Bibliography of Radical Bookshops
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Progressive Dilemma Revisited
This is a repository copy of The progressive dilemma revisited. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/113268/ Article: Gamble, A. orcid.org/0000-0002-4387-4272 (2017) The progressive dilemma revisited. Political Quarterly, 88 (1). pp. 136-143. ISSN 0032-3179 https://doi.org/10.1111/1467-923X.12327 This is the peer reviewed version of the following article: Gamble, A. (2017), The Progressive Dilemma Revisited. The Political Quarterly, 88: 136–143, which has been published in final form at https://doi.org/10.1111/1467-923X.12327. This article may be used for non-commercial purposes in accordance with Wiley Terms and Conditions for Self-Archiving. Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ The Progressive Dilemma revisited Andrew Gamble David Marquand wrote The Progressive Dilemma in 1991.1 The book is an extended set of reflections on the progressive tradition in British politics and the dilemma faced by progressive intellectuals since the beginning of the twentieth century. -
King Mob Echo: from Gordon Riots to Situationists & Sex Pistols
KING MOB ECHO FROM 1780 GORDON RIOTS TO SITUATIONISTS SEX PISTOLS AND BEYOND BY TOM VAGUE INCOMPLETE WORKS OF KING MOB WITH ILLUSTRATIONS IN TWO VOLUMES DARK STAR LONDON ·- - � --- Printed by Polestar AUP Aberdeen Limited, Rareness Rd., Altens Industrial Estate, Aberdeen AB12 3LE § 11JJJDJJDILIEJMIIENf1r 1f(Q) KIINCGr JMI(Q)IB3 JECCIHI(Q) ENGLISH SECTION OF THE SITUATIONIST INTERNATIONAL IF([J)IF ffiIE V ([J) IL lUilII ([J) W §IFIEIEIIJ) IHIII§il([J) ffiY ADDITIONAL RESEARCH BY DEREK HARRIS AND MALCOLM HOPKINS Illustrations: 'The Riots in Moorfields' (cover), 'The London Riots', 'at Langdale's' by 'Phiz' Hablot K. Browne, Horwood's 1792-9 'Plan of London', 'The Great Rock'n'Roll Swindle', 'Oliver Twist Manifesto' by Malcolm McLaren. Vagrants and historical shout outs: Sandra Belgrave, Stewart Home, Mark Jackson, Mark Saunders, Joe D. Stevens at NDTC, Boz & Phiz, J. Paul de Castro, Blue Bredren, Cockney Visionaries, Dempsey, Boss Goodman, Lord George Gordon, Chris Gray, Jonathon Green, Jefferson Hack, Christopher Hibbert, Hoppy, Ian Gilmour, Ish, Dzifa & Simone at The Grape, Barry Jennings, Joe Jones, Shaun Kerr, Layla, Lucas, Malcolm McLaren, John Mead, Simon Morrissey, Don Nicholson-Smith, Michel Prigent (pre-publicity), Charlie Radcliffe, Jamie Reid, George Robertson & Melinda Mash, Dragan Rad, George Rude, Naveen Saleh, Jon Savage, Valerie Solanas, Carolyn Starren & co at Kensington Library, Mark Stewart, Toko, Alex Trocchi, Fred & Judy Vermorel, Warren, Dr. Watson, Viv Westwood, Jack Wilkes, Dave & Stuart Wise Soundtrack: 'It's a London Thing' Scott Garcia, 'Going Mobile' The Who, 'Living for the City' Stevie Wonder, 'Boston Tea Party' Alex Harvey, 'Catholic Day' Adam and the Ants, 'Do the Strand' Roxy Music', 'Rev. -
LSE RB Feature, Relaunching the Left Book Club by Rosemary Deller.Pdf
blogs.lse.ac.uk http://blogs.lse.ac.uk/lsereviewofbooks/2016/01/27/feature-the-inspiration-that-makes-for-knowledge-relaunching-the-left-book-club/ Feature: ‘The Inspiration That Makes for Knowledge’: Relaunching the Left Book Club Formed in 1936 by publisher Victor Gollancz, the Left Book Club (LBC) published books on a monthly basis to be read and discussed at groups staged across the UK. Despite reaching a peak membership of 57,000 in 1939 and releasing 257 titles including George Orwell’s The Road to Wigan Pier, the movement ultimately dwindled by 1948. However, in 2015 Jan Woolf and Neil Faulkner instigated the relaunch of the Left Book Club in collaboration with Pluto Press. Following the publication of the first title Syriza: Inside the Labyrinth by Kevin Ovenden, LSE RB managing editor Rosemary Deller met with Woolf and Faulkner to discuss the past and present incarnations of the Left Book Club. ‘The Inspiration That Makes for Knowledge’: Relaunching the Left Book Club ‘Since I spend the major part of my life in that state of resentful coma, that in the Universities we call research […] I want from our movement to come the inspiration that makes for knowledge.’ Harold Laski Speaking at a rally at the Albert Hall in 1937, the ‘movement’ to which Laski was referring was the Left Book Club (LBC), a publishing initiative begun by Victor Gollancz one year previously. The purpose of this collective was encapsulated in its name: to publish socialist- minded books on a monthly basis for members to read and then discuss at groups staged across the UK. -
