AUTOMATION in the NEWSROOM How Algorithms Are Helping Reporters Expand Coverage, Engage Audiences, and Respond to Breaking News
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Accepted Manuscript Version
Research Archive Citation for published version: Tony Shaw, and Tricia Jenkins, ‘An Act of War? The Interview Affair, the Sony Hack, and the Hollywood– Washington Power Nexus Today’, Journal of American Studies, April 2017. DOI: https://doi.org/10.1017/S0021875817000512 Document Version: This is the Accepted Manuscript version. The version in the University of Hertfordshire Research Archive may differ from the final published version. Copyright and Reuse: © 2017 Cambridge University Press and British Association for American Studies. This version is free to view and download for private research and study only. Not for re-distribution, re-sale or use in derivative works. Enquiries If you believe this document infringes copyright, please contact the Research & Scholarly Communications Team at [email protected] An Act of War? The Interview Affair, the Sony Hack, and the Hollywood/Washington Power Nexus Today An early quasi-police procedural showing J. Edgar Hoover’s Federal Bureau of Investigation “smashing” a communist sleeper cell in Boston, Alfred L. Werker’s 1952 docudrama Walk East on Beacon looks at first much like any other Red-baiting Hollywood production of the McCarthy era. On closer inspection, the movie offers us a keen insight into the Hollywood/Washington power nexus during the Cold War. Recently declassified documents reveal that the FBI’s top brass not only helped to inspire Walk East on Beacon but also to cast and market the film. More intriguingly, America’s most powerful military Cold War think tank, the RAND Corporation, was at the heart of the movie’s screenplay. Hollywood scriptwriter Leo Rosten worked as a part-time adviser on social sciences for RAND and based key elements of his plot for Walk East on Beacon on top-secret RAND projects, principally the military uses of satellites and computers. -
The International Letter
ESHPh European Society for the History of Photography Association Européenne pour l’Histoire de la Photographie Europäische Gesellschaft für die Geschichte der Photographie The International Letter La lettre internationale Mitteilungen Autumn 2013 Vienna ESHPh: Komödiengasse 1/1/17 A - 1020 Vienna. Austria Phone: +43 (0) 676 430 33 65 E mail: [email protected] http://www.donau-uni.ac.at/eshph Dear Reader, The new issue of PhotoResearcher no. 20 "Medieval Views – The Middle Age through the Lenses of 19 th Century Photographers" appeared at the beginning of October – earlier than ever before – and there are also interesting new essays on our website, see ePublishing www.donau- univ.ac.at/eshph . We would like to remind our ESHPh members of the date of our General Assembly in Vienna; it will be held on 24 October 2013 at 5 pm at the Austrian National Library (Department of Pictures and Graphics). Full members have the opportunity to send in requests for items to be included on the agenda until 10 October 2013 ( [email protected] ). In future, donors of the ESHPh will be able to deduct their donations from tax. This makes a marginal adaption of our statutes necessary. You can find the draft on our website: http://www.donau-uni.ac.at /About ESHPh. We hope you will find many of our recommendations interesting and wish you pleasant reading. Uwe Schögl Ulla Fischer-Westhauser President of the ESHPh Vice-president Vienna, October 2013 ESHPh - The International Letter - Autumn 2013 2 Australia Australian Centre for Photography ACP, Paddington/Sidney -
Home Is Where the Art Is
new dutch masters ARTS HOLLAND MAGAZINE ARTS HOLLAND MAGAZINE five galleries five artists Harmen de Hoop PUBLIC SCULPTURE, AMSTERDAM Harmen de Hoop is a true master in site- speci!c art. For many years he invades and disrupts daily surroundings and routines. His work ranges from painting basketball court lines on a busy street intersection to putting plates of dog food in the underground. De Hoop makes people look di"erently at things that have become normal for them. In Public Sculpture, de Hoop’s work immediately becomes part of the neighbourhood and lives on the podium as if it has been there for years and not minutes. VV HOME IS WHERE THE ART IS TEXT - Nina Folkersma is an For a small country with less of a longstanding They function as an intermediary between artists independent curator, critic tradition of collecting contemporary art, the Dutch and collectors, curators, art institutions and the and consultant in the field galleries don’t do so badly. The gallery world in public. In the process, a gallerist assumes various More to Explore of contemporary art. Cur- the urban conglomeration of western Holland is roles: as the artist’s confidant, as a mediator for the rently, she is the chair of the highly dynamic and self-aware – and strikingly public, as an international entrepreneur, or as a Unseen is an annual international photo- board of ArtTable The Neth- international. fundraiser and producer of new work. graphy fair in Amsterdam, that provides erlands and a member of new photo graphy the platform it deserves. the art advisory committee Arts Holland Magazine visited five galleries in the The degree of importance that the five gallery own- unseenamsterdam.com of the City of Amsterdam cities of Amsterdam, The Hague, Rotterdam and ers place on these separate activities is reflected for the new North South Utrecht and asked the gallerists about their person- in their policies and gives each gallery a distinct Visit kesselskramerpublishing.com subway line. -
Fighting for Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012)
Benita Amalina — Fighting For Women Existence in Popular Espionage Movies Salt (2010) and Zero Dark Thirty (2012) FIGHTING FOR WOMEN EXISTENCE IN POPULAR ESPIONAGE MOVIES SALT (2010) AND ZERO DARK THIRTY (2012) Benita Amalina [email protected] Abstract American spy movies have been considered one of the most profitable genre in Hollywood. These spy movies frequently create an assumption that this genre is exclusively masculine, as women have been made oblivious and restricted to either supporting roles or non-spy roles. In 2010 and 2012, portrayal of women in spy movies was finally changed after the release of Salt and Zero Dark Thirty, in which women became the leading spy protagonists. Through the post-nationalist American Studies perspective, this study discusses the importance of both movies in reinventing women’s identity representation in a masculine genre in response to the evolving American society. Keywords: American women, hegemony, representation, Hollywood, movies, popular culture Introduction The financial success and continuous power of this industry implies that there has been The American movie industry, often called good relations between the producers and and widely known as Hollywood, is one of the main target audience. The producers the most powerful cinematic industries in have been able to feed the audience with the world. In the more recent data, from all products that are suitable to their taste. Seen the movies released in 2012 Hollywood from the movies’ financial revenues as achieved $ 10 billion revenue in North previously mentioned, action movies are America alone, while grossing more than $ proven to yield more revenue thus become 34,7 billion worldwide (Kay, 2013). -
Reframe and Imdbpro Announce New Collaboration to Recognize Standout Gender-Balanced Film and TV Projects
FOR IMMEDIATE RELEASE Media Contacts: June 7, 2018 For Sundance Institute: Jenelle Scott 310.360.1972 [email protected] For Women In Film: Catherine Olim 310.967.7242 [email protected] For IMDbPro: Casey De La Rosa 310.573.0632 [email protected] ReFrame and IMDbPro Announce New Collaboration to Recognize Standout Gender-balanced Film and TV Projects The ReFrame Stamp is being Awarded to 12 Films from 2017 including Everything, Everything; Girls Trip; Lady Bird; The Post; and Wonder Woman Los Angeles, CA — ReFrame™, a coalition of industry professionals and partner companies founded by Women In Film and Sundance Institute whose mission is to increase the number of women of all backgrounds working in film, TV and media, and IMDbPro (http://www.imdbpro.com/), the leading information resource for the entertainment industry, today announced a new collaboration that leverages the authoritative data and professional resources of IMDbPro to recognize standout, gender- balanced film and TV projects. ReFrame is using IMDbPro data to determine recipients of a new ReFrame Stamp, and IMDbPro is providing digital promotion of ReFrame activities (imdb.com/reframe). Also announced today was the first class of ReFrame Stamp feature film recipients based on an extensive analysis of IMDbPro data on the top 100 domestic-grossing films of 2017. The recipients include Warner Bros.’ Everything, Everything, Universal’s Girls Trip, A24’s Lady Bird, Twentieth Century Fox’s The Post and Warner Bros.’ Wonder Woman. The ReFrame Stamp serves as a mark of distinction for projects that have demonstrated success in gender-balanced film and TV productions based on criteria developed by ReFrame in consultation with ReFrame Ambassadors (complete list below), producers and other industry experts. -
The Pulitzer Prizes 2020 Winne
WINNERS AND FINALISTS 1917 TO PRESENT TABLE OF CONTENTS Excerpts from the Plan of Award ..............................................................2 PULITZER PRIZES IN JOURNALISM Public Service ...........................................................................................6 Reporting ...............................................................................................24 Local Reporting .....................................................................................27 Local Reporting, Edition Time ..............................................................32 Local General or Spot News Reporting ..................................................33 General News Reporting ........................................................................36 Spot News Reporting ............................................................................38 Breaking News Reporting .....................................................................39 Local Reporting, No Edition Time .......................................................45 Local Investigative or Specialized Reporting .........................................47 Investigative Reporting ..........................................................................50 Explanatory Journalism .........................................................................61 Explanatory Reporting ...........................................................................64 Specialized Reporting .............................................................................70 -
MEDIA TRANSCRIPTS, INC. 41 WEST 83Rd STREET NEW YORK, N.Y
MEDIA TRANSCRIPTS, INC. 41 WEST 83rd STREET NEW YORK, N.Y. 10024 (212) 362-1481 PROGRAM Intelligence Squared U.S. BGT NO. Hollywood has fueled anti- Americanism abroad BERNARD WEINRAUB Hi, my name is, uh, Bernie Weinraub and I’m the moderator of this, uh, panel. And, um, uh, first of all, I want to say something that I’ve wanted to say for many, many years, and that’s to, uh, please turn off your cell phones and beepers. [LAUGHTER] And unwrap all cellophaned items, because, uh, there’s, there are, um, microphones all around here. And, um, this is going to be broadcast over, um, NPR. Um, so we have to sort of unwrap any kind of cellophaned items and candy and all that stuff. Um, and it would ruin the mood to hear cellophane. Um, uh, and I, I’ve been asked to have people come down forward, uh, but I guess you guys are okay. Um, I want you guys to, um, get your questions ready for the Q&A after the opening statements and not to be shy about asking the panel anything, anything that you want to ask. Um, if you want three by five cards to write your questions down, um, the ushers will hand them out. Um, now I’m pleased and happy to introduce the man responsible for this debate and all the other debates, Robert Rosenkranz, who will make some opening remarks. [APPLAUSE] ROBERT ROSENKRANZ Well, good evening and thank you all for being here. I’m Robert Media Transcripts, Inc. -
Vogue Living Debuts New Furniture Collections
VOGUE LIVING DEBUTS NEW FURNITURE COLLECTIONS Condé Nast and Dorya to debut two new collections at High Point Market NEW YORK – April 10, 2018 – The Vogue Living collection, consisting of 65 pieces divided into two separate collections, Mayfair and Wiltshire, will be shown at High Point Market on April 14-18, 2018. The Wiltshire Collection, through warm tones of cherry and chestnut with pale velvets and florals, evokes a bucolic sensibility with pieces ideally suited for the country home that values comfort as highly as aesthetics. The Mayfair Collection is designed for the modern elegance of a city home, featuring strong statement pieces that draw inspiration from classic designs reinvented for today. ”We are pleased to partner with Dorya on the premier Vogue Living brand. Each piece is handmade and conveys the quality and luxury that Vogue stands for,” said Cathy Glosser, SVP of Licensing, Condé Nast. “The Vogue Living collections tap into a vast array of unique designs, supreme finishes, and stunning details to deliver unmatched craftsmanship,” says F. Doruk Yorgancioglu, president and chief executive officer, Dorya. “We wanted to achieve timelessness while staying relevant for today’s consumer.” The line is currently available through the trade and at vogueliving.dorya.com. Pictures from the line are available here. About Condé Nast: Condé Nast is a premier media company renowned for producing the highest quality content for the world's most influential audiences. Attracting more than 120 million consumers across its industry-leading print, digital and video brands, the company’s portfolio includes some of the most iconic titles in media: Vogue, Vanity Fair, Glamour, Brides, GQ, GQ Style, The New Yorker, Condé Nast Traveler, Allure, Architectural Digest, Bon Appétit, Epicurious, Wired, W, Golf Digest, Golf World, Teen Vogue, Ars Technica, The Scene, them, Pitchfork and Backchannel. -
360° Brand Engagement Presented by Munson Steed • (404) 635-1313 Ext
360° Brand Engagement Presented by Munson Steed • (404) 635-1313 ext. 113 • [email protected] Steed Media Is… DIGITAL PRINT •… a multimedia powerhouse with national reach. •…a year-round print presence in 19 of the top 25 urban DMAs •…a specialist in localization and nationalization, thanks to our network of city managers MOBILE SOCIAL •…an ideal urban marketing extension specializing in 360 degree integration and partnerships What Steed Media does… CUSTOM VIDEO ON • Custom publications PUBLISHING & DEMAND •Editorial Development INTEGRATION • Direct consumer engagement opportunities • Public Relations •Marketing and Brand Strategy •Content Propagation PHOTO & •Facilitation of app, software and technology EVENTS VIDEO development SERVICES •On-Demand cable exposure • Custom microsite design and management • Television production •We turn ideas into profits! A M E D I A A N D BRANDING SOLUTION 360° Degree Integrated Engagement of the Urban Consumer Print The nation’s largest chain of African-American newspapers, in 19 of the Top 25 AA markets. Events/Promotions Aimed at producing brand-engagement experiences, onsite activations and purchase activities. Digital Original content that rides the pulse of Urban America. Mobile Site Keeping Urban America’s lifestyle elements at their fingertips…even on the go Custom Publications Using the power of relevance to drive brand consideration. Video On Demand Harnessing the power of an engaged audience. A M E D I A A N D BRANDING SOLUTION Audience Demographics A M E D I A A N D BRANDING SOLUTION Print At nearly 40 million, the African- American population represents more than 13% of the U.S. population, is growing faster than the general population, and is experiencing faster income growth than the rest of the population. -
