And Secure 22 Glasgow Fix How Page/Park Is Doing

Total Page:16

File Type:pdf, Size:1020Kb

And Secure 22 Glasgow Fix How Page/Park Is Doing The RIBA Journal Issue March 03 125 Vol 2018 ribaj.com £8.95/€16/US$18 March 2 018 Stealth fortress Kieran Timberlake’s US Embassy stands proud – and secure 22 Glasgow fix How Page/Park is doing what Mackintosh couldn’t 32 Is Sadiq Khan’s New London Plan the answer? 43 ribaj.com All round the houses Taking a stand Historic England’s Ian Morrison gets tough on planning 60 Let’s Scarpa Charles Holland on Richard Murphy on Castelvecchio 64 WICONA Bespoke WIC_RJ0318 Solutions WICONA’s façade engineers and specifi cation consultants assist in the development of highly engineered façade designs for aspirational projects, such as Kirkstall Forge in Leeds. The requirement for an industrial steel effect facade was created using bespoke caps to conceal mullion fi xings on WICTEC 50 curtain walling. For more information, please contact WICONA on 01924 232323 or [email protected] www.wicona.co.uk/kirkstall T ECHNIK FÜR IDEEN WICONA-Advertisement-Kirkstall Forge-RJ-03-2018.indd 1 09/02/2018 11:30:32 Activate your RIBA membership 03 or RIBAJ subscription for full access to ribaj.com Buildings Intelligence Culture 32 43 10064 JOAKIM BOREN JOAKIM Comment University Q&A Leadership Leader Review 07 16 39 46 55 66 From resurrecting Subverting production David Adjaye protégé Good leadership, and Our emphasis on quick Master of scale and the Mack to the new line procurement Mariam Kamara from management, can help and cheap carries a narrative, Andreas American Embassy at Bath school of Niger reassert the position modern cost Gursky’s show makes a architecture of architects big splash Gallery Practice Wiles & 08 American 40 Legal Wainwright Review Jamie Fobert reframes Embassy, London Specialisation, pay 48 57 68 Kettle’s Yard in 22 and revenues: the Does a terminated Will Wiles’ The rich work of the ultimate house Power and control RIBA Benchmarking contract end your right rediscovered family Bangladesh’s architects extension ooze from every Survey is out to fees? connection to Lutyens locked down aperture Obit Photograph at Kieran Timberlake’s Housing Diary President 71 14 new US Embassy 43 51 58 David Bernstein, of Dirk Lindner finds an Debaters liked the Maria Smith questions Ben Derbyshire seeks Levitt Bernstein and unexpectedly different Retrofit ideas in the New the responsibility to redefine ethical Circle 33 view of Rome 32 London Plan, but fear of architects in the professionalism Page/Park promises an its aims aren’t realistic housing crisis impressively restored Profile Glasgow School of 60 Art combining new Heritage is more about technology and making places than original concepts preserving fragments Archive for HE’s Ian Morrison 72 On the cover How architects kept Review Relief sculpture at Kieran busy and useful during 64 the Great War Timberlake’s new American Researchers claim further optimization Invention, revelation Embassy in London © Rachel will transform trees into self-powered and ruination: Whiteread, hon.FRIBA. Richard Murphy’s Parting shot Photograph by Mike Bruce street lights Castelvecchio 74 courtesy of the artist and Revisited When Scarpa united Stephen Cousins on truly green illumination: the brutalist Hayward Gagosian. ribaj.com/treelights RIBA Journal is published 12 times a year by RIBA Enterprises. The contents of this journal are copyright. Reproduction in part or in full is forbidden without permission of the editor. The opinions expressed by writers of signed articles (even with pseudonyms) and letters appearing in the magazine are those of their respective authors; the RIBA, RIBA Enterprises and the RIBAJ are not responsible for these opinions or statements. The editor will give careful consideration to material submitted – articles, photographs, drawings and so on – but does not undertake responsibility for damage or their safe return. ISSN 1463-9505 © RIBA 2009 ribaj.com The RIBA Journal March 2018 Water Management Knowledge | Product | Service Water Management Knowledge | Product | Service IAW_Arch_Innovative_RIBA_285x235.qxp_Layout 1 14/02/2017 16:52 Page 1 Attractive, contemporary and innovative. This is an exciting time for building design. And with high performing projects, such as Ice Arena Wales (pictured), we’re excited to be part of the modern industrial revolution. As a UK manufacturer with a culture of innovation we’re continually developing and refining our roof and wall products to meet the changing and challenging design requirements facing architects and designers. Vieo is an exciting roof and wall product that transcends industrial cladding to provide a flexible, high performance solution that is visually impressive. Vieo can combine exceptional thermal and acoustic efficiency with trusted fire performance and minimal environmental impact. Vieo. The versatile long-strip solution for ® ® modern roof and wall design. A