The Magnificent Seven (A Golf Tour in Ireland's North-West)
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Chapter 16 MAINTENANCE RESOURCE MANAGEMENT INTRODUCTION Aviation maintenance is a complex and demanding endeavor. Its success, which is ultimately measured by the safety of the flying public, depends on communication and teamwork. Aviation maintenance operations are most successful when crews function as integrated, communicating teams -- rather than as a collection of individuals engaged in independent actions. Over the past decade, the importance of teamwork in the maintenance setting has been widely recognized.1,2,3,4,5,6,7,8 The result has been the emergence of human factors training, Maintenance Resource Management (MRM) programs, and other team-centered activities within the aviation maintenance community. Maintenance Resource Management is a general process for improving communication, effectiveness, and safety in airline maintenance operations. Effectiveness is measured through the reduction of maintenance errors, and improved individual and unit coordination and performance. MRM is also used to change the "safety culture" of an organization by establishing a pervasive, positive attitude toward safety. Such attitudes, if positively reinforced, can lead to changed behaviors and better performance. Safety is typically measured by occupational injuries, ground damage incidents, reliability, and airworthiness. MRM improves safety by increasing the coordination and exchange of information between team members, and between teams of airline maintenance crews. The details of MRM programs vary from organization to organization. However, all MRM programs link and integrate traditional human factors topics, such as equipment design, human physiology, workload, and workplace safety. Likewise, the goal of any MRM program is to improve work performance and safety. They do this by reducing maintenance errors through improved coordination and communication. -
World Cinema Through G G Obal
COSTANZO “A wonderful textbook as well as a scholarly tour-de-force. Costanzo brings new meaning to the concept of global genres and offers up examples that convincingly demonstrate cinematic border crossings and cultural connections amongst far- flung places.” David Desser, University of Illinois at Urbana–Champaign, USA “Costanzo revitalizes both world cinema and genre studies with his stimulating, WORLD insightful cross cultural approach to warrior heroes, wedding films, horror and road WORLD CINEMA movies. It’s a well-written, scholarly work that’s as inventive as it is enjoyable.” Diane Carson, Past President, University Film and Video Association (UFVA) “William Costanzo has cut the clearest path yet through the forest of World CINEMA Cinema. Key genres take us confidently place to place, era to era; while maps, timelines, and surveys of national industries position a rich array of films, many analyzed with real mastery.” Dudley Andrew, Professor of Film and Comparative Literature, Yale University, USA THROUGH World Cinema through Global Genres offers a new response to recent trends in internationalism that shape the increasingly global character of movies. Costanzo is able to render the complex forces of global filmmaking accessible to students; instead of tracing the long histories of cinema country by country, this innovative textbook uses engaging, recent films like Hero (China), Monsoon THROUGH THROUGH G LOBAL Wedding (India), and Central Station (Brazil) as entry points, linking them to comparable American and European films. The book’s cluster-based organization allows students to acquire a progressively sharper understanding of core issues about genre, aesthetics, industry, culture, history, film theory, and representation that apply to all films around the world. -
