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Q Casino Announces Four Shows from This Summer's Back Waters
Contact: Abby Ferguson | Marketing Manager 563-585-3002 | [email protected] February 28, 2018 - For Immediate Release Q Casino Announces Four Shows From This Summer’s Back Waters Stage Concert Lineup! Dubuque, IA - The Back Waters Stage, Presented by American Trust, returns this summer on Schmitt Island! Q Casino is proud to announce the return of our outdoor summer experience, Back Waters Stage. This summer, both national acts and local favorites will take the stage through community events and Q Casino hosted concerts. All ages are welcome to experience the excitement at this outdoor venue. Community members can expect to enjoy a wide range of concerts from all genres from modern country to rock. The Back Waters Stage will be sponsoring two great community festivals this summer. Kickoff to Summer will be kicking off the summer series with a free show on Friday, May 25. Summer’s Last Blast 19 which is celebrating 19 years of raising money for area charities including FFA, the Boy Scouts, Dubuque County Fairgrounds and Sertoma. Summer’s Last Blast features the area’s best entertainment with free admission on Friday, August 24 and Saturday, August 25. The Back Waters Stage Summer Concert Series starts off with country rappers Colt Ford and Moonshine Bandits on Saturday, June 16. Colt Ford made an appearance in the Q Showroom last March to a sold out crowd. Ford has charted six times on the Hot Country Songs charts and co-wrote “Dirt Road Anthem,” a song later covered by Jason Aldean. On Thursday, August 9, the Back Waters Stage switches gears to modern rock with platinum recording artist, Seether. -
Issue 382 Market Analysis: Pittsburgh If Anyone Ever Wondered If Pittsburgh Is a Country Town, CBS Radio’S WDSY (Y108) Offered a Pretty Clear Answer in 2013
February 3, 2014, Issue 382 Market Analysis: Pittsburgh If anyone ever wondered if Pittsburgh is a country town, CBS Radio’s WDSY (Y108) offered a pretty clear answer in 2013. The station saw three consecutive best-ever 6+ shares from May through July (7.9, 8.6 and 9.3) and ranked or tied for No. 1 by that measure from June through September. And though Keymarket’s non-subscribing Country trimulcast WOGI-WOGG-WOGH (Froggy) doesn’t compete directly with WDSY in every county in the metro, it has its own story about shaping area listening. Country Aircheck spoke to WDSY OM/ Mark Anderson PD Mark Anderson and WOGI PD Dave Anthony for a Steel City temp check. Fuse Jocks: Broken Bow’s Dustin Lynch visits backstage at For WDSY, 2013 was history-making. “It marked our first Keith Urban’s Light The Fuse Tour stop Saturday (2/1) in number one ranking in 45 years,” Anderson Nashville with (l-r) the label’s Mary Forest Findley, CMT After says. “It was a thrill. Turning it into a streak MidNite’s Cody Alan, Country Aircheck’s Lon Helton, WSIX’s was sweeter.” Among Persons 25-54, WDSY Tyler Reese, Cumulus’ Charlie Cook and BBR’s John Loba. was No. 3 on the year with an 8.1. It reached as high as No. 2 in that demo with a 9.3 Road To CRS: Talk To Bob in June. “It just validates the strength of the CRS 2014 is less than three weeks away, brand, the position that Y108 occupies in the and Country Aircheck continues to look marketplace and the great work that this team Dave Anthony at the panels you shouldn’t miss. -