culture of innovation is present throughout our supply chain, with Colorcoat HPS200 Ultra and Colorcoat Prisma pre-finished steel from Tata Steel being highly recommended for Vieo roof and wall construction. These Colorcoat® products come with the Confidex® Guarantee for the weatherside of industrial and commercial buildings, offering extended cover for up to 40 years. Colorcoat® products are certified to BES 6001 Responsible Sourcing standard. If you‘re looking for innovation, discover Vieo. Euroclad Limited · Wentloog Corporate Park · Cardiff · CF3 2ER Colorcoat HPS200 Ultra, Colorcoat Prisma and Confidex 029 2201 0101 · www.euroclad.com · @eurocladuk are registered trademarks of Tata Steel UK Limited. Staying in character Factory setting 07 – gallery – university 08 16 The photo below? That is the library of Mackintosh’s study the refurbishment project in depth on page 32. We ONLY ON RIBAJ.COM Glasgow School of Art at the start of reconstruction, fol- also cover the brand-new architecture school building in He captures the lowing the disastrous fire of May 2014. If ever there was Bath on page 16, the expanded Kettle’s Yard art gallery a touchstone project for architects, it is this: back in 2009 in Cambridge page 8 and – in a huge leap of scale – get essence of their it topped our ‘Stirling of Stirlings’ poll of most-admired to grips with the monolithic new American embassy in buildings at a buildings built during the existence of the RIBA. We London on page 22. • particular moment in time, seen after many decades of use and abuse and set against the found soundtrack Reconstruction of the library begins at of the building’s Mackintosh’s Glasgow School of Art, p32. environment Pamela Buxton joins Heinz Emigholz’s architectural tour: ribaj.com /emigholz ALAN MCATEER ribaj.com The RIBA Journal March 2018 08 Buildings Gallery Private view Jamie Fobert battles to retain Kettle’s Yard’s domestic spirit Words: Isabelle Priest Photographs: Hufton+Crow Kettle’s Yard – the former home of collector and gallery reopened last month after being Yellowish brick walls, the same floors, even and curator Jim Ede (1895-1990) in Cam- closed for two years, yet it still only expects 1970s narrow-framed dark-stained timber- bridge – has a reach in the collective imag- to increase its footfall by 20k to about 100k glazed entrance doors, can be seen in hous- ination far beyond what its modest visitor a year. A jump in percentage terms perhaps, es, schools and doctor’s surgeries all over the numbers suggest. Architects call it a hidden but not in absolute numbers. county. You need something not like that gem. Artists and galleries reference it all over Truth is, I have known Kettle’s Yard a placed alongside to realise how special it is. the country. York Art Gallery installed a faux long time too, but I never really understood In Ede’s words, Kettle’s Yard is: ‘A space, living room after it to show, like Ede did, ‘how what the fuss was about. For me the Victori- an ambiance and a home – as well as a way of people can live with ceramics’. Meanwhile at an cottage Jim saved from demolition in the life.’ He filled the cottage with art and objects, RIBA Journal we had a veritable argument 1950s and the Leslie Martin and David Ow- manmade and natural, believing strongly about who should cover its new Jamie Fob- ers 1970s extension seemed very much of that art should be enjoyed at home, not only ert Architects refurbishment. The house the local vernacular – both old and modern. on gallery walls. You’ll find a Brancusi on a Two spacious new contemporary galleries have been built. Above The Victorian cottages as the Edes found them in 1956. The RIBA Journal March 2018 ribaj.com 09 IN NUMBERS 1,080m² gross internal floor area £11m project cost £5,000 cost per m² Left The refurbishment takes over the entire Victorian terrace on Castle Street and replaces a 1980s Martin extension to the side. grand piano across the room from a piece of Jamie Fobert Architects came to the pro- Leaving the cottage and Martin extension Victorian glassware and selection of precisely ject in 2004. By then, two further extensions alone, Fobert has demolished everything be- collected pebbles arranged in a swirl. Floor- by Martin as well as another by Bland Brown tween the 1970s extension and the retained boards are left bare, brick fireplaces exposed, & Cole saw two infill projects, a two-storey Victorian facade on Castle Street. In its place rough joinery painted white. Today it shouts extension and the partial takeover of a Victo- he has inserted two contemporary galleries at of the ascetic Scandi filling Pinterest boards rian terrace on Castle Street, while a fire in the ground level, an educational wing, a research but it was avant-garde then. other half of the terrace gave the museum an and archive room on the first floor, and a lec- From 1957 Ede began opening the house opportunity to take over that too as an educa- ture room and offices above.