County Donegal
Local Electoral Area Boundary Committee No. 1 Report 2018 County Donegal Letterkenny LEA - 7 ARDMALIN Milford LEA - 3 MALIN CARTHAGE Carndonagh LEA - 4 Carndonagh BALLYLIFFIN CULDAFF MÍN AN CHLADAIGH TURMONE DUNAFF " FÁNAID THUAIDH STRAID CARNDONAGH GLENEELY GREENCASTLE GLENEGANON ROS GOILL FÁNAID THIAR GRIANFORT MOVILLE DÚN FIONNACHAIDH DESERTEGNY CASTLECARY ROSNAKILL MINTIAGHS GLENTOGHER REDCASTLE ILLIES ARDS CARRAIG AIRT AN CHEATHRÚ CHAOL Buncrana WHITECASTLE CREAMHGHORT CNOC COLBHA BUNCRANA URBAN BUNCRANA RURAL KILLYGARVAN MÍN AN CHLADAIGH GLEN Milford THREE TREES CRÍOCH NA SMÉAR CAISLEÁN NA DTUATH RATHMULLAN " GORT AN CHOIRCE NA CROISBHEALAÍ AN CRAOSLACH MILLFORD GLENALLA FAHAN KILDERRY " BIRDSTOWN LOCH CAOL INCH ISLAND AN TEARMANN BALLYARR Buncrana LEA - 5 MACHAIRE CHLOCHAIR KILMACRENAN INIS MHIC AN DOIRN DÚN LÚICHE RATHMELTON BURT ANAGAIRE Glenties LEA - 6 GARTÁN Letterkenny GORTNAVERN ÁRAINN MHÓR INIS MHIC AN DOIRN EDENACARNAN CASTLEFORWARD CASTLEWRAY TEMPLEDOUGLAS NEWTOWN CUNNINGHAM " MANORCUNNINGHAM MÍN AN LÁBÁIN LETTERKENNY RURAL KILLEA AN CLOCHÁN LIATH CRÓ BHEITHE LETTERKENNY URBAN AN DÚCHORAIDH BALLYMACOOL TREANTAGHMUCKLAGH SUÍ CORR KILLYMASNY MAGHERABOY AN MACHAIRE ST. JOHNSTOWN MÍN CHARRAIGEACH CORRAVADDY KINCRAIGY BAILE NA FINNE FEDDYGLASS FIGART LETTERMORE LEITIR MHIC AN BHAIRD CLONLEIGH NORTH GLEANN LÉITHÍN CONVOY RAPHOE Local Electoral Areas AN CLOCHÁN " Lifford Stranorlar CLONLEIGH SOUTH and Municipal Districts: STRANORLAR DAWROS MAAS CASTLEFINN Glenties KILLYGORDON Local Electoral Areas: NA GLEANNTA AN GHRAFAIDH " -
Clonmany Chapel Fund 1911 Sorted by Origin
Clonmany Chapel Fund 1911 Sorted by origin Origin Name Address City Amount ?? McEleney, Margaret, Miss 30 Bennett St Brighton $5 ?? O'Donnell, Michael 1327 Tremont St Roxbury $5 Altahall Devlin, Michael 93 Endicott St Boston $2 Altahall Doherty, Mrs 20 Mt Vernon St Charlestown $0.50 Annagh Doherty, John 20 Mt Vernon St Charlestown $1 Annagh Doherty, Michael H Cross St Woburn $5 Annagh Doherty, Neil J M 24 Church St Boston $5 Annagh Kelly, Margaret, Miss 1631 Dorchester Avenue Dorchester $5 Annagh McEleney, Hugh Cross St Woburn $5 Annagh McGonigle, Hugh 632 Cambridge St Worcester $5 Annagh Toland, Mary (Kelly), Mrs 1631 Dorchester Avenue Dorchester $5 Ardagh Grant, Owen 10 Cross St Woburn $2 Balinabo Devlin, John 4 Trenton St Charlestown $5 Balinabo Donaghue, Mary A, Miss 544 Newbury St Boston $2 Balinabo Donahoe Byrne, Celia, Mrs 297 Washington St Somerville $5 Balinabo Donahoe, Kate, Miss 297 Washington St Somerville $5 Balinabo Gibbons, Jerry 4 Trenton St Charlestown $5 Balinabo McEleney, Neil J 12 Rutherford Ave Charlestown $5 Balindive, IOD Toland, Joseph 52 Austin St Charlestown $2 Ballahallan Quigley, Daniel 100 Rutherford Ave Charlestown $3 Ballyduff, IOD Doherty, Kate D, Miss 35 Soley St Charlestown $1 Ballyduff, IOD Doherty, Kate, Miss 96 Locust St Winthrop $2 Ballyduff, IOD Doherty, Mary, Miss Mass. General Hospital Boston $2 Ballyduff, IOD Doherty, Sarah, Miss 34 Everett St Charlestown $2 Ballyliffin Doherty, Daniel 3 Cross St Woburn $1 Ballyliffin Doherty, Hugh J Cross St Woburn $5 Ballyliffin Grant, William 1 Auburn Place -
October 2016
October 2016 9:00 PM ET/6:00 PM PT 7:20 PM ET/4:20 PM PT 11:15 PM ET/8:15 PM PT 8:00 PM CT/7:00 PM MT 6:20 PM CT/5:20 PM MT 10:15 PM CT/9:15 PM MT Guns of the Magnificent Seven The Forgotten I.Q. 10:35 PM ET/7:35 PM PT 9:00 PM ET/6:00 PM PT SATURDAY, OCTOBER 1 9:35 PM CT/8:35 PM MT 8:00 PM CT/7:00 PM MT SUNDAY, OCTOBER 2 12:20 AM ET/9:20 PM PT The X-Files Great Balls Of Fire 11:20 PM CT/10:20 PM MT 1:05 AM ET/10:05 PM PT 12:05 AM CT/11:05 PM MT 10:50 PM ET/7:50 PM PT 9:50 PM CT/8:50 PM MT Die Hard The Magnificent Seven MONDAY, OCTOBER 3 2:40 AM ET/11:40 PM PT 12:40 AM ET/9:40 PM PT Sixteen Candles 1:40 AM CT/12:40 AM MT 3:15 AM ET/12:15 AM PT 11:40 PM CT/10:40 PM MT 2:15 AM CT/1:15 AM MT The Deer Hunter Guns of the Magnificent Seven The Forgotten TUESDAY, OCTOBER 4 5:50 AM ET/2:50 AM PT 2:15 AM ET/11:15 PM PT 12:25 AM ET/9:25 PM PT 4:50 AM CT/3:50 AM MT 5:05 AM ET/2:05 AM PT 1:15 AM CT/12:15 AM MT 11:25 PM CT/10:25 PM MT 4:05 AM CT/3:05 AM MT The Trailer Show Ravenous The X-Files Great Balls Of Fire 6:00 AM ET/3:00 AM PT 4:25 AM ET/1:25 AM PT 2:15 AM ET/11:15 PM PT 5:00 AM CT/4:00 AM MT 6:50 AM ET/3:50 AM PT 3:25 AM CT/2:25 AM MT 1:15 AM CT/12:15 AM MT 5:50 AM CT/4:50 AM MT Harry and the Hendersons Arthur and the Invisibles 2: The Legend Sixteen Candles 7:55 AM ET/4:55 AM PT 6:00 AM ET/3:00 AM PT 3:50 AM ET/12:50 AM PT 6:55 AM CT/5:55 AM MT Revenge of Maltazard 5:00 AM CT/4:00 AM MT 2:50 AM CT/1:50 AM MT 8:30 AM ET/5:30 AM PT The Magnificent Seven 7:30 AM CT/6:30 AM MT The Legend of Zorro Dazed and Confused 10:10 AM ET/7:10 AM PT 8:15 AM ET/5:15 AM PT 5:35 AM ET/2:35 AM PT 9:10 AM CT/8:10 AM MT The Trailer Show 7:15 AM CT/6:15 AM MT 4:35 AM CT/3:35 AM MT 8:40 AM ET/5:40 AM PT Guns of the Magnificent Seven 7:40 AM CT/6:40 AM MT The Mask of Zorro Robots 12:00 PM ET/9:00 AM PT 10:40 AM ET/7:40 AM PT 7:10 AM ET/4:10 AM PT 11:00 AM CT/10:00 AM MT Reservoir Dogs 9:40 AM CT/8:40 AM MT 6:10 AM CT/5:10 AM MT 10:25 AM ET/7:25 AM PT Harry and the Hendersons 9:25 AM CT/8:25 AM MT E.T. -
VA10.1.012- Aranbrook Ltd
1 Appeal No. VA10/1/012 AN BINSE LUACHÁLA VALUATION TRIBUNAL AN tACHT LUACHÁLA, 2001 VALUATION ACT, 2001 Aranbrook Ltd. APPELLANT and Commissioner of Valuation RESPONDENT RE: Property No. 2005996, Hotel, Caravan Park at Lot No. 2F 4a, Larganreagh, Rosquill, Milford, County Donegal B E F O R E John Kerr - Chartered Surveyor Deputy Chairperson Mairéad Hughes - Hotelier Member Niall O’Hanlon - BL Member JUDGMENT OF THE VALUATION TRIBUNAL ISSUED ON THE 4TH DAY OF AUGUST, 2010 By Notice of Appeal dated the 6th day of February, 2010, the appellant appealed against the determination of the Conmissioner of Valuation in fixing a rateable valuation of €388.00 on the above-described relevant property. The Grounds of Appeal as set out in the Notice of Appeal are: "Not valued in accordance with Valuation Acts. NAV does not reflect 1988 values. Valuation excessive/bad in law. Valuation does not reflect tone of list. Valuation does not reflect current and anticipated economic climate." 2 The appeal proceeded by way of an oral hearing, which took place in the offices of the Valuation Tribunal, Ormond House, Ormond Quay, Dublin 7 on the 20th day of April, 2010. The appellant was represented by Mr. Patrick McCarroll, MRICS, ASCS, Chartered Valuation Surveyor. The respondent was represented by Mr. Don Donovan, BSc (Property Management & Valuation Surveying), Dip FM, MIAVI, MACCA, who has worked with the Valuation Office since November 2004. In accordance with the rules of the Tribunal, the parties had exchanged their respective précis of evidence prior to the commencement of the hearing and submitted same to this Tribunal. -