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Artist Song 2 Unlimited Maximum Overdrive 2 Unlimited Twilight Zone 2Pac All Eyez On Me 3 Doors Down When I'm Gone 3 Doors Down Away From The Sun 3 Doors Down Let Me Go 3 Doors Down Behind Those Eyes 3 Doors Down Here By Me 3 Doors Down Live For Today 3 Doors Down Citizen Soldier 3 Doors Down Train 3 Doors Down Let Me Be Myself 3 Doors Down Here Without You 3 Doors Down Be Like That 3 Doors Down The Road I'm On 3 Doors Down It's Not My Time (I Won't Go) 3 Doors Down Featuring Bob Seger Landing In London 38 Special If I'd Been The One 4him The Basics Of Life 98 Degrees Because Of You 98 Degrees This Gift 98 Degrees I Do (Cherish You) 98 Degrees Feat. Stevie Wonder True To Your Heart A Flock Of Seagulls The More You Live The More You Love A Flock Of Seagulls Wishing (If I Had A Photograph Of You) A Flock Of Seagulls I Ran (So Far Away) A Great Big World Say Something A Great Big World ft Chritina Aguilara Say Something A Great Big World ftg. Christina Aguilera Say Something A Taste Of Honey Boogie Oogie Oogie A.R. Rahman And The Pussycat Dolls Jai Ho Aaliyah Age Ain't Nothing But A Number Aaliyah I Can Be Aaliyah I Refuse Aaliyah Never No More Aaliyah Read Between The Lines Aaliyah What If Aaron Carter Oh Aaron Aaron Carter Aaron's Party (Come And Get It) Aaron Carter How I Beat Shaq Aaron Lines Love Changes Everything Aaron Neville Don't Take Away My Heaven Aaron Neville Everybody Plays The Fool Aaron Tippin Her Aaron Watson Outta Style ABC All Of My Heart ABC Poison Arrow Ad Libs The Boy From New York City Afroman Because I Got High Air -
Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 Bands Over 11 Nights, All Included with Fair Admission
FOR IMMEDIATE RELEASE Contact: Ian Cox 502-367-5186 [email protected] Kentucky State Fair Announces Texas Roadhouse Concert Series Lineup 23 bands over 11 nights, all included with fair admission. LOUISVILLE, Ky. (May 26, 2021) — The Kentucky State Fair announced the lineup of the Texas Roadhouse Concert Series at a press conference today. Performances range from rock, indie, country, Christian, and R&B. All performances are taking place adjacent to the Pavilion and Kentucky Kingdom. Concerts are included with fair admission. “We’re excited to welcome everyone to the Kentucky State Fair and Texas Roadhouse Concert series this August. We’ve got a great lineup with old friends like the Oak Ridge Boys and up-and-coming artists like Jameson Rodgers and White Reaper. Additionally, we have seven artists that are from Kentucky, which shows the incredible talent we have here in the Commonwealth. This year’s concert series will offer something for everyone and be the perfect celebration after a year without many of our traditional concerts and events,” said David S. Beck, President and CEO of Kentucky Venues. Held August 19-29 during the Kentucky State Fair, the Texas Roadhouse Concert Series features a wide range of musical artists with a different concert every night. All concerts are free with paid gate admission. “The lineup for this year's Kentucky State Fair Concert Series features something for everybody," says Texas Roadhouse spokesperson Travis Doster, "We look forward to being part of this event that brings people together to create memories and fun like we do in our restaurants.” The Texas Roadhouse Concert Series lineup is: Thursday, August 19 Josh Turner with special guest Alex Miller Friday, August 20 Ginuwine with special guest Color Me Badd Saturday, August 21 Colt Ford with special guest Elvie Shane Sunday, August 22 The Oak Ridge Boys with special guest T. -
Visual Metaphors on Album Covers: an Analysis Into Graphic Design's
Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres by Vivian Le A THESIS submitted to Oregon State University Honors College in partial fulfillment of the requirements for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems (Honors Scholar) Presented May 29, 2020 Commencement June 2020 AN ABSTRACT OF THE THESIS OF Vivian Le for the degree of Honors Baccalaureate of Science in Accounting and Business Information Systems presented on May 29, 2020. Title: Visual Metaphors on Album Covers: An Analysis into Graphic Design’s Effectiveness at Conveying Music Genres. Abstract approved:_____________________________________________________ Ryann Reynolds-McIlnay The rise of digital streaming has largely impacted the way the average listener consumes music. Consequentially, while the role of album art has evolved to meet the changes in music technology, it is