Climate Change, Mining and Traditional Indigenous Knowledge in Australia
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Migrating Spirits and Australian Postcolonial Multiculturalism in Hoa Pham’S Vixen
Jessica Carniel Author’s Accepted pre-publication manuscript version of: Carniel, Jessica (2013) In the spirit of reconciliation: migrating spirits and Australian postcolonial multiculturalism in Hoa Pham’s Vixen. In: The Ghostly and the Ghosted in Literature and Film: Spectral Identities. University of Delaware, pp. 75-90. ISBN: 978-1611494525 In the spirit of reconciliation: migrating spirits and Australian postcolonial multiculturalism in Hoa Pham’s Vixen “Spirits come and go. But we’re still here. The land is still here.”1 These words are said by a ningaui, an Aboriginal Australian spirit also sometimes known as a bunyip, to comfort a Vietnamese fox fairy – a mythical creature who is able to take the form of a woman - who mourns the death of her friend, a fox fairy from China. In light of the complex colonial past that still haunts Australia and the ongoing discussion about what relationship Australians should have to this past, especially when they are from relatively recently arrived groups, this is the most important moment in Hoa Pham’s novel, Vixen. The novel is what Pham calls an “historical fantasy”;2 she deliberately plays with mythologies from various cultures against an historical backdrop that makes no claims to accuracy. Nonetheless, Pham captures a truth in this moment and others like it in the novel: it is a moment of recognition between othered groups in Australian society and a motion toward reconciliation. It is also a moment in which complex histories of colonialism and migration converge and are tentatively negotiated within discourses of postcolonialism and multiculturalism. It is not a moment of complete resolution – before disappearing the ningaui invites the fox fairy to return another time, signalling a desire for an ongoing interaction – because reconciliation in Australia is an ongoing process and the relationship between the indigenous and the non- settler (non-white) migrant is particularly new. -
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture
The Fantasy of Whiteness: Blackness and Aboriginality in American and Australian Culture Benjamin Miller A thesis submitted to the School of English, Media and Performing Arts at the University of New South Wales in fulfilment of the requirements for the award of Doctor of Philosophy 2009 THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname: MILLER First name: BENJAMIN Other name/s: IAN Degree: PhD School: ENGLISH, MEDIA AND PERFORMING ARTS Faculty: ARTS AND SOCIAL SCIENCES Title: MR ABSTRACT This dissertation argues that a fantasy of white authority was articulated and disseminated through the representations of blackness and Aboriginality in nineteenth-century American and Australian theatre, and that this fantasy influenced the representation of Aboriginality in twentieth- century Australian culture. The fantasy of whiteness refers to the habitually enacted and environmentally entrenched assumption that white people can and should superintend the cultural representation of Otherness. This argument is presented in three parts. Part One examines the complex ways in which white anxieties and concerns were expressed through discourses of blackness in nineteenth-century American blackface entertainment. Part Two examines the various transnational discursive connections enabled by American and Australian blackface entertainments in Australia during the nineteenth century. Part Three examines the legacy of nineteenth-century blackface entertainment in twentieth-century Australian culture. Overall, this dissertation investigates some of the fragmentary histories and stories about Otherness that coalesce within Australian culture. This examination suggests that representations of Aboriginality in Australian culture are influenced and manipulated by whiteness in ways that seek to entrench and protect white cultural authority. Even today, a phantasmal whiteness is often present within cultural representations of Aboriginality. -
Museum Activism