Recommended publications
  • Andreas Gursky September 12–November 14, 2020 Sprüth Magers, Berlin
    Press Release Andreas Gursky September 12–November 14, 2020 Sprüth Magers, Berlin Monika Sprüth and Philomene Magers are pleased to present a substantial exhibition of new photographs by Andreas Gursky, his first new body of work in almost three years, in which he takes up a range of themes that he has investigated for decades. Despite the continuity in theme and subject matter—our built environment, humankind’s impact on the natural world—the new pictures embed his analyses in current events, offering altered settings and situations to explore. Rhine III (2018) revisits his important work Rhine II (1999)—the dimensions, setting and composition of both are all almost identical. And yet, just twenty years later, the mood is drastically altered. The drought of summer 2018 reduced the river to a record low, and the new picture offers a dystopian vision of the once flourishing river landscape. Cruise (2020) also brings to mind an important earlier work, Paris, Montparnasse (1993). The same grid-like structure appears, but instead of a large apartment building, here there are hundreds of windows on the side of an enormous cruise ship. As with the Paris picture, Cruise shows a human environment atomized into a modernist architectural grid. Politik II (2020) directly follows Gursky's work Rückblick (2015), also included in the exhibition, to create a new series that looks at political structures. Over a period of several months, Gursky closely observed the activities of the members of parliament in the German Bundestag. Politik II features thirteen politicians in animated conversations, the figures filling the entire width of the picture.
    [Show full text]
  • Redalyc.Rhein II Ou Notas Sobre a Construção Da Visibilidade Da Fotografia Na Arte Contemporânea
    Revista FAMECOS: mídia, cultura e tecnologia ISSN: 1415-0549 [email protected] Pontifícia Universidade Católica do Rio Grande do Sul Brasil do Nascimento Gonçalves, Fernando Rhein II ou notas sobre a construção da visibilidade da fotografia na arte contemporânea Revista FAMECOS: mídia, cultura e tecnologia, vol. 23, núm. 3, septiembre-diciembre, 2016 Pontifícia Universidade Católica do Rio Grande do Sul Porto Alegre, Brasil Disponível em: http://www.redalyc.org/articulo.oa?id=495553928012 Como citar este artigo Número completo Sistema de Informação Científica Mais artigos Rede de Revistas Científicas da América Latina, Caribe , Espanha e Portugal Home da revista no Redalyc Projeto acadêmico sem fins lucrativos desenvolvido no âmbito da iniciativa Acesso Aberto Revista ISSN: 1415-0549 e-ISSN: 1980-3729 mídia, cultura e tecnologia DOI: http://dx.doi.org/10.15448/1980-3729.2016.3.22531 Fotografia Rhein II ou notas sobre a construção da 1 visibilidade da fotografia na arte contemporânea Rhein II or notes about the construction of the visibility of photography within contemporary art Fernando do Nascimento Gonçalves Professor Doutor da Faculdade de Comunicação Social da Universidade do Estado do Rio de Janeiro (UERJ). <[email protected]> RESUMO ABSTRACT O artigo trata do caso da fotografiaRhein II, do artista The paper addresses the case of Rhein II, a photograph alemão Andreas Gursky, vendida em um leilão de arte by German artist Andreas Gursky, sold in an art por cerca de quatro milhões de dólares e considerada auction for about four million dollars and considered até recentemente como a fotografia mais cara do until recently as the most expensive photograph in mundo.
    [Show full text]
  • A Semmittevés Mítosza Szatmári Gergely Témavezetô: Kopek Gábor
    MOME DOKTORI ISKOLA The myth of idleness – A semmittevés mítosza Szatmári Gergely Témavezetô: Kopek Gábor 1 Tartalom: 1.1 Mit tudunk a munkáról? . ..........4 1.2 Munka, kultusz, utópiák . .............8 1.3 A munka képei . .......11 1.4 Fotográfiai kísérletek . ............15 2.1 „Satan finds mischief for idle hands to do” ........................25 2.2 Work free society .. .........27 3.1 Faulheit/Restség .............................. ..............29 3.2 How to be idle? . .........34 3.3 A semmi ember . ........36 3.4 Accidie ........................................ ............39 3.5 „When you can’t really function, you’re so full of fear” ..............40 4.1 Mestermunka ................................... ...........42 4.2 Mestermunka: Faulheit / The Landlord . ........47 4.3 Mestermunka: The American Idler / Essays in Idleness . .50 4.4 Mestermunka: Meadowlands ........................ .........55 5.1 Tézisek ....................................... .............64 Irodalom ........................................ ...........66 Képjegyzék ...................................... ...........69 2 „Életünk legnagyobb része úgy telik el, hogy rosszul cselekszünk, nagy része úgy, hogy semmit sem csi- nálunk, szinte egész életünk pedig úgy, hogy mást csinálunk, mint amit kellene.” (Seneca) * Ebben az értekezésben a munkával és a semmittevéssel, a munka látható és hátrahagyott jeleivel, a hozzájuk kapcsolódó újfajta mitológiák, a változó életformák és életfelfogások vizsgálatával kívántam foglalkozni. A semmittevés fogalma, ez a nehezen körülírható,
    [Show full text]
  • Million Dollar Babies, Identifying and Analyzing Million Dollar Photographs Sold at Auction from 2005 Until 2011
    MILLION DOLLAR BABIES, IDENTIFYING AND ANALYZING MILLION DOLLAR PHOTOGRAPHS SOLD AT AUCTION FROM 2005 UNTIL 2011 By Robyn Stephanie Zolnai Bachelor of Fine Arts with Honours York University, Toronto, Ontario, 2008 A thesis project Presented to Ryerson University, Toronto, Ontario, Canada and The Art Gallery of Ontario, Toronto, Canada In partial fulfillment of the requirements for the degree of Master of Arts in the Program of Photographic Preservation and Collections Management Toronto, Ontario, Canada, 2012 © Robyn Stephanie Zolnai, 2012 Author’s Declaration I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I authorize Ryerson University to lend this thesis to other institutions or individuals for the purpose of scholarly research. I further authorize Ryerson University to reproduce this thesis by photocopying or by other means, in total or in part, at the request of other institutions or individual for the purpose of scholarly research. I understand that my thesis may be made electronically available to the public. ii Million Dollar Babies, Identifying and Analyzing Million Dollar Photographs Sold at Auction From 2005 Until 2011 Master of Arts, 2012 Robyn Stephanie Zolnai Photographic Preservation and Collections Management Ryerson University Abstract The market for fine art photography has escalated in recent years, with 41 photographs – the Million Dollar Babies – selling for over a million dollars at hammer price during live auctions between 2005 and 2011. These photographs represent the culmination of a long process whereby photography has assumed a place in museums and auction houses alongside other traditional art forms.
    [Show full text]
  • B Digital Stitching
    DIGITAL STITCHING 175 B D I G I TA L STITCHING 1 ANDREAS GURSKY’S EXPANDED REALITIES An oriented reception “Although he has occasionally used a computer to help him make im- ages, this is in order only to recreate an image that he has seen and not to create something unseeable. Computers can knit together an image too panoramic for a camera lens to capture.” Fiona Bradley’s statement in the introduction of the catalogue for the 1995 exhibition Andreas Gursky, Images at the Tate Gallery Liverpool in 199561 clearly shows a rather common historiographical tendency, which interprets Gursky’s digital imaging techniques as mechanisms that allow him to show a certain pre-existing reality impossible to capture with a con- ventional photographic device, using a tool in order to transfer a men- tal into a physical image. Incidentally, this statement suggests that Gursky does not circumvent the conventional idea of photographic depiction, as the truth claim of the photographic is not impaired. “The [digital] montage doesn’t falsify anything,” Martin Henschel further claims,62 in an important monograph on the artist, introducing the idea of falsification, unavoidably attached to the notion of photographic truth. Stefan Gronert, one of the specialists of Düsseldorf photography, concurrently argues in an exhibition catalogue on Thomas Demand, Edward Ruscha and Andreas Gursky, that the Düsseldorf photogra- pher guides the viewer’s gaze toward something that is pre-existent in 61 Andreas Gursky. Images, exhibition catalogue (Tate Gallery Liverpool, 1995), London, Tate Gallery Publications, 1995, p. 10. 62 Martin Henschel, “Das weltganze in seinen einzelnen Formen betrachtet.
