Philip Henry Gosse
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PHILIP HENRY GOSSE in the EASTERN TOWNSHIPS, 1835-38 J.L
THE NATURALIST'S LANDSCAPE: PHILIP HENRY GOSSE IN THE EASTERN TOWNSHIPS, 1835-38 j.l. Little History Department, Simon Fraser University This is what I prayed for. A piece of land-not so very big, with a garden and, near the house, a spring that never fails, and a bit ofwood to round it off. -Horace RESUME Philip Henry Gosse faisait partie d'un groupe de colons anglais instruits qui, dans les annees 1830, se sont laisses seduire par I'idee de devenir « gentilshommes rultivateurs » dans les Cantons de [,Est. Comme les autres, Gosse etait prindpalement attire par Ie pittoresque du paysage. n n'a pas tarde aretourner en Angleterre ou if est devenu un naturaliste renomme apres la publication de The Canadian Naturalist, ouvrage base sur I'observation minutieuse des plantes et des animaux des environs de sa ferme du canton de Compton. Cet article examine les descriptions faites par Gosse du paysage local et presente son regard porte sur les relations entre la sodete humaine et fa nature. ABSTRACT Philip Henry Gosse was one of a number of well-educated British settlers seduced by the vision of becoming gentlemen farmers in the Eastern Townships during the 1830s. Gosse, like the others, was attracted primarily by the picturesque landscape. He soon returned to England where he became a widely read naturalist after publishing The Canadian Naturalist, which was based on careful observations of the plants and animals in the vicinity of his Compton Township farm. This paper examines Gosse's descriptions of the local landscape and discusses his attitude to the relationship between human society and nature. -
Zootaxa,Lovell Augustus Reeve (1814?865): Malacological Author and Publisher
ZOOTAXA 1648 Lovell Augustus Reeve (1814–1865): malacological author and publisher RICHARD E. PETIT Magnolia Press Auckland, New Zealand Richard E. Petit Lovell Augustus Reeve (1814–1865): malacological author and publisher (Zootaxa 1648) 120 pp.; 30 cm. 28 November 2007 ISBN 978-1-86977-171-3 (paperback) ISBN 978-1-86977-172-0 (Online edition) FIRST PUBLISHED IN 2007 BY Magnolia Press P.O. Box 41-383 Auckland 1346 New Zealand e-mail: [email protected] http://www.mapress.com/zootaxa/ © 2007 Magnolia Press All rights reserved. No part of this publication may be reproduced, stored, transmitted or disseminated, in any form, or by any means, without prior written permission from the publisher, to whom all requests to reproduce copyright material should be directed in writing. This authorization does not extend to any other kind of copying, by any means, in any form, and for any purpose other than private research use. ISSN 1175-5326 (Print edition) ISSN 1175-5334 (Online edition) 2 · Zootaxa 1648 © 2007 Magnolia Press PETIT Zootaxa 1648: 1–120 (2007) ISSN 1175-5326 (print edition) www.mapress.com/zootaxa/ ZOOTAXA Copyright © 2007 · Magnolia Press ISSN 1175-5334 (online edition) Lovell Augustus Reeve (1814–1865): malacological author and publisher RICHARD E. PETIT 806 St. Charles Road, North Myrtle Beach, SC 29582-2846, USA. E-mail: [email protected] Table of contents Abstract ................................................................................................................................................................................4 -
Aquacultue OPEN COURSE: NOTES PART 1
OPEN COURSE AQ5 D01 ORNAMENTAL FISH CULTURE GENERAL INTRODUCTION An aquarium is a marvelous piece of nature in an enclosed space, gathering the attraction of every human being. It is an amazing window to the fascinating underwater world. The term ‘aquarium’is a derivative of two words in Latin, i.e aqua denoting ‘water’ and arium or orium indicating ‘compartment’. Philip Henry Gosse, an English naturalist, was the first person to actually use the word "aquarium", in 1854 in his book The Aquarium: An Unveiling of the Wonders of the Deep Sea. In this book, Gosse primarily discussed saltwater aquaria. Aquarium or ornamental fish keeping has grown from the status of a mere hobby to a global industry capable of generating