DOCSLIB.ORG

Onlinea19programademaeng.Pdf

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Onlinea19programademaeng.Pdf ENG THE INTERNATIONAL ANIMATION FILM FESTIVAL OF CATALONIA / LLEIDA FROM 21 TO 24 FEBRUARY WELCOME DAILY PROGRAMME THURSDAY 21 Mallols and Paloma Mora, presents FRIDAY 22 the work process of this new children’s series. 12 noon 10 am LECTURE. ALL AGES La Llotja, Hall 2 La Llotja, Davall Incubator and Vermut 7 pm Stop motion meeting Open talk between the special Networking La Llotja, Hall 1 Presentation of projects in guests of Animac and the production before a panel of the film Shorts 1 audience. Unleash your imagination. animation industry professionals. Free admission. SHORTS. ALL AGES PROFESSIONALS. ALL AGES ALL AGES 7.30 pm 5 pm to 8 pm 11 am La Llotja, Hall 2 La Llotja, Martina Castells Hall La Llotja, Hall 2 Animacrea Animac Cartoon: New series Market Pitch Premiere of international TV series. Workshops with the best animation Micropresentations of services schools, Kids Space, animated SERIES. ALL AGES from the sector. stands and more. PROFESSIONALS. ALL AGES Free admission. 8.30 pm Once again, Lleida is the centre of international animation. Animac, the International Animation MULTIDISCIPLINARY. ALL AGES La Llotja, Hall 1 11 am La Llotja, Davall Film Festival of Catalonia, organised by Lleida City Council and held from 21 to 24 February, has Opening session 5 pm to 8 pm A taste of the best of the festival Portfolio Sessions reached its 23rd year, making it the oldest specialised festival in Spain and the most popular, while La Llotja, Martina Castells Hall and presentation of the Honorary Face-to-face between maintaining its youthful spirit. Open Screen Award. professionals and emerging Non-stop screenings. Aardman SHORTS. ALL AGES talents. Animac is a market of talent and the engine of the animation industry. Under the direction of retrospective, local talent, PROFESSIONALS Carolina López, it is a high level event committed to showcasing the latest animation, as well non-narrative shorts and 10 pm 11 am to 2 pm as a meeting point for passing on this knowledge to young creators. Animac is culture, with the Short&Sweet. La Llotja, Hall 1 Free admission. Monographic session Stop La Llotja, Martina Castells Hall screening of the best of world animation, lectures and other activities; Animac is education, with MULTIDISCIPLINARY. ALL AGES Motion 1: La casa lobo Animacrea the school sessions and workshops; Animac is also industry, with Animac Pro. Political-existential fable in a The most colourful section 5.30 pm kingdom of tales, sinister and of Animac. Workshops on all This year the chosen theme is stop motion, shooting frame by frame, a technique from the early La Llotja, Hall 1 seductive. animation techniques, screenings, days of cinema used by many creators in an extraordinary manner and who have continued to Future Talent 1 OVSS (Spanish and German). FEATURE animation market and more. Student films from around the FILM. +12 Free admission. update and improve it. Peter Lord, Mark Osborne, Chris Lavis, Maciek Szczerbowski and Aardman MULTIDISCIPLINARY. ALL AGES Animations, the studio with an unmistakable hallmark, will be some of the leading lights to attend world. SHORTS. +12 Midnight the 23rd Animac, which has achieved a record number of films submitted, 1,050. La Casa de la Bomba 11 am to 2 pm 6 pm Animac by Night. Animac is La Llotja, Martina Castells Hall Little Animac, Animacrea, workshops and parallel activities, as well as Animac Pro, will complete La Llotja, Hall 2 fantastic Open Screen the great programme of Animac 2019 that, without doubt, strengthens Lleida’s commitment to The Diary of Bita and Cora. Until you drop. Continuous screenings of animation audiovisual art, culture and our internationalisation. Go for it Lleida! Free admission. from yesterday and today. Producing a series in stop Free admission. MUSIC. +18 motion MULTIDISCIPLINARY. ALL AGES TV On Producciones, with