Why Donegal Slept: the Development of Gaelic Games in Donegal, 1884-1934
WHY DONEGAL SLEPT: THE DEVELOPMENT OF GAELIC GAMES IN DONEGAL, 1884-1934 CONOR CURRAN B.ED., M.A. THESIS FOR THE DEGREE OF PH.D. THE INTERNATIONAL CENTRE FOR SPORTS HISTORY AND CULTURE AND THE DEPARTMENT OF HISTORICAL AND INTERNATIONAL STUDIES DE MONTFORT UNIVERSITY LEICESTER SUPERVISORS OF RESEARCH: FIRST SUPERVISOR: PROFESSOR MATTHEW TAYLOR SECOND SUPERVISOR: PROFESSOR MIKE CRONIN THIRD SUPERVISOR: PROFESSOR RICHARD HOLT APRIL 2012 i Table of Contents Acknowledgements iii Abbreviations v Abstract vi Introduction 1 Chapter 1 Donegal and society, 1884-1934 27 Chapter 2 Sport in Donegal in the nineteenth century 58 Chapter 3 The failure of the GAA in Donegal, 1884-1905 104 Chapter 4 The development of the GAA in Donegal, 1905-1934 137 Chapter 5 The conflict between the GAA and association football in Donegal, 1905-1934 195 Chapter 6 The social background of the GAA 269 Conclusion 334 Appendices 352 Bibliography 371 ii Acknowledgements As a rather nervous schoolboy goalkeeper at the Ian Rush International soccer tournament in Wales in 1991, I was particularly aware of the fact that I came from a strong Gaelic football area and that there was only one other player from the south/south-west of the county in the Donegal under fourteen and under sixteen squads. In writing this thesis, I hope that I have, in some way, managed to explain the reasons for this cultural diversity. This thesis would not have been written without the assistance of my two supervisors, Professor Mike Cronin and Professor Matthew Taylor. Professor Cronin’s assistance and knowledge has transformed the way I think about history, society and sport while Professor Taylor’s expertise has also made me look at the writing of sports history and the development of society in a different way. -
European Journal of American Studies, 12-2 | 2017 “The Old Wild West in the New Middle East”: American Sniper (2014) and the Gl
European journal of American studies 12-2 | 2017 Summer 2017, including Special Issue: Popularizing Politics: The 2016 U.S. Presidential Election “The Old Wild West in the New Middle East”: American Sniper (2014) and the Global Frontiers of the Western Genre Lennart Soberon Electronic version URL: https://journals.openedition.org/ejas/12086 DOI: 10.4000/ejas.12086 ISSN: 1991-9336 Publisher European Association for American Studies Electronic reference Lennart Soberon, ““The Old Wild West in the New Middle East”: American Sniper (2014) and the Global Frontiers of the Western Genre”, European journal of American studies [Online], 12-2 | 2017, document 12, Online since 01 August 2017, connection on 08 July 2021. URL: http://journals.openedition.org/ ejas/12086 ; DOI: https://doi.org/10.4000/ejas.12086 This text was automatically generated on 8 July 2021. Creative Commons License “The Old Wild West in the New Middle East”: American Sniper (2014) and the Gl... 1 “The Old Wild West in the New Middle East”: American Sniper (2014) and the Global Frontiers of the Western Genre Lennart Soberon 1 While recent years have seen no shortage of American action thrillers dealing with the War on Terror—Act of Valor (2012), Zero Dark Thirty (2012), and Lone Survivor (2013) to name just a few examples—no film has been met with such a great controversy as well as commercial success as American Sniper (2014). Directed by Clint Eastwood and based on the autobiography of the most lethal sniper in U.S. military history, American Sniper follows infamous Navy Seal Chris Kyle throughout his four tours of duty to Iraq. -