international exchequer at considerable levels. History shows that Romans have kept aquaria (plural for ‘aquarium’) since 2500 B.C and Chinese in 1278-960 B.C. But they used aquaria primarily for rearing and fattening of food fishes. Chinese developed the art of selective breeding in carp and goldfish, probably the best known animal for an aquarium. Ancient Egyptians were probably the first to keep the fish for ornamental purpose. World’s first public aquarium was established in Regents Park in London in 1853. Earlier only coldwater fishes were kept as pets as there was no practical system of heating which is required for tropical freshwater fish. The invention of electricity opened a vast scope of development in aquarium keeping. The ease of quick transportation and facilities for carting in temperature controlled packaging has broadened the horizon for this hobby. -
Hugh Cuming (1791-1865) Prince of Collectors by S
J. Soc. Biblphy not. Hist. (1980) 9 (4): 477-501 Hugh Cuming (1791-1865) Prince of collectors By S. PETER DANCE South Bank House, Broad Street, Hay-on-Wye, Powys INTRODUCTION A combination of superabundant energy, unquenchable enthusiasm and endless opportunity was responsible for the remarkable increase in our knowledge of the natural world during the nineteenth century. For every man of action prepared to risk his life in foreign parts there was a dozen armchair students eager to publish descriptions and illustrations of the plants and animals he brought home. Among nineteenth-century men of action few con- tributed as much to the material advance of natural history as Hugh Cuming (1791 —1865) and none has received such an unequal press. A widely accepted picture of the man is contained in a popular and much acclaimed book1 published in the 1930s: The research after the rare, a quasi-commercial, quasi-scientific research, is typified, glorified and carried to the point of exhausting the fun of the game, in the career of the excellent Englishman Hugh Cuming, a wealthy amateur, who set out in a private yacht to cruise the world for new shells, some- thing to tickle the jaded fancy of the European collector in his castle or parsonage or shell-shop. In the Philippines Cuming sent native collectors into the jungles after tropical tree snails, and saw one fellow returning with a sack full from which specimens (every one possibly a genus new to science) were dribbling carelessly along the jungle floor. On a reef in the South Seas (which has since been destroyed by a hurricane) he came on eight living shells of the 'Glory-of-the-Sea'. -
Dreams of Reading: Tender Is the Night
DOCUMENT RESUME ED 293 511 IR 013 034 AUTHOR Geraghty, Christine; Simpson, Philip TITLE Dreams of Reading: Tender Is the Night. PUB DATE Jul 86 NOTE 26p.; Paper presented at the International Television Studies Conferenc e (London, England, July 10-12, 1986). PUB TYPE Guides - Non-Classroom Use (055) -- Speeches /Conference Papers (150) EDRS PRICE MF01/PCO2 Plus Postage. DESCRIPTORS Comparative Analysis; Guidelines; *Media Adaptation; *Narration; *Novels; *Programing (Broadcast); Public Television; Television Research IDENTIFIERS British Broadcasting Corporation ABSTRACT Noting that little theoretical work has been done on the processes of adapting novels for television viewing, and that what discussion there is tends to concentrate on judgments about "faithfulness" to the original, this paper suggests that more can be gained from approaching television adaptations in a less literal way, and shows how the differences and similarities between the novel and its television adaptation can be mapped out. F. Scott Fitzgerald's novel, "Tender is the Night," is offered as an example of the kind of adaptation that is an important element in British television programming, and a brief review of the BBC (British Broadcasting Corporation) and the Seventh Network, Australia, production of the novel and its exhibition history is provided as background for the textual analysis that follows. The ensuing discussion (1) raises some general questions about the differences between verbal and visual sign systems and the nature of the changes generated by the shift from words to images; (2) defines and gives examples of a number of strategies believed to be central to the process of adaptation; and (3) analyzes the complexity of the adaptation process by looking carefully at a short section of the television program. -