Vicente Fèlix Larrosa i Piqué Mayor Lecture. The Diary of Bita and Cora Opening session. Muedra Monographic session Stop Motion 1: La casa 2 lobo 3 DAILY PROGRAMME 12 noon 5 pm to 8 pm 7 pm 10 pm SATURDAY 23 11 am to 2 pm La Llotja, Hall 2 La Llotja, Martina Castells Hall CaixaForum CaixaForum La Llotja, Martina Castells Hall Incubator Open Screen Retrospective Katariina Shorts 4 10 am Open Screen Presentation of emerging projects Non-stop screenings. Aardman Lillqvist The boldest shorts. La Llotja, Davall Non-stop screenings. Aardman to professionals and creators. retrospective, local talent, Kafka, Brecht and Romani tales in SHORTS. +18 Breakfast with the creators retrospective, local talent, PROFESSIONALS. ALL AGES non-narrative shorts and a captivating stop motion film. non-narrative shorts and We start the day with a cup of Short&Sweet. SHORTS. +12 Short&Sweet. 11 pm coffee and a nice chat. Free admission. Free admission. 4 pm Cafè del Teatre Free admission. MULTIDISCIPLINARY. ALL AGES MULTIDISCIPLINARY. ALL AGES La Llotja, Hall 1 7.30 pm Swine shorts ALL AGES The Great Pioneer: Ladislas La Llotja, Hall 2 Uncensored. 5.30 pm 12.30 pm Starewitch Cartoons: Adult Swim Free admission. 11 am La Llotja, Hall 1 La Llotja, Hall 1 A unique genius, an absolute The Shivering Truth and other SHORTS I MUSIC. +18 La Llotja, Hall 1 reference. Unforgettable tales and Future Talent 2 stop motion series Little Animac 5. Captain Little Animac 2. Power to fables in puppet animation. Graduation projects from around Premiere of the new series by the Midnight Morten and the Spider Queen imagination SHORTS. ALL AGES the world. Stories about animals, dreams and creators of Wonder Showzen and La Casa de la Bomba Morten, a ten-year-old boy, son SHORTS. +12 a dancing Little Red Riding Hood. of other groundbreaking series in Animac by Night. Animac is of a sailor, imagines fantastic 4 pm stop motion. fantastic adventures, while he awaits his SHORTS. CHILDREN. +3 CaixaForum 5.30 pm OVS (English). SERIES. +18 Until you drop. father’s arrival. Pro Social Animation CaixaForum Official Animac music bar. OVS (English). FEATURE FILM. CHILDREN. 12.30 pm Socially-spirited animation. Shorts 3 8.30 pm Free admission. +6 La Llotja, Hall 2 Reflection and condemnation on Selection of animated pearls. La Llotja, Hall 1 MUSIC. +18 Masterclass Katariina social issues in the spotlight, such SHORTS. ALL AGES Monographic session Stop 11 am Lillqvist. The great storyteller as immigration. Motion 3: Hoffmaniada La Llotja, Hall 2 The great stop motion storyteller SHORTS. +8 6 pm The universe of E. T. A. Hoffmann Retrospective Aardman 1: and animator shares her creative La Llotja, Hall 2 is combined with his biography in process. 4.30 pm Early Shorts. The 1980s The chiaroscuro of I+G Stop animated puppets! Power to plasticine! LECTURE. ALL AGES La Llotja, Hall 2 Motion OVS (Russian). FEATURE FILM. +16 OVS (English). SHORTS. +12 Spanish Talent in Isle of Dogs Anna Solanas and Marc Riba reveal 12.30 pm Cristina Acuña, César Díaz, Sonia the secrets of their fascinating and 8.30 pm 11 am CaixaForum Iglesias and Sergio Lara tell us how creative universe. CaixaForum CaixaForum Little Animac 4. Homely they worked on Wes Anderson’s LECTURE. ALL AGES Shorts 1 things last production. The SpongeBob SquarePants Good things come in small Movie The extraordinary in the everyday. LECTURE. ALL AGES 7 pm packages. SHORTS. CHILDREN. +8 A tribute to Stephen Hillenburg. SHORTS. ALL AGES La Llotja, Hall 1 OVS (English). FEATURE FILM. ALL AGES 5 pm to 8 pm Shorts 2 La Llotja, Martina Castells Hall An extraordinary harvest. 