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San Francisco Opera Center and Merola Opera Program Announce 2020 Schwabacher Recital Series
SAN FRANCISCO OPERA CENTER AND MEROLA OPERA PROGRAM ANNOUNCE 2020 SCHWABACHER RECITAL SERIES January 29 Kicks Off First of Four Recitals Highlighting Emerging Artists and Unique Musical Programs Tickets available at sfopera.com/srs and (415) 864-3330 SAN FRANCISCO, CA (January 6, 2019) — Now in its 37th year, the Schwabacher Recital Series returns on Wednesday, January 29, with performances at San Francisco’s Dianne and Tad Taube Atrium Theater that feature emerging artists from around the globe. Presented by San Francisco Opera Center and Merola Opera Program, the annual Schwabacher Series consists of four Wednesday evening recitals, the last of which concludes on April 22. The first-ever Schwabacher series was presented in December 1983, kicking off a decades-long San Francisco tradition of presenting rising international talent in the intimacy of a recital setting. The 2020 series will blend classics like Hector Berlioz’s Les Nuits d’Été with rarely performed 20th- and 21st-century works like Olivier Messiaen’s Harawi. JANUARY 29: ALICE CHUNG, LAUREANO QUANT AND NICHOLAS ROEHLER (From left to right: Alice Chung, Laureano Quant and Nicholas Roehler) The series opens on January 29 with a set of performers recently seen as part of the Merola Opera Program: mezzo-soprano Alice Chung, baritone Laureano Quant and pianist Nicholas Roehler. Twice named as a Merola artist—once in 2017 and again in 2019—Chung returns to the 1 Bay Area for this recital, having been hailed as a “force of nature” by San Francisco Classical Voice (SFCV). She will tackle a range of works, from Colombian composer Luis Carlos Figueroa’s soothing lullaby “Berceuse” to cabaret-inspired works like William Bolcom’s “Over the Piano.” Quant, a 2019 Merola participant, joins Chung to perform Bolcom’s music, as well as select songs from Berlioz’s Les Nuits d’Été and Francesco Santoliquido’s I Canti della Sera. -
Pittsburgh Opera NEWS RELEASE
4/1/2008 Pittsburgh Opera NEWS RELEASE CONTACT: BETH PARKER (412) 281-0912 X 248 [email protected] PHOTOS: MAGGIE JOHNSON (412) 281-0912 X 262 [email protected] Jane Dutton replaces Stephanie Blythe in Pittsburgh Opera’s Aida Pittsburgh, PA . Opera companies expect their drama in high doses, but this week at Pittsburgh Opera has been more stimulating than most. Mezzo-soprano superstar Stephanie Blythe was to have made her long-anticipated company and role debut as Amneris in Pittsburgh Opera’s production of Verdi’s Aida. Blythe, however, fell victim to a virus and had to bow out the day before the show opened on March 29. Following a remarkable last-minute rescue of the opening night by Marianne Cornetti, Ms. Blythe had to cancel the second performance, leaving the company without a back-up for the remaining shows. This time Artistic Director Christopher Hahn secured Jane Dutton, another highly-regarded American mezzo who has recently added the killer role to her repertoire with highly successful performances at English National Opera. Dutton sings the Tuesday, April 1 performance and remains available to safeguard the production. Pittsburgh Opera anticipates the return of a healthy Ms. Blythe for the final performances on April 4th and 6th. Ms.Cornetti’s appearance was nigh on miraculous. An experienced Amneris and alumna of the company’s training program, the Pittsburgh Opera Center, Cornetti was released from a rehearsal in Amsterdam and got the last available seat on a KLM flight. She arrived in Pittsburgh at 2:30 PM, and after a mad dash from the airport, a brief rehearsal and costume fitting, the Metropolitan Opera star nailed the 8 PM performance. -
01-11-2019 Porgy Eve.Indd
