09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Dutch Art of the 17th Century - V4119A - View Online Maurice Howard

1.

Nash, Susie: Northern Renaissance art. Oxford University Press, Oxford (2008).

2.

Haak, B.: Golden age: Dutch painters of the seventeenth century. Waanders Publishers, Zwolle [Netherlands] (2005).

3.

Franits, Wayne E.: The Cambridge companion to Vermeer. Cambridge University Press, Cambridge (2001).

4.

Franits, Wayne E.: Dutch seventeenth-century genre painting: its stylistic and thematic evolution. Yale University Press, New Haven, Conn (2004).

5.

Fuchs, R. H.: Dutch painting. Thames and Hudson, London (1978).

6.

Hollander, Martha: An entrance for the eyes: space and meaning in seventeenth-century Dutch art. University of California Press, Berkeley, Calif (2002).

1/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

7.

Ru ̈ ger, Axel, National Gallery (Great Britain): Vermeer and painting in Delft. National Gallery, London (2001).

8.

Schama, Simon: The embarrassment of riches: an interpretation of Dutch culture in the Golden Age. Vintage Books, New York (1997).

9.

Westermann, Marie ̈ t: A worldly art: the Dutch Republic, 1585-1718. Yale U.P., New Haven, Conn (2005).

10.

Westermann, Marie ̈ t, Newark Museum, Denver Art Museum: Art & home: Dutch interiors in the age of . Waanders, Zwolle (2001).

11.

Westermann, Marie ̈ t: The art of the the Dutch Republic. Weidenfeld & Nicolson, London (1996).

12.

Schama, S.: The embarrassment of riches: an interpretation of Dutch culture in the golden age. Fontana, London (1997).

2/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

13.

North, Michael: Art and commerce in the Dutch golden age. Yale University Press, London (1999).

14.

Price, J. L.: Culture and society in the Dutch republic during the 17th century. Batsford (1974).

15.

Slive, Seymour: Dutch painting, 1600-1800. Yale University Press, London.

16.

Turner, Jane: From Rembrandt to Vermeer: 17th-century Dutch artists. Grove Art, London (2000).

17.

Alpers, Svetlana: The art of describing: Dutch art in the seventeenth century. Penguin Books, London (1989).

18.

Hollander, Martha: An entrance for the eyes: space and meaning in seventeenth-century Dutch art. University of California Press, Berkeley, Calif (2002).

19.

Freedberg, David, De Vries, Jan: Art in history: history in art : studies in seventeenth-century Dutch culture. Getty Center, Santa Monica (1991).

20.

3/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Franits, Wayne E.: Looking at seventeenth-century Dutch art: realism reconsidered. C.U.P. (1997).

21.

Fromentin, Euge ̀ ne: The masters of past time: Dutch and Flemish painting from Van Eyck to Rembrandt. Phaidon (1948).

22.

Fuchs, R. H.: Dutch painting. Thames and Hudson, London (1978).

23.

Broude, Norma, Garrard, Mary D.: Feminism and art history: questioning the litany. Harper & Row, New York (1982).

24.

Westermann, Marie ̈ t: A worldly art: the Dutch Republic, 1585-1718. Yale U.P., New Haven, Conn (2005).

25.

Westermann, Marie ̈ t: A worldly art: the Dutch Republic, 1585-1718. Yale U.P., New Haven, Conn (2005).

26.

Blankert, A., National Gallery of Art: Gods, saints and heroes: Dutch painting in the age of Rembrandt. National Gallery of Art (1980).

4/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

27.

Svetlana Alpers: Describe or Narrate? A Problem in Realistic Representation. New Literary History. Vol. 8, 15–41.

28.

Nicolson, Benedict: Hendrick Terbrugghen. Lund (1958).

29.

Kirschenbaum, B. D.: The religious and historical paintings of Jan Steen. Phaidon (1977).

30.

Muller, S.D.: Jan Steen’s Burgher of Delft and His daughter: A Painting and Politics in seventeenth-century Holland. Art History. 12, (1989).

31.

