Wagner's Ring Cycle on Letterhead
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Parsifal and Canada: a Documentary Study
Parsifal and Canada: A Documentary Study The Canadian Opera Company is preparing to stage Parsifal in Toronto for the first time in 115 years; seven performances are planned for the Four Seasons Centre for the Performing Arts from September 25 to October 18, 2020. Restrictions on public gatherings imposed as a result of the Covid-19 pandemic have placed the production in jeopardy. Wagnerians have so far suffered the cancellation of the COC’s Flying Dutchman, Chicago Lyric Opera’s Ring cycle and the entire Bayreuth Festival for 2020. It will be a hard blow if the COC Parsifal follows in the footsteps of a projected performance of Parsifal in Montreal over 100 years ago. Quinlan Opera Company from England, which mounted a series of 20 operas in Montreal in the spring of 1914 (including a complete Ring cycle), announced plans to return in the fall of 1914 for another feast of opera, including Parsifal. But World War One intervened, the Parsifal production was cancelled, and the Quinlan company went out of business. Let us hope that history does not repeat itself.1 While we await news of whether the COC production will be mounted, it is an opportune time to reflect on Parsifal and its various resonances in Canadian music history. This article will consider three aspects of Parsifal and Canada: 1) a performance history, including both excerpts and complete presentations; 2) remarks on some Canadian singers who have sung Parsifal roles; and 3) Canadian scholarship on Parsifal. NB: The indication [DS] refers the reader to sources that are reproduced in the documentation portfolio that accompanies this article. -
San Francisco Opera Center and Merola Opera Program Announce 2020 Schwabacher Recital Series
SAN FRANCISCO OPERA CENTER AND MEROLA OPERA PROGRAM ANNOUNCE 2020 SCHWABACHER RECITAL SERIES January 29 Kicks Off First of Four Recitals Highlighting Emerging Artists and Unique Musical Programs Tickets available at sfopera.com/srs and (415) 864-3330 SAN FRANCISCO, CA (January 6, 2019) — Now in its 37th year, the Schwabacher Recital Series returns on Wednesday, January 29, with performances at San Francisco’s Dianne and Tad Taube Atrium Theater that feature emerging artists from around the globe. Presented by San Francisco Opera Center and Merola Opera Program, the annual Schwabacher Series consists of four Wednesday evening recitals, the last of which concludes on April 22. The first-ever Schwabacher series was presented in December 1983, kicking off a decades-long San Francisco tradition of presenting rising international talent in the intimacy of a recital setting. The 2020 series will blend classics like Hector Berlioz’s Les Nuits d’Été with rarely performed 20th- and 21st-century works like Olivier Messiaen’s Harawi. JANUARY 29: ALICE CHUNG, LAUREANO QUANT AND NICHOLAS ROEHLER (From left to right: Alice Chung, Laureano Quant and Nicholas Roehler) The series opens on January 29 with a set of performers recently seen as part of the Merola Opera Program: mezzo-soprano Alice Chung, baritone Laureano Quant and pianist Nicholas Roehler. Twice named as a Merola artist—once in 2017 and again in 2019—Chung returns to the 1 Bay Area for this recital, having been hailed as a “force of nature” by San Francisco Classical Voice (SFCV). She will tackle a range of works, from Colombian composer Luis Carlos Figueroa’s soothing lullaby “Berceuse” to cabaret-inspired works like William Bolcom’s “Over the Piano.” Quant, a 2019 Merola participant, joins Chung to perform Bolcom’s music, as well as select songs from Berlioz’s Les Nuits d’Été and Francesco Santoliquido’s I Canti della Sera. -