MUSEUM ACTIVISM Only a decade ago, the notion that museums, galleries and heritage organisations might engage in activist practice, with explicit intent to act upon inequalities, injustices and environmental crises, was met with scepticism and often derision. Seeking to purposefully bring about social change was viewed by many within and beyond the museum community as inappropriately political and antithetical to fundamental professional values. Today, although the idea remains controversial, the way we think about the roles and responsibilities of museums as knowledge- based, social institutions is changing. Museum Activism examines the increasing significance of this activist trend in thinking and practice. At this crucial time in the evolution of museum thinking and practice, this ground-breaking volume brings together more than fifty contributors working across six continents to explore, analyse and critically reflect upon the museum’s relationship to activism. Including contribu- tions from practitioners, artists, activists and researchers, this wide-ranging examination of new and divergent expressions of the inherent power of museums as forces for good, and as activists in civil society, aims to encourage further experimentation and enrich the debate in this nascent and uncertain field of museum practice. Museum Activism elucidates the largely untapped potential for museums as key intellectual and civic resources to address inequalities, injustice and environmental challenges. This makes the book essential reading for scholars and students of museum and heritage studies, gallery studies, arts and heritage management, and politics. It will be a source of inspiration to museum practitioners and museum leaders around the globe. Robert R. Janes is a Visiting Fellow at the School of Museum Studies , University of Leicester, UK, Editor-in-Chief Emeritus of Museum Management and Curatorship, and the founder of the Coalition of Museums for Climate Justice. -
History, Power, Text: Cultural Studies and Indigenous
History, Power, Text: Cultural Studies and Indigenous Studies is a History, Power, Text collection of essays on Indigenous themes published between 1996 and 2013 in the journal known first as UTS Review and now as Cultural Studies Review. This journal opened up a space for new kinds of politics, new styles of writing and new modes of interdisciplinary engagement. History, Power, Text highlights the significance of just one of the exciting interdisciplinary spaces, or meeting points, the journal enabled. ‘Indigenous cultural studies’ is our name for the intersection of cultural studies and Indigenous studies showcased here. Timothy Neale, Crystal McKinnon and Eve Vincent (eds) This volume republishes key works by academics and writers Katelyn Barney, Jennifer Biddle, Tony Birch, Wendy Brady, Gillian Cowlishaw, Robyn Ferrell, Bronwyn Fredericks, Heather Goodall, Tess Lea, Erin Manning, Richard Martin, Aileen Moreton-Robinson, Stephen Muecke, Alison Ravenscroft, Deborah Bird Rose, Lisa Slater, Sonia Smallacombe, Rebe Taylor, Penny van Toorn, Eve Vincent, Irene Watson and Virginia Watson—many of whom have taken this opportunity to write reflections on their work—as well as interviews between Christine Nicholls and painter Kathleen Petyarre, and Anne Brewster and author Kim Scott. The book also features new essays by Birch, Moreton-Robinson and Crystal McKinnon, and a roundtable discussion with former and current journal editors Chris Healy, Stephen Muecke and Katrina Schlunke. Cover illustration: History, Power, Text: Cultural Studies Michael Cook, Majority Rule (Bus), 2014, ink-jet print on paper, 98 × 140 cm Courtesy the artist and Andrew Baker Art Dealer and Indigenous Studies Timothy Neale, Crystal McKinnon and Eve Vincent (eds) CSR Books CSR Books History, Power, Text CSR Books CSR Books is a book series initiated by the journal Cultural Studies Review, and published as an e-book by UTS e-Press with print-on-demand paperbacks also available. -
'Un-Australian' Tony Birch
The Last Refuge of the ‘Un-Australian’ Tony Birch This nation is an island. Its borders have never changed. We don’t want our beaches violated. This is the best country in the world.1 In 1860, with the establishment of the Board for the Protection of the Aborigines (BPA), the Victorian colonial government formalised, through the legislative process, the alienation of Aboriginal people from our country. To ensure that we would become non-citizens in our own land the government incorpo- rated the independently established Christian missions with existing and proposed government stations into a system of centrally administered Aboriginal reserves. The previous thirty years or so had witnessed the widespread murder of Aboriginal people in Victoria who had defended their land against colonial expansion and its insatiable appetite for exploitable land. While this violence was reported to, and was at times actively supported by, representatives of the Crown, from the 1850s the British colony of Victoria rested in the comfort of selective amnesia whenever conversation turned to the very recent history of the dispossession of Aboriginal people. Indigenous people, who prior to the era of violence and massacre were feted as abstract, acultural noble savages were now reconstructed and imagined by the coloniser as a ragged ‘cultureless remnant’, which had rapidly ‘declined’ as a result of a self-destructive ‘propensity for alcohol and disease’ (for details see 1858 Select Committee on the Aborigines, Victorian Parliamentary Papers). Not only did the government wash the blood of violence from its hands, it reconfigured itself as the saviour, the ‘Protector of the Aborigine’, now regarded as a 198 TONY BIRCH : THE LAST REFUGE OF THe ‘UN-Australian’ landless and homeless refugee. -
