Characters, Creatures, Droids and Aliens – New and Familiar – Populate Star Wars: Galaxy’S Edge
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Star Wars at MT
NEW STAR WARS AT MADAME TUSSAUDS UNIQUE INTERACTIVE STAR WARS EXPERIENCE OPENS MAY 2015 A NEW multi-million pound experience opens at Madame Tussauds London in May, with a major new interactive Star Wars attraction. Created in close collaboration with Disney and Lucasfilm, the unique, immersive experience brings to life some of film’s most powerful moments featuring extraordinarily life- like wax figures in authentic walk-in sets. Fans can star alongside their favourite heroes and villains of Star Wars Episodes I-VI, with dynamic special effects and dramatic theming adding to the immersion as they encounter 16 characters in 11 separate sets. The attraction takes the Madame Tussauds experience to a whole new level with an experience that is about much more than the wax figures. Guests will become truly immersed in the films as they step right into Yoda's swamp as Luke Skywalker did in Star Wars: Episode V The Empire Strikes Back or feel the fiery lava of Mustafar as Anakin turns to the dark side in Star Wars: Episode III Revenge of the Sith. Spanning two floors, the experience covers a galaxy of locations from the swamps of Dagobah and Jabba’s Throne Room to the flight deck of the Millennium Falcon. Fans can come face-to-face with sinister Stormtroopers; witness Luke Skywalker as he battles Darth Vader on the Death Star; feel the Force alongside Obi-Wan Kenobi and Qui-Gon Jinn when they take on Darth Maul on Naboo; join the captive Princess Leia and the evil Jabba the Hutt in his Throne Room; and hang out with Han Solo in the cantina before stepping onto the Millennium Falcon with the legendary Wookiee warrior, Chewbacca. -
Star Wars: Rise of the Resistance Makes Galactic Debut at Walt Disney World Resort
Star Wars: Rise of the Resistance Makes Galactic Debut at Walt Disney World Resort Groundbreaking new attraction brings guests into a battle between the Resistance and First Order beginning Dec. 5 at Disney’s Hollywood Studios and Jan. 17, 2020, at Disneyland Park LAKE BUENA VISTA, Fla. (Dec. 4, 2019) – This is the Disney attraction you’re looking for. Star Wars: Rise of the Resistance makes its public debut Dec. 5, 2019, inside Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios in Florida, and at Disneyland Park in California on Jan. 17, 2020. After years of anticipation for this groundbreaking new attraction, guests will now become heroes of the Resistance in a climactic battle with the First Order. During a special dedication ceremony Wednesday night inside Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios, Disney Parks, Experiences and Products Chairman Bob Chapek lauded the attraction’s immersive storytelling and technological innovation. “Star Wars: Rise of the Resistance sets a new standard for what a theme park experience can be,” Chapek said. “Tonight, we’re welcoming the world to experience the Star Wars galaxy like never before, with the opening of the most ambitious, immersive, advanced, action-packed attraction we’ve ever created.” Star Wars: Rise of the Resistance is one of the most ambitious attractions ever created for a Disney park. The thrilling action takes place in massive sets that give guests the feeling of stepping inside a Star Warsfilm as they elude the clutches of Kylo Ren and the First Order in a mad dash through a Star Destroyer. -
Star Wars: the Fascism Awakens Representation and Its Failure from the Weimar Republic to the Galactic Senate Chapman Rackaway University of West Georgia
STAR WARS: THE FASCISM AWAKENS 7 Star Wars: The Fascism Awakens Representation and its Failure from the Weimar Republic to the Galactic Senate Chapman Rackaway University of West Georgia Whether in science fiction or the establishment of an earthly democracy, constitutional design matters especially in the realm of representation. Democracies, no matter how strong or fragile, can fail under the influence of a poorly constructed representation plan. Two strong examples of representational failure emerge from the post-WWI Weimar Republic and the Galactic Republic’s Senate from the Star Wars saga. Both legislatures featured a combination of overbroad representation without minimum thresholds