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Aardman in Archive Exploring Digital Archival Research Through a History of Aardman Animations
Aardman in Archive Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive | Exploring Digital Archival Research through a History of Aardman Animations Rebecca Adrian Aardman in Archive: Exploring Digital Archival Research through a History of Aardman Animations Copyright © 2018 by Rebecca Adrian All rights reserved. Cover image: BTS19_rgb - TM &2005 DreamWorks Animation SKG and TM Aardman Animations Ltd. A thesis submitted in partial fulfilment of the requirements for the degree of Master of Arts in Media and Performance Studies at Utrecht University. Author Rebecca A. E. E. Adrian Student number 4117379 Thesis supervisor Judith Keilbach Second reader Frank Kessler Date 17 August 2018 Contents Acknowledgements vi Abstract vii Introduction 1 1 // Stop-Motion Animation and Aardman 4 1.1 | Lack of Histories of Stop-Motion Animation and Aardman 4 1.2 | Marketing, Glocalisation and the Success of Aardman 7 1.3 | The Influence of the British Television Landscape 10 2 // Digital Archival Research 12 2.1 | Digital Surrogates in Archival Research 12 2.2 | Authenticity versus Accessibility 13 2.3 | Expanded Excavation and Search Limitations 14 2.4 | Prestige of Substance or Form 14 2.5 | Critical Engagement 15 3 // A History of Aardman in the British Television Landscape 18 3.1 | Aardman’s Origins and Children’s TV in the 1970s 18 3.1.1 | A Changing Attitude towards Television 19 3.2 | Animated Shorts and Channel 4 in the 1980s 20 3.2.1 | Broadcasting Act 1980 20 3.2.2 | Aardman and Channel -
2 a Quotation of Normality – the Family Myth 3 'C'mon Mum, Monday
Notes 2 A Quotation of Normality – The Family Myth 1 . A less obvious antecedent that The Simpsons benefitted directly and indirectly from was Hanna-Barbera’s Wait ‘til Your Father Gets Home (NBC 1972–1974). This was an attempt to exploit the ratings successes of Norman Lear’s stable of grittier 1970s’ US sitcoms, but as a stepping stone it is entirely noteworthy through its prioritisation of the suburban narrative over the fantastical (i.e., shows like The Flintstones , The Jetsons et al.). 2 . Nelvana was renowned for producing well-regarded production-line chil- dren’s animation throughout the 1980s. It was extended from the 1960s studio Laff-Arts, and formed in 1971 by Michael Hirsh, Patrick Loubert and Clive Smith. Its success was built on a portfolio of highly commercial TV animated work that did not conform to a ‘house-style’ and allowed for more creative practice in television and feature projects (Mazurkewich, 1999, pp. 104–115). 3 . The NBC US version recast Feeble with the voice of The Simpsons regular Hank Azaria, and the emphasis shifted to an American living in England. The show was pulled off the schedules after only three episodes for failing to connect with audiences (Bermam, 1999, para 3). 4 . Aardman’s Lab Animals (2002), planned originally for ITV, sought to make an ironic juxtaposition between the mistreatment of animals as material for scientific experiment and the direct commentary from the animals them- selves, which defines the show. It was quickly assessed as unsuitable for the family slot that it was intended for (Lane, 2003 p. -
Shaun Le Mouton
STUDIOCANAL PRÉSENTE UNE PRODUCTION AARDMAN Un film réalisé par Richard Starzak et Mark Burton DISTRIBUTION PRESSE Durée : 1h25 Michèle ABITBOL-LASRY Sophie FRACCHIA Séverine LAJARRIGE 1, place du Spectacle SORTIE LE 1ER AVRIL 2015 184, boulevard Haussmann 92130 Issy-les-Moulineaux 75008 Paris Tél. : 01 71 35 11 19 Tél. : 01 45 62 45 62 [email protected] [email protected] / [email protected] Photos et dossier de presse sont disponibles sur www.studiocanal.fr Shaun est un petit mouton futé qui travaille, avec son troupeau, Comment survivre en ville quand on est un mouton ? Comment éviter pour un fermier myope à la ferme Mossy Bottom, sous l’autorité de d’être reconnu et donc échapper aux griffes acérées de Trumper le Bitzer, chien de berger dirigiste mais bienveillant et inefficace. La terrifiant responsable de la fourrière ? vie est belle, globalement, mais un matin, en se réveillant, Shaun Cette plongée urbaine sera pour le troupeau une course à 100 à se dit que sa vie n’est que contraintes. Il décide de prendre un l’heure, pleine d’aventures incroyables où Shaun va croiser la route jour de congé, avec pour cela un plan qui consiste à endormir le d’une petite chienne orpheline Slip, qui rêve d’avoir des parents fermier. Mais son stratagème fonctionne un peu trop bien et il perd et lui fera réaliser qu’il serait finalement bien plus heureux avec sa rapidement le contrôle de la situation. Une chose en entraînant une famille de moutons, à la ferme… autre, tout le troupeau se retrouve pour la première fois bien loin de la ferme et plus précisément : dans la grande ville. -
Listado Obras Reparto Extraordinario SOGECABLE Emisión Analógica.Xlsx
Listado de obras audiovisuales Reparto Extraordinario SOGECABLE (Emisión Analógica) Canal Plus 1995 - 2005 Cuatro 2005 - 2009 Dossier informativo Departamento de Reparto Página 1 de 818 Tipo Código Titulo Tipo Año Protegida Obra Obra Obra Producción Producción Globalmente Actoral 20021 ¡DISPARA! Cine 1993 Actoral 17837 ¡QUE RUINA DE FUNCION! Cine 1992 Actoral 201670 ¡VAYA PARTIDO!- Cine 2001 Actoral 17770 ¡VIVEN!- Cine 1993 Actoral 136956 ¿DE QUE PLANETA VIENES?- Cine 2000 Actoral 74710 ¿EN VIVO O EN VITRO? Cine 1996 Actoral 53383 ¿QUE HAGO YO AQUI, SI MAÑANA ME CASO? Cine 1994 Actoral 175 ¿QUE HE HECHO YO PARA MERECER ESTO? Cine 1984 Actoral 20505 ¿QUIEN PUEDE MATAR A UN NIÑO? Cine 1976 Actoral 12776 ¿QUIEN TE QUIERE BABEL? Cine 1987 Actoral 102285 101 DALMATAS (MAS VIVOS QUE NUNCA)- Cine 1996 Actoral 134892 102 DALMATAS- Cine 2000 Actoral 99318 12:01 TESTIGO DEL TIEMPO- Cine 1994 Actoral 157523 13 CAMPANADAS Cine 2001 Actoral 135239 15 MINUTOS- Cine 2000 Actoral 256494 20.000 LEGUAS DE VIAJE SUBMARINO I- Cine 1996 Actoral 256495 20.000 LEGUAS DE VIAJE SUBMARINO II- Cine 1996 Actoral 102162 2013 RESCATE EN L.A.- Cine 1995 Actoral 210841 21 GRAMOS- Cine 2003 Actoral 105547 28 DIAS Cine 2000 Actoral 165951 28 DIAS DESPUES Cine 2002 Actoral 177692 3 NINJAS EN EL PARQUE DE ATRACCIONES- Cine 1998 Actoral 147123 40 DIAS Y 40 NOCHES- Cine 2002 Actoral 126095 60 SEGUNDOS- Cine 2000 Actoral 247446 69 SEGUNDOS (X) Cine 2004 Actoral 147857 8 MILLAS- Cine 2002 Actoral 157897 8 MUJERES Cine 2002 Actoral 100249 8 SEGUNDOS- Cine 1994 Página 2 de 818 -
Wallace and Gromit: Anoraknophobia Pdf, Epub, Ebook
WALLACE AND GROMIT: ANORAKNOPHOBIA PDF, EPUB, EBOOK Tristan Davies | none | 01 Sep 2000 | Hodder & Stoughton General Division | 9781840323016 | English | London, United Kingdom Wallace and Gromit: Anoraknophobia PDF Book The name derives from the Dutch phrase "aard man" meaning Nature Man, when joined together, "aardman" becomes "Earthman" more commonly translated to: "goblin"[citation needed]. A series of 5-minute films showcasing Wallace's latest wacky inventions. Nice tight copy, no names or marks inside. Published by Boxtree More information about this seller Contact this seller 4. I Agree This site uses cookies to deliver our services, improve performance, for analytics, and if not signed in for advertising. Gromit becomes increasingly suspicious of Preston, who is the sheep rustler, along with Gwendolene. Log in or register to write something here or to contact authors. This listing has ended. Retrieved on 2 November So begins the first compelling story. Home Groups Talk More Zeitgeist. Park also developed the clay modelled shorts featuring the adventures of Wallace and Gromit , a comical pair of friends: Wallace being a naive English inventor with a love of cheese, and Gromit his best friend, the intelligent but silent dog. A good rule of thumb is that series have a conventional name and are intentional creations , on the part of the author or publisher. Avoid series that cross authors, unless the authors were or became aware of the series identification eg. Wallace is the human of the pair and mostly the leader. Joy Bechtold added it Mar 15, Universal Conquest Wiki. Comic book art illustrator. This wiki All wikis. -
Shaun the Sheep's Creator