Made to Matter: White Fathers, Stolen Generations
MADE TO MATTER White Fathers, Stolen Generations Fiona Probyn-Rapsey Made to Matter White Fathers, Stolen Generations Fiona Probyn-Rapsey First published in 2013 by Sydney University Press © Fiona Probyn-Rapsey 2013 © Sydney University Press 2013 Reproduction and Communication for other purposes Except as permitted under the Act, no part of this edition may be reproduced, stored in a retrieval system, or communicated in any form or by any means without prior written permission. All requests for reproduction or communication should be made to Sydney University Press at the address below: Sydney University Press Fisher Library F03 University of Sydney NSW 2006 AUSTRALIA Email: [email protected] sydney.edu.au/sup National Library of Australia Cataloguing-in-Publication Data entry Author: Probyn-Rapsey, Fiona, author. Title: Made to matter : white fathers. stolen generations / Fiona Probyn-Rapsey. 9781920899974 (pbk.) ISBN: 9781920899981 (ebook : epub) 9781743325667 (ebook : PDF) 9781743323687 (ebook : kindle) Notes: Includes bibliographical references and index. Stolen generations (Australia). Race discrimination--Australia--History. Aboriginal Australians--Mixed descent—History. Subjects: Racially mixed people--Australia--History. Whites--Race identity--Australia--History. Fathers--Australia. Dewey Number: 179.3 Cover image by Brian Rapsey Cover design by Dushan Mrva-Montoya This book was made Open Access in 2017 through Knowledge Unlatched. Contents Acknowledgments v Guess who’s not coming to dinner vii Husbands 1 Breeders 24 The combo 45 Black sheep 82 Jim Crows 108 Conclusion: embracive reconciliation 138 Works cited 149 Index 171 iii Acknowledgments In writing this book over the last decade or so, I’ve come to understand that books are not so much finished as stopped. -
Tangled up in Black: a Journey Through Education and History
Tangled up in black: a journey through education and history — Gary Foley Respondent: Tony Birch RUPC #4 Tangled up in black Tangled up in black: a journey through education and history Gary Foley & Tony Birch Tangled up in black: a journey through education and history Gary Foley My PhD dissertation interrogated the emergence in Australia in the 1960s of a new political force in Aboriginal politics. It was the first major, detailed analysis by a participant of the events, people, organisations, interactions and dynamics that resulted in the emergence of a new political movement in Aboriginal Australia. This new approach became known as the Black Power movement, and whilst it was never a movement as such, but rather loose collectives of activists in Sydney, Melbourne and Brisbane, it was nevertheless a set of ideas and aspirations that captured the imagination of large numbers of Aboriginal and Islander people, especially the young. The subsequent political battles that occurred around Australia from 1968 to 1972 on the issue of Land Rights had a huge impact on Australian history and politics. My dissertation showed how the Black Power movement caught Australian media and politicians, including then leader of the Opposition, Gough Whitlam, by surprise and as a result Whitlam was forced to impose dramatic change in Federal ALP Aboriginal Affairs policy during 1972. The McMahon Liberal/Country Party administration is shown to have faltered when its inept handling of the Black Power movement’s Aboriginal Embassy protest had a deleterious effect on the Government’s reputation and credibility. This in turn played a significant role in the McMahon Government’s landslide defeat in the 1972 federal election. -
Melbourne-Prize-For-Literature-2012-CATALOGUE.Pdf