for minor parties to be elected to the legislature and multiple non- citizen constituencies represented in the body. As a result both the Weimar Reichstag and the Galactic Senate fell prey to a power-hungry manipulating zealot who used the divisions within their legislature to accumulate power. As a result, both democracies failed and became tyrannical governments under despotic leaders who eventually would be removed but only after wars of massive casualties. Representation matters, and both the Weimer legislature and Galactic Senate show the problems in designing democratic governments to fairly represent diverse populations while simultaneously limiting the ability of fringe groups to emerge. “The only thing necessary for the triumph of representative democracies. A poor evil is for good men to do nothing.” constitutional design can even lead to tyranny. – Edmund Burke (1848) Among the flaws most potentially damaging to a republic is a faulty representational “So this is how liberty dies … with structure. Republics can actually build too thunderous applause.” - Padme Amidala (Star much representation into their structures, the Wars: Episode III Revenge of the Sith, 2005) result of which is tyranny as a byproduct of democratic failure. -
Masters of the Universe: Action Figures, Customization and Masculinity
MASTERS OF THE UNIVERSE: ACTION FIGURES, CUSTOMIZATION AND MASCULINITY Eric Sobel A Thesis Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of MASTER OF ARTS December 2018 Committee: Montana Miller, Advisor Esther Clinton Jeremy Wallach ii ABSTRACT Montana Miller, Advisor This thesis places action figures, as masculinely gendered playthings and rich intertexts, into a larger context that accounts for increased nostalgia and hyperacceleration. Employing an ethnographic approach, I turn my attention to the under-discussed adults who comprise the fandom. I examine ways that individuals interact with action figures creatively, divorced from children’s play, to produce subjective experiences, negotiate the inherently consumeristic nature of their fandom, and process the gender codes and social stigma associated with classic toylines. Toy customizers, for example, act as folk artists who value authenticity, but for many, mimicking mass-produced objects is a sign of one’s skill, as seen by those working in a style inspired by Masters of the Universe figures. However, while creativity is found in delicately manipulating familiar forms, the inherent toxic masculinity of the original action figures is explored to a degree that far exceeds that of the mass-produced toys of the 1980s. Collectors similarly complicate the use of action figures, as playfully created displays act as frames where fetishization is permissible. I argue that the fetishization of action figures is a stabilizing response to ever-changing trends, yet simultaneously operates within the complex web of intertexts of which action figures are invariably tied. To highlight the action figure’s evolving role in corporate hands, I examine retro-style Reaction figures as metacultural objects that evoke Star Wars figures of the late 1970s but, unlike Star Wars toys, discourage creativity, communicating through the familiar signs of pop culture to push the figure into a mental realm where official stories are narrowly interpreted. -
Predators 2021 8 7 6 5 4 3 2 1
1 2 3 4 5 6 7 8 1 2 3 4 5 6 7 8 8 7 6 5 4 3 2 1 PREDATORS 2021 8 7 6 5 4 3 2 1 Azerbaijan 167/180* Eritrea 180/180* Isaias AFWERKI Ilham Aliyev Born 2 February 1946 Born 24 December 1961 > President of the Republic of Eritrea > President of the Republic of Azerbaijan since 19 May 1993 since 2003 > Predator since 18 September 2001, the day he suddenly eliminated > Predator since taking office, but especially since 2014 his political rivals, closed all privately-owned media and jailed outspoken PREDATORY METHOD: Subservient judicial system journalists Azerbaijan’s subservient judicial system convicts journalists on absurd, spurious PREDATORY METHOD: Paranoid totalitarianism charges that are sometimes very serious, while the security services never The least attempt to question or challenge the regime is regarded as a threat to rush to investigate physical attacks on journalists and sometimes protect their “national security.” There are no more