THE GERSHWINS’ porgy and bess By George Gershwin, DuBose and Dorothy Heyward, and Ira Gershwin conductor Opera in two acts David Robertson Saturday, January 11, 2020 production 7:30–10:50 PM James Robinson set designer New Production Michael Yeargan costume designer Catherine Zuber lighting designer The production of The Gershwins’ Porgy and Donald Holder Bess was made possible by a generous gift from projection designer Luke Halls The Sybil B. Harrington Endowment Fund and Douglas Dockery Thomas choreographer Camille A. Brown fight director David Leong general manager Peter Gelb Co-production of the Metropolitan Opera; jeanette lerman-neubauer Dutch National Opera, Amsterdam; and music director Yannick Nézet-Séguin English National Opera 2019–20 SEASON The 63rd Metropolitan Opera performance of THE GERSHWINS’ porgy and bess conductor David Robertson in order of vocal appearance cl ar a a detective Janai Brugger Grant Neale mingo lily Errin Duane Brooks Tichina Vaughn* sportin’ life a policeman Frederick Ballentine Bobby Mittelstadt jake an undertaker Donovan Singletary* Damien Geter serena annie Latonia Moore Chanáe Curtis robbins “l aw yer” fr a zier Chauncey Packer Arthur Woodley jim nel son Norman Garrett Jonathan Tuzo peter str awberry woman Jamez McCorkle Aundi Marie Moore maria cr ab man Denyce Graves Chauncey Packer porgy a coroner Kevin Short Michael Lewis crown scipio Alfred Walker* Neo Randall bess Angel Blue Saturday, January 11, 2020, 7:30–10:50PM The worldwide copyrights in the works of George Gershwin and Ira Gershwin for this presentation are licensed by the Gershwin family. GERSHWIN is a registered trademark of Gershwin Enterprises. Porgy and Bess is a registered trademark of Porgy and Bess Enterprises. -
A Season of Thrilling Intrigue and Grand Spectacle –
A Season of Thrilling Intrigue and Grand Spectacle – Angel Blue as MimÌ in La bohème Fidelio Rigoletto Love fuels a revolution in Beethoven’s The revenger becomes the revenged in Verdi’s monumental masterpiece. captivating drama. Greetings and welcome to our 2020–2021 season, which we are so excited to present. We always begin our planning process with our dreams, which you might say is a uniquely American Nixon in China Così fan tutte way of thinking. This season, our dreams have come true in Step behind “the week that changed the world” in Fidelity is frivolous—or is it?—in Mozart’s what we’re able to offer: John Adams’s opera ripped from the headlines. rom-com. Fidelio, to celebrate the 250th anniversary of Beethoven’s birth. Nixon in China by John Adams—the first time WNO is producing an opera by one of America’s foremost composers. A return to Russian music with Musorgsky’s epic, sweeping, spectacular Boris Godunov. Mozart’s gorgeous, complex, and Boris Godunov La bohème spiky view of love with Così fan tutte. Verdi’s masterpiece of The tapestry of Russia's history unfurls in Puccini’s tribute to young love soars with joy a family drama and revenge gone wrong in Rigoletto. And an Musorgsky’s tale of a tsar plagued by guilt. and heartbreak. audience favorite in our lavish production of La bohème, with two tremendous casts. Alongside all of this will continue our American Opera Initiative 20-minute operas in its 9th year. Our lineup of artists includes major stars, some of whom SPECIAL PRESENTATIONS we’re thrilled to bring to Washington for the first time, as well as emerging talents. -
Akhnaten 12:55Pm | November 23
AKHNATEN 12:55PM | NOVEMBER 23 2019-2020 RICHARD HUBERT SMITH / ENGLISH NATIONAL OPERA NATIONAL ENGLISH / SMITH HUBERT RICHARD Met Opera AT THE PARAMOUNT THEATER The Paramount Theater is pleased to bring the award-winning 2019-2020 Met Opera Live in HD season, in its 14th year, to Charlottesville. This season will feature ten transmissions from the Met’s stage, including three new productions and two Met premieres. Pre-opera lectures will be held again this season and will take place in the auditorium (see website for lecture times and details). Doors to the auditorium will close during the lecture and will re-open for audience seating prior to the start of the broadcast. NEW PRODUCTIONS Wozzeck* • The Gershwins’ Porgy and Bess* Der Fliegende