- Melbourne Prize for Literature 2012 - A message from the Executive Director of the Melbourne Prize Trust The Melbourne Prize Trust offers the Melbourne Prize for Literature 2012, Best Writing Award 2012 and Civic Choice Award 2012 as one of the most valuable literary awards in Australia. This catalogue provides details of the prize, awards, and finalists in each category, as well as how to vote instructions for the Civic Choice Award 2012 and quotes from our judges and partners. To showcase finalists’ work and enable the public to engage with the abundant literary talent in Victoria, the finalists work will be exhibited at Federation Square between 5-19 November 2012. The public will have an opportunity to vote for their favourite to win the $5,000 Civic Choice Award 2012, both online and in this catalogue. Voters go into the running to win a luxury overnight stay at Sofitel Melbourne On Collins. In 2008, Melbourne was designated by UNESCO as an international City of Literature. The designation recognises the importance of literature to the city and the state and the central role that writers have played, and continue to play, in the cultural life of our community. The Melbourne Prize for Literature 2012 and awards support Melbourne’s status as a UNESCO City of Literature, recognising and rewarding writing talent in our state. We are proud to have the Victorian Government as a partner through its City of Literature initiative. With the generous support of the City of Melbourne and our partners and patrons, acknowledged in this catalogue, we are delighted to provide opportunities for writers and to demonstrate the importance of literature in a vibrant and creative community. -
"Our Write-To-Write"
"OUR WRITE-TO-WRITE" A Poetics of Encounter Across Aboriginal Australia and the Caribbean Dashiell Moore A dissertation submitted to fulfil requirements for the degree of Doctor of Philosophy Faculty of Arts and Social Sciences School of Literature, Art and Media The University of Sydney 2020 I certify that to the best of my knowledge, the intellectual content of this dissertation is the product of my own work and all the assistance received in preparing this dissertation has been acknowledged. An earlier version of the fourth chapter of this dissertation is published with the Journal of Commonwealth Literature as "The inter-Indigenous Encounter" (2019). Please note that at present this article has not been placed in an issue with this journal. Dashiell Moore Abstract Encounter narratives are often associated with the accounts of first contact between Europeans and the Indigenous inhabitants of New Worlds. However, they are also the means by which contemporary writers assert their self-determination from the coloniser. Notable examples of this phenomenon can be found in the works of Martinique scholar Edouard Glissant, the late Barbados poet and scholar Edward Kamau Brathwaite, Yoogum and Kudjela poet Lionel Fogarty, and Yankunytjatjara poet Ali Cobby Eckermann. Each poet depicts the encountered figure in opaque terms in order to acknowledge the figure's right to refuse the reader's comprehension, a shared signature that demonstrates each poet's commitment to resist the self-Other tradition of Western metaphysics. This dissertation is the first scholarly effort to examine their works together and one of the first comparative studies of Aboriginal and Caribbean poetry. -
Moondani Balluk Booklet 2016: Celebrating 10 Years
CELEBRATING 10 YEARS OF MOONDANI BALLUK Victoria University has a long, rich history of commitment to Aboriginal and Torres Strait Islander participation in education, research, knowledge exchange and employment. The University’s Moondani Balluk Aboriginal and Torres Strait Islander Academic Unit is committed to pursuing political and social justice, equity, and access to education for Aboriginal and Torres Strait Islander people. CRICOS Provider No. 00124K (Melbourne) CRICOS Provider No. 02475D (Sydney) RTO Code: 3113 MOONDANI BALLUK ••• ACKNOWLEDGMENT OF COUNTRY Victoria University (VU) acknowledges the Elders, families and forebearers of the Boonwurrung, Woiwurrung (Wurundjeri) and Wathaurung (Wadawurrung) who are the custodians of University land and have been for many centuries. We acknowledge that the land on which we stand is the place of age-old ceremonies of celebration, initiation and renewal, and that the Kulin people’s living culture had, and has, a unique role in the life of this region. VU supports the aim of Reconciliation Australia to build better relationships between the wider Australian community and Aboriginal and Torres Strait Islander peoples for the benefit of all Australians. CELEBRATING 10 YEARS ••• 3 MOONDANI BALLUK ACADEMIC UNIT Moondani Balluk means ‘embrace people’ in the Woiwurrung language of the Wurundjeri people. Our vision for the Moondani Balluk Academic Moondani Balluk assists all students with: Unit is to create and foster: • ABSTUDY applications and other • A culturally sensitive environment that