Deursen, Arie Theodorus van: Plain lives in a golden age: popular culture, religion and society in seventeenth-century Holland. C.U.P., Cambridge [England] (1991).

32.

Eda Diskant: A Dutch Room of the Seventeenth Century in the Philadelphia Museum of Art. Philadelphia Museum of Art Bulletin. Vol. 80, 1–24.

33.

Peter Hecht: Dutch Seventeenth-Century Genre Painting: A Reassessment of Some Current Hypotheses. Simiolus: Netherlands Quarterly for the History of Art. Vol. 21, 85–95.

34.

5/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Aynsley, Jeremy, Grant, Charlotte, Arts & Humanities Research Council (Great Britain): Imagined interiors: representing the domestic interior since the Renaissance. V&A, London (2006).

35.

Sutton, Peter C., Philadelphia Museum of Art, Royal Academy of Arts: Masters of seventeenth century Dutch genre painting. Philadelphia Museum of Art (1984).

36.

Brown, Christopher: Scenes of everyday life: Dutch genre painting of the seventeenth century. Faber, London (1984).

37.

Franits, Wayne E.: Paragons of virtue: women and domesticity in seventeenth-century Dutch art. C.U.P. (1993).

38.

Westermann, Marie ̈ t: The amusements of Jan Steen: comic painting in the seventeenth century. Waanders, Zwolle (1997).

39.

Sutton, P. C.: Pieter de Hooch: complete edition. Phaidon (1980).

40.

Brown, Christopher: Carel Fabritius: complete edition with a catalogue raisonne. Phaidon, Oxford (1981).

41.

6/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Chapman, H. Perry, Jansen, Guido M. C., National Gallery of Art, Rijksmuseum (Amsterdam): Jan Steen: painter and story teller. National Gallery of Art, Washington (1996).

42.

Woodall, J.: Love is in the Air: Amor as motivation and message in seventeenth-century Netherlandish painting. Art History. 19, 208–246 (1996).

43.

Kettering, A.M.: Gerard Ter Borch’s Ladies in Satin. Art History. 16, 95–124 (1993).

44.

Westermann, Marie ̈ t: A worldly art: the Dutch Republic, 1585-1718. Yale U.P., New Haven, Conn (2005).

45.

Westermann, Marie ̈ t: Rembrandt. Phaidon, London (2000).

46.

Schama, S.: Rembrandt’s eyes. Allen Lane, London (1999).

47.

Alpers, Svetlana: Rembrandt’s enterprise: the studio and the market. Thames and Hudson, London (1988).

48.

7/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Haverkamp-Begemann, E.: Rembrandt: the Night Watch. Princeton U.P. (1982).

49.

H. Perry Chapman: Persona and Myth in Houbraken’s Life of Jan Steen. The Art Bulletin. Vol. 75, 135–150.

50.

Smith, D.R.: Courtesy and its discontents: ’s Portrait of Isaac Massa and Beatrix van der Laen. Oud Holland. 100, 2–34 (1986). https://doi.org/10.1163/187501786X00025.

51.

Westermann, Marie ̈ t: A worldly art: the Dutch Republic, 1585-1718. Yale U.P., New Haven, Conn (2005).

52.

Woodall, Joanna: Portraiture: facing the subject. Manchester U.P., Manchester (1997).

53.

Slive, Seymour, National Gallery of Art, Royal Academy of Arts: Frans Hals. Prestel, Munich (1989).

54.

Smith, David R.: Masks of wedlock: seventeenth-century Dutch marriage portraiture. U.M.I. Research P., Ann Arbor (1983).

55.

David R. Smith: Rembrandt’s Early Double Portraits and the Dutch Conversation Piece. The

8/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Art Bulletin. Vol. 64, 259–288.

56.

Haverkamp-Begemann, E.: Rembrandt: the Night Watch. Princeton U.P. (1982).

57.

Schupbach, W.: The Paradox of Rembrandt’s ‘Anatomy of Dr. Tulp’. Wellcome Institute, London (1982).

58.