PRODUCTION NOTES STUDIOCANAL RELEASE DATES: UK – OCTOBER 18th 2019 SOCIAL MEDIA: Facebook - https://www.facebook.com/shaunthesheep Twitter - https://twitter.com/shaunthesheep Instagram - https://www.instagram.com/shaunthesheep/ YouTube - https://www.youtube.com/user/aardmanshaunthesheep For further information please contact STUDIOCANAL: UK ENQUIRIES [email protected] [email protected] 1 Synopsis Strange lights over the quiet town of Mossingham herald the arrival of a mystery visitor from far across the galaxy… For Shaun the Sheep’s second feature-length movie, the follow-up to 2015’s smash hit SHAUN THE SHEEP MOVIE, A SHAUN THE SHEEP MOVIE: FARMAGEDDON takes the world’s favourite woolly hero and plunges him into an hilarious intergalactic adventure he will need to use all of his cheekiness and heart to work his way out of. When a visitor from beyond the stars – an impish and adorable alien called LU-LA – crash-lands near Mossy Bottom Farm, Shaun soon sees an opportunity for alien-powered fun and adventure, and sets off on a mission to shepherd LU-LA back to her home. Her magical alien powers, irrepressible mischief and galactic sized burps soon have the flock enchanted and Shaun takes his new extra-terrestrial friend on a road-trip to Mossingham Forest to find her lost spaceship. Little do the pair know, though, that they are being pursued at every turn by a mysterious alien- hunting government agency, spearheaded by the formidable Agent Red and her bunch of hapless, hazmat-suited goons. With Agent Red driven by a deep-seated drive to prove the existence of aliens and Bitzer unwittingly dragged into the haphazard chase, can Shaun and the flock avert Farmageddon on Mossy Bottom Farm before it’s too late? 2 Star Power The creative team behind the world’s favourite woolly wonder explain how, in Farmageddon, they’ve boldly gone where no sheep has gone before.. -
Bfi and Aardman Animations Launch Partnership to Develop New Animation Feature Films
BFI AND AARDMAN ANIMATIONS LAUNCH PARTNERSHIP TO DEVELOP NEW ANIMATION FEATURE FILMS The BFI Aardman Animation Development Lab to support animated feature film projects BFI Aardman Animation Development Lab to offer support and professional, hands-on experience to emerging talent with a passion for creating animated family films LONDON – Friday 3 October 2014. The BFI is partnering with Aardman Animations, a world leader in stop-frame and CGI animated filmmaking and creators of Wallace & Gromit and Shaun The Sheep, in launching a new scheme today backed by £1 million of Lottery funding to help support the development and production of new animated feature films and the creative talent making them. The BFI will provide funding for up to two years, to three filmmakers or filmmaker teams (writers, directors, producers) to develop their projects with dedicated development support through The BFI Aardman Animation Development Lab. The process for developing animated feature films is lengthy and expensive limiting the opportunities for British filmmakers. Aardman will work with the filmmakers – animators, writers, directors, producers – to shape their ideas with the aim of emerging with a set of ‘greenlight’ materials for their films, ready to advance to production. The closing date for applications is Friday 28 November 2014. Ben Roberts, Director of the BFI Film Fund says, "The beauty of animated features lies in their ability to combine great artistry with commercial ambition. This all comes at a cost, and so the development opportunities are limited. Tapping into that Aardman brain to work in depth on a small number of carefully chosen projects from promising filmmakers, is a great opportunity for us to move some exciting and commercially appealing work closer to a reality." Peter Lord, Co-founder of Aardman Animations says, "Feature animation is the ideal medium for filmmakers. -
Wallace & Gromit
WALLACE & GROMIT: THE CURSE OF THE WERE-RABBIT Programme Notes If Nick Park and co. at Aardman gradually established themselves as a sort of millennial plasticine Ealing, then surely ‘Wallace & Gromit: The Curse of the Were-Rabbit’ is their diversion into Hammer horror territory. Aardman’s plunge into the daunting world of feature-length production had begun with ‘Chicken Run’ (2000), which set something of a precedent with its own co-opting of a broad, recognisable genre, on this occasion the wartime prison break drama, and the much-loved Wallace & Gromit followed suit with a good old-fashioned monster spooker. Ok, it tones down its terrors in favour of good old English standbys like garden fêtes, marrow-growing contests, and aerial dogfights, yet this in itself all shows a keen awareness of the frequently clichéd vision of Britain depicted in our genre fare, with emphasis often placed on class-system clashes (compare the respective foxhunter sequences in ‘The Hound of the Baskervilles’, ‘The Tomb of Ligeia’, ‘The Plague of the Zombies’ and ‘The Final Conflict’, for example – our ‘proper’ horror films straying every bit as far from their fear focus and using traditional imagery to offer comment on wider issues). We probably have as many fictional ‘national treasures’ as we do real ones – for every Florence Nightingale or Mo Farah, say, there’s a ‘James Bond’ or ‘Sherlock Holmes’. An instant hit as soon as ‘A Grand Day Out’ took to the screens in 1989, both Wallace and Gromit leapt on to everyone’s list of praiseworthy favourites, consolidating their success with ‘The Wrong Trousers’ (1993), perhaps their defining half-hour, and ‘A Close Shave’ (1995). -
Proceedings of the World Summit on Television for Children. Final Report.(2Nd, London, England, March 9-13, 1998)
DOCUMENT RESUME ED 433 083 PS 027 309 AUTHOR Clarke, Genevieve, Ed. TITLE Proceedings of the World Summit on Television for Children. Final Report.(2nd, London, England, March 9-13, 1998). INSTITUTION Children's Film and Television Foundation, Herts (England). PUB DATE 1998-00-00 NOTE 127p. AVAILABLE FROM Children's Film and Television Foundation, Elstree Studios, Borehamwood, Herts WD6 1JG, United Kingdom; Tel: 44(0)181-953-0844; e-mail: [email protected] PUB TYPE Collected Works - Proceedings (021) EDRS PRICE MF01/PC06 Plus Postage. DESCRIPTORS Children; *Childrens Television; Computer Uses in Education; Foreign Countries; Mass Media Role; *Mass Media Use; *Programming (Broadcast); *Television; *Television Viewing ABSTRACT This report summarizes the presentations and events of the Second World Summit on Television for Children, to which over 180 speakers from 50 countries contributed, with additional delegates speaking in conference sessions and social events. The report includes the following sections:(1) production, including presentations on the child audience, family programs, the preschool audience, children's television role in human rights education, teen programs, and television by kids;(2) politics, including sessions on the v-chip in the United States, the political context for children's television, news, schools television, the use of research, boundaries of children's television, and minority-language television; (3) finance, focusing on children's television as a business;(4) new media, including presentations on computers, interactivity, the Internet, globalization, and multimedia bedrooms; and (5) the future, focusing on anticipation of events by the time of the next World Summit in 2001 and summarizing impressions from the current summit. -
Shaun the Sheep Movie - Shear Madness Pdf, Epub, Ebook
SHAUN THE SHEEP MOVIE - SHEAR MADNESS PDF, EPUB, EBOOK Aardman Animations Ltd | 48 pages | 01 Jan 2015 | Walker Books Ltd | 9781406359657 | English | London, United Kingdom Shaun the Sheep Movie - Shear Madness PDF Book Other books in this series. Other Popular Editions of the Same Title. This beautiful large-format poster book lets you decorate your walls with the gorgeous images from Big Picture Press's best-selling Animalium. Read more Accept all Manage Cookies. Bestselling Series. View 2 comments. Manufacturers, suppliers and others provide what you see here, and we have not verified it. Email address. Zelda added it Aug 04, Free delivery worldwide. Refresh and try again. Rating details. More filters. Popular Features. Subtitles: English Closed Captioned. This time Daddy Pig has borrowed a camper