APPENDIX I Table 1: Population Density by County (Per Sq
PART 2: APPENDIX I Table 1: Population Density by County (Per Sq Km) Area (sq km) Pop Density Population (Number) KM2 Dublin 1,273,069 924 1378.1 Louth 122,897 824 149.2 Kildare 210,312 1,693 124.2 Meath 184,135 2,332 79.0 Limerick 191,809 2,683 71.5 Cork 519,032 7,442 69.7 Wicklow 136,640 2,000 68.3 Waterford 113,795 1,836 62.0 Wexford 145,320 2,353 61.8 Carlow 54,612 895 61.0 Westmeath 86,164 1,756 49.1 Monaghan 60,483 1,273 47.5 Laois 80,559 1,719 46.9 Kilkenny 95,419 2,061 46.3 Galway 250,653 5,846 42.9 Cavan 73,183 1,856 39.4 South Tipperary 88,432 2,256 39.2 Offaly 76,687 1,995 38.4 Longford 39,000 1,040 37.5 Clare 117,196 3,159 37.1 Sligo 65,393 1,791 36.5 North Tipperary 70,322 1,992 35.3 Donegal 161,137 4,764 33.8 Kerry 145,502 4,679 31.1 Roscommon 64,065 2,445 26.2 Mayo 130,638 5,351 24.4 Leitrim 31,798 1,502 21.2 State 4,588,252 68,466 67.0 Table 2: Private households in permanent housing units in each Local Authority area, classified by motor car availability. Four or At least One Two Three more one No % of motor motor motor motor motor motor HHlds All hhlds car cars cars cars car car No Car Dublin City 207,847 85,069 36,255 5,781 1,442 128,547 79,300 38.2% Limerick City 22,300 9,806 4,445 701 166 15,118 7,182 32.2% Cork City 47,110 19,391 10,085 2,095 580 32,151 14,959 31.8% Waterford City 18,199 8,352 4,394 640 167 13,553 4,646 25.5% Galway City 27,697 12,262 7,233 1,295 337 21,127 6,570 23.7% Louth 43,897 18,314 13,875 2,331 752 35,272 8,625 19.6% Longford 14,410 6,288 4,548 789 261 11,886 2,524 17.5% Sligo 24,428 9,760 -
The Magnificent Seven Sculptors
THE MAGNIFICENT SEVEN SCULPTORS STAND CO2 ART CENTRAL HONG KONG 27 MARCH - 1 APRIL 2018 CENTRAL HARBOR FRONT 01 Born in Victoria in 1976, Daniel Agdag is an Australian artist and flmmaker. The son of Armenian immigrants, Agdag studied fne art before turning his hand to flmmaking and receiving his Masters in Film and Television at the Victorian College of the Arts in 2007. He will tell you that he makes things out of cardboard. He’s modest. This declaration in no way illuminates the delicate form and eccentric narrative of his work. To say he pushes the medium to its limits is an understatement. His process is very much akin to freehand drawing. He spends a great deal of time thinking and absorbing objects in the built environment, their peculiar details and functions, which leads him to form narratives. Once this is frmly resolved in his mind, various components of the work begin to slowly emerge, ftting together to compliment the overall idea. This narrative is the blueprint from which he works, it informs every component; it’s place, how each relates to the other, and most importantly, the proportions. The painstaking proportions, the key factor that drives his DANIEL AGDAG aesthetic. Like drawing, he builds the work up piece by ART CENTRAL HONG KONG piece, section by section, always assessing it in relation to the entirety of the parts. 27 MARCH - 1 APRIL The build is entirely intuitive, Agdag describes his process as ‘sketching with cardboard’, as he makes no detailed plans or drawings of the pieces he creates. -