Pittsburgh Opera NEWS RELEASE
4/1/2008 Pittsburgh Opera NEWS RELEASE CONTACT: BETH PARKER (412) 281-0912 X 248 [email protected] PHOTOS: MAGGIE JOHNSON (412) 281-0912 X 262 [email protected] Jane Dutton replaces Stephanie Blythe in Pittsburgh Opera’s Aida Pittsburgh, PA . Opera companies expect their drama in high doses, but this week at Pittsburgh Opera has been more stimulating than most. Mezzo-soprano superstar Stephanie Blythe was to have made her long-anticipated company and role debut as Amneris in Pittsburgh Opera’s production of Verdi’s Aida. Blythe, however, fell victim to a virus and had to bow out the day before the show opened on March 29. Following a remarkable last-minute rescue of the opening night by Marianne Cornetti, Ms. Blythe had to cancel the second performance, leaving the company without a back-up for the remaining shows. This time Artistic Director Christopher Hahn secured Jane Dutton, another highly-regarded American mezzo who has recently added the killer role to her repertoire with highly successful performances at English National Opera. Dutton sings the Tuesday, April 1 performance and remains available to safeguard the production. Pittsburgh Opera anticipates the return of a healthy Ms. Blythe for the final performances on April 4th and 6th. Ms.Cornetti’s appearance was nigh on miraculous. An experienced Amneris and alumna of the company’s training program, the Pittsburgh Opera Center, Cornetti was released from a rehearsal in Amsterdam and got the last available seat on a KLM flight. She arrived in Pittsburgh at 2:30 PM, and after a mad dash from the airport, a brief rehearsal and costume fitting, the Metropolitan Opera star nailed the 8 PM performance. -
Meistersinger Von Nürnberg
RICHARD WAGNERʼS DIE MEISTERSINGER VON NÜRNBERG Links to resources and lesson plans related to Wagnerʼs opera, Die Meistersinger von Nürnberg. Classical Net http://www.classical.net/music/comp.lst/wagner.php Includes biographical information about Richard Wagner. Dartmouth: “Under the Linden Tree” by Walter von der Vogelweide (1168-1228) http://www.dartmouth.edu/~german/German9/Vogelweide.html Original text in Middle High German, with translations into modern German and English. Glyndebourne: An Introduction to Wagnerʼs Die Meistersinger von Nürnberg https://www.youtube.com/watch?v=tXPY-4SMp1w To accompany the first ever Glyndebourne production of Wagner's Die Meistersinger von Nürnberg (the long held dream of the founder John Christie) Professor Julian Johnson of London Holloway University gives us some studied insights into the work. Glyndebourne: Scale and Detail Die Meistersinger von Nürnberg https://vimeo.com/24310185 Get a glimpse into putting on this epic scale Opera from Director David McVicar, Designer Vicki Mortimer, Lighting designer Paule Constable, and movement director Andrew George. Backstage and rehearsal footage recorded at Glyndebourne in May 2011. Great Performances: Fast Facts, Long Opera http://www.pbs.org/wnet/gperf/gp-met-die-meistersinger-von-nurnberg-fast-facts-long-opera/3951/ Die Meistersinger von Nürnberg (“The Master-Singer of Nuremberg”) received its first Great Performances at the Met broadcast in 2014. The Guardian: Die Meistersinger: 'It's Wagner's most heartwarming opera' http://www.theguardian.com/music/2011/may/19/die-meistersinger-von-nurnberg-glyndebourne Director David McVicar on "looking Meistersinger squarely in the face and recognising the dark undercurrents which are barely beneath the surface." "When Wagner composed the opera in the 1860s, he thought he was telling a joyous human story," he says. -
Media Release