hard to measure the effect of digital streaming on modern album art. This research seeks to determine whether or not graphic design still plays a role in marketing information about the music, such as its genre, to the consumer. It does so through two studies: 1. A computer visual analysis that measures color dominance of an image, and 2. A mixed-design lab experiment with volunteer participants who attempt to assess the genre of a given album. Findings from the first study show that color scheme models created from album samples cannot be used to predict the genre of an album. Further findings from the second theory show that consumers pay a significant amount of attention to album covers, enough to be able to correctly assess the genre of an album most of the time. -
September 2012
New Songs September 2012 ARTIST SONG# TITLE ADAM LAMBERT 123221 NEVER CLOSE OUR EYES ADELE 123247 I'LL BE WAITING B.O.B 123196 NEVER LET YOU GO BAND PERRY, THE 123252 ALL YOUR LIFE BAND PERRY, THE 123248 INDEPENDENCE BLAKE SHELTON 123224 DRINK ON IT BLAKE SHELTON 123240 OVER BONNIE RAITT 123188 MARRIAGE MADE IN HOLLYWOOD BRANTLEY GILBERT 123260 COUNTRY MUST BE COUNTRY WIDE BRANTLEY GILBERT 123295 YOU DON'T KNOW HER LIKE I DO CARLY RAE JEPSEN 123287 THIS KISS CARRIE UNDERWOOD 123235 BLOWN AWAY CARRIE UNDERWOOD 123261 DO YOU THINK ABOUT ME CARRIE UNDERWOOD 123293 TWO BLACK CADILLACS CHERYL COLE 123211 UNDER THE SUN CHRIS BROWN 123218 DON'T WAKE ME UP COLT FORD 123203 ANSWER TO NO ONE COLT FORD 123262 DRIVIN' AROUND SONG CONOR MAYNARD 123212 VEGAS GIRL CRAIG CAMPBELL 123275 OUTTA MY HEAD CRAIG MORGAN 123257 CORN STAR CUPID 123244 CUPID SHUFFLE CURRENSY 123192 FAST CARS FASTER WOMEN DARIUS RUCKER 123291 TRUE BELIEVERS DAVID GUETTA 123222 I CAN ONLY IMAGINE DEMI LOVATO 123239 GIVE YOUR HEART A BREAK DIERKS BENTLEY 123230 5-1-5-0 DIERKS BENTLEY 123258 COUNTRY & COLD CANS DIERKS BENTLEY 123251 TIP IT ON BACK EASTON CORBIN 123227 LOVIN' YOU IS FUN ELI YOUNG BAND 123282 SAY GOODNIGHT ERIC CHURCH 123276 OVER WHEN IT'S OVER ERIC CHURCH 123229 SPRINGSTEEN ESTELLE 123194 DO MY THING EVE TO ADAM 123187 SCHOOL'S OUT FLO RIDA 123214 RUN FLORENCE & THE MACHINE 123208 SPECTRUM (SAY MY NAME) (CALVIN HARRIS MIX) FUN 123216 SOME NIGHTS GEORGE STRAIT 123236 DRINKIN' MAN GLORIANA 123270 CAN'T SHAKE YOU GOOD OLD WAR 123207 AMAZING EYES GOTYE 123209 I FEEL BETTER GYM CLASS HEROES 123215 FIGHTER, THE HANK WILLIAMS, JR. -
Hundreds of Country Artists Have Graced the New Faces Stage. Some
314 performers, new face book 39 years, 1 stage undreds of country artists have graced the New Faces stage. Some of them twice. An accounting of every one sounds like an enormous Requests Htask...until you actually do it and realize the word “enormous” doesn’t quite measure up. 3 friend requests Still, the Country Aircheck team dug in and tracked down as many as possible. We asked a few for their memories of the experience. For others, we were barely able to find biographical information. And we skipped the from his home in Nashville. for Nestea, Miller Beer, Pizza Hut and “The New Faces Show had Union 76, among others. details on artists who are still active. (If you need us to explain George Strait, all those radio people, and for instance, you’re probably reading the wrong publication.) Enjoy. I made a lot of friends. I do Jeanne Pruett: Alabama native Pruett remember they had me use enjoyed a solid string of hits from the early the staff band, and I was ’70s right into the ’80s including the No. resides in Nashville, still tours and will suffering some anxiety over not being able 1 smash, “Satin Sheets.” Pruett is based receive a star in the Hollywood Walk of to use my band.” outside of Nashville and is still active as a 1970 Fame in October, 2009. performer and as a member of the Grand Jack Barlow: He charted with Ole Opry. hits like “Baby, Ain’t That Love” Bobby Harden: Starting out with his two 1972 and “Birmingham Blues,” but by sisters as the pop-singing Harden Trio, Connie Eaton: The Nashville native started Mel Street: West Virginian Street racked the mid-’70s Barlow had become the nationally Harden cracked the country Top 50 back her country career as a teenager and hit the up a long string of hits throughout the ’70s, famous voice of Big Red chewing gum. -