O'dochartaigh Clann Association Ár Ndúthcas
NEWSLETTER #56 O’Dochartaigh Clann JUNE 2010 Association Ár nDúthcas Inside This Issue Reunion Time 2 The “Inishowen 100” 4 The “Gap of Mamore” 6 Golfer’s Paradise 8 O’Dochartaigh Castles 10 Dohertys in the News 11 From the Editor 14 The Fort, Greencastle 15 Rules of the Road 16 INCH CASTLE: An O’Dochartaigh Stronghold on Inch Island Grianan of Aileach 18 Photograph taken in 2008 by Charles Daugherty (used by permission) While Digging for Treasure, try www.odochartaigh.org Have you been digging around for you to benefit from them. order for your convenience. We in our new O’Dochartaigh 2010 will add more and more of these, website www.odochartaigh.org? 1) The area of “Genealogy & so keep checking back. Your DNA Project” is for posting infor- family can also be posted, in like What a great tool it is becoming mation and questions from those manner, if you contact Cameron for all of us! It has great poten- of you who already have had DNA Dougherty (see page 3). tial to really throw your geneal- analysis done, or those of you ogy research into high gear. who are thinking about it. This is 3) The “Genealogy Sharing by a sure way to stay in the middle Surname Spelling” provides an If everyone were to join and of all of our announcements and area for those of you with simi- participate in our website’s ge- discoveries as technology moves larly spelt last-name to find oth- nealogy discussions and post- along in this area. ers researching your family or ings, in a few short months we who have information on your would quickly have built an 2) The “Genealogy Sharing by family. -
AQA GCSE Unit 1: Listening to and Appraising Music – Preparation and Practice
KSKS45 AQA GCSE Unit 1: Listening to and Appraising Music – preparation and practice Alan Charlton is an by Alan Charlton author, composer and examiner and has written numerous books and articles on music education. He INTRODUCTION taught for a number of years at Bedford This article is designed to support students taking the AQA GCSE Music Unit 1 examination paper, Listening to School, initially as a composer- and Appraising Music (42701). It will look at the different types of questions that are typically set, and suggest in-residence, ways in which they can be prepared for and approached. Practice questions, based on extracts on Spotify, are and has a PhD in provided to practise and refine students’ knowledge and aural skills. composition from the University of Bristol. GENERAL FEATURES OF THE PAPER The Listening to and Appraising Music paper examines how effectively students can identify musical elements through listening skills. As well as aural perception skills, they need to display a good understanding of the terminology for the five AQA Areas of Study (the elements of music). The paper lasts an hour, and candidates answer a question paper based on recorded excerpts played on a CD. A typical example of how the questions were distributed can be seen in the 2012 paper, in which there were 18 recorded extracts, each of which was played between two and four times, depending on the difficulty of the questions asked. These were divided into 12 questions (each worth between five and nine marks), further divided into between three and seven shorter questions generally worth one or two marks each.