Because the Trent Book Shop Is in Nottingham Hannah Neate
Because The Trent Book Shop is in Nottingham Hannah Neate In 1972 Stuart Mills, co-founder of the Tarasque Press, made the following comment in the catalogue for the exhibition ‘Metaphor and Motif’ held at Nottingham’s Midland Group Gallery: This exhibition, in its own way, sets the balance straight. If it is seen, if the catalogue is read widely enough then it should be clear that something surprisingly consistent has been going on in Nottingham for the past few years. This chapter is an attempt to explain some of the activities to which Mills was alluding. It is a story of an overlooked literary and artistic life in Nottingham from 1964 to 1972 which centred on the Trent Book Shop. This was a brief but significant period when avant-garde bookselling and the British Poetry Revival came to the East Midlands. The Trent Book Shop In his memoir of life in Nottingham in the sixties Ray Gosling describes how: There were books and magazines that you could only buy in special places, lots of little magazines from Greenwich Village, New York City, and all over the English-speaking world. Stuart and Martin who drank in Yate’s Wine Lodge and listened to the trio with us were teachers. They went part-time and opened an avant-garde bookshop, the first of its kind in our town to sell these free-thinking books.1 The shop to which Gosling refers to is the Trent Book Shop, opened in 1964 by Stuart Mills and Martin Parnell on Pavilion Road, in the West Bridgford area of Nottingham. -
Science Fiction Review 30 Geis 1979-03
MARCH-APRIL 1979 NUMBER 30 SCIENCE FICTION REVIEW $1.50 Interviews: JOAN D. VINGE STEPHEN R. DONALDSON NORMAN SPINRAD Orson Scott Card - Charles Platt - Darrell Schweitzer Elton Elliott - Bill Warren SCIENCE FICTION REVIEW Formerly THE ALIEN CRITIC P.O. Be* 11408 MARCH, 1979 — VOL.8, no.2 Portland, OR 97211 WHOLE NUMBER 30 RICHARD E. GEIS, editor & publisher CONFUCIUS SAY MAN WHO PUBLISHES FANZINES ALL LIFE DOOMED TO PUBLISHED BI-MONTHLY SEEK MIMEOGRAPH IN HEAVEN, HEKTO- COVER BY STEPHEN FABIAN JAN., MARCH, MAY, JULY, SEPT., NOV. Based on "Hellhole" by David Gerrold GRAPH IN HELL (To appear in ASIMOV'S SF MAGAZINE) SINGLE COPY — $1.50 ALIEN THOUGHTS by the editor........... 4 PUOTE: (503) 282-0381 INTERVIEW WITH JOAN D. VINGE CONDUCTED BY DARRELL SCHWEITZER....8 LETTERS---------------- THE VIVISECTOR GEORGE WARREN........... A COLUMN BY DARRELL SCHWEITZER. .. .14 JAMES WILSON............. PATRICIA MATTHEWS. POUL ANDERSON........... YOU GOT NO FRIENDS IN THIS WORLD # 2-8-79 ORSON SCOTT CARD.. A REVIEW OF SHORT FICTION LAST-MINUTE NEWS ABOUT GALAXY BY ORSON SCOTT CARD....................................20 NEAL WILGUS................ DAVID GERROLD........... Hank Stine called a moment ago, to THE AWARDS ARE Ca-IING!I! RICHARD BILYEU.... say that he was just back from New York and conferences with the pub BY ORSON SCOTT CARD....................................24 GEORGE H. SCITHERS ARTHUR TOFTE............. lisher. [That explains why his INTERVIEW WITH STEPHEN R. DONALDSON ROBERT BLOCH.............. phone was temporarily disconnected.] The GAIAXY publishing schedule CONDUCTED BY NEAL WILGUS.......................26 JONATHAN BACON.... SAM MOSKOWITZ........... is bi-monthly at the moment, and AND THEN I READ.... DARRELL SCHWEITZER there will be upcoming some special separate anthologies issued in the BOOK REVIEWS BY THE EDITOR..................31 CHARLES PLATT.......... -
Frankfurt 2019