Media Release For immediate release: Monday, June 8, 2020 Contact: Edward Wilensky Phone: 619.232.7636 x248 [email protected] San Diego Opera Announces 2020-2021 Season La bohème Puccini’s beloved masterpiece of friends in Paris and the poet Rodolfo’s love affair with the sick and ailing seamstress Mimì. Soprano Angel Blue sings Mimì with tenor Joshua Guerrero as Rodolfo October 24, 27, 30, and November 1 (matinee), 2020 (Main Stage Series at the San Diego Civic Theatre) One Amazing Night Artist to be announced shortly November 18, 2020 (dētour Series at The Balboa Theatre) All is Calm: The Christmas Truce of 1914 The story of the WWI Christmas Truce as told through trench songs, patriotic tunes, and Christmas carols returns in an uplifting performance of hope, humanity, and unity December 4, 5, and 6 (matinee), 2020 (dētour Series at The Balboa Theatre) Suor Angelica/Gianni Schicchi Two one-act operas by Puccini. Suor Angelica will be performed by the Company for the first time, and Gianni Schicchi has not been heard locally since 1972. Starring Stephanie Blythe in a gender role reversal as Gianni Schicchi and joined by Marina Costa Jackson February 13, 16, 19 and 21 (matinee), 2021 (Main Stage Series at the San Diego Civic Theatre) Aging Magician West Coast Premiere of this hybrid theatrical/operatic work about an aging clockmaker whose passion project – a book he is writing about an aging magician – is stuck at a crucial point, and reality and fiction blur as he tries to complete his story. Produced by Beth Morrison Projects and featuring The Brooklyn Youth Chorus 1 March 26 and 27 (matinee and evening), 2021 (dētour Series at the San Diego Civic Theatre) The Barber of Seville Gioachino Rossini’s comic masterpiece about love and money and the means one will go through to get both. -
Media Release
Media Release FOR IMMEDIATE RELEASE: July 27, 2021 Contact: Edward Wilensky (619) 232-7636 [email protected] San Diego Opera’s 2021-2022 Season Opens with Three Intimate Concerts Stephanie Blythe in Concert Saturday, October 23, 2021 The Balboa Theatre Michelle Bradley in Concert Saturday, November 20, 2021 Sunday, November 21, 2021 (matinee) Baker-Baum Recital Hall at The Conrad Arturo Chacón-Cruz in Concert Friday, December 3, 2021 California Center for the Performing Arts The Conrad Prebys Foundation – 2021 Season Sponsor San Diego, CA – San Diego Opera’s safe return to indoor performances begins with three intimate concerts showcasing some of today’s most exciting singers with a varied and diverse repertoire of opera, show tunes, spirituals, and zarzuela, as well as a number of surprises. 1 The Fall 2021 Season will begin an intimate recital with mezzo-soprano and operatic superstar Stephanie Blythe on Saturday, October 23, 2021 at 7:30 PM at The Balboa Theatre. Stephanie has created a concert entitled Johnny Mercer: America’s Lyricist. “This concert is a musical and historical look at the words and songs of Johnny Mercer and those who influenced and partnered with him, from the early years of Jazz, to Tin Pan Alley, and eventually, Hollywood,” shares Stephanie. “Mercer’s extraordinary abilities as a wordsmith and performer cannot be underestimated, as the songs and stories will tell you. Mercer was a born communicator, who had an innate understanding of how to connect with his audience- a perfect subject for a recital/cabaret, my absolute favorite kind of performance, one that establishes an easy, person to person connection with the audience through shared emotional experiences.” Stephanie Blythe made her Company debut in 2014’s A Masked Ball as Ulrica, sang in the Company’s Verdi Requiem that same year, and returned in recital later that fall for We’ll Meet Again: The Songs of Kate Smith. -