Hookes Fossilien Und Die Anti-Evolutionisten
SPEKTRUM-ESSAY z Hookes Fossilien und die Anti-Evolutionisten Im 17. Jahrhundert begann ein Streit um das Alter der Erde und die Entwicklung der Organismen, den hartnäckige Evolutionsgegner bis zum heutigen Tag fortsetzen. Von Keith Stewart Thomson nen. Robert Boyle hingegen war der reiche Sohn des noch reicheren ersten Earl of Cork elegentlich erfahre ich, dass aus und besuchte nie eine Universität. Als Boyle meinen Beiträgen zur Evolutions- sich zwischen 1656 und 1668 in Oxford nie- theorie zitiert wurde, um damit ge- derließ, stellte er Hooke an, damit der ihm gen die biologische Evolution und bei seinen philosophischen Untersuchungen G für den Kreationismus zu argumentieren. über das Wesen der Gase und deren Gesetze Kürzlich verwendete das so genannte Discove- zur Hand ginge. Hooke war der Erfinder und ry Institute meine Arbeit bei einem Versuch, Techniker, der die berühmten Luftpumpen- den Kreationismus in den Schulen des US- versuche durchführte; sie bewiesen, dass es in Bundesstaats Ohio zu etablieren. Bei solchen der Luft einen – später entdeckten und Sauer- Anlässen weiß man nie, ob man lachen oder stoff genannten – Faktor geben muss, den weinen soll. Diese Leute durchstöbern die Tiere zum Leben brauchen. Wissenschaft nur so eifrig, um sie gegen uns Hookes Erfindungen reichten später von zu wenden. Doch letztlich setzen sie einen der Uhrfeder bis zum Universalgelenk. Er prinzipiellen Kampf um unsere Herzen und wurde Bauaufseher für London, als Christo- Hirne fort, der niemals wirklich enden wird: pher Wren dort Stadtarchitekt war, und ge- Lässt sich das Universum zur Gänze wissen- meinsam gestalteten sie nach dem großen schaftlich erklären oder gibt es ein letztes, Brand von 1666 London neu. -
Dennis Potter: an Unconventional Dramatist
Dennis Potter: An Unconventional Dramatist Dennis Potter (1935–1994), graduate of New College, was one of the most innovative and influential television dramatists of the twentieth century, known for works such as single plays Son of Man (1969), Brimstone and Treacle (1976) and Blue Remembered Hills (1979), and serials Pennies from Heaven (1978), The Singing Detective (1986) and Blackeyes (1989). Often controversial, he pioneered non-naturalistic techniques of drama presentation and explored themes which were to recur throughout his work. I. Early Life and Background He was born Dennis Christopher George Potter in Berry Hill in the Forest of Dean, Gloucestershire on 17 May 1935, the son of a coal miner. He would later describe the area as quite isolated from everywhere else (‘even Wales’).1 As a child he was an unusually bright pupil at the village primary school (which actually features as a location in ‘Pennies From Heaven’) as well as a strict attender of the local chapel (‘Up the hill . usually on a Sunday, sometimes three times to Salem Chapel . .’).2 Even at a young age he was writing: I knew that the words were chariots in some way. I didn’t know where it was going … but it was so inevitable … I cannot think of the time really when I wasn’t [a writer].3 The language of the Bible, the images it created, resonated with him; he described how the local area ‘became’ places from the Bible: Cannop Ponds by the pit where Dad worked, I knew that was where Jesus walked on the water … the Valley of the Shadow of Death was that lane where the overhanging trees were.4 I always fall back into biblical language, but that’s … part of my heritage, which I in a sense am grateful for.5 He was also a ‘physically cowardly’6 and ‘cripplingly shy’7 child who felt different from the other children at school, a feeling heightened by his being academically more advanced. -
Where Adam Stood