A& A N N A G U R G U Í L I T EGR A R Y A G E N C Y FRANKFURT 2019 CHILDREN’S TITLES CHRONICLE BOOKS More board book fun from the #1 New York Times CRANE TRUCK’S OPPOSITES by bestseller! SEPTEMBER Sherri Duskey Rinker 2019 A concept book from the #1 New York Times bestselling Goodnight, Goodnight Construction Site series by Sherri Duskey Rinker! Crane Truck's Opposites: Goodnight, Goodnight, Construction Site introduces the concept of opposites in board book form to youngest readers. Little construction fans will love learning early concepts by watching Crane Truck as he works from DAY to NIGHT on jobs both BIG and SMALL, with help from his friend Excavator. • This concept-driven board book features characters from the bestselling Goodnight, Goodnight Construction Site and Mighty, Mighty Construction Site series • Construction vehicles are a favorite topic among little readers • Touches upon themes of shared work and the value of friendship, while teaching the concept of opposites Review of previous book: Goodnight, Goodnight Construction Site Perfect for little hands, this adorable board book introduces favorite machines to readers ages 5 to 6 years old. "A lovely book that ties the Christmas message of friendship and generosity to the satisfaction of a job well-done." —Kirkus Reviews It's all in a day's work for the trucks of the bestselling Goodnight, Goodnight, "Children will love shouting out the names of the vehicles and the parts they are gifted, as well as Construction Site. guessing what they're creating. It's perfect for one-on-one -
STREET of DREAMS Paul Buck
www.visionsofthecity.com STREET OF DREAMS Paul Buck ondon. Charing Cross Road. I must have walked up and down that road two or three thousand times. Perhaps ten thousand. Who knows? How to calcu - Llate a figure with any form of accuracy when it traces back forty years to my early teens? Can’t I make a stab in the dark, perhaps like Simenon when he pur - ported to have had sex with ten thousand women since the age of thirteen and a half in his “need to communicate”? A figure later reduced to around one thousand two hundred by his second wife. Whatever the number, this dynamic road plays a major part in my life, a spine to my life, as it is to Central London. Or, alternatively, the aorta, the main artery of the body. What image to find to equate its importance in my life? Its vitalness. My life would have been very different if this street hadn’t been there to support and launch me in directions, like ribs from the spine, or vital organs within its sphere. Walking up the Charing Cross Road, to the left are connections to Leicester Square, Chinatown, Soho, Oxford Street. Walking up, to the right, connections to Covent Garden, Holborn, Bloomsbury. Walking up . That word suggests the bottom is at the Trafalgar Square end. But that is only because I come into the great metropolis from the south, arrive at Char - ing Cross station, the closest station of all the main ones to the centre of London. Thus I begin my walk from the bottom as I know it, behind the north side of Trafal - gar Square, behind the National Gallery. -
Anti-Fascism and Democracy in the 1930S
02_EHQ 32/1 articles 20/11/01 10:48 am Page 39 Tom Buchanan Anti-fascism and Democracy in the 1930s In November 1936 Konni Zilliacus wrote to John Strachey, a leading British left-wing intellectual and a prime mover in the recently founded Left Book Club, inviting him to ponder ‘the problem of class-war strategy and tactics in a democracy’. Zilliacus, a press officer with the League of Nations and subse- quently a Labour Party MP, was particularly worried about the failure of the Communist Party and the Comintern to offer a clear justification for their decision to support the Popular Front and collective security. ‘There is no doubt’, Zilliacus wrote, ‘that those who are on the side of unity are woefully short of a convincing come-back when the Right-Wing put up the story about Com- munist support of democracy etc. being merely tactical camou- flage.’1 Zilliacus’s comment raises very clearly the issue that lies at the heart of this article. For it is well known that the rise of fascism in the 1930s appeared to produce a striking affirmation of sup- port for democracy, most notably in the 1936 election victories of the Spanish and French Popular Fronts. Here, and elsewhere, anti-fascism was able to unite broad political coalitions rang- ing from liberals and conservatives to socialists, communists and anarchists. But were these coalitions united more by a fear of fascism than by a love of democracy — were they, in effect, marriages of convenience? Historians have long disagreed on this issue. Some have emphasized the prior loyalty of Communist supporters of the Popular Front to the Stalinist regime in the USSR, and have explained their new-found faith in democracy as, indeed, a mere ‘tactical camouflage’ (a view given retrospec- tive weight by the 1939 Nazi–Soviet Pact). -
436320 1 En Bookbackmatter 189..209
BIBLIOGRAPHY Adorno, Theodor & Max Horkheimer. Dialectic of Enlightenment. Translated by E. Jephcott, Stanford University Press, 2002. Allen, Tim & Andrew Duncan (eds.). Don’t Start Me Talking: interviews with contemporary poets. Salt, 2006. Alvarez, Al (ed.). The New Poetry. Penguin, 1966. Allnut, Gillian et al (eds). The New British Poetry. Paladin, 1988. Anderson, Simon. “Fluxus, Fluxion, Fluxshoe: the 1970s”. The Fluxus Reader, edited by Ken Friedman. Academy Editions, 1998, pp. 22–30. Andrews, Malcom. Charles Dickens and his performing selves: Dickens and public readings. Oxford University Press, 2006. Artaud, Antonin. Selected Writings, edited by Susan Sontag. Strauss & Giroux, 1976 Auslander, Philip. “On the Performativity of Performance Documentation”. After the Act—The (Re)Presentation of Performance Art, edited by Barbara Clausen. Museum Moderner Kunt Stiftung Ludwig Wien, 2005, pp. 21–33. Austin, J.L. How to Do Things with Words: the William Harvey James lectures delivered at Harvard University in 1955. Claredon Press, 1975. Badiou, Alain. Being and Event. Translated by O. Feltman, Continuum, 2007. Bakhtin, Mikhail. Rabelais and His World. Translated by L. Burchill, Indiana University Press, 1984. Barry, Peter. “Allen Fisher and ‘content-specific’ poetry”. New British Poetries: The Scope of the Possible, edited by Robert Hampson & Peter Barry. Manchester University Press, 1993, pp. 198–215. ———. Contemporary British Poetry and the City. Manchester University Press, 2000. ———. Poetry Wars: British poetry of the 1970s and the battle for Earl’s Court. Salt, 2006. © The Editor(s) (if applicable) and The Author(s) 2017 189 J. Virtanen, Poetry and Performance During the British Poetry Revival 1960–1980, Modern and Contemporary Poetry and Poetics, DOI 10.1007/978-3-319-58211-5 190 BIBLIOGRAPHY Blanc, Alberto C. -
Literature, CO Dime Novels
DOCUMENT RESUME ED 068 991 CS 200 241 AUTHOR Donelson, Ken, Ed. TITLE Adolescent Literature, Adolescent Reading and the English Class. INSTITUTION Arizona English Teachers Association, Tempe. PUB DATE Apr 72 NOTE 147p. AVAILABLE FROMNational Council of Teachers of English, 1111 Kenyon Road, Urbana, Ill. 61801 (Stock No. 33813, $1.75 non-member, $1.65 member) JOURNAL CIT Arizona English Bulletin; v14 n3 Apr 1972 EDRS PRICE MF-$0.65 HC-$6.58 DESCRIPTORS *Adolescents; *English; English Curriculum; English Programs; Fiction; *Literature; *Reading Interests; Reading Material Selection; *Secondary Education; Teaching; Teenagers ABSTRACT This issue of the Arizona English Bulletin contains articles discussing literature that adolescents read and literature that they might be encouragedto read. Thus there are discussions both of literature specifically written for adolescents and the literature adolescents choose to read. The term adolescent is understood to include young people in grades five or six through ten or eleven. The articles are written by high school, college, and university teachers and discuss adolescent literature in general (e.g., Geraldine E. LaRoque's "A Bright and Promising Future for Adolescent Literature"), particular types of this literature (e.g., Nicholas J. Karolides' "Focus on Black Adolescents"), and particular books, (e.g., Beverly Haley's "'The Pigman'- -Use It1"). Also included is an extensive list of current books and articles on adolescent literature, adolescents' reading interests, and how these books relate to the teaching of English..The bibliography is divided into (1) general bibliographies,(2) histories and criticism of adolescent literature, CO dime novels, (4) adolescent literature before 1940, (5) reading interest studies, (6) modern adolescent literature, (7) adolescent books in the schools, and (8) comments about young people's reading. -
America in Revolt: the Art of Protest
AMERICA IN REVOLT: THE ART OF PROTEST February 3nd – February 27th, 2016 Private View: Tuesday, February 2nd, 6 – 8.30pm Shapero Modern is delighted to present AMERICA IN REVOLT: THE ART OF PROTEST, an exhibition of original posters and artwork created by students and activists during the landmark ‘Berkeley demonstrations’ in California in the early 1970s. Drawn from the archive of the late publisher Felix Dennis, and curated by the revered writer and counterculture historian Barry Miles, the collection is comprised of more than 150 posters, each one capturing the incendiary spirit of that time. While the demonstrations were initially sparked by the massacre of four unarmed student protesters at Kent State University by the Ohio National Guard on May 4th, 1970, they were also a response to the reinstatement of the military draft by President Nixon, and the escalation of the Vietnam War into Cambodia. AMERICA IN REVOLT: THE ART OF PROTEST is made up of 50 works from the Felix Dennis collection, which was recently acquired by Shapero Rare Books. All of the posters demonstrate the swift organisation of the student body. Just days after the Kent State shooting, the Berkeley Political Poster Workshop, made up of art, design and political students, took over a small space donated by a sympathetic contingent of the faculty. Here they quickly disseminated their message through an ad-hoc production line. Posters were silkscreened onto recycled computer paper and psychedelic calendars; others went straight onto cardboard to be used immediately at demonstrations. Only a few of each of these posters were made and most did not survive, such was their immediate necessity. -
Communism As a Way of Life, the Communist Party Historians’ Group and Oxford Student Politics
1 The Ingrained Activist: Communism as a Way of Life, the Communist Party Historians’ Group and Oxford Student Politics When Richard Lloyd Jones came to look back on his wartime school days at Long Dene, a progressive boarding school in Buckinghamshire, one particular incident stuck in his mind.1 He remembered being kept awake during the hot summer of 1944. It was not the heat alone that was responsible for this. Nor was there any particular physical reason why he should have been so wakeful. Part of the school’s ethos was a strenuous emphasis on the pupils participating in forms of outdoor and rural work such as harvesting. All that fresh air and exercise should have been quite sufficient to exhaust even the most active of small boys. What kept Richard Lloyd Jones awake was the incessant talking of a young, hyperactive ‘Raf-Sam’. Lloyd Jones did not recall exactly what it was that so animated the juvenile Samuel, late into that sticky summer’s night, but a reasonable assumption would be that it was politics, specifically communist politics, as the nine-year-old Samuel was already practising his skills as an aspiring communist propagandist and organiser.2 1 Lloyd Jones later became Permanent Secretary for Wales (1985–93) and Chairman for the Arts Council of Wales (1994–99). 2 Richard Lloyd Jones quoted in Sue Smithson, Community Adventure: The Story of Long Dene School (London: New European Publications, 1999), 21. See also: Raphael Samuel, ‘Family Communism’, in The Lost World of British Communism (London: Verso, 2006), 60; Raphael Samuel, ‘Country Visiting: A Memoir’, in Island Stories: Unravelling Britain (London: Verso, 1998), 135–36.