10 pm Animacrea 11 am to 2 pm SHORTS. +12 La Llotja, Hall 1 La Llotja, Martina Castells Hall The heart of Animac with Monograph Stop Motion 5: workshops, screenings and much Animacrea more. Spooky Night Animation workshops with a Free admission. The darkest part of stop motion. thousand techniques and styles. SHORTS. +18 MULTIDISCIPLINARY. ALL AGES Free admission. MULTIDISCIPLINARY. ALL AGES The Great Pioneer: Ladislas Starewitch Future Talent. Soy una tumba Monographic session Stop Motion 3: Little Animac 5. Captain Morten and the Spider... Short 1. Elektrica diena Open Screen. Retrospective Aardman. Morph 4 Hoffmaniada 5 DAILY PROGRAMME 4 pm 5 pm to 8.30 pm 7 pm 10 pm SUNDAY 24 11 am to 2 pm La Llotja, Hall 1 La Llotja, Martina Castells Hall CaixaForum CaixaForum La Llotja, Martina Castells Hall Retrospective Aardman 3. Open Screen Little Animac 6. The Tower Clyde and Henry 10 am Open Screen The Pirates! In an Adventure Non-stop screenings. Aardman The Tower. Life and dreams of a Puppets with a life of their own. La Llotja, Davall Non-stop screenings. Aardman with Scientists retrospective, local talent, Palestinian girl. SHORTS. +18 Breakfast with the creators retrospective, local talent, OVS (English and Arabic). FEATURE FILM. non-narrative shorts and A gang of misfit pirates and their non-narrative shorts and We start the day with a cup of ALL AGES. +12 Short&Sweet. green captain wish to win the Short&Sweet. 11 pm coffee and a nice chat. Free admission. contest “Best Pirate of the Year”. Free admission. Cafè del Teatre Free admission. MULTIDISCIPLINARY. ALL AGES OVS (English). FEATURE FILM. ALL AGES MULTIDISCIPLINARY. ALL AGES 7.30 pm Animac by Night. Helltoons ALL AGES La Llotja, Hall 2 The new band of SAM. 4 pm 5.30 pm Retrospective Aardman: Rex Music from films and animated 11 am 11 am CaixaForum La Llotja, Hall 1 the Runt & Angry Kid series with plenty of metal. CaixaForum Masterclass Peter Lord. La Llotja, Hall 1 Little Animac 7. Pat & Mat. Aardman’s two most irreverent and Premiere at Animac. Shorts 5. White Cube Little Animac 1. Short&Sweet Aardman Frame by Frame bizarre series. Free admission. Sushi in stop motion and other Winter pastimes The 2019 Honorary Award winner Ideas that break the mould, Two very clumsy and amusing OV (English).
Load more

Recommended publications
  • Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
    Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel
    [Show full text]
  • 2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
    Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p.
    [Show full text]
  • Creative Nation: Advancing Britain’S Creative Industries
    creative nation: advancing Britain’s creative industries The Smith Institute The Smith Institute is an independent think tank that has been set up to look at issues which flow from the changing relationship between social values and economic imperatives. If you would like to know more about the Smith Institute please write to: creative nation creative Edited by Cathy Koester The Director The Smith Institute 3rd Floor 52 Grosvenor Gardens London SW1W 0AW Telephone +44 (0)20 7823 4240 Fax +44 (0)20 7823 4823 Email [email protected] Website www.smith-institute.org.uk Designed and produced by Owen & Owen 2006 Creativity_Txt_V2.qxd 10/11/06 11:03 am Page 1 THE SMITH INSTITUTE creative nation: advancing Britain’s creative industries Edited by Cathy Koester Published by the Smith Institute ISBN 1 905370 12 1 © The Smith Institute 2006 Creativity_Txt_V2.qxd 10/11/06 11:03 am Page 2 THE SMITH INSTITUTE Contents Preface By Wilf Stevenson, Director, Smith Institute 3 Foreword Rt Hon Tessa Jowell MP, Secretary of State for Culture, Media and Sport 4 Biographies of contributors 5 Introduction Dr Michael Harris 16 Part I: Understanding creative individuals Why do you do what you do? 22 The freelancing nature of the creative industries 26 Creative expression is the driver of enterprising activity 28 Translating creative enterprise into commercial success 30 Part II: Understanding creative enterprises The EMI story by Eric Nicoli CBE 36 The assets of the creative industries 39 Risky business? Innovation and risk in the UK’s creative industries
    [Show full text]
  • A Filmmakers' Guide to Distribution and Exhibition
    A Filmmakers’ Guide to Distribution and Exhibition A Filmmakers’ Guide to Distribution and Exhibition Written by Jane Giles ABOUT THIS GUIDE 2 Jane Giles is a film programmer and writer INTRODUCTION 3 Edited by Pippa Eldridge and Julia Voss SALES AGENTS 10 Exhibition Development Unit, bfi FESTIVALS 13 THEATRIC RELEASING: SHORTS 18 We would like to thank the following people for their THEATRIC RELEASING: FEATURES 27 contribution to this guide: PLANNING A CINEMA RELEASE 32 NON-THEATRIC RELEASING 40 Newton Aduaka, Karen Alexander/bfi, Clare Binns/Zoo VIDEO Cinemas, Marc Boothe/Nubian Tales, Paul Brett/bfi, 42 Stephen Brown/Steam, Pamela Casey/Atom Films, Chris TELEVISION 44 Chandler/Film Council, Ben Cook/Lux Distribution, INTERNET 47 Emma Davie, Douglas Davis/Atom Films, CASE STUDIES 52 Jim Dempster/bfi, Catharine Des Forges/bfi, Alnoor GLOSSARY 60 Dewshi, Simon Duffy/bfi, Gavin Emerson, Alexandra FESTIVAL & EVENTS CALENDAR 62 Finlay/Channel 4, John Flahive/bfi, Nicki Foster/ CONTACTS 64 McDonald & Rutter, Satwant Gill/British Council, INDEX 76 Gwydion Griffiths/S4C, Liz Harkman/Film Council, Tony Jones/City Screen, Tinge Krishnan/Disruptive Element Films, Luned Moredis/Sgrîn, Méabh O’Donovan/Short CONTENTS Circuit, Kate Ogborn, Nicola Pierson/Edinburgh BOXED INFORMATION: HOW TO APPROACH THE INDUSTRY 4 International Film Festival, Lisa Marie Russo, Erich BEST ADVICE FROM INDUSTRY PROFESSIONALS 5 Sargeant/bfi, Cary Sawney/bfi, Rita Smith, Heather MATERIAL REQUIREMENTS 5 Stewart/bfi, John Stewart/Oil Factory, Gary DEALS & CONTRACTS 8 Thomas/Arts Council of England, Peter Todd/bfi, Zoë SHORT FILM BUREAU 11 Walton, Laurel Warbrick-Keay/bfi, Sheila Whitaker/ LONDON & EDINBURGH 16 article27, Christine Whitehouse/bfi BLACK & ASIAN FILMS 17 SHORT CIRCUIT 19 Z00 CINEMAS 20 The editors have made every endeavour to ensure the BRITISH BOARD OF FILM CLASSIFICATION 21 information in this guide is correct at the time of GOOD FILMS GOOD PROGRAMMING 22 going to press.
    [Show full text]
  • Palm Springs International Animation Festival SCHEDULE
    Palm Springs International Special Events Animation Festival Special Feature Presentations SCHEDULE WEDNESDAY Wednesday, August 22, 2018 11:15am – 12:39pm 10 am – 10:58 am 2017 Animated Short Film Award Winners Marnie’s World Theatre 1 Feature Film 2017 Animated Short Film Award Winners ( PCAW001 ) A collection of the Theatre 1 winning animated shorts of the 2017 inaugural season featuring Oscar US Premiere! winning talent and stories from all over the world. Weeds - 3:45 - USA - Director : Kevin Hudson 4pm Red Carpet Tokri (The Basket) 14:46 - India - Director : Suresh Eriyat 5pm – 6:40pm Adija - 4:08 - USA - Director : Apollonia Thomaier Sgt. Stubby: An Yellow Rose - 3:58 - Australia - Director : Xin Li American Hero Virtual Actors in Chinese Opera - 3:15 - Hong Kong - Director : Tobias Feature Film Gremmler Theatre 1 The Potato Eaters - 3:54 - Czech Republic - Director : Martin Kukal – Opening Night Event! Tanguito Argentino - 8:00 - Argentina - Director : Joaquin Braga Cuerdas - 10:52 - Spain - Director : Pedro Solis Escape - 4:45 - USA - Director : Brandon Oldenburg FRIDAY 3:45pm -4:45pm 10:15am – 10:52am Classic Auction: Animated Cells Theatre 2 Theatre 3 The collections of shorts in this segment will take you back in time to the beginning of this amazing unique visual art form. SATURDAY 11:00am-12:30pm A Thousand Kisses - 16:38 - USA - Director : Richard Goldgewicht Mission Kathmandu: Skyscrapers - 12:15 - Switzerland - Director : Fabienne Giezendanner The Adventures of Nelly Nowhere - 4:09 - USA - Director : HYEON JEONG CHO & Simon The Balloonatic - 3:00 - UK - - Director : Eoin Mcloughlin Theatre 1 3:00pm-4:45pm Isle of Dogs Special Presentation – Celebrating Loving All Animals Animal Shelter Theatre 1 11:15am – 12:39pm Marnie’s World Feature Film US Premiere Panels/ Theatre 1 Masterclass WEDNESDAY (2018) - 84 min - Germany Animation | Adventure | Comedy Spoiled orange house cat Marnie lives a comfy life in the Sunshine household.
    [Show full text]
  • Animation 1 Animation
    Animation 1 Animation The bouncing ball animation (below) consists of these six frames. This animation moves at 10 frames per second. Animation is the rapid display of a sequence of static images and/or objects to create an illusion of movement. The most common method of presenting animation is as a motion picture or video program, although there are other methods. This type of presentation is usually accomplished with a camera and a projector or a computer viewing screen which can rapidly cycle through images in a sequence. Animation can be made with either hand rendered art, computer generated imagery, or three-dimensional objects, e.g., puppets or clay figures, or a combination of techniques. The position of each object in any particular image relates to the position of that object in the previous and following images so that the objects each appear to fluidly move independently of one another. The viewing device displays these images in rapid succession, usually 24, 25, or 30 frames per second. Etymology From Latin animātiō, "the act of bringing to life"; from animō ("to animate" or "give life to") and -ātiō ("the act of").[citation needed] History Early examples of attempts to capture the phenomenon of motion drawing can be found in paleolithic cave paintings, where animals are depicted with multiple legs in superimposed positions, clearly attempting Five images sequence from a vase found in Iran to convey the perception of motion. A 5,000 year old earthen bowl found in Iran in Shahr-i Sokhta has five images of a goat painted along the sides.
    [Show full text]
  • Pre Visit Activity 2
    Animation Pre Visit Activity 2. Types of Animation. Basic Types of Animation: 1. • Traditional animation (also called cel animation or hand-drawn animation) was the process used for most animated films of the 20th century. The individual frames of a traditionally animated film are photographs of drawings, which are first drawn on paper. To create the illusion of movement, each drawing differs slightly from the one before it. The animators' drawings are traced or photocopied onto transparent acetate sheets called cels, which are filled in with paints in assigned colors or tones on the side opposite the line drawings. The completed character cels are photographed one-by-one onto motion picture film against a painted background by a rostrum camera. 2. • Stop-motion animation is used to describe animation created by physically manipulating real-world objects and photographing them one frame of film at a time to create the illusion of movement. There are many different types of stop-motion animation, usually named after the type of media used to create the animation. • Puppet animation typically involves stop-motion puppet figures interacting with each other in a constructed environment, in contrast to the real-world interaction in model animation. The puppets generally have an armature inside of them to keep them still and steady as well as constraining them to move at particular joints • Clay animation, or Plasticine animation often abbreviated as claymation, uses figures made of clay or a similar malleable material to create stop-motion animation. The figures may have armature or wire frame inside of them, similar to the related puppet animation (below), that can be manipulated in order to pose the figures.
    [Show full text]
  • IMAGE Film and Video Collection 1
    IMAGE Film and Video Collection 1 A B C D E F G 1 Box # Item # Title Producer Format Date Length 2 1 12 "The Afterlife of Grandpa" P.J. Pesce 3/4" 1988 23:34 3 1 1 "Travelin' Trains" Eric Mofford 3/4" 2/10/88 30 min Best of the Festival Part II: 6th Atlanta 4 1 6 Independant [sic] Film and Video Festival Meridith Monk 3/4" 60 min Alene Richards & Beverly 5 1 13 Brady Boomers, The Ginsburg 3/4" 1990 16:00 6 1 8 Dream #2 William J. Oates 3/4" 30 min 7 1 2 Fanny Kemble's Journal Gary Moss, Robin Reidy 3/4" 1981 30 min 8 1 5 Four Episodes from 1984 Marshall Peterson 3/4" 1985 30 min 9 1 3 Haute Culture II: Muntadas Santa Monica Place 3/4" 60 min 10 1 3A Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 11 1 3B Haute Culture II: Muntadas Boston Museum of Fine Art 3/4" 60 min 12 1 10 Physical Phenomena Steven O' Connor 3/4" 26:10:00 13 1 11 Shoes Required Joe Murphy 3/4" 1991 27:50:00 14 1 7 Small Miracles Toni Pezone 3/4" 15 1 9 Songs in Minto Life Curt Madison 3/4" 28:36:00 16 1 4 South of the Border: A Documentary Lisa Napoli 3/4" 1991 30 min 17 2 25 "Art of Memory" Woody Vasulka 3/4" 11/5/87 36:00:00 18 2 15 1.