CV English - Noëmi Nadelmann —
CV English - Noëmi Nadelmann — Noëmi Nadelmann is a swiss soprano and one of the leading opera and concert singer of her generation. She made her debut in 1987 at the Teatro La Fenice in Venice as Musetta in 'La Bohème' with Renata Scotto as Mimi. Since that time she has sung major roles in the great opera houses of the world, in the major concert halls and with the world's leading orchestras. Noëmi Nadelmann has sung Musetta at the Metropolitan Opera in New York, Opéra National Paris (Bastille) in Paris (conductor: Daniel Oren), Vienna State Opera, Komische Oper Berlin (conductor: Simone Young), Dutch National Opera Amsterdam (director: Pierre Audi) and the Lyric Opera of Chicago. She has sung Violetta in 'La Traviata' at the Komische Oper in Berlin (director: Harry Kupfer, conductor: Yakov Kreizberg), Hessisches Staatstheater Wiesbaden, Deutsche Oper Berlin (director: Götz Friedrich), Opernhaus Zürich (director: Jürgen Flimm, conductor: Franz Welser- Möst) and the State Opera House Hamburg. She has also sung the title role in 'Lucia di Lammermoor' at the Komische Oper Berlin (director: Harry Kupfer, conductor: Yakov Kreizberg, Vladimir Jurowski) and the State Opera House Hamburg. Noëmi Nadelmann has sung the tiltle role in 'Manon' at the Deutsche Oper Berlin and Marschallin in 'der Rosenkavalier' on their tour to Beijing (conductor: Uwe Schirmer) as well as at the Israeli Opera in Tel Aviv (conductor: Asher Fisch). Armida in 'Rinaldo' she was a tremendous success at the Bavarian State Opera in Munich (director: David Alden, conductor: Harry Bicket) and at the State Opera Berlin (director: Nigel Lowery, conductor: René Jacobs). -
January 19, 2020 Luc De Wit 3:00–4:40 PM
ALBAN BERG wozzeck conductor Opera in three acts Yannick Nézet-Séguin Libretto by the composer, based on the production William Kentridge play Woyzeck by Georg Büchner co-director Sunday, January 19, 2020 Luc De Wit 3:00–4:40 PM projection designer Catherine Meyburgh New Production set designer Sabine Theunissen costume designer Greta Goiris The production of Wozzeck was made possible lighting designer Urs Schönebaum by a generous gift from Robert L. Turner A co-production of the Metropolitan Opera; Salzburg Festival; the Canadian Opera Company, Toronto; and Opera Australia general manager Peter Gelb jeanette lerman-neubauer music director Sunday matinee performances at the Met are Yannick Nézet-Séguin sponsored by the Neubauer Family Foundation 2019–20 SEASON The 75th Metropolitan Opera performance of ALBAN BERG’S wozzeck conductor Yannick Nézet-Séguin in order of vocal appearance the captain the fool Gerhard Siegel Brenton Ryan wozzeck a soldier Peter Mattei Daniel Clark Smith andres a townsman Andrew Staples Gregory Warren marie marie’s child Elza van den Heever Eliot Flowers margret Tamara Mumford* puppeteers Andrea Fabi the doctor Gwyneth E. Larsen Christian Van Horn ac tors the drum- major Frank Colardo Christopher Ventris Tina Mitchell apprentices Wozzeck is stage piano solo Richard Bernstein presented without Jonathan C. Kelly Miles Mykkanen intermission. Sunday, January 19, 2020, 3:00–4:40PM KEN HOWARD / MET OPERA A scene from Chorus Master Donald Palumbo Berg’s Wozzeck Video Control Kim Gunning Assistant Video Editor Snezana Marovic Musical Preparation Caren Levine*, Jonathan C. Kelly, Patrick Furrer, Bryan Wagorn*, and Zalman Kelber* Assistant Stage Directors Gregory Keller, Sarah Ina Meyers, and J. -
Media Release
