Naoum and Eugenia Blinder Papers, 1909-1988
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Current Review
Current Review Isaac Stern plays Tchaikovsky: Violin Concerto, Op. 35 and Bartók: Violin Concerto No. 2, Sz. 112 aud 95.624 EAN: 4022143956248 4022143956248 Fanfare (Jerry Dubins - 2014.02.12) This release is of particular interest to me, for as one who was born, raised, and lived most of my life in San Francisco, I probably saw and heard Isaac Stern perform live in concert and recital more times than any other single artist. That, of course, was because of Stern’s close ties to the city in which he grew up and studied violin under Louis Persinger, one-time teacher of Menuhin, and with Naoum Blinder, the San Francisco Symphony’s then concertmaster. In 1936, Stern made his debut with the orchestra under the baton of Pierre Monteux, and though he would soon leave San Francisco to pursue a career as one of the world’s most recognized and sought-after violin virtuosos, he returned often to the city that had nurtured him to appear with the orchestra and in recital with his long-time accompanist, Alexander Zakin. In 1945, Stern signed a recording contract with Columbia, an association that lasted uninterrupted for 40 years, one of the longest such artist/record company alliances in history. And during those years, Stern joined forces with famous conductors, orchestras, and chamber musicians to record the entire mainstream violin concerto and chamber music repertoire, and beyond, often more than once. If you grew up in the 1950s and began collecting records in junior high and high school, as I did, the chances are you grew up with Isaac Stern spinning on your turntables. -
Read Ebook {PDF EPUB} Sternenstaubkind by Isa Day Sternenmagie Bücher in Der Richtigen Reihenfolge
Read Ebook {PDF EPUB} Sternenstaubkind by Isa Day Sternenmagie Bücher in der richtigen Reihenfolge. Die Sternenmagie -Serie schuf Isa Day im Jahre 2020. Entstanden sind seitdem fünf Teile der Reihenfolge. Der letzte bzw. neueste Band stammt auch aus diesem Jahr. 4.5 von 5 Sternen bei 2 Bewertungen. Chronologie aller Bände (1-5) Eingeleitet wird die Buchreihe mit dem Buch "Sternenstaubkind". Mit diesem Teil sollte zum Einstieg angefangen werden, wenn man alle Bände der Reihe nach lesen möchte. Direkt nach dem Einstieg 2020 ließ das nächste Buch nicht lange auf sich warten und folgte noch im selben Jahr unter dem Titel "Abschied". Ausgebaut wurde die Serie dann im Verlauf des Jahres mit drei neuen Bänden. Der aktuell letzte Teil heißt "Kollisionskurs". Start der Reihenfolge: 2020 (Aktuelles) Ende: 2020 ∅ Fortsetzungs-Rhythmus: 2,4 Monate. Buch 1 von 5 der Sternenmagie Reihe von Isa Day. Reihenfolge der Sternenmagie Bücher. Band 1 : Sternenstaubkind. Band 2 : Abschied. Band 3 : Verbannung. Verlag: Pongü Verlag. Bindung: Kindle Ausgabe. Band 4 : Wandelstern. Bindung: Kindle Ausgabe. Band 5 : Kollisionskurs. Bindung: Kindle Ausgabe. Wann erscheint ein neues Buch zur Sternenmagie Reihe? Fortsetzung der Sternenmagie Reihe von Isa Day. Ein Jahr lang wurde im Durchschnitt jede 2,4 Monate eine Fortsetzung der Reihenfolge publiziert. Ein Veröffentlichungstermin zum sechsten Teil hätte sich somit rechnerisch für 2020 ergeben müssen. Dies war jedoch nicht der Fall. Eine Bekanntmachung zu einem neuen Band erreichte uns bislang ebenfalls nicht. Wer nicht abwarten möchte, könnte mit Der Weg des Heilers eine weitere Reihe von Isa Day lesen. Unser Faktencheck klärt, ob eine Fortsetzung der Sternenmagie Bücher mit einem 6. -
Lflpuston Friends of .Sic IJ.Epherd Lchool of Qlusic
TWENTY -NINTH SEASON FIFTH CONCERT lflpuston Friends of .sic and IJ.epherd lchool of Qlusic Rice University • P. 0. Box 1892 • Houston, Texas 77251 PRESENT THE Percy Kalt - violin Barbara Williams - violin David Dalton - viola Gayle Smith - cello WEDNESDAY, JANUARY 18, 1989 .,.... Hamman Hall 8:00P.M. Rice University • PROGRAM WEDNESDAY, January 18, 1989 Quartet in A minor, D. 804 ••...•....••..•..••..• FRANZ SCHUBERT Allegro ma non troppo (1797-1818) Andante Menuetto. Allegretto Allegro moderato Quartet No. 1, "Kreutzer Sonata" ••••..•••.••..••... LEOS JANACEK Con moto (1854-1928) Con moto-meno mosso Con moto-vivace-adagio Con moto-adagio-piu mosso INTERMISSION Quartet No. 2, Op. 92 •••.•..••......••....•... SERGEY PROKOFIEV Allegro sostenuto (1891-1953) Adagio Allegro The Quartet in A Minor was last heard January 7, 1986 by The Emerson Quartet. The Quartet No. 1, "Kreutzer Sonata" was last heard March 20, 1986 by The Tokyo Quartet. The Quartet No. 2, Op. 92 was last heard January 14, 1977 by The Cleveland Quartet. The Deseret String Quartet is represented by Pietro Menci International Artists. 8 Houston Friends of Music express gratitude for the support of Channel 8 HOUSTON PUBLIC YELEVISION Photographing and sound recording are prohibited. We further request that audible paging devices not be used during performances. Paging arrangements may be made with ushers. If it is anticipated that tickets will not be used, subscribers are encouraged to turn them in for resale. This is a tax-deductible donation. Call 527-4933. 2 HOUSTON FRIENDS OF MUSIC is a non-profit organization dedicated to the presentation of chamber ensembles with national and international reputations and to the development of new audiences. -
Nikolai Tcherepnin UNDER the CANOPY of MY LIFE Artistic, Creative, Musical Pedagogy, Public and Private
Nikolai Tcherepnin UNDER THE CANOPY OF MY LIFE Artistic, creative, musical pedagogy, public and private Translated by John Ranck But1 you are getting old, pick Flowers, growing on the graves And with them renew your heart. Nekrasov2 And ethereally brightening-within-me Beloved shadows arose in the Argentine mist Balmont3 The Tcherepnins are from the vicinity of Izborsk, an ancient Russian town in the Pskov province. If I remember correctly, my aged aunts lived on an estate there which had been passed down to them by their fathers and grandfathers. Our lineage is not of the old aristocracy, and judging by excerpts from the book of Records of the Nobility of the Pskov province, the first mention of the family appears only in the early 19th century. I was born on May 3, 1873 in St. Petersburg. My father, a doctor, was lively and very gifted. His large practice drew from all social strata and included literary luminaries with whom he collaborated as medical consultant for the gazette, “The Voice” that was published by Kraevsky.4 Some of the leading writers and poets of the day were among its editors. It was my father’s sorrowful duty to serve as Dostoevsky’s doctor during the writer’s last illness. Social activities also played a large role in my father’s life. He was an active participant in various medical societies and frequently served as chairman. He also counted among his patients several leading musical and theatrical figures. My father was introduced to the “Mussorgsky cult” at the hospitable “Tuesdays” that were hosted by his colleague, Dr. -
Metamorphoses Curated by Claire Chase Soundbox
METAMORPHOSES CURATED BY CLAIRE CHASE SOUNDBOX 1 “Each of the pieces on this program explores, in different ways, the idea of metamorphosis, transformation, transfiguration—the ways that we take on new forms and ultimately transcend what we were before.” —Claire Chase 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen recently concluded his tenure as Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and he is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. Salonen is the Conductor Laureate for both the Swedish Radio Symphony Orchestra and the Los Angeles Philharmonic, where he was Music Director from 1992 until 2009. Salonen co-founded— and from 2003 until 2018 served as the Artistic Director for—the annual Baltic Sea Festival. 3 The Orchestra Esa-Pekka Salonen, Music Director SECOND VIOLINS CELLOS Michael Tilson Thomas, Music Director Laureate Dan Carlson, Principal Vacant, Principal Herbert Blomstedt, Conductor Laureate Dinner & Swig Families Chair Philip S. Boone Chair Daniel Stewart, San Francisco Symphony Youth Helen Kim, Associate Principal Peter Wyrick, Associate Principal Orchestra Wattis Foundation Music Director Audrey Avis Aasen-Hull Chair Peter & Jacqueline Hoefer Chair Ragnar Bohlin, Chorus Director Jessie Fellows, Assistant Principal Amos Yang, Assistant Principal Vance George, Chorus Director Emeritus Vacant Vacant The Eucalyptus Foundation Second Century Chair Lyman & Carol Casey Second Century Chair FIRST VIOLINS Raushan Akhmedyarova Barbara Andres Alexander Barantschik, Concertmaster David Chernyavsky The Stanley S. -
Boston Symphony Orchestra Concert Programs, Season 65,1945-1946
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Telephone, Commonwealth 1492 SIXTY-FIFTH SEASON, 1945-1946 CONCERT BULLETIN of the Boston Symphony Orchestra SERGE KOUSSEVITZKY, Conductor Richard Burgin, Associate Conductor with historical and descriptive notes by John N. Burk COPYRIGHT, I945, BY BOSTON SYMPHONY ORCHESTRA, ItlC. The TRUSTEES of the BOSTON SYMPHONY ORCHESTRA, Inc. Henry B. Cabot . President Henry B. Sawyer . Vice-President Richard C. Paine . Treasurer Philip R. Allen M. A. Be Wolfe Howe John Nicholas Brown Jacob J. Kaplan Alvan T. Fuller Roger I. Lee Jerome D. Greene Bentley W. Warren N. Penrose Hallowell Oliver Wolcott G. E. Judd, Manager [453 1 ®**65 © © © © © © © © © © © © © © © © © © © Time for Revi ew ? © © Are your plans for the ultimate distribu- © © tion of your property up-to-date? Changes © in your family situation caused by deaths, © births, or marriages, changes in the value © © of your assets, the need to meet future taxes © . these are but a few of the factors that © suggest a review of your will. © We invite you and your attorney to make © use of our experience in property manage- © ment and settlement of estates by discuss- © program with our Trust Officers. © ing your © © PERSONAL TRUST DEPARTMENT © © The V^Cