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Downbeat.Com March 2014 U.K. £3.50
£3.50 £3.50 U.K. DOWNBEAT.COM MARCH 2014 D O W N B E AT DIANNE REEVES /// LOU DONALDSON /// GEORGE COLLIGAN /// CRAIG HANDY /// JAZZ CAMP GUIDE MARCH 2014 March 2014 VOLUME 81 / NUMBER 3 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Davis Inman Contributing Editor Ed Enright Designer Ara Tirado Bookkeeper Margaret Stevens Circulation Manager Sue Mahal Circulation Assistant Evelyn Oakes Editorial Intern Kathleen Costanza Design Intern LoriAnne Nelson ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Advertising Sales Associate Pete Fenech 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, David Kunian, Jennifer Odell; New York: Alan Bergman, Herb Boyd, Bill Douthart, Ira Gitler, Eugene -
Reggie Workman Working Man
APRIL 2018—ISSUE 192 YOUR FREE GUIDE TO THE NYC JAZZ SCENE NYCJAZZRECORD.COM REGGIE WORKMAN WORKING MAN JIM JONNY RICHARD EDDIE McNEELY KING WYANDS JEFFERSON Managing Editor: Laurence Donohue-Greene Editorial Director & Production Manager: Andrey Henkin To Contact: The New York City Jazz Record 66 Mt. Airy Road East APRIL 2018—ISSUE 192 Croton-on-Hudson, NY 10520 United States Phone/Fax: 212-568-9628 New York@Night 4 Laurence Donohue-Greene: Interview : JIM Mcneely 6 by ken dryden [email protected] Andrey Henkin: [email protected] Artist Feature : JONNY KING 7 by donald elfman General Inquiries: [email protected] ON The COver : REGGIE WORKMAN 8 by john pietaro Advertising: [email protected] Encore : RICHARD WYANDS by marilyn lester Calendar: 10 [email protected] VOXNews: Lest WE Forget : EDDIE JEFFERSON 10 by ori dagan [email protected] LAbel Spotlight : MINUS ZERO by george grella US Subscription rates: 12 issues, $40 11 Canada Subscription rates: 12 issues, $45 International Subscription rates: 12 issues, $50 For subscription assistance, send check, cash or vOXNEWS 11 by suzanne lorge money order to the address above or email [email protected] Obituaries by andrey henkin Staff Writers 12 David R. Adler, Clifford Allen, Duck Baker, Stuart Broomer, FESTIvAL REPORT Robert Bush, Thomas Conrad, 13 Ken Dryden, Donald Elfman, Phil Freeman, Kurt Gottschalk, Tom Greenland, Anders Griffen, CD REviews 14 Tyran Grillo, Alex Henderson, Robert Iannapollo, Matthew Kassel, Marilyn Lester, Suzanne -
Jonny King — Biography
Jonny King Biography Jonny King has been described by Downbeat as "one of the strongest piano voices" of his generation and a "bandleader who kicks ass." JazzTimes likewise wrote that he “represents the best of what jazz has to offer” as both a performer and composer. A native New Yorker, he grew up in the City's jazz clubs, participating first as a fan and then as a performer. Before he was a teenager, King had already performed onstage with Dizzy Gillespie and appeared on television at the piano alongside his early idol, Earl “Fatha” Hines. Before he was 20, he was already sitting in with Art Blakey and playing his first gigs in New York's many restaurants and clubs. King is primarily self-taught, having neither received any formal music education nor attended any jazz schools. He gratefully credits pianists Mulgrew Miller and Tony Aless as important influences, mentors and personal teachers. Beyond their private instruction, King learned music in the most old-school of ways -- by obsessively listening to records, attending jam sessions, and soaking up as much live and recorded music possible, from the most traditional to the most avant-garde. He continues to approach music the same way, both as a performer and composer. Beginning in the 1990s, King became a steady presence on the City's club scene, featuring his own bands at The Jazz Standard, Smalls, and legendary clubs like Sweet Basil's and Bradley's, his home-away-from-home, where he performed regularly both as leader and sideman. He toured as a member of Joshua Redman's Quartet and the Blue Note Records cooperative band OTB, and worked as the pianist in groups led by saxophonists Steve Wilson, Eddie Harris, Vincent Herring and many others. -
Brian Simpson Again Tops Album and Singles Charts
JazzWeek with airplay data powered by jazzweek.com • Jan. 23, 2006 Volume 2, Number 9 • $7.95 In This Issue: J@LC, Radio Salute Pittsburgh. 4 Botti In PBS Spring Pledge Special . 5 MakeMusic Offers IAJE Special on SmartMusic . 6 Passings: Bob Weinstock, Phil Elwood . 6 Reviews and Picks . 15 Jazz Radio . 18 Smooth Jazz IAJE 2006 Radio. 25 WRAPUP Radio page 11 Panels. 24, 29 News. 4 Charts: #1 Jazz Album – Houston Person #1 Smooth Album –Brian Simpson #1 Smooth Single – Brian Simpson JazzWeek This Week EDITOR/PUBLISHER Ed Trefzger othing does more to charge my jets than to attend IAJE each MUSIC EDITOR year. While I’m usually exhausted by the end of the conference, Tad Hendrickson Nit’s energizing to catch up with friends and colleagues, to meet CONTRIBUTING EDITORS people face-to-face for the first time, to pick up new ideas, and to be Keith Zimmerman immersed in great music. Getting to spend time at a couple NYC clubs Kent Zimmerman is a big bonus. CONTRIBUTING WRITER/ The most thrilling thing, though, is to see the reactions of young PHOTOGRAPHER Tom Mallison students. The unbridled enthusiasm the young crowd displayed at the PHOTOGRAPHY Stefon Harris and Javon Jackson (with show-stealer Dr. Lonnie Smith) Barry Solof sets was contagious. And it gives me great hope for the vitality and fu- ture health of jazz. Founding Publisher: Tony Gasparre ••• ADVERTISING: Devon Murphy On the subject of young people, I’m watching with great interest the Call (866) 453-6401 ext. 3 or efforts to attract a younger audience at night on WEMU and KUVO. -
Dianne Reeves Center for Performing Arts
Governors State University OPUS Open Portal to University Scholarship Center for Performing Arts Memorabilia Center for Performing Arts 5-22-2004 Dianne Reeves Center for Performing Arts Follow this and additional works at: http://opus.govst.edu/cpa_memorabilia Recommended Citation Center for Performing Arts, "Dianne Reeves" (2004). Center for Performing Arts Memorabilia. Book 205. http://opus.govst.edu/cpa_memorabilia/205 This Book is brought to you for free and open access by the Center for Performing Arts at OPUS Open Portal to University Scholarship. It has been accepted for inclusion in Center for Performing Arts Memorabilia by an authorized administrator of OPUS Open Portal to University Scholarship. For more information, please contact [email protected]. fOR PEftfORMIHCi flftTS Governors State University Presents Dianne Reeves May 22, 2004 I I i i n o i s 2003/2004 Season sponsored in part by a generous grant from: "Dianne is the legitimate extension of all the good things that have gone on before, An evening with... from Ethel Waters to Ella Fitzgerald, Sarah and Carmen. She is earth mother, lover, the hurt child. She manages to get inside each one of those things." Joe Williams (to Zan Stewart), Down Beat DIANNE REEVES Three-time Grammy winner Dianne Reeves has been described as "a radiant talent who is at the top of her game" by the Washington Post. Her magic, timeless voice, exceptional personality and the sheer force of her performance mark her as AND THE DIANNE REEVES TRIO a captivating world-class artist. She's the perfect singer to traverse musical boundaries by combining jazz and pop sensibilities. -
Joe Henderson: a Biographical Study of His Life and Career Joel Geoffrey Harris
University of Northern Colorado Scholarship & Creative Works @ Digital UNC Dissertations Student Research 12-5-2016 Joe Henderson: A Biographical Study of His Life and Career Joel Geoffrey Harris Follow this and additional works at: http://digscholarship.unco.edu/dissertations © 2016 JOEL GEOFFREY HARRIS ALL RIGHTS RESERVED UNIVERSITY OF NORTHERN COLORADO Greeley, Colorado The Graduate School JOE HENDERSON: A BIOGRAPHICAL STUDY OF HIS LIFE AND CAREER A Dissertation Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Arts Joel Geoffrey Harris College of Performing and Visual Arts School of Music Jazz Studies December 2016 This Dissertation by: Joel Geoffrey Harris Entitled: Joe Henderson: A Biographical Study of His Life and Career has been approved as meeting the requirement for the Degree of Doctor of Arts in the College of Performing and Visual Arts in the School of Music, Program of Jazz Studies Accepted by the Doctoral Committee __________________________________________________ H. David Caffey, M.M., Research Advisor __________________________________________________ Jim White, M.M., Committee Member __________________________________________________ Socrates Garcia, D.A., Committee Member __________________________________________________ Stephen Luttmann, M.L.S., M.A., Faculty Representative Date of Dissertation Defense ________________________________________ Accepted by the Graduate School _______________________________________________________ Linda L. Black, Ed.D. Associate Provost and Dean Graduate School and International Admissions ABSTRACT Harris, Joel. Joe Henderson: A Biographical Study of His Life and Career. Published Doctor of Arts dissertation, University of Northern Colorado, December 2016. This study provides an overview of the life and career of Joe Henderson, who was a unique presence within the jazz musical landscape. It provides detailed biographical information, as well as discographical information and the appropriate context for Henderson’s two-hundred sixty-seven recordings. -
Downbeat.Com December 2020 U.K. £6.99
DECEMBER 2020 U.K. £6.99 DOWNBEAT.COM DECEMBER 2020 VOLUME 87 / NUMBER 12 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Reviews Editor Dave Cantor Contributing Editor Ed Enright Creative Director ŽanetaÎuntová Design Assistant Will Dutton Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile Vice President of Sales 630-359-9345 [email protected] Musical Instruments & East Coast Schools Ritche Deraney Vice President of Sales 201-445-6260 [email protected] Advertising Sales Associate Grace Blackford 630-359-9358 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Boston: Fred Bouchard, Frank-John Hadley; Chicago: Alain Drouot, Michael Jackson, Jeff Johnson, Peter Margasak, Bill Meyer, Paul Natkin, Howard Reich; Indiana: Mark Sheldon; Los Angeles: Earl Gibson, Andy Hermann, Sean J. O’Connell, Chris Walker, Josef Woodard, Scott Yanow; Michigan: John Ephland; Minneapolis: Andrea Canter; Nashville: Bob Doerschuk; New Orleans: Erika Goldring, Jennifer Odell; New York: Herb Boyd, Bill Douthart, Philip Freeman, Stephanie Jones, Matthew Kassel, Jimmy Katz, Suzanne Lorge, Phillip Lutz, Jim Macnie, Ken Micallef, Bill Milkowski, Allen Morrison, Dan Ouellette, Ted Panken, Tom Staudter, Jack Vartoogian; Philadelphia: Shaun Brady; Portland: Robert Ham; San Francisco: Yoshi Kato, Denise Sullivan; Seattle: Paul de Barros; Washington, D.C.: Willard Jenkins, John Murph, Michael Wilderman; Canada: J.D. Considine, James Hale; France: Jean Szlamowicz; Germany: Hyou Vielz; Great Britain: Andrew Jones; Portugal: José Duarte; Romania: Virgil Mihaiu; Russia: Cyril Moshkow. -
Downbeat.Com November 2015 U.K. £4.00
NOVEMBER 2015 2015 NOVEMBER U.K. £4.00 DOWNBEAT.COM DOWNBEAT JOHN SCOFIELD « DEE DEE BRIDGEWATER « AARON DIEHL « ERIK FRIEDLANDER « FALL/WINTER FESTIVAL GUIDE NOVEMBER 2015 NOVEMBER 2015 VOLUME 82 / NUMBER 11 President Kevin Maher Publisher Frank Alkyer Editor Bobby Reed Associate Editor Brian Zimmerman Contributing Editor Ed Enright Art Director LoriAnne Nelson Contributing Designer ĺDQHWDÎXQWRY£ Circulation Manager Kevin R. Maher Assistant to the Publisher Sue Mahal Bookkeeper Evelyn Oakes Bookkeeper Emeritus Margaret Stevens Editorial Assistant Stephen Hall Editorial Intern Baxter Barrowcliff ADVERTISING SALES Record Companies & Schools Jennifer Ruban-Gentile 630-941-2030 [email protected] Musical Instruments & East Coast Schools Ritche Deraney 201-445-6260 [email protected] Classified Advertising Sales Sam Horn 630-941-2030 [email