Holländer* REVIVALS Turandot • Manon • Madama Butterfly Tosca • Maria Stuarda MET PREMIERES Akhnaten* • Agrippina* *First Time in HD TICKETING & SUBSCRIPTIONS July 11 - On Sale to Met Members July 15 - On Sale to Paramount Star Circle Members July 17 - On Sale to all Paramount Members July 19 - On Sale to General Public Single Event Pricing $25 Adult, $23 Senior, $18 Student Subscription Pricing Reserved seats for all performances. $225 Adult, $207 Senior, $162 Student Box Office 215 East Main Street, Charlottesville, VA 22902 Monday - Friday 10AM - 2PM 434-979-1333 www.theparamount.net All tickets go on sale at 10:00AM on the dates specified above. Subscribers from previous seasons will have their preferred seat locations held throughout the duration of the pre-sale. If not renewed, seat locations will be released at 10:00AM on July 19, 2019. -
Media Release
Media Release FOR IMMEDIATE RELEASE: July 27, 2021 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2021-2022 Season Opens with Three Intimate Concerts Stephanie Blythe in Concert Saturday, October 23, 2021 The Balboa Theatre Michelle Bradley in Concert Saturday, November 20, 2021 Sunday, November 21, 2021 (matinee) Baker-Baum Recital Hall at The Conrad Arturo Chacón-Cruz in Concert Friday, December 3, 2021 California Center for the Performing Arts The Conrad Prebys Foundation – 2021 Season Sponsor San Diego, CA – San Diego Opera’s safe return to indoor performances begins with three intimate concerts showcasing some of today’s most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises. 1 The Fall 2021 Season will begin an intimate recital with mezzo-soprano and operatic superstar Stephanie Blythe on Saturday, October 23, 2021 at 7:30 PM at The Balboa Theatre. Stephanie has created a concert entitled Johnny Mercer: America’s Lyricist. “This concert is a musical and historical look at the words and songs of Johnny Mercer and those who influenced and partnered with him, from the early years of Jazz, to Tin Pan Alley, and eventually, Hollywood,” shares Stephanie. “Mercer’s extraordinary abilities as a wordsmith and performer cannot be underestimated, as the songs and stories will tell you. Mercer was a born communicator, who had an innate understanding of how to connect with his audience- a perfect subject for a recital/cabaret, my absolute favorite kind of performance, one that establishes an easy, person to person connection with the audience through shared emotional experiences.” Stephanie Blythe made her Company debut in 2014’s A Masked Ball as Ulrica, sang in the Company’s Verdi Requiem that same year, and returned in recital later that fall for We’ll Meet Again: The Songs of Kate Smith. -
January 19, 2020 Luc De Wit 3:00–4:40 PM
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J. -
Media Release
Media Release FOR IMMEDIATE RELEASE: August 13, 2015 Contact: Edward Wilensky (619) 232-7636 [email protected] Soprano Patricia Racette Returns to San Diego Opera “Diva on Detour” Program Features Famed Soprano Singing Cabaret and Jazz Standards Saturday, November 14, 2015 at 7 PM at the Balboa Theatre San Diego, CA – San Diego Opera is delighted to welcome back soprano Patricia Racette for her wildly-acclaimed “Diva on Detour” program which features the renowned singer performing cabaret and jazz standards by Stephen Sondheim, Cole Porter, George Gershwin, and Edith Piaf, among others, on Saturday, November 14, 2015 at 7 PM at the Balboa Theatre. Racette is well known to San Diego Opera audiences, making her Company debut in 1995 as Mimì in La bohème, and returning in 2001 as Love Simpson in Cold Sassy Tree (a role she created for the world premiere at Houston Grand Opera), in 2004 for the title role of Katya Kabanova, and in 2009 as Cio-Cio San in Madama Buttefly. She continues to appear regularly in the most acclaimed opera houses of the world, including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Washington National Opera, Los Angeles Opera, and Santa Fe Opera. Known