experiencia llena de novedades, tuvo como epicentro la ciudad de Madrid, en España, un fuerte contraste con el mundo del trópico del que provengo, por lo cual el proceso de adaptación fue fundamental para profundizar en el proyecto. Por eso, quiero agradecer en especial a Madrid, por su acogida, sus librerías, su Feria del Libro, sus parques, sus cines, sus espacios para el ocio, su particular forma de ser cómplice cuando el tiempo de una conversación se hizo interminable, y a las amigas y a los amigos que aquí me abrazaron y me permitieron crear en la tertulia nocturna. Expreso mi agradecimiento a mi director, el profesor Francisco A. Zurian, por tener la dedicación, la paciencia y la sabiduría para orientar este proceso de investigación, llevándolo más allá del mero hecho de lograrlo, alentándome en publicar artículos, apoyarle en proyectos editoriales, en la organización de eventos y muy importante, ser capaz de que el discurso y el enunciado devenido de mi visión sobre las cosas, se hiciera fuerte y decidido. -
Drag King Camp: a New Conception of the Feminine
DRAG KING CAMP: A NEW CONCEPTION OF THE FEMININE By ANDRYN ARITHSON B.A. University of Colorado, 2005 April 23, 2013 A thesis submitted to the Faculty of the Graduate School of the University of Colorado in partial fulfillment of the requirement for the degree of Master of Arts Department of Theatre & Dance 2013 This thesis entitled: Drag King Camp: a New Conception of the Feminine written by Andryn Arithson has been approved by the Department of Theatre & Dance ________________________________________________ Bud Coleman, Committee Chair ________________________________________________ Erika Randall, Committee Member ________________________________________________ Emmanuel David, Committee Member Date_______________ The final copy of this thesis has been examined by the signatories, and we find that both the content and the form meet acceptable presentation standards of scholarly work in the above mentioned discipline. Arithson iii ABSTRACT Arithson, Andryn (M.A., Theatre) Drag Kings: A New Conception of the Feminine Thesis directed by Associate Professor Bud Coleman This thesis is an exploration of drag king performance through the lens of third wave feminism and Camp performance mechanisms. The term drag king refers to any person, usually female, that is making a performance of masculinity using costume, makeup and gesture. Camp is defined as an ever-changing system of humor and queer parody that works to subvert hegemonic cultural structures in an effort to gain queer visibility. Drag king Camp is posited as a theatrical mechanism that works to reveal maleness and masculinity as a performative act, therefore destabilizing the gender binary, and simultaneously revealing alternative conceptions of femininity. Drag king performance will be theorized in five sections. -
LISTENING to DRAG: MUSIC, PERFORMANCE and the CONSTRUCTION of OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillmen
LISTENING TO DRAG: MUSIC, PERFORMANCE AND THE CONSTRUCTION OF OPPOSITIONAL CULTURE DISSERTATION Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy In the Graduate School of The Ohio State University By Elizabeth Kaminski, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Professor Vincent Roscigno, Advisor Professor Verta Taylor _________________________ Advisor Professor Nella Van Dyke Sociology Graduate Program ABSTRACT This study examines how music is utilized in drag performances to create an oppositional culture that challenges dominant structures of gender and sexuality. I situate this analysis in literature on the role of music and other cultural resources in the mobilization of social movement protest. Drawing from multiple sources of data, I demonstrate that drag queen performers make use of popular songs to build solidarity, evoke a sense of injustice, and enhance feelings of agency among audience members – three dimensions of cognition that constitute a collective action framework, conducive to social protest. The analysis is based on observations of drag performances; content analysis of the lyrics of drag songs; intensive interviews with drag queens at the 801 Cabaret in Key West, Florida; focus groups with audience members who attended the shows at the 801 Cabaret; and interviews with drag queen informants in Columbus, Ohio. I demonstrate how drag performers use music to construct new alliances and understandings of gender and sexuality among gay and heterosexual members of the audience. The data illustrate that drag performers strategically select songs to evoke an array of emotions among audience members. First are songs that utilize sympathy, sorrow, and humor to build solidarity. -
Social Commentary in the Simpsons at the Charles M
Gina Huntsinger, Marketing Director Charles M. Schulz Museum and Research Center (707) 579-4452 #268 [email protected] FOR IMMEDIATE RELEASE – September 18, 2014 The Simpsons—appearance of writers & producers Social Commentary in The Simpsons at the Charles M. Schulz Museum Saturday, October 18, 2014 at 1:00 pm (Santa Rosa, CA) Join writers and producers Matt Selman, Tim Long, Mike Price, Tom Gammill and Max Pross as they share stories about working on The Simpsons, and discuss how social commentary often slips into an episode. Writing for the longest-running scripted show in television history, they've seen politically incorrect jokes become correct, and then incorrect again. The group will answer questions and claim credit for things they probably didn't come up with themselves. 2301 Hardies Lane ● Santa Rosa, CA 95403 U.S.A. ● 707.579.4452 ● Fax 707.579.4436 www.SchulzMuseum.org © 2011 Charles M. Schulz Museum | ALL RIGHTS RESERVED | A non-profit 501(c)(3) organization PEANUTS © 2011 Peanuts Worldwide, LLC IMAGES If you would like any of the images from this press release to print in a publication, contact Gina Huntsinger at [email protected] or (707) 284-1268. ABOUT THE CHARLES M. SCHULZ MUSEUM & RESEARCH CENTER The Charles M. Schulz Museum opened in August 2002 to fulfill its mission of preserving, displaying, and interpreting the art of Charles M. Schulz. The museum carries out this mission through changing exhibitions and programming that: build an understanding of cartoonists and cartoon art; illustrate the scope of Schulz’s multi- faceted career; communicate the stories, inspirations and influences of Charles Schulz; and celebrate the life of Charles Schulz and the Peanuts characters. -
LA's Taco Truck War: How Law Cooks Food Culture Contests Ernesto Hernández-López
University of Miami Law School Institutional Repository University of Miami Inter-American Law Review 10-1-2011 LA's Taco Truck War: How Law Cooks Food Culture Contests Ernesto Hernández-López Follow this and additional works at: http://repository.law.miami.edu/umialr Part of the Law Commons Recommended Citation Ernesto Hernández-López, LA's Taco Truck War: How Law Cooks Food Culture Contests, 43 U. Miami Inter-Am. L. Rev. 233 (2011) Available at: http://repository.law.miami.edu/umialr/vol43/iss1/13 This Article is brought to you for free and open access by Institutional Repository. It has been accepted for inclusion in University of Miami Inter- American Law Review by an authorized administrator of Institutional Repository. For more information, please contact [email protected]. 233 LA's Taco Truck War: How Law Cooks Food Culture Contests Ernesto Hernindez-L6pez* In 2008, a Taco Truck War broke out in Los Angeles ("LA"), California between local authorities, food trucks and loyal custom- ers.' National and local media picked at the story after the Los Angeles County Board of Supervisors passed new regulations, which promised to severely restrict food trucks, referred to as "loncheros"or "taco trucks," in East Los Angeles.2 The authorities and business interests supporting the restrictions argued that the food trucks were a cumbersome and unsightly form of vending. On the opposite side, loncheros, foodies, and those looking for cheap meals viewed the restrictions as a full-frontal attack on local Los Angeles, the food scene, and Mexican food cultures.' Culinary resistance and enforcement of the new restrictions resulted in taco truck litigation. -
Food Truck Freedom: How to Build Better Food-Truck Laws in Your City
- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - A food truck how to. - - - Hours of - Operation - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Employee Sanitation - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - -- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Licensing - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Food Safety - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Food-Safety - Enforcement - - - - - - - - - - - - - - - - - - Refuse - - - - - - - - - - - - Commissary Requirements - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Liability - - Parking - Insurance - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - By FrommerRobert & Bert Gall November 2012 - - - by Robert Frommer and Bert Gall Institute for Justice November 2012 FOREWoRD Th is report is a project of the Institute for Justice’s National Street Vending Initiative, which the Institute created in 2010 to promote freedom and opportunity for food-truck operators and other street vendors. Th e initiative also seeks to combat anti-competitive and protectionist laws that stifl e the economic liberty -
GOURMET FOOD TRUCKS: an ETHNOGRAPHIC EXAMINATION of ORLANDO's FOOD TRUCK SCENE by ZACHARY ARLO HAWK B.A. University of Central
GOURMET FOOD TRUCKS: AN ETHNOGRAPHIC EXAMINATION OF ORLANDO’S FOOD TRUCK SCENE by ZACHARY ARLO HAWK B.A. University of Central Florida 2008 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Fall Term 2013 Major Professor: Ty Matejowsky © 2013 Zachary Arlo Hawk ii ABSTRACT Gourmet food trucks have emerged as increasingly popular dining alternatives for consumers in today’s urban landscape. Existing literature, as well as my own ethnographic research within Orlando, Florida’s mobile food vending scene, reveals that food truck owner/operators utilize various strategies to establish a viable niche for themselves in this diversified and burgeoning market. Among other things, these strategies include online social networking, creating and maintaining a recognizable brand identity, collaborating with local retailers and bar owners, and incorporating organic and locally produced ingredients in their dishes whenever possible. As in other parts of the country, there appears to be a growing concern in greater Orlando about local diets and the profound and subtle messages it conveys about contemporary eating habits. I contend that dining at gourmet food trucks represents a legitimate declaration of consumer identity about individual beliefs and values. In my thesis, I examine how Orlando’s gourmet food trucks offer consumers a greater selection of food options and allow locals to participate in a viable social network and community. iii ACKNOWLEDGMENTS Foremost, I would like to thank all of my interviewees, Joey, Viveca, Joel, Steve, and Tim.