Where Adam Stood UK TV play : 1976 : dir. Brian Gibson : BBC : 76 min prod: Kenith Trodd : scr: Dennis Potter : dir.ph.: …………………………….……………………………………………………………………………… Alan Badel; Ronald Hines; Max Harris Ref: Pages Sources Stills KBytes Ω Copy on VHS Last Viewed 5147 ½ 1 0 - - - - - No unseen Halliwell's Television Companion review: [no listing in "History of Television", "How Sweet It Was" or "Television's Greatest “Dennis Potter play taken from incidents in Hits"] Edmund Gosse’s "Father and Son" about a stern Victorian papa agonising over Darwin’s Theory of Relativity. As a leading natural scientist of the day he recognises its force, as a fundamentalist christian he is committed to the literal truth of the bible; his motherless son unwittingly sharpens the dilemma. On any estimation one of the half dozen best things Potter has done – intellectually faultless, warm, tender and sly. ** ” No further information currently available. If Max Harris played the son, nothing else is known of him. Dennis Potter supplied several other titles of special interest to the archive, most notably his superb serial “The Singing Detective” (wartime boyhood guilt intertwines with adult gumshoe fantasy in the mind of a patient hospitalised with a crippling skin disease) and the less pleasing “DREAMCHILD” (an elderly Alice Liddell on her first cruise to America is haunted by disturbing recollections of her childhood acquaintance with Lewis Carroll, and nightmarish encounters with his creations). As with director Peter Greenaway, however, Potter's private preoccupations were sometimes allowed to override narrative consistency and intellectual rigour. At least, he was never less than interesting (something one could not accuse Derek Jarman of, for example). -
The Romance of Natural History, Second Series by Philip Henry Gosse
The Romance of Natural History, Second Series by Philip Henry Gosse I. THE EXTINCT. If it is a scene of painful interest, as surely it is to a well-constituted mind, to stand by and watch the death-struggles of one of the nobler brutes,—a dog or an elephant, for example,—to mark the failing strength, the convulsive throes, the appealing looks, the sobs and sighs, the rattling breath, the glazing eye, the stiffening limbs—how much more exciting is the interest with which we watch the passing away of a dying species. For species have their appointed periods as well as individuals: viewed in the infinite mind of GOD, the Creator, from the standpoint of eternity, each form, each race, had its proper duration assigned to it—a duration which, doubtless, varied in the different species as greatly as that assigned to the life of one individual animal differs from that assigned to the life of another. As the elephant or the eagle may survive for centuries, while the horse and the dog scarcely reach to twenty years, and multitudes of insects are born and die within a few weeks, so one species may have assigned to its life, for aught I know, a hundred thousand years as its normal period, and another not more than a thousand. If creation was, with respect to the species, what I have elsewhere proved it was with respect to the individual,[1]—a violent irruption into the cycle of life—then we may well conceive this to have taken place at very varying relative periods in the life-history of the different species;—that is to say, that at a given date, (viz., that of creation) one species might be just completing, ideally, its allotted course, another just commencing, and a third attaining its meridian. -
With Fry Innumerable Swarm": Reading Milton As Intertext in Nineteenth-Century Popular Science
“With Fry Innumerable Swarm": reading Milton as intertext in nineteenth-century popular science Book or Report Section Accepted Version Martin, A. E. (2016) “With Fry Innumerable Swarm": reading Milton as intertext in nineteenth-century popular science. In: Singer, C. and Lehner, C. (eds.) Dante and Milton: Envisioned Visionaries. Cambridge Scholars Press, Cambridge, pp. 123- 146. ISBN 9781443885751 Available at http://centaur.reading.ac.uk/54119/ It is advisable to refer to the publisher’s version if you intend to cite from the work. See Guidance on citing . Publisher: Cambridge Scholars Press All outputs in CentAUR are protected by Intellectual Property Rights law, including