as a great interpreter of Janáček and Puccini, she has gained particular notoriety for her portrayals of the title roles of Madama Butterfly, Tosca, Jenůfa, Katya Kabanova, and all three leading soprano roles in Il Trittico. Her varied repertory also encompasses the leading roles of Mimì and Musetta in La bohème, Nedda in Pagliacci, Elisabetta in Don Carlos, Leonora in Il trovatore, Alice in Falstaff, Marguerite in Faust, Mathilde in Guillaume Tell, Madame Lidoine in Dialogues of the Carmélites, Margherita in Boito’s Mefistofele, Ellen Orford in Peter Grimes, The Governess in The Turn of the Screw, and Tatyana in Eugene Onegin as well as the title roles of La traviata, Susannah, Luisa Miller, and Iphigénie en Tauride. -
THE JOURNEY with ANGEL BLUE New Episodes Tuesdays at 1:00 P.M
THE JOURNEY WITH ANGEL BLUE New Episodes Tuesdays at 1:00 p.m. Central Time Premiered August 25, 2020 TDO Network presents The Journey with Angel Blue, hosted by one of the world’s most engaging and beloved sopranos, Angel Blue. Her new TDO Network series is designed to lift the spirit by finding the “silver lining” in even the most challenging circumstances. Ms. Blue will reflect on her own personal journey through life, offer unique perspectives, and share her ideas on how to accentuate the positive every day. ABOUT THE HOST: Incandescent American soprano Angel Blue has performed, to date, in more than 35 countries with companies including the Vienna State Opera, Semperoper Dresden, San Francisco Opera, Frankfurt Opera, the Aix-en-Provence Festival, La Scala (where she was the first black singer to portray Violetta), and the Royal Opera House, Covent Garden. Her most recent triumph was headlining the Metropolitan Opera’s 2019/20 season-opener, Porgy and Bess. The Gershwin classic was seen in theaters all around the world as part of the Metropolitan Opera’s “Live in HD,” and was also featured on PBS’s “Great Performances.” Over the course of her career, Ms. Blue has earned enthusiastic acclaim in numerous roles, including the title role of Tosca, Violetta in La traviata, Liù in Turandot, Marguerite in Gounod’s Faust, Elena in Boito’s Mefistofele, Giulietta in Les Contes d’Hoffmann, Micaëla in Carmen, and both Clara and Bess in Porgy and Bess. She is perhaps most popularly associated with Puccini’s La bohème, making her U.S. -
A Walt Whitman Sampler LEON BOTSTEIN, Conductor
Wednesday Evening, October 17, 2018, at 8:00 Isaac Stern Auditorium / Ronald O. Perelman Stage Conductor’s Notes Q&A with Leon Botstein at 7:00 presents A Walt Whitman Sampler LEON BOTSTEIN, Conductor OTHMAR SCHOECK Trommelschläge, Op. 26 BARD FESTIVAL CHORALE JAMES BAGWELL, Director KURT WEILL Four Walt Whitman Songs Beat! Beat! Drums! Oh Captain! My Captain! Come up from the Fields, Father Dirge for Two Veterans EDWARD NELSON, Baritone FRANZ SCHREKER Vom ewigen Leben (From Eternal Life) ANGEL BLUE, Soprano Intermission RALPH VAUGHAN A Sea Symphony (Symphony No. 1) WILLIAMS I. A Song for All Seas, All Ships II. On the Beach at Night Alone III. The Waves IV. The Explorers ANGEL BLUE, Soprano EDWARD NELSON, Baritone BARD FESTIVAL CHORALE JAMES BAGWELL, Director This performance is dedicated to the memory of Susana Meyer, long-time artistic consultant of the American Symphony Orchestra, respected colleague and friend. This evening’s concert will run approximately 2 hours and 20 minutes including one 20-minute intermission. This program has been made possible due in part to the Kurt Weill Foundation for Music, Inc., New York, NY. PLEASE SWITCH OFF YOUR CELL PHONES AND OTHER ELECTRONIC DEVICES. FROM THE Music Director Whitman and Democracy comprehend the English of Shakespeare by Leon Botstein or even Jane Austen without some reflection. (Indeed, even the space Among the most arguably difficult of between one generation and the next literary enterprises is the art of transla- can be daunting.) But this is because tion. Vladimir Nabokov was obsessed language is a living thing. There is a about the matter; his complicated and decided family resemblance over time controversial views on the processes of within a language, but the differences transferring the sensibilities evoked by in usage and meaning and in rhetoric one language to another have them- and significance are always developing. -