Southern Music and the Seamier Side of the Rural South Cecil Kirk Hutson Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1995 The ad rker side of Dixie: southern music and the seamier side of the rural South Cecil Kirk Hutson Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Folklore Commons, Music Commons, Social and Cultural Anthropology Commons, and the United States History Commons Recommended Citation Hutson, Cecil Kirk, "The ad rker side of Dixie: southern music and the seamier side of the rural South " (1995). Retrospective Theses and Dissertations. 10912. https://lib.dr.iastate.edu/rtd/10912 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthiough, substandard margins, and improper alignment can adversely affect reproductioiL In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. -
Inside This April 2019 Issue
APR2019 Issue 295 The Publication of the Linn County Blues Society - lcbs.org April 2019 Anthony Gomes The Redstone Room Phil Smith Captures the Night! Inside this April 2019 issue — • H.D. Youth Center closing • Big Muse by Phil Smith • Bill Graham reviews: The Kentucky Headhunters • Vin Mott- Peter “Blewzzman” Lauro • 5 Inducted in to the IA Blues Hall of Fame! • Anthony Gomes at The Redstone Room, Phil Smith • Local music schedules • Wooden Nickel Lottery, Phil Smith LCBS Bluespaper.LCBS Copyright © All rights 2019. reserved The Linn County Blues Society is a way cool, non-profit organization dedicated H.D. Youth Center Closes to the preservation of Blues music in Eastern Iowa as well as to provide A difficult decision charitable contributions to other commu- nity organizations. LCBS is an Affiliated Steve Springer Organization in the Blues Foundation’s international network. The BLUESPAPER am sure the members of the is a monthly publication of the LCBS. LCBS have heard via local me- Website: lcbs.org dia that the Board of Directors LCBS Officers I President - David Antin of the Henry Davison Youth Center Vice President - Ric Holmquest recently made the very difficult deci- Secretary - Jeff Craft sion to close the Youth Center. Treasurer - Bill Graham Declining attendance coupled with Social Media - Phil Smith reduced donations and high fixed Directors at Large expenses leaves the Center with ap- Bob DeForest, Steve Miller proximately one year of funding. The Committee Chairs Board plans to use current funding, Education: John ‘Big Mo’ Heim along with that received from liqui- Entertainment - Greg West Membership - John Lane dation of assets, to form a “Henry Merchandise - Anita Skelton Davison Scholarship Program”. -
Country Trailblazer Justin Moore to Perform in Bristol
FOR IMMEDIATE RELEASE CONTACT: Angie Rutherford, Box Office Manager Thursday, October 16, 2014 Viking Hall Civic Center Phone: 423-764-0188 E-Mail: [email protected] Country trailblazer Justin Moore to perform in Bristol Country music trailblazer, Justin Moore will be gracing the stage of Viking Hall at 1100 Edgemont Ave., on Sunday evening, November 16, 2014 at 7:30PM. Tickets are on sale at the Viking Hall Box Office, on-line at etix.com and by phone at 423-764-0188. “They are selling fast,” said Angie Rutherford, Box Office Manager. “Justin appeals to all ages but especially the younger crowd. He is a singer some would consider off the beaten path, which makes him that much more appealing.” Justin Moore’s always had a thing about doing it his way. Call it stubborn redneck mettle, a well-developed case of who I am or just the fierce commitment to blaze a trail inherent to people from his home of Poyen, Arkansas. Moore is considered a little bit rowdy, a little bit sentimental and a whole lot of roughneck. While denting the country radio charts with three #1s in anything but big city “Small Town USA”, the sentimental side; “If Heaven Weren’t So Far Away”, and the fidelity pledge “Till My Last Day”. He continues with his new album “Off the Beaten Path” still racking up hit after hit. Moore will be joined by Colt Ford, a country music rapper, musician and songwriter who has co- written such songs as “Dirt Road Anthem” and recorded Top 40 chart song “Back”, a duet with Jake Owen. -