privately-owned media, only state media assailants, even when they have committed appalling crimes. Under President with Stalinist editorial policies. Journalists are regarded as enemies. Some have Aliyev, news sites can be legally blocked if they pose a “danger to the state died in prison, others have been imprisoned for the past 20 years in the most or society.” Censorship was stepped up during the war with neighbouring appalling conditions, without access to their family or a lawyer. According to Armenia over Nagorno-Karabakh and the government routinely refuses to give the information RSF has been getting for the past two decades, journalists accreditation to foreign journalists. -
The Retriever, Issue 1, Volume 39
18 Features August 31, 2004 THE RETRIEVER Alien vs. Predator: as usual, humans screwed it up Courtesy of 20th Century Fox DOUGLAS MILLER After some groundbreaking discoveries on Retriever Weekly Editorial Staff the part of the humans, three Predators show up and it is revealed that the temple functions as prov- Many of the staple genre franchises that chil- ing ground for young Predator warriors. As the dren of the 1980’s grew up with like Nightmare on first alien warriors are born, chaos ensues – with Elm street or Halloween are now over twenty years Weyland’s team stuck right in the middle. Of old and are beginning to loose appeal, both with course, lots of people and monsters die. their original audience and the next generation of Observant fans will notice that Anderson’s filmgoers. One technique Hollywood has been story is very similar his own Resident Evil, but it exploiting recently to breath life into dying fran- works much better here. His premise is actually chises is to combine the keystone character from sort of interesting – especially ideas like Predator one’s with another’s – usually ending up with a involvement in our own development. Anderson “versus” film. Freddy vs. Jason was the first, and tries to allow his story to unfold and build in the now we have Alien vs. Predator, which certainly style of Alien, withholding the monsters almost will not be the last. Already, the studios have toyed altogether until the second half of the film. This around with making Superman vs. Batman, does not exactly work. -
Merchandise Extends Storytelling in Star Wars: Galaxy's Edge
Merchandise Extends Storytelling in Star Wars: Galaxy’s Edge Merchandise available in Star Wars: Galaxy’s Edge at Disney’s Hollywood Studios in Florida and Disneyland Park in California plays a vital role in the overall storytelling within the land. The Disney Parks product development team was integrated with the overall project team throughout the creation of the land to ensure the retail program delivers an immersive, authentic and connected Star Warsexperience. Unique merchandise expands the fun of playing in this land, allowing guests to live their own Star Wars adventures through new story-driven retail experiences, role-play products and environments. Retail comes to life for guests as they construct a lightsaber or build a droid in authentic spaces. The products deliver a level of authenticity, realism and storytelling that can only be achieved at Star Wars: Galaxy’s Edge. Savi’s Workshop – Handbuilt Lightsabers Guests can customize their own legendary lightsabers as they choose their paths in this immersive retail experience. A group known as the Gatherers ushers guests into a covert workshop packed with unusual parts and whimsical pieces collected from the far reaches of the galaxy. Under the Gatherers’ guidance, guests construct one-of-a-kind lightsabers and bring them to life through the power of kyber crystals. Guests select from the following lightsaber themes: Peace and Justice– Utilize salvaged scraps of fallen Jedi temples and crashed starships in Republic-era lightsaber designs that honor the galaxy’s former guardians. Power and Control– Originally forged by warriors from the dark side, objects used in this lightsaber style are rumored remnants from the Sith home world and abandoned temples. -
Complete Catalogue of the Musical Themes Of