    [Show full text]
  • Shaun the Sheep's Creator
    PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before..
    [Show full text]
  • RAFA 2015.Pdf
    www.mkrf.ru RAFA is Russian animated film association. RAFA represents the interests of the Russian animation industry and helps to create favorable conditions for the effective development of anima ­­tion in Russia and worldwide. RAFA represents the interests of animation studios of all sizes, as well as individual flmmakers working in animation, including indep endent directors, production designers, animators etc. The association also includes organizations which are involved in animation: TV networks with an interest in animation,distribution companies and Internet companies, that is, all organizations whose business is related to the field of animation and who are interested in joining forces. • If you need to communicate with any Russian studio, organization or animator, • If you need assistance in participation in festivals and film markets in Russia, • If you need to organize the presentation of your services to Russian partners, • If you need talents and studios for co-production JUST CONTACT RAFA! RAFA is proud to present opportunity of Russian animation to you. Today RAFA is 40 best Russian studios that able for cooperation with you and 200 animators, composers, producers etc that would like to join your team. 4 5 CONTENTS RAFA 3 OPENING WORD 7 RUSSIAN ANIMATION TODAY 8 STUDIOS 10 SHORTS 180 ALPHABETICAL LIST 200 ON THE CATALOG WORKED 203 6 7 Dear friends, Russian Animated Film Association offers you the fourth edition of a catalogue of current animated films. In the new release, you will find information on all latest releases in the Russian animated film industry in 2014 and early in 2015. The new catalogue fundamentally differs from its predecessors.
    [Show full text]
  • Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
    DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit.
    [Show full text]
  • LES PIRATES ! BONS a RIEN MAUVAIS EN TOUT De Peter Lord Etats-Unis / Grande-Bretagne – 2012
    LES PIRATES ! BONS A RIEN MAUVAIS EN TOUT De Peter Lord Etats-Unis / Grande-Bretagne – 2012 1h29 SYNOPSIS Malgré son enthousiasme, le Capitaine Pirate a beaucoup de mal à se faire passer pour une terreur des mers. Secondé par un équipage aussi peu doué que lui, le Capitaine rêve pourtant de battre ses rivaux, Black Bellamy et Liz Lafaucheuse, en remportant le prestigieux Prix du Pirate de l’Année. Pour le Capitaine et son drôle d’équipage, c’est le début d’une incroyable odyssée qui, des rivages de Blood Island jusqu’aux rues embrumées de Londres, va les conduire d’épreuves en rencontres. S’ils vont faire équipe avec un jeune scientifique du nom de CRITIQUES Charles Darwin, ils vont aussi devoir affronter mille dangers et tenter de survivre à la reine Victoria, qui voue une haine absolue aux pirates… En avant pour l’aventure! Tout est dans le titre. Le capitaine Pirate, son Dodo apprivoisé et son équipage de gentils branquignols (qui inclut même, un temps, Charles Darwin en personne), ne sont la terreur d'aucun océan. C'est tout juste s'ils CRITIQUES arrivent à attaquer des bateaux pleins de nudistes, de fantômes ou d'écoliers en balade : n'importe quoi sauf du Humour "so british", personnages en plasticine, pas de doute, Peter Lord, coauteur de Wallace et vrai gibier de pirates. Ces abordages à répétition portent Gromit et Chicken Run, fait son grand retour en bien la marque des studios d'animation Aardman : collaboration avec les studios Aardman. Délirantes, les couleurs pimpantes et enfantines, textures veloutées et aventures du capitaine Pirate, un corsaire d'eau douce humour fou-fou, pas si loin des Monty Python.
    [Show full text]