    [Show full text]
  • Andreas Gursky, Has Its Origins with Outstanding Concert Performances
    INTRO The idea of the exhibition, Rhine on the Dnipro - Julia legendary music group Kraftwerk taking part with one of their Stoschek Collection/Andreas Gursky, has its origins with outstanding concert performances. Victor Pinchuk’s extreme enthusiasm and dedication towards contemporary art. When the German Embassy in Kyiv began This internationally unique avantgarde cultural project - Julia preparing for Deutsche Kulturwochen in der Ukraine 2008 Stoschek Collection/ Andreas Gursky/Kraftwerk - was only (German cultural weeks in Ukraine 2008) we were both possible through the energy and the commitment of Victor independently invited to participate. Being a couple in our Pinchuk. We would like to thank him for his support and his private life, we were thrilled with the idea of organising dual generosity. Furthermore, we would like to thank Kraftwerk for exhibitions at the PinchukArtCentre. their cooperation. We - Julia Stoschek and Andreas Gursky - feel extremely Julia Stoschek and Andreas Gursky - would like to thank the honoured to be invited to bring contemporary art from German Embassy, especially Cultural Attache, Jean Pierre Düsseldorf on the Rhine to Kyiv on the Dnipro. It is also a Froehly, for their support. We also wish to express our thanks pleasure for us to support this cultural evolution taking place to the staff of the PinchukArtCentre, particularly to Peter in Ukraine, transforming Kyiv into an influential cultural capital Doroshenko and Claire Staebler. in Europe. The cultural development in Ukraine, supported by the energy of the PinchukArtCenter, which is pushing Andreas Gursky would like to thank his galleries, Monika the boundaries of contemporary art in Ukraine and Eastern Sprüth Philomene Magers, Matthew Marks and White Cube.
    [Show full text]
  • UCLA Electronic Theses and Dissertations
    UCLA UCLA Electronic Theses and Dissertations Title Constructing Home: Allegories of Labor in Larry Sultan's Homeland (2006-2009) Permalink https://escholarship.org/uc/item/2f81c8xr Author Cha, Olivian Publication Date 2016 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California UNIVERSITY OF CALIFORNIA Los Angeles Constructing Home: Allegories of Labor in Larry Sultan’s Homeland (2006-2009) A thesis submitted in partial satisfaction of the requirements for the degree Master of Arts in Art History by Olivian Ho Young Cha 2016 © Copyright by Olivian Ho Young Cha 2016 ABSTRACT OF THE THESIS Constructing Home: Allegories of Labor in Larry Sultan’s Homeland (2006-2009) by Olivian Ho Young Cha Master of Arts in Art History University of California, Los Angeles, 2016 Professor Miwon Kwon, Chair This paper examines a series of photographs produced by American artist Larry Sultan (1946-2009) titled, Homeland. Made between 2006 and 2009—a financially tumultuous period when the collapse of the US housing market would precipitate what was known as the Great Recession—the images depict suburban landscapes populated by immigrant day laborers. In treating these sites as staged fictions, Sultan introduces visual and narrative ambiguities, which, I argue, reveal the complex underpinnings of suburbia’s social and aesthetic construction. Focusing on Creek, Santa Rosa (2009) as an exemplary work from the series, the paper traces the narrative anomalies of the picture, alongside the technical specificities of the photograph’s production, in order to present an allegorical framework through which the larger socio-economic conditions of labor and the fragile economies of home might newly be addressed.
    [Show full text]
  • Rhein II Ou Notas Sobre a Construção Da Visibilidade Da Fotografia Na Arte
    Revista ISSN: 1415-0549 e-ISSN: 1980-3729 mídia, cultura e tecnologia DOI: http://dx.doi.org/10.15448/1980-3729.2016.3.22531 Fotografia Rhein II ou notas sobre a construção da 1 visibilidade da fotografia na arte contemporânea Rhein II or notes about the construction of the visibility of photography within contemporary art Fernando do Nascimento Gonçalves Professor Doutor da Faculdade de Comunicação Social da Universidade do Estado do Rio de Janeiro (UERJ). <[email protected]> RESUMO ABSTRACT O artigo trata do caso da fotografiaRhein II, do artista The paper addresses the case of Rhein II, a photograph alemão Andreas Gursky, vendida em um leilão de arte by German artist Andreas Gursky, sold in an art por cerca de quatro milhões de dólares e considerada auction for about four million dollars and considered até recentemente como a fotografia mais cara do until recently as the most expensive photograph in mundo. Apoiado metodologicamente na Teoria do the world. Based methodologically on the Network- Ator-Rede, o texto analisa os processos de construção Actor Theory, the paper analyzes the processes of de sentido e de valor conferido à Rhein II, buscando construction of the meaning and the value assigned evidenciar como estes não dizem respeito apenas to Rhein II and aims to evince that they set not only à arte e seus objetos, mas também à questão da the experience of art and of its objects but also draws representação no campo das imagens e às mudanças attention to the issue of representation in the domain nas funções e nos modelos de produção, circulação of images and to the changes in the functions and e legitimação da fotografia na arte e nos modos de patterns of production, circulation and legitimation organização de nossa experiência sensível nesse of the photographic image in art and in the forms contexto.
    [Show full text]