Media Release FOR IMMEDIATE RELEASE: August 13, 2015 Contact: Edward Wilensky (619) 232-7636 [email protected] Soprano Patricia Racette Returns to San Diego Opera “Diva on Detour” Program Features Famed Soprano Singing Cabaret and Jazz Standards Saturday, November 14, 2015 at 7 PM at the Balboa Theatre San Diego, CA – San Diego Opera is delighted to welcome back soprano Patricia Racette for her wildly-acclaimed “Diva on Detour” program which features the renowned singer performing cabaret and jazz standards by Stephen Sondheim, Cole Porter, George Gershwin, and Edith Piaf, among others, on Saturday, November 14, 2015 at 7 PM at the Balboa Theatre. Racette is well known to San Diego Opera audiences, making her Company debut in 1995 as Mimì in La bohème, and returning in 2001 as Love Simpson in Cold Sassy Tree (a role she created for the world premiere at Houston Grand Opera), in 2004 for the title role of Katya Kabanova, and in 2009 as Cio-Cio San in Madama Buttefly. She continues to appear regularly in the most acclaimed opera houses of the world, including the Metropolitan Opera, San Francisco Opera, Lyric Opera of Chicago, Houston Grand Opera, Washington National Opera, Los Angeles Opera, and Santa Fe Opera. Known as a great interpreter of Janáček and Puccini, she has gained particular notoriety for her portrayals of the title roles of Madama Butterfly, Tosca, Jenůfa, Katya Kabanova, and all three leading soprano roles in Il Trittico. Her varied repertory also encompasses the leading roles of Mimì and Musetta in La bohème, Nedda in Pagliacci, Elisabetta in Don Carlos, Leonora in Il trovatore, Alice in Falstaff, Marguerite in Faust, Mathilde in Guillaume Tell, Madame Lidoine in Dialogues of the Carmélites, Margherita in Boito’s Mefistofele, Ellen Orford in Peter Grimes, The Governess in The Turn of the Screw, and Tatyana in Eugene Onegin as well as the title roles of La traviata, Susannah, Luisa Miller, and Iphigénie en Tauride. -
T H O M S W E I N H a P P E L Biography
[email protected] T www.thomasweinhappel.com Austria 1150 Vienna H MAERZSTR . 9 / 3 1 O + 43 699 10464 783 M W E I N H A P P E L Biography S The musical talent of the baritone born in Lower Austria was discovered very early. In 2017, he was the first Austrian to win the coveted “ Thalia Award ” for “Best Opera Singer of the Year” for his artistic performance as Hamlet . In addition, the jury of the OPERA 2017 festival conferred the “ Libuska Award for most exceptional role interpretation” on Weinhappel. After the “Thalia”, the “Libuska” is the second most significant Czech opera prize. Weinhappel feels at home in the arenas of opera and operetta as well as song and classical musical. _____________________________________________________________________________________ As an alto soloist with the Vienna Boys’ Choir , he performed in the US, South America, Canada, England and Sweden. He graduated from the University of Music and Performing Arts in Vienna with a Master of Arts with Distinction. Master classes with Barbara Bonney, Walter Berry, Robert Holl, Gundula Janowitz Eva Blahova and Heidrun Franz-Vetter followed. Weinhappel then went on to win several international competitions. Michael Haneke first discovered Weinhappel’s talent of “ making roles human ”. In Haneke’s film “The Piano Teacher”, which won three Golden Palm Trees at Cannes Film Festival in 2001, Weinhappel performed selections from Schubert’s Winterreise. He worked with directors such as Christoph Schlingensief, Otto Schenk, Martin Otava and Josef E. Köpp - linger, and developed a wide-ranging repertoire of opera, operetta, musical and song literature that also includes contemporary works [ Escamillo, Tarquinius, Don Giovanni, Papageno, Almaviva, Figaro (Ros - sini) , Hamlet, Posa, Wolfram; Calicot, Danilo, Homonay and many more]. -
Don Pasquale
Gaetano Donizetti Don Pasquale CONDUCTOR Dramma buffo in three acts James Levine Libretto by Giovanni Ruffini and the composer PRODUCTION Otto Schenk Saturday, November 13, 2010, 1:00–3:45 pm SET & COSTUME DESIGNER Rolf Langenfass LIGHTING DESIGNER Duane Schuler This production of Don Pasquale was made possible by a generous gift from The Sybil B. Harrington Endowment Fund. The revival of this production was made possible by a gift from The Dr. M. Lee Pearce Foundation. GENERAL MANAGER Peter Gelb MUSIC DIRECTOR James Levine 2010–11 Season The 129th Metropolitan Opera performance of Gaetano Donizetti’s Don Pasquale Conductor James Levine in o r d e r o f v o c a l a p p e a r a n c e Don Pasquale, an elderly bachelor John Del Carlo Dr. Malatesta, his physician Mariusz Kwiecien* Ernesto, Pasquale’s nephew Matthew Polenzani Norina, a youthful widow, beloved of Ernesto Anna Netrebko A Notary, Malatesta’s cousin Carlino Bernard Fitch Saturday, November 13, 2010, 1:00–3:45 pm This afternoon’s performance is being transmitted live in high definition to movie theaters worldwide. The Met: Live in HD series is made possible by a generous grant from its founding sponsor, the Neubauer Family Foundation. Bloomberg is the global corporate sponsor of The Met: Live in HD. Marty Sohl/Metropolitan Opera Mariusz Kwiecien as Chorus Master Donald Palumbo Dr. Malatesta and Musical Preparation Denise Massé, Joseph Colaneri, Anna Netrebko as Carrie-Ann Matheson, Carol Isaac, and Hemdi Kfir Norina in a scene Assistant Stage Directors J. Knighten Smit and from Donizetti’s Don Pasquale Kathleen Smith Belcher Prompter Carrie-Ann Matheson Met Titles Sonya Friedman Scenery, properties, and electrical props constructed and painted in Metropolitan Opera Shops Costumes executed by Metropolitan Opera Costume Department Wigs by Metropolitan Opera Wig Department Assistant to the costume designer Philip Heckman This performance is made possible in part by public funds from the New York State Council on the Arts. -
THE METROPOLITAN OPERA Subject to Change 2016-17 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON Last Update: 11/18/2016
THE METROPOLITAN OPERA Subject to change 2016-17 TOLL BROTHERS-METROPOLITAN OPERA INTERNATIONAL RADIO NETWORK SEASON Last update: 11/18/2016 Date Opera On-Air Last Broadcast 2016 Central Time December 3 MANON LESCAUT (Puccini) First SatMat Marco Armiliato; Anna Netrebko (Manon Lescaut), Marcelo Álvarez (des Grieux), Christopher Maltman 12:00 noon 3/5/2016 (Lescaut), Brindley Sherratt (Geronte de Ravoir) December 10 L'AMOUR DE LOIN (Saariaho) — New Production/Met Premiere 12:00 noon Met/Network Premiere HD** Susanna Mälkki; Susanna Phillips (Clémence), Tamara Mumford (The Pilgrim), Eric Owens (Jaufré Rudel) December 17 SALOME (R. Strauss) Johannes Debus; Patricia Racette (Salome), Nancy Fabiola Herrera (Herodias), Gerhard Siegel (Herod), Kang 12:00 noon 3/27/2004 Wang (Narraboth), Željko Lučić (Jochanaan) December 24 HANSEL AND GRETEL (Humperdinck) — in English Performance from January 1, 2008 12:00 noon 1/3/2015 Vladimir Jurowski; Christine Schäfer (Gretel), Alice Coote (Hansel), Rosalind Plowright (Gertrude), Philip Langridge (The Witch), Alan Held (Peter) December 31 L'ITALIANA IN ALGERI (Rossini) Performance from Fall 2016 12:00 noon 2/28/2004 James Levine; Marianna Pizzolato (Isabella), René Barbera (Lindoro), Nicola Alaimo (Taddeo), Ildar Abdrazakov (Mustafà) 2017 January 7 NABUCCO (Verdi) James Levine; Liudmyla Monastyrska (Abigaille), Jamie Barton (Fenena), Russell Thomas (Ismaele), 12:00 noon 2/26/2005 HD** Plácido Domingo (Nabucco), Dmitry Belosselskiy (Zaccaria) January 14 LA BOHÈME (Puccini) Carlo Rizzi; Ailyn Pérez (Mimì),