COMPLETE CATALOGUE OF THE MUSICAL THEMES OF CATALOGUE CONTENTS I. Leitmotifs (Distinctive recurring musical ideas prone to development, creating meaning, & absorbing symbolism) A. Original Trilogy A New Hope (1977) | The Empire Strikes Back (1980) | The Return of the Jedi (1983) B. Prequel Trilogy The Phantom Menace (1999) | Attack of the Clones (2002) | Revenge of the Sith (2005) C. Sequel Trilogy The Force Awakens (2015) | The Last Jedi (2017) | The Rise of Skywalker (2019) D. Anthology Films & Misc. Rogue One (2016) | Solo (2018) | Galaxy's Edge (2018) II. Non-Leitmotivic Themes A. Incidental Motifs (Musical ideas that occur in multiple cues but lack substantial development or symbolism) B. Set-Piece Themes (Distinctive musical ideas restricted to a single cue) III. Source Music (Music that is performed or heard from within the film world) IV. Thematic Relationships (Connections and similarities between separate themes and theme families) A. Associative Progressions B. Thematic Interconnections C. Thematic Transformations [ coming soon ] V. Concert Arrangements & Suites (Stand-alone pieces composed & arranged specifically by Williams for performance) A. Concert Arrangements B. End Credits VI. Appendix This catalogue is adapted from a more thorough and detailed investigation published in JOHN WILLIAMS: MUSIC FOR FILMS, TELEVISION, AND CONCERT STAGE (edited by Emilio Audissino, Brepols, 2018) Materials herein are based on research and transcriptions of the author, Frank Lehman ([email protected]) Associate Professor of Music, Tufts -
STAR WARS TRILOGY HIT: the Documentary Empire of Dreams Is
SEARCH: star wars trilogy Tuesday, September 21, 2004 STAR WARS TRILOGY By Cyril Pearl 9/8/2004 HIT: The documentary Empire of Dreams is packed with production clips, behind-the- scenes bits and interviews with 40 cast and crew members from the original trilogy. MISS: When will fans get to see the original versions of the films? The most anticipated DVD release of the year arrives fully loaded and ready to rock the retail and e-tail market through the winter. Restored and remastered by Lowry Digital Images (which also handled last year's Indiana Jones DVD box), the Star Wars films--Stars Wars (1977), The Empire Strikes Back (1980) and Return of the Jedi (1983)--look better than they probably ever did in theaters during their original run. The films contained here are essentially the Special Editions that made the theatrical rounds back in 1997, which has already proven to be a sore spot for fans who clamor for the original features. It also should be noted that these versions have been further tweaked by the seemingly-never- satisfied creator George Lucas: His digitally dexterous hands have substantially altered a key scene between the Emperor and Darth Vader in Empire and the ending of Jedi, which now includes a shot of the spirit of young Anakin Skywalker (Hayden Christenson). Tampering notwithstanding, the picture quality is nothing short of breathtaking, with the kind of sharp definition and sheen that one associates with the trilogy. (Check out Empire's battle scene on the ice planet Hoth or the skirmish on Jabba the Hutt's sand barge in Jedi.) Leading the four-hours-plus of supplemental materials (not including the commentary tracks) is the 2½-hour documentary Empire of Dreams: The Story of the Star Wars Trilogy, produced and directed by Kevin Burns and Edith Becker. -
Star Wars Video Game Planets
Terrestrial Planets Appearing in Star Wars Video Games In order of release. By LCM Mirei Seppen 1. Star Wars: The Empire Strikes Back (1982) Outer Rim Hoth 2. Star Wars (1983) No Terrestrial Planets 3. Star Wars: Jedi Arena (1983) No Terrestrial Planets 4. Star Wars: Return of the Jedi: Death Star Battle (1983) No Terrestrial Planets 5. Star Wars: Return of the Jedi (1984) Outer Rim Forest Moon of Endor 6. Death Star Interceptor (1985) No Terrestrial Planets 7. Star Wars: The Empire Strikes Back (1985) Outer Rim Hoth 8. Star Wars (1987) Mid Rim Iskalon Outer Rim Hoth (Called 'Tina') Kessel Tatooine Yavin 4 9. Ewoks and the Dandelion Warriors (1987) Outer Rim Forest Moon of Endor 10. Star Wars Droids (1988) Outer Rim Aaron 11. Star Wars (1991) Outer Rim Tatooine Yavin 4 12. Star Wars: Attack on the Death Star (1991) No Terrestrial Planets 13. Star Wars: The Empire Strikes Back (1992) Outer Rim Bespin Dagobah Hoth 14. Super Star Wars 1 (1992) Outer Rim Tatooine Yavin 4 15. Star Wars: X-Wing (1993) No Terrestrial Planets 16. Star Wars Chess (1993) No Terrestrial Planets 17. Star Wars Arcade (1993) No Terrestrial Planets 18. Star Wars: Rebel Assault 1 (1993) Outer Rim Hoth Kolaador Tatooine Yavin 4 19. Super Star Wars 2: The Empire Strikes Back (1993) Outer Rim Bespin Dagobah Hoth 20. Super Star Wars 3: Return of the Jedi (1994) Outer Rim Forest Moon of Endor Tatooine 21. Star Wars: TIE Fighter (1994) No Terrestrial Planets 22. Star Wars: Dark Forces 1 (1995) Core Cal-Seti Coruscant Hutt Space Nar Shaddaa Mid Rim Anteevy Danuta Gromas 16 Talay Outer Rim Anoat Fest Wildspace Orinackra 23. -