protected] OFFICES 102 N. Haven Road, Elmhurst, IL 60126–2970 630-941-2030 / Fax: 630-941-3210 http://downbeat.com [email protected] CUSTOMER SERVICE 877-904-5299 / [email protected] CONTRIBUTORS Senior Contributors: Michael Bourne, Aaron Cohen, Howard Mandel, John McDonough Atlanta: Jon Ross; Austin: Kevin Whitehead; Boston: Fred Bouchard, Frank- John Hadley; Chicago: John Corbett, Alain Drouot, Michael Jackson, Peter Margasak, Bill Meyer, Mitch Myers, Paul Natkin, Howard Reich; Denver: Norman Provizer; Indiana: Mark Sheldon; Iowa: Will Smith; Los Angeles: Earl Gibson, Todd Jenkins, Kirk Silsbee, Chris Walker, Joe Woodard; Michigan: John Ephland; Minneapolis: Robin James; Nashville: Bob Doerschuk; -
May 2008AAJ-NY.Qxd
NEW YORK May 2008 | No. 73 Your FREE Monthly Guide to the New York Jazz Scene newyork.allaboutjazz.com AHMAD JAMAL IT'S MAGIC Vince Giordano • George Garzone • Les Disques Victo • Dizzy’s Club • Event Calendar NEW YORK May is significant in the history of Miles Davis. Not only is the 26th the late trumpeter’s birthday but many of his most enduring works were New York@Night recorded during this month, including the Charlie Parker All-Stars (1948); the 4 Miles Davis-Tadd Dameron Quintet’s run in Paris (1949), most of the Workin’, Steamin’ and Relaxin’ triumvirate by the quintet with John Coltrane (1956), Miles Interview: Vince Giordano Ahead and At Carnegie Hall, both with the Gil Evans Orchestra (1957 and 1961 6 by Michael Hittman respectively); and the bulk of Miles in the Sky (1968). Now in May 2008, another chapter to the Miles Legacy will be written with an ambitious concert at Town Artist Feature: George Garzone Hall May 9th, “Miles From India”. A companion concert to a just-released album 7 by Matthew Miller of the same name, the concert brings together musicians who played with the legend throughout his career as well as a number of classical Indian musicians for Label Spotlight: Les Disques Victo what is billed as a “cross-cultural summit meeting”. Our Encore this month, 8 by Kurt Gottschalk guitarist Pete Cosey, is participating in what is sure to be a monumental event. But, as is typical for New York, the happenings don’t stop happening there. Club Profile: Dizzy’s Club Pianist Ahmad Jamal (Cover) brings his trio to Blue Note in a pre-release by Laurel Gross celebration of his first new album in three years, It’s Magic (Birdology-Dreyfus), due out in June. -
The Jazz Messengers
The Jazz Messengers Steven Criado 2 décembre 2020 1 Introduction 1.1 Écoutes du 2 décembre 2020 — The Freedom Rider - Art Blakey & The Jazz Messengers (The Freedom Rider, enregistré en 61, sorti en 64) — United - Art Blakey & The Jazz Messengers (Roots & Herbs, enregistré en 61 pendant les sessions de Freedom Rider, sorti en 70) — Mr. Jin - Art Blakey & The Jazz Messengers (Indestructible, 1964) — I’m Not So Sure - Art Blakey & The Jazz Messengers (Anthenagin, 1973), écouter aussi la version de Roy Hargrove (Earfood, 2008) — Live des Jazz Messengers de 1974 au studio 104 de la Maison de la Radio (lien ci-dessous) — Witch Hunt - Art Blakey & The Jazz Messengers (Album of the Year, 1981) 2 Freedom riders — arrêt de la cour suprême qui interdit la ségrégation dans les transports, en contradiction avec la loi Jim Crow issue du code noir appliquée dans les états du sud — des militants prennent les bus inter-états en 61, un premier bus partant de Wahsington à la Nouvelle-Orléan, est arrêté dans l’Alabama, à Anniston. Pneu crevé, incendie provoqué par la foule, les militants qui s’échappent du bus sont battus, les blessés ont du quitter l’hôpital par crainte de représailles — l’enregistrement de l’album d’Art Blakey à lieu 3 semaines après 1 3 ANNÉES 70 ET 80 DES MESSENGERS 2 — civil right movement, mouvement des droits civiques formé dans les années 50 rassemblant toutes les organisations noires (N.A.A.C.P, Urban League, S.N.C.C., le C.O.R.E., S.C.L.C), poursuit la lutte contre la ségrégation raciale dans la loi américaine, accès à l’éducation, -
O Ne of T He Best Ja Zz Clubs in N Yc ” ...Ny C Jazz R Ecor D @Ja Zzatkitano @K
Monday Open Jam Session Wednesday & Thursday Jazz Shows Sunday Jazz Brunch “ 8:00 pm - 11:30 pm 8:00 pm & 10:00 pm Sets 12:00 pm - 2:00 pm ONE OF THE BEST JAZZ CLUBS IN NYC $15 F&B Minimum $18 Cover / $20 F&B Minimum $45 Great Buffet includes Bloody Mary, Mimosa Tuesday Emerging Artist Series Friday & Saturday Jazz Shows or Aperol Spritz. 8:00 pm - 11:00 pm 8:00 pm & 10:00 pm Sets $20 for children 3 - 12 $15 F&B Minimum $34 Cover / $20 F&B Minimum years of age. Full menu available featuring Contemporary American cuisine. Early diners (7:00 pm) receive preferred seating. ” ...NYC JAZZ RECORD TUESDAY, SEPTEMBER 03 FRIDAY, SEPTEMBER 13 TUESDAY, SEPTEMBER 24 EMERGING ARTIST SERIES: MICHAEL MORREALE QUARTET EMERGING ARTIST SERIES: DALLAS VIETTY QUARTET WITH TONY REGUSIS, BILL MORING ETHAN PINE QUARTET & ADAM NUSSBAUM ________________________________ ________________________________ ________________________________ WEDNESDAY, SEPTEMBER 04 WEDNESDAY, SEPTEMBER 25 HARVEY DIAMOND TRIO SATURDAY, SEPTEMBER 14 SARI KESSLER WITH CAMERON BROWN & SURPRISE ARTIST JUDY NIEMACK & JAY CLAYTON WITH HILA KULIK, STEVE WHIPPLE ________________________________ “VOICES IN FLIGHT” & ANDREW ATKINSON WITH JOHN DIMARTINO & JAY ANDERSON ________________________________ THURSDAY, SEPTEMBER 05 ________________________________ RYAN KEBERLE’S THURSDAY, SEPTEMBER 26 COLLECTIV DO BRASIL TUESDAY, SEPTEMBER 17 TED ROSENTHAL TRIO WITH FELIPE SILVEIRA, THIAGO ALVES EMERGING ARTIST SERIES: WITH NORIKO UEDA & TIM HORNER & PAULINHO VICENTE CECILIA COLEMAN BAND ________________________________ @JAZZATKITANO ________________________________ ________________________________ FRIDAY, SEPTEMBER 27 & FRIDAY, SEPTEMBER 06 WEDNESDAY, SEPTEMBER 18 SATURDAY, SEPTEMBER 28 JONNY KING TRIO AYAKO SHIRASAKI TRIO MIKE DIRUBBO QUINTET WITH EDDIE HENDERSON, ADAM BIRNBAUM, WITH RICHIE GOODS & BILLY DRUMMOND “BIRTHDAY CELEBRATION” PETER WASHINGTON & CARL ALLEN ________________________________ WITH NORIKO UEDA & PAUL WELLS ________________________________ SATURDAY, SEPTEMBER 07 MS. -
JAZZ EDUCATION in ISRAEL by LEE CAPLAN a Thesis Submitted to The
JAZZ EDUCATION IN ISRAEL by LEE CAPLAN A Thesis submitted to the Graduate School-Newark Rutgers, The State University of New Jersey in partial fulfillment of the requirements for the degree of Master of Arts Graduate Program in Jazz History and Research written under the direction of Dr. Henry Martin and approved by ___________________________________ ___________________________________ Newark, New Jersey May,2017 ©2017 Lee Caplan ALL RIGHTS RESERVED ABSTRACT OF THE THESIS JAZZ EDUCATION IN ISRAEL By LEE CAPLAN Thesis Director Dr. Henry Martin Jazz Education in Israel is indebted to three key figures – Zvi Keren, Arnie Lawrence, and Mel Keller. This thesis explores how Jazz developed in Israel and the role education played. Jazz Education in Israel discusses the origin of educational programs such as the Rimon School of Jazz and Contemporary Music (1985) and the New School Jazz Program (1986). One question that was imperative to this study was attempting to discover exactly how Jazz became a cultural import and export within Israel. Through interviews included in this thesis, this study uncovers just that. The interviews include figures such as Tal Ronen, Dr. Arnon Palty, Dr. Alona Sagee, and Keren Yair Dagan. As technology gets more advanced and the world gets smaller, Jazz finds itself playing a larger role in humanity as a whole. iii Preface The idea for this thesis came to me when I was traveling abroad during the summer of 2015. I was enjoying sightseeing throughout the streets of Ben Yehuda Jerusalem contemplating topics when all of a sudden I came across a jam session. I went over to listen to the music and was extremely surprised to find musicians from all parts of Europe coming together in a small Jazz venue in Israel playing bebop standards at break-neck speeds.