“Blue Moon of Kentucky”—Bill Monroe and His Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D
“Blue Moon of Kentucky”—Bill Monroe and his Blue Grass Boys (1947) Added to the National Registry: 2002 Essay by Richard D. Smith (guest post)* Bill Monroe Illuminating a major juncture in American popular music history--the crossroads of country music and rock 'n’ roll–is the “Blue Moon of Kentucky.” Originally composed as a lonesome but lovely waltz by Bill Monroe (1911-1996)--the innovative Rosine, Kentucky-born singer/bandleader/mandolinist who became a pillar of the Grand Ole Opry, was a major figure in the Folk Music Revival and is renowned as “The Father of Bluegrass”--it was later covered by the young Elvis Presley during his first commercial recording sessions. Indeed, it is musically and culturally significant that Presley's first single consisted of his crooning and insinuating version of Delta blues singer/guitarist Arthur Crudup's “That's All Right” on one side and a rollicking rockabilly arrangement (in 4/4 time) of Monroe's waltz on the other. The roots of rock in African American music are well known, but the parallel influence of white country music deserves greater understanding. The story of “Blue Moon of Kentucky” provides this. Bill Monroe’s earliest-known performance of “Blue Moon of Kentucky” was on the Grand Ole Opry on August 25, 1945. Monroe recorded it during his first session for Columbia Records (having previously been on RCA Victor Bluebirds) on September 16, 1946. The session was historic, both for its material and Monroe’s sidemen in the Blue Grass Boys. Participating in their first recordings with Monroe were superb lead vocalist/guitarist/songwriter Lester Flatt and the brilliant and seminal three-finger-style banjo picker Earl Scruggs. -
Reading Hick-‐Hop: the Shotgun Marriage Of
Reading Hick-Hop: The Shotgun Marriage of Hip-Hop and Country Music Tressie McMillan Cottom Abstract: Hick-hop is the seamless, unlikely cultural marriage of two racialized, spatialized cultural forms: hip-hop and country music. To understand the cross-over success of this underground cultural form, one must understand the shifting economic and social realities of country’s largely poor, rural, southern, white audience. I argue that adoption of black urban hip hop iconography into country music speaks to the respective authenticity logics of both genres, the realities of the white “invisible poor”, and the material reality of a culture inextricably linked to U.S. Southern culture. Introduction Could there be two musical genres more diametrically opposed to one another than hip-hop and country music? Born amid Reagan’s urban apocalyptic landscape in exotic places like Brooklyn and the Bronx1 hip-hop music is a decidedly black urban cultural product. Unlike jazz, rock, and be-bop before it, hip-hop maximized a unique moment in a disrupted corporate music industry to afford black artists control of the iconography of the latest iteration of race music. Country music may have once been the poor white man’s attempt at singing the gospel and the blues but it evolved as the symbolic culture of non-elite, working class rural whiteness. It’s attendant values proudly defy middle class cultural conformity and racialized urban imagery. Country fans unironically embrace faith, family and country in a cynical pop culture world. Hip-hop fans may embrace the free market ethos of “money over bitches” but mainstream hip-hop is largely resistant to sentimental ruminations on hearth and home.