copyright law. Copyright and IPR is retained by the creators or other copyright holders. Terms and conditions for use of this material are defined in the End User Agreement . www.reading.ac.uk/centaur CentAUR Central Archive at the University of Reading Reading’s research outputs online CHAPTER XX “WITH FRY INNUMERABLE SWARM”: READING MILTON AS INTERTEXT IN NINETEENTH-CENTURY POPULAR SCIENCE ALISON E. MARTIN “Forthwith the sound and seas, each creek and bay, / With fry innumerable swarm” quoted Philip Henry Gosse at the opening to a chapter on jellyfish, spiny cockles and sea worms in The Aquarium: An Unveiling of the Wonders of the Deep Sea (1854, 210). A ‘popular’ account of the flora and fauna of the seaside, this work abounded with literary references, not just to Milton’s Paradise Lost (1667), which brought these texts into dialogue with Gosse’s own reflections on the abundance of deep-sea life and the wonders of creation. -
The Role of Metaphor in the Darwin Debates: Natural
THE ROLE OF METAPHOR IN THE DARWIN DEBATES: NATURAL THEOLOGY, NATURAL SELECTION, AND CHRISTIAN PRODUCTION OF COUNTER-METAPHOR A Thesis By JULIET JOY NEUMANN Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS May 2012 Major Subject: English The Role of Metaphor in the Darwin Debates: Natural Theology, Natural Selection, and Christian Production of Counter-Metaphor Copyright 2012 Juliet Joy Neumann THE ROLE OF METAPHOR IN THE DARWIN DEBATES: NATURAL THEOLOGY, NATURAL SELECTION, AND CHRISTIAN PRODUCTION OF COUNTER-METAPHOR A Thesis By JULIET JOY NEUMANN Submitted to the Office of Graduate Studies of Texas A&M University in partial fulfillment of the requirements for the degree of MASTER OF ARTS Approved by: Chair of Committee, C. Jan Swearingen Committee Members, James Arnt Aune M. Jimmie Killingsworth Head of Department, Nancy Warren May 2012 Major Subject: English iii ABSTRACT The Role of Metaphor in the Darwin Debates: Natural Theology, Natural Selection, and Christian Production of Counter-Metaphor. (May 2012) Juliet Joy Neumann, B.S., Texas A&M University; M.S., Baylor College of Medicine Chair of Advisory Committee: Dr. C. Jan Swearingen The presence of metaphorical language in Charles Darwin’s On the Origin of Species has been the source of much debate, particularly in the interaction between Darwin’s theory and the Christian faith. The metaphorical language used to describe “nature,” “evolution,” “natural theology,” and “natural selection” is examined—within Christianity prior to Darwin, in Darwin’s writing of the Origin , and in the responses of three Victorian Christian critics of science. -
Peter Dances Books 1
DELIGHTS FOR THE EYES AND THE MIND A brief survey of conchological books by S. Peter Dance Many years ago virtually every English town of any size supported at least one or two second-hand book- shops. It was still possible to find wonderful things lying neglected on their dusty shelves or on their even dustier floors. Such shops had an irresistible allure for the impecunious youth with a liking for natural history books that I was then. How well I remember the day when I wandered around one of these magical caves and carried off, for the princely sum of two shillings and sixpence, my first shell book, a copy of Jacques Philippe Raymond Draparnaud's Histoire Naturelle des Mollusques terrestres et fluviatiles de la France. Published in 1805 but still in pristine condition, written by a pioneer of European conchology, containing engraved plates of shells, it had been delicately annotated in pencil by a former owner, Sylvanus Hanley. The most exotic purchase I had ever made, I sensed then that it was an almost perfect acquisition for the dedicated collector of such things, for it was old and in fine condition, was illustrated (albeit not in colour), contained interesting annotations by a former owner who had himself acquired a degree of fame in the conchological world, and was a bargain at the price. Half a century later I know that it will be very difficult to repeat so satisfying a transaction for so small an outlay but interesting items will still come onto the market to tempt discerning purchasers.