van Follow us. About the Author Aardman is the world-class animation studio behind the internationally best-selling brand Shaun the Sheep, as well as Chicken Run and the Wallace and Gromit films. Doctor Peppa is in the house — can she help a friend with the sniffles feel better? Learn about new offers and get more deals by joining our newsletter. Azzan Reads marked it as to-read Dec 01, Teresa added it Aug 15, Shaun Shear MadnessIt's madness in the meadow with Shaun the Sheep and his flock of mischievous merrymakers! Paperback , 48 pages. There are no discussion topics on this book yet. Aardman Animations Ltd. Synopsis About this title New "synopsis" may belong to another edition of this title. Book Description Walker Books, Seller Inventory Shaun the Sheep Movie - Shear Madness Writer Refresh and try again. -
LES PIRATES ! BONS a RIEN MAUVAIS EN TOUT De Peter Lord Etats-Unis / Grande-Bretagne – 2012
LES PIRATES ! BONS A RIEN MAUVAIS EN TOUT De Peter Lord Etats-Unis / Grande-Bretagne – 2012 1h29 SYNOPSIS Malgré son enthousiasme, le Capitaine Pirate a beaucoup de mal à se faire passer pour une terreur des mers. Secondé par un équipage aussi peu doué que lui, le Capitaine rêve pourtant de battre ses rivaux, Black Bellamy et Liz Lafaucheuse, en remportant le prestigieux Prix du Pirate de l’Année. Pour le Capitaine et son drôle d’équipage, c’est le début d’une incroyable odyssée qui, des rivages de Blood Island jusqu’aux rues embrumées de Londres, va les conduire d’épreuves en rencontres. S’ils vont faire équipe avec un jeune scientifique du nom de CRITIQUES Charles Darwin, ils vont aussi devoir affronter mille dangers et tenter de survivre à la reine Victoria, qui voue une haine absolue aux pirates… En avant pour l’aventure! Tout est dans le titre. Le capitaine Pirate, son Dodo apprivoisé et son équipage de gentils branquignols (qui inclut même, un temps, Charles Darwin en personne), ne sont la terreur d'aucun océan. C'est tout juste s'ils CRITIQUES arrivent à attaquer des bateaux pleins de nudistes, de fantômes ou d'écoliers en balade : n'importe quoi sauf du Humour "so british", personnages en plasticine, pas de doute, Peter Lord, coauteur de Wallace et vrai gibier de pirates. Ces abordages à répétition portent Gromit et Chicken Run, fait son grand retour en bien la marque des studios d'animation Aardman : collaboration avec les studios Aardman. Délirantes, les couleurs pimpantes et enfantines, textures veloutées et aventures du capitaine Pirate, un corsaire d'eau douce humour fou-fou, pas si loin des Monty Python. -
December 2015 January 2016 Daytonsbluffdistrictforum.Org
Volume 28, No. 11 D December 2015 January 2016 daytonsbluffdistrictforum.org “The Voice of the Community” local food will be served. votesinfo.sos.state.mn.us/voters/voter-registra- Dayton's Bluff Community We encourage all residents to become leaders tion/eligibility-instructions/. Council to hold Annual in their community. Sitting on the Dayton’s Bluff Community members must meet at least one of the Community Council (DBCC) Board of Directors voter identification requirements to prove residency in Meeting and Board Elections is an opportunity to represent the interests of your Dayton’s Bluff in order to receive a ballot. The one exception to the state of Minnesota voter Dayton's Bluff Community Council Staff community and to guide the Council and the Day- ton's Bluff neighborhood to a bright and prosper- eligibility is age. Per the DBCC by-laws, membership shall be granted to anyone 16 years of age or older ous future. Please join us on Monday, December 21, for who resides, owns property, or owns or operates a the Dayton’s Bluff Community Council Annual To ensure that all have an opportunity to cast business within the boundaries. Each member is eligi- Meeting and Board Elections. We want to thank their vote in this election, we have created the fol- ble to cast one vote in organization elections. the Board, staff, and the community for making lowing 2015 absentee/early voting schedule: A locked/sealed ballot box will be available at this an amazing year. All are invited to attend and December 14-17, from 8:00 a.m.