Smith, D., R.: I Janus: Privacy and the Gentlemanly Ideal in Rembrandt’s portraits of Jan Six. Art History. 11, (1988).

59.

Westermann, Marie ̈ t: A worldly art: the Dutch Republic, 1585-1718. Yale U.P., New Haven, Conn (2005).

60.

Ru ̈ ger, Axel, National Gallery (Great Britain): Vermeer and painting in Delft. National Gallery, London (2001).

61.

Liedtke, Walter A., Plomp, Michiel, Ru ̈ ger, Axel, Baarsen, Reinier, Vermeer and the Delft School (Exhibition), Metropolitan Museum of Art, National Gallery (Great Britain): Vermeer and the Delft school. Metropolitan Museum of Art, London (2001).

9/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

62.

Franits, Wayne E.: The Cambridge companion to Vermeer. Cambridge University Press, Cambridge (2001).

63.

Montias, J. M.: Artists and Artisans in Delft: a Socio-Economic Study of the Seventeenth Century. Princeton U.P. (1982).

64.

Wheelock, Arthur K., National Gallery of Art: . Yale U.P., New Haven (1995).

65.

Montias, John Michael: Vermeer and his milieu: a web of social history. Princeton U.P., Princeton, N.J. (1989).

66.

Wheelock, Arthur K.: Perspective, optics and Delft artists around 1650. Garland, New York (1977).

67.

Charles Seymour Jr.: Dark Chamber and Light-Filled Room: Vermeer and the Camera Obscura. The Art Bulletin. Vol. 46, 323–331.

68.

Daniel A. Fink: Vermeer’s Use of the Camera Obscura - a Comparative Study. The Art Bulletin. Vol. 53, 493–505.

10/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

69.

Martin Kemp: Simon Stevin and Pieter Saenredam: A Study of Mathematics and Vision in Dutch Science and Art. The Art Bulletin. Vol. 68, 237–252.

70.

Mitchell, W. J. Thomas: Landscape and power. University of Chicago Press, Chicago, Ill (2002).

71.

Lambert, Audrey M.: The making of the Dutch landscape: an historical geography of the Netherlands. Academic P., London (1985).

72.

Appleton, Jay: The experience of landscape. Wiley, London (1996).

73.

Brown, Christopher, National Gallery (Great Britain): Dutch landscape: the early years : Haarlem and Amsterdam 1590-1650. National Gallery, London (1986).

74.

Sutton, Peter C., Rijksmuseum (Amsterdam): Masters of 17th-century Dutch landscape painting. Herbert P., London (1987).

75.

Walford, E. John: and the perception of landscape. Yale U.P., New Haven (1991).

76.

Kettering, Alison McNeil: The Dutch Arcadia: pastoral art and its audience in the Golden

11/12 09/27/21 Dutch Art of the 17th Century - V4119A - Maurice Howard | Sussex University

Age. Allanheld, Totowa (1984).

77.

Burke, J. D.: Jan Both: Paintings, Drawings and Prints. Garland (1976).

78.

Grootenboer, Hanneke: The rhetoric of perspective: realism and illusionism in seventeenth-century Dutch still-life painting. University of Chicago Press, Chicago, Ill (2005).

79.

Hochstrasser, Julie Berger: Still life and trade in the Dutch golden age. Yale University Press, London (2004).

80.

Jongh, E. de: Questions of meaning: theme and motif in Dutch seventeenth-century painting. Primavera Pers, Leiden (2000).

81.

Celeste Brusati: Stilled Lives: Self-Portraiture and Self-Reflection in Seventeenth-Century Netherlandish Still-Life Painting. Simiolus: Netherlands Quarterly for the History of Art. Vol. 20, 1990–182.

82.

Dorothy Mahon: A New Look at a Seventeenth-Century Dutch Still Life. The Metropolitan Museum of Art Bulletin. Vol. 51, 1993–37.

83.

Elizabeth Alice Honig: Dutch and Flemish Still Life. Amsterdam and Cleveland. The Burlington Magazine. Vol. 141, 569–571.

12/12