Volume 2 Presented at the Annual Convention of the Association for Educational Communications and Technology
thannual Proceedings Selected Papers on the Practice of Educational Communications and Technology - Volume 2 Presented at The Annual Convention of the Association for Educational Communications and Technology Sponsored by the Research and Theory Division And 38 The Division of Instructional Design Indianapolis, IN Editor: Michael Simonson Nova Southeastern University Fischler College of Education North Miami Beach, Florida 2015 Annual Proceedings - Indianapolis: Volumes 1 & 2 Volume 1: Selected Research and Development Papers And Volume 2: Selected Papers On the Practice of Educational Communications and Technology Presented at The Annual Convention of the Association for Educational Communications and Technology Sponsored by the Research and Theory Division And The Division of Instructional Design Indianapolis, IN 2015 Editor Michael Simonson, Ph.D. Instructional Design and Technology Department Fischler College of Education Nova Southeastern University North Miami Beach, FL Preface For the thirty-seventh time, the Research and Theory Division of the Association for Educational Communications and Technology (AECT) is sponsoring the publication of these Proceedings. Papers published in this volume were presented at the annual AECT Convention in Indianapolis, IN. A limited quantity of these Proceedings were printed and sold in both hardcopy and electronic versions. Volumes 1 and 2 are available through the Educational Resources Clearinghouse (ERIC) System. Proceedings volumes are available to members at AECT.ORG. Proceedings copies are also available at: http://www.tresystems.com/proceedings/ The Proceedings of AECT’s Convention are published in two volumes. Volume #1 contains papers dealing primarily with research and development topics. Papers dealing with the practice of instructional technology including instruction and training issues are contained in Volume #2. -
The Case for Imposing Targeted United Nations Sanctions Against Zimbabwean Officials
Fordham Law Review Volume 76 Issue 1 Article 8 2007 Operation "Drive Out the Trash": The Case for Imposing Targeted United Nations Sanctions Against Zimbabwean Officials Katherine Hughes Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Katherine Hughes, Operation "Drive Out the Trash": The Case for Imposing Targeted United Nations Sanctions Against Zimbabwean Officials, 76 Fordham L. Rev. 323 (2007). Available at: https://ir.lawnet.fordham.edu/flr/vol76/iss1/8 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Operation "Drive Out the Trash": The Case for Imposing Targeted United Nations Sanctions Against Zimbabwean Officials Cover Page Footnote J.D. Candidate, 2008, Fordham University School of Law; M.A. Candidate, 2008, International Political Economy and Development, Fordham University Graduate School of Arts and Sciences. I extend my deepest gratitude to the many Zimbabweans who welcomed me into their country. I would also like to thank Jim Leitner; Professors Rachel Vorspan, Jeanmarie Fenrich, and Susanna Chung; and Alasdair Ferguson for their invaluable support and comments. This article is available in Fordham Law Review: https://ir.lawnet.fordham.edu/flr/vol76/iss1/8 OPERATION "DRIVE OUT THE TRASH": THE CASE FOR IMPOSING TARGETED UNITED NATIONS SANCTIONS AGAINST ZIMBABWEAN OFFICIALS KatherineHughes * In May 2005, representatives of PresidentRobert Mugabe's government initiated a slum-clearance campaign entitled Operation Murambatsvina, which displaced nearly one million Zimbabweans. -
The Full Policy Paper Is Available for Download
Table of Contents About the Authors ................................................................................................................................... 2 Acknowledgements ................................................................................................................................. 3 Executive Summary ................................................................................................................................ 4 Introduction ............................................................................................................................................. 8 Chapter 1. US Foreign Policy and Atrocity Prevention .......................................................................... 11 Chapter 2. Atrocity Prevention Policy Tools and Policy Advances from 2012 to 2016 ......................... 33 Chapter 3. Country Cases ..................................................................................................................... 44 Burundi .............................................................................................................................................. 44 Central African Republic .................................................................................................................... 55 Democratic Republic of the Congo .................................................................................................... 64 Iraq ...................................................................................................................................................