Wagner's Ring Cycle on Letterhead
Press Contacts: Harry Forbes 212-560-8027; [email protected] Sam Neuman 212-870-7457; [email protected] Press materials: www.thirteen.org/pressroom/gperf A Major Television Event – Robert Lepage’s Production of Wagner’s Ring Cycle with an All-Star Cast -- Airs on THIRTEEN’s Great Performances at the Met September 11-14 at 9 p.m. on PBS New companion documentary, Wagner’s Dream, chronicling the backstage challenges of creating the Met’s landmark production, begins week-long Wagner festival on September 10 Robert Lepage’s acclaimed new production of Wagner’s Der Ring des Nibelungen , will air on Great Performances at the Met , September 11-14 at 9 p.m. each night on PBS stations (check local listings), as a major television event. The operas – Das Rheingold, Die Walkűre, Siegfried , and Götterdämmerung — will be preceded on Monday, September 10 at 9 p.m. (check local listings) by the airing of award-winning filmmaker Susan Froemke’s documentary Wagner’s Dream , which chronicles the backstage story of the creation of this ambitious new staging. (In New York, Wagner's Dream and the first three operas will begin at 8 p.m. on THIRTEEN, except for Götterdämmerung which will air at 9 p.m.) This is only the third time Wagner’s Ring Cycle has been aired on PBS. In 1983, Great Performances aired Patrice Chereau’s production of the Ring conducted by Pierre Boulez from the Bayreuth Festival, and in 1990, Live from the Met (the precursor of Great Performances at the Met ) presented Otto Schenk’s Metropolitan Opera production, conducted by James Levine. -
Houston Grand Opera's 2017–18 Season Features Long-Awaited Return of Strauss's Elektra
Season Update: Houston Grand Opera’s 2017–18 Season Features Long-Awaited Return of Strauss’s Elektra and Bellini’s Norma, World Premiere of Ricky Ian Gordon/Royce Vavrek’s The House without a Christmas Tree, First Major American Opera House Presentation of Bernstein’sWest Side Story Company’s six-year multidisciplinary Seeking the Human Spirit initiative begins with opening production of La traviata Updated July 2017. Please discard previous 2017–18 season information. Houston, July 28, 2017— Houston Grand Opera expands its commitment to broadening the audience for opera with a 2017–18 season that includes the first presentations of Leonard Bernstein’s classic musical West Side Story by a major American opera house and the world premiere of composer Ricky Ian Gordon and librettist Royce Vavrek’s holiday opera The House without a Christmas Tree. HGO will present its first performances in a quarter century of two iconic works: Richard Strauss’s revenge-filled Elektra with virtuoso soprano Christine Goerke in the tempestuous title role and 2016 Richard Tucker Award–winner and HGO Studio alumna Tamara Wilson in her role debut as Chrysothemis, under the baton of HGO Artistic and Music Director Patrick Summers; and Bellini’s grand-scale tragedy Norma showcasing the role debut of stellar dramatic soprano Liudmyla Monastyrska in the notoriously difficult title role, with 2015 Tucker winner and HGO Studio alumna Jamie Barton as Adalgisa. The company will revive its production of Handel’s Julius Caesar set in 1930s Hollywood, featuring the role debuts of star countertenor Anthony Roth Costanzo (HGO’s 2017–18 Lynn Wyatt Great Artist) and Houston favorite and HGO Studio alumna soprano Heidi Stober as Caesar and Cleopatra, respectively, also conducted by Maestro Summers; and Rossini’s ever-popular comedy, The Barber of Seville, with a cast that includes the eagerly anticipated return of HGO Studio alumnus Eric Owens, Musical America’s 2017 Vocalist of the Year, as Don Basilio.