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Another Kind of Life: Photography on the Margins
Another Kind of Life: Photography on the Margins Barbican Art Gallery, Barbican Centre, UK 28 February – 27 May 2018 Media View, Tuesday 27 February, 10am – 1pm The exhibition is supported by The Great Britain Sasakawa Foundation and The Swiss Arts Council Pro Helvetia. Media Partner: AnOther Magazine #AnotherKindofLife Another Kind of Life: Photography on the Margins looks at the continuing fascination of artists with those on the margins of society through the photographic medium. Some of the most powerful images of the 20th and 21st century are the result of a determined and often prolonged engagement with communities seemingly at odds with, or on the fringes of, the mainstream. Another Kind of Life explores photography’s relationship with this compelling subject through the work of 20 exceptional image-makers, including Bruce Davidson, Paz Errázuriz, Casa Susanna, Larry Clark, Mary Ellen Mark, Boris Mikhailov, Daido Moriyama and Dayanita Singh. Part of the Barbican’s 2018 season The Art of Change, which reflects on the dialogue between art, society and politics, the exhibition directly – and at times poetically – addresses difficult questions about what it means to exist in the margins, the role artists have played in portraying subcultures and the complex intermingling between artistic and mainstream depictions of the outsider. Another Kind of Life opens at Barbican Art Gallery on 28 February 2018. Jane Alison, Head of Visual Arts, Barbican, said: ‘Barbican Art Gallery has always championed groundbreaking photography, placing it at the heart of our programme with recent highlights including Constructing Worlds: Photography and Architecture in the Modern Age (2014) and Strange and Familiar: Britain as Revealed by International Photographers(2016). -
MEDIA RELEASE Thomas Demand 'Daily Show' 26 September – 13
MEDIA RELEASE Thomas Demand ‘Daily Show’ 26 September – 13 December 2015 21 Woodlands Terrace, Glasgow, G3 6DF Exhibition preview on Friday 25 September, 6 - 8pm Exhibition open: Wednesday – Sunday 12pm – 5pm, until 7pm on Thursday and by appointment. The Common Guild is delighted to announce its next exhibition of 2015: a new solo presentation by renowned German artist, Thomas Demand, one of the most distinctive artists of his generation. The exhibition will include new and recent works from Demand’s series ‘The Dailies’, presented in an installation devised specially for the particular nature of the spaces at The Common Guild and involving a new wallpaper. ‘The Dailies’ is a project that calls to mind the extent to which photography has in recent times become a commonplace, daily and social pursuit – a note-taking, diary-like practice for so many. While the exhibition as a whole prompts questions about the compulsion to make images as well as the contemporary relevance and use of photography. ‘Daily Show’ is an exhibition that sits resolutely in the context of the exponential growth in online image sharing, which now sees thousands of images uploaded to social media sites every second. Demand’s works have often been based on images in widespread circulation, whether in mainstream news media or online, what critic Hal Foster has aptly described as “our shared media memory”. They have included many significant scenes, from the Oval Office to Saddam Hussein’s last hiding place. ‘The Dailies’, however, find their origins in less historic places: for each is based on a photograph taken on Demand’s mobile phone. -
Exhibition Checklist
Updated Wednesday, September 7, 2016 | 3:35:37 PM Last updated Wednesday, September 7, 2016 Updated Wednesday, September 7, 2016 | 3:35:37 PM National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 National Gallery of Art, Press Office 202.842.6353 fax: 202.789.3044 Photography Reinvented: The Collection of Robert E. Meyerhoff and Rheda Becker September 30, 2016 - March 5, 2017 To order publicity images: Publicity images are available only for those objects accompanied by a thumbnail image below. Please email [email protected] or fax (202) 789-3044 and designate your desired images, using the “File Name” on this list. Please include your name and contact information, press affiliation, deadline for receiving images, the date of publication, and a brief description of the kind of press coverage planned. Links to download the digital image files will be sent via e-mail. Usage: Images are provided exclusively to the press, and only for purposes of publicity for the duration of the exhibition at the National Gallery of Art. All published images must be accompanied by the credit line provided and with copyright information, as noted. Important: The images displayed on this page are for reference only and are not to be reproduced in any media. File Name: 3993-001.jpg John Baldessari Conductor/Pianist/Orchestra (Red/Yellow/Blue), 1995/2007 inkjet print with acrylic paint, printed 2007 framed: 181.29 × 251.14 × 6.03 cm (71 3/8 × 98 7/8 × 2 3/8 in.) Promised Gift from the Collection of Robert E. -
The New Photography of Crewdson, Gursky and Wall
University of Kentucky UKnowledge University of Kentucky Master's Theses Graduate School 2011 CONSTRUCTING THE REAL: THE NEW PHOTOGRAPHY OF CREWDSON, GURSKY AND WALL Melissa A. Schwartz University of Kentucky, [email protected] Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Schwartz, Melissa A., "CONSTRUCTING THE REAL: THE NEW PHOTOGRAPHY OF CREWDSON, GURSKY AND WALL" (2011). University of Kentucky Master's Theses. 97. https://uknowledge.uky.edu/gradschool_theses/97 This Thesis is brought to you for free and open access by the Graduate School at UKnowledge. It has been accepted for inclusion in University of Kentucky Master's Theses by an authorized administrator of UKnowledge. For more information, please contact [email protected]. ABSTRACT OF THESIS CONSTRUCTING THE REAL: THE NEW PHOTOGRAPHY OF CREWDSON, GURSKY AND WALL A new class of photographs that relies on digital processes, best exemplified by the works of Gregory Crewdson, Andreas Gursky and Jeff Wall all exhibit a ‘not quite right’ quality that calls into question some of the most closely held truisms of photographic thought. Through novel technological processes combined with the elements of the new photography—new scale, fabulist imagery, and implied narrative—these images challenge the nature of photography as a documentary process and, beyond that, the nature of what we understand to be ‘the real’ that is supposedly documented. A visual analysis of these images through the lens of Roland Barthes’ and Susan Stewart’s scholarship reveals truths about these images and about photography as a medium. -
DAN PERJOVSCHI to CREATE SITE-SPECIFIC WALL DRAWING for Moma’S PROJECTS SERIES
DAN PERJOVSCHI TO CREATE SITE-SPECIFIC WALL DRAWING FOR MoMA’S PROJECTS SERIES Drawings on Atrium Wall Will Reflect Current Social and Political Events Projects 85: Dan Perjovschi WHAT HAPPENED TO US? May 2–August 27, 2007 The Donald B. and Catherine C. Marron Atrium, second floor NEW YORK, April 11, 2007—The Museum of Modern Art presents Projects 85: Dan Perjovschi, WHAT HAPPENED TO US?, a site-specific wall drawing for the east wall of The Donald B. and Catherine C. Marron Atrium, as part of the Museum’s ongoing Projects series. For his first solo museum exhibition in the United States, Perjovschi (Romanian, b. 1961)—who has transformed the medium of drawing, making it an object, a performance, and an installation—will spontaneously draw witty and incisive social and political images in response to current events, allowing global and local affairs to inform the final result. Beginning on April 19, he will start drawing on the wall while the Museum is open to the public, allowing visitors to observe the creation of the work. The project is accompanied by a free newspaper created by the artist. A discussion with the artist about his work will be held on April 25 in The Celeste Bartos Theater. Projects 85, on view May 2 through August 27, is organized by Roxana Marcoci, Curator, Department of Photography, The Museum of Modern Art. “Perjovschi’s sketches and skits portray reality with a sense of criticality and pointed humor. Using concise phrases and wordplay, he employs textual puns in his work. This is clear in the work's rhetorical title, WHAT HAPPENED TO US?, in which ‘US’ may refer to either the pronoun ‘us’ or the noun ‘United States of America’,” states Ms. -
Andreas Gursky September 12–November 14, 2020 Sprüth Magers, Berlin
Press Release Andreas Gursky September 12–November 14, 2020 Sprüth Magers, Berlin Monika Sprüth and Philomene Magers are pleased to present a substantial exhibition of new photographs by Andreas Gursky, his first new body of work in almost three years, in which he takes up a range of themes that he has investigated for decades. Despite the continuity in theme and subject matter—our built environment, humankind’s impact on the natural world—the new pictures embed his analyses in current events, offering altered settings and situations to explore. Rhine III (2018) revisits his important work Rhine II (1999)—the dimensions, setting and composition of both are all almost identical. And yet, just twenty years later, the mood is drastically altered. The drought of summer 2018 reduced the river to a record low, and the new picture offers a dystopian vision of the once flourishing river landscape. Cruise (2020) also brings to mind an important earlier work, Paris, Montparnasse (1993). The same grid-like structure appears, but instead of a large apartment building, here there are hundreds of windows on the side of an enormous cruise ship. As with the Paris picture, Cruise shows a human environment atomized into a modernist grid. Politik II (2020) directly follows Gursky's work Rückblick (2015), also included in the exhibition, to create a new series that looks at political structures. Over a period of several months, Gursky closely observed the activities of the members of parliament in the German Bundestag. Politik II features thirteen politicians in animated conversations, the figures filling the entire width of the picture. -
Vik Muniz N./B. 1961, São Paulo, Brazil Vive E Trabalha/Lives and Works in Rio De Janeiro and New York
vik muniz n./b. 1961, são paulo, brazil vive e trabalha/lives and works in rio de janeiro and new york formação / education B.A. in Advertising from Fundação Armando Álvares Penteado (FAAP), São Paulo, Brazil exposições (seleção) / exhibitions (selection) individuais em negrito / solo exhibitions in bold 2018 Vik Muniz, Chrysler Museum of Art, Norfolk, USA Vik Muniz: Verso, Belvedere Museum Vienna, Vienna, Austria Plastic Entanglements: Ecology, Aesthetics, Materials, Palmer Museum of Art, Philadelphia, USA 2017 Vik Muniz: Handmade, Rena Bransten Gallery, San Francisco, USA Afterglow (Pictures of Ruin), Palazzo Cini, Venice, Italy Vik Muniz, Museo de Arte Contemporaneo de Monterrey, Monterrey, Mexico Vik Muniz: a Retrospective, Eskenazi Museum of Art, Bloomington, USA Troposphere – Chinese and Brazilian Contemporary Art, Beijing Minsheng Art Museum, Beijing, China Look at Me!: Portraits and Other Fictions from the ”la Caixa” Contemporary Art Collection, Pera Museum, Istanbul, Turkey Pledges of Allegiance, Spencer Museum of Art, University of Kansas, Lawrence, USA Ways of Seeing, Fondation Boghossian - Villa Empain, Brussels, Belgium This Is Not a Selfie – Photographic Self-Portraits from the Audrey and Sydney Irmas Collection, San Jose Museum of Art, San Jose, USA Glassstrass, Palazzo Franchetti, Venice, Italy A Vastidão dos Mapas, Museu Oscar Niemeyer (MON), Curitiba, Brazil Trazas simultáneas, Embaixada do BrasilArgentina, Espacio Cultural, Argentin 2016 Handmade, Galeria Nara Roesler, São Paulo, Brazil Vik Muniz, High Museum of Art, -
ANDREAS GURSKY Education Solo Exhibitions
ANDREAS GURSKY 1955 Born in Leipzig, Germany Lives and works in Düsseldorf Education 1981–87 Kunstakademie, Düsseldorf 1978–81 Folkwang University of the Arts, Essen, Germany Solo exhibitions 2020 Museum der bildenden Künste Leipzig, Germany Sprueth Magers, Berlin 2019 Gagosian, Tarmak 22, Gstaad Saanen Airport, Gstaad Andreas Gursky - Photographs 1995-2007, Espace Louis Vuitton Beijing 2018 White Cube, London Hayward Gallery, London 2017 Bangkok, Gagosian Gallery, Rome 2016 Not Abstract II, Gagosian, New York Andreas Gursky: nicht abstrakt, K20, Düsseldorf 2015 Museum Frieder Burda, Baden-Baden, Germany Andreas Gursky: Landscapes, Parrish Art Museum, Water Mill, New York 2014 White Cube, London Andreas Gursky: Early Landscapes, Sprüth Magers, London The National Museum of Art, Osaka 2013 Galerie Rüdiger Schöttle (with Jeff Wall), Munich The National Art Center, Tokyo 2012 Stiftung Museum Kunstpalast, Düsseldorf Louisiana Museum of Modern Art, Humlebaek, Denmark Gagosian, Hong Kong 2011 Gagosian, New York 2010 Gagosian, Los Angeles Sprüth Magers, Berlin 2009 Werke/Works 80-08, Vancouver Art Gallery Moderna Museet, Stockholm 2008 Matthew Marks Gallery, New York National Gallery of Victoria, Melbourne Werke/Works 80-08, Museum Haus Lange and Haus Esters, Krefeld, Germany Mathildenhöhe, Darmstadt, Germany Andreas Gursky’s Personal Exhibition, Cultural Foundation Ekaterina, Moscow Centre d’Arts et de Nature, Chaumont-sur-Loire, France Pinchuk Art Centre, Kiev Museum für Moderne Kunst, Frankfurt 2007 Kunstmuseum Basel Matthew Marks Gallery, -
Thomas Demand
How to create an impactful side project: Get your tickets for May’s Nicer Tuesdays Online! How to create an impactful side project: Get your tickets for May’s Nicer Tuesdays Online! Championing Creativity Search for something Categories Since 2007 Words Ruby Boddington Photography Damien “My pictures give you an image of Maloney — your future memory”: Thomas 20 May 2019 10 minute read Demand in conversation with It’s In Conversation Nice That Features Art Photography Portrait Sculpture Welcome to the first of our brand new series, In Conversation, a new fortnightly interview with a leading light from the world of creativity. Every other Monday, we’ll publish a new Q&A here on It’s Nice That. Today, for the first instalment, we sent our writer Ruby Boddington to Paris to meet the Los Angeles-based German artist Thomas Demand. “The Louvre, the Centre Pompidou, these galleries are all great but places like Palais de Tokyo are the most exciting. And it has a great bookshop.” This was what Thomas Demand told me to do with my afternoon in Paris after our interview at the city’s Hôtel Lutetia. “What about the Eiffel Tower?” I asked. He responded: “It looks the same as in the photos.” It’s a particularly funny comment coming from Thomas Demand, a man whose work is concerned with exactly that: making things look, in photographs, exactly the same as they do in real life. A German-born sculptor and photographer who now splits his time between Berlin and Los Angeles, Thomas recreates famous scenes from current affairs, to scale and in breathtaking detail and accuracy – entirely out of paper. -
Andreas Gursky September 12–November 14, 2020 Sprüth Magers, Berlin
Press Release Andreas Gursky September 12–November 14, 2020 Sprüth Magers, Berlin Monika Sprüth and Philomene Magers are pleased to present a substantial exhibition of new photographs by Andreas Gursky, his first new body of work in almost three years, in which he takes up a range of themes that he has investigated for decades. Despite the continuity in theme and subject matter—our built environment, humankind’s impact on the natural world—the new pictures embed his analyses in current events, offering altered settings and situations to explore. Rhine III (2018) revisits his important work Rhine II (1999)—the dimensions, setting and composition of both are all almost identical. And yet, just twenty years later, the mood is drastically altered. The drought of summer 2018 reduced the river to a record low, and the new picture offers a dystopian vision of the once flourishing river landscape. Cruise (2020) also brings to mind an important earlier work, Paris, Montparnasse (1993). The same grid-like structure appears, but instead of a large apartment building, here there are hundreds of windows on the side of an enormous cruise ship. As with the Paris picture, Cruise shows a human environment atomized into a modernist architectural grid. Politik II (2020) directly follows Gursky's work Rückblick (2015), also included in the exhibition, to create a new series that looks at political structures. Over a period of several months, Gursky closely observed the activities of the members of parliament in the German Bundestag. Politik II features thirteen politicians in animated conversations, the figures filling the entire width of the picture. -
This Book Is a Compendium of New Wave Posters. It Is Organized Around the Designers (At Last!)
“This book is a compendium of new wave posters. It is organized around the designers (at last!). It emphasizes the key contribution of Eastern Europe as well as Western Europe, and beyond. And it is a very timely volume, assembled with R|A|P’s usual flair, style and understanding.” –CHRISTOPHER FRAYLING, FROM THE INTRODUCTION 2 artbook.com French New Wave A Revolution in Design Edited by Tony Nourmand. Introduction by Christopher Frayling. The French New Wave of the 1950s and 1960s is one of the most important movements in the history of film. Its fresh energy and vision changed the cinematic landscape, and its style has had a seminal impact on pop culture. The poster artists tasked with selling these Nouvelle Vague films to the masses—in France and internationally—helped to create this style, and in so doing found themselves at the forefront of a revolution in art, graphic design and photography. French New Wave: A Revolution in Design celebrates explosive and groundbreaking poster art that accompanied French New Wave films like The 400 Blows (1959), Jules and Jim (1962) and The Umbrellas of Cherbourg (1964). Featuring posters from over 20 countries, the imagery is accompanied by biographies on more than 100 artists, photographers and designers involved—the first time many of those responsible for promoting and portraying this movement have been properly recognized. This publication spotlights the poster designers who worked alongside directors, cinematographers and actors to define the look of the French New Wave. Artists presented in this volume include Jean-Michel Folon, Boris Grinsson, Waldemar Świerzy, Christian Broutin, Tomasz Rumiński, Hans Hillman, Georges Allard, René Ferracci, Bruno Rehak, Zdeněk Ziegler, Miroslav Vystrcil, Peter Strausfeld, Maciej Hibner, Andrzej Krajewski, Maciej Zbikowski, Josef Vylet’al, Sandro Simeoni, Averardo Ciriello, Marcello Colizzi and many more. -
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PHOTO LONDON ANNOUNCES 2019 TALKS PROGRAMME Photo London has announced details of the Talks Programme for the fifth edition of the Fair, which will take place from 15 - 19 May 2019 at Somerset House. The Programme will showcase the rich and diverse history of photography up until the present day, and explore the current and future direction of the medium in a dynamic format. It will feature talks, debates and discussions with some of the world’s most important and innovative photographers, artists, curators, critics and authors. As well as featuring many celebrated practitioners including Erwin Olaf, Susan Meiselas, Ralph Gibson, Hannah Starkey, Tim Walker, Maja Daniels, Ed Templeton and Vanessa Winship, the Talks Programme includes: • The Photo London Master of Photography 2019 Stephen Shore in conversation with curator David Campany • Martin Parr discusses British identity in his work with historian and broadcaster Dominic Sandbrook • The acclaimed biographer Ann Marks in conversation with the author Anna Sparham on the legacy of Vivian Maier • Gavin Turk discusses his Photo London project Portrait of an Egg with Matthew Collings • Zackary Drucker discusses her work on transgender identities in photography with Chris Boot, Executive Director of Aperture Foundation • Contemporary portrait photographer Martin Schoeller in conversation with publisher Gerhard Steidl • Liz Johnson Artur in conversation with Hans Ulrich Obrist • Photographer, electronic music producer and DJ, Eamonn Doyle discusses his special Photo London installation Made in Dublin with collaborators David Donohoe and Niall Sweeney • Panel discussions on subjects such as representations of the body; collecting photography; the future of photography curation and the legacy of the pioneering early photographer Roger Fenton • Tickets on sale now at photolondon.org/tickets – Fair tickets are not required to attend talks The Photo London Talks Programme is curated by William A.