When the Pot Plays Potter: •Œisaiah╊, Toy Story And
Journal of Religion & Film Volume 14 Issue 2 October 2010 Article 10 October 2010 When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization Paul Tremblay Long Island University, [email protected] Follow this and additional works at: https://digitalcommons.unomaha.edu/jrf Recommended Citation Tremblay, Paul (2010) "When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization," Journal of Religion & Film: Vol. 14 : Iss. 2 , Article 10. Available at: https://digitalcommons.unomaha.edu/jrf/vol14/iss2/10 This Article is brought to you for free and open access by DigitalCommons@UNO. It has been accepted for inclusion in Journal of Religion & Film by an authorized editor of DigitalCommons@UNO. For more information, please contact [email protected]. When the Pot Plays Potter: “Isaiah”, Toy Story and Religious Socialization Abstract Biblical verses mentioning the “pot and the potter” entail a God/creation relationship in which the creation is warned not to turn against, or even criticize, the Creator; humankind is advised humility for fear of Yahweh’s punishment. This is a comparative study of three films with a strong emphasis on a children’s film, Toy Story (1995); the movies to be examined are treated as allegories of the concept of potter/pot lesson with a twist as the humans are playing God/potter. The movies geared more to an adult or mature audience (The Matrix [1999] and Terminator [1986]) feature the creation (robots) turned against the creator (humankind) with deadly consequences for humans. In Toy Story, an animated film, the creators (humans) are not threatened and the “pots” even agree to their condition.The film, I suggest, is an excellent example of the process of religious socialization as played out in a modern fairy tale. -
2016 Topps Star Wars Card Trader Checklist
BASE CARDS 1 Luke Skywalker 34 Salacious B. Crumb 68 Lor San Tekka 2 Princess Leia Organa 35 General Dodonna 69 Maz Kanata 3 Han Solo 36 Biggs Darklighter 70 Obi-Wan Kenobi 4 Darth Vader 37 Zuckuss 71 Anakin Skywalker 5 C-3PO 38 4-LOM 72 Darth Sidious 6 R2-D2 39 General Madine 73 Mace Windu 7 The Emperor 40 Max Rebo 74 General GrieVous 8 Chewbacca 41 Captain Antilles 75 Qui-Gon Jinn 9 Jabba The Hutt 42 Bib Fortuna 76 Padmé Amidala 10 Yoda 43 Ponda Baba 77 Jango Fett 11 Lando Calrissian 44 Dr. EVazan 78 Count Dooku 12 Boba Fett 45 Rey 79 Darth Maul 13 Stormtrooper 46 Finn 80 Clone Trooper 14 Admiral Ackbar 47 Poe Dameron 81 Zam Wesell 15 Nien Nunb 48 BB-8 82 Nute Gunray 16 Admiral Piett 49 Major Ematt 83 Bail Organa 17 Moff Jerjerrod 50 Snap Wexley 84 Rune Haako 18 Chief Chirpa 51 Admiral Statura 85 Commander Cody 19 Wedge Antilles 52 Doctor Kalonia 86 Ezra Bridger 20 Dak Ralter 53 PZ-4CO 87 Kanan Jarrus 21 Greedo 54 Kylo Ren 88 Sabine Wren 22 Imperial Royal Guard 55 Captain Phasma 89 Hera Syndulla 23 Grand Moff Tarkin 56 First Order Stormtrooper 90 Zeb Orrelios 24 Wicket W. Warrick 57 First Order Flametrooper 91 Chopper 25 Lobot 58 Riot Control Stormtrooper 92 The Grand Inquisitor 26 IG-88 59 General Hux 93 Asajj Ventress 27 Jawa 60 Supreme Leader Snoke 94 Captain Rex 28 Tusken Raider 61 Teedo 95 Savage Opress 29 General Veers 62 Unkar Plutt 96 Fifth Brother 30 Mon Mothma 63 Sidon Ithano 97 SeVenth Sister 31 Bossk 64 Razoo Qin-Fee 98 Ahsoka Tano 32 Dengar 65 Tasu Leech 99 Cad Bane 33 Sy Snootles 66 Bala-tik 100 First Order Snowtrooper 67 Korr Sella Inserts BOUNTY TOPPS CHOICE CLASSIC ARTWORK B-1 Greedo TC-1 Lok Durd CA-1 Han Solo B-2 Bossk TC-2 Duchess Satine CA-2 Luke Skywalker B-3 Darth Maul TC-3 Ree-Yees CA-3 Princess Leia (Boushh Disguise) B-4 Cad Bane TC-4 Kabe CA-4 Darth Vader B-5 Dengar TC-5 Ponda Baba CA-5 Chewbacca B-6 Boushh TC-6 Bossk CA-6 Yoda B-7 4-LOM TC-7 Lak Sivrak CA-7 Boba Fett B-8 Zuckuss TC-8 Yarael Poof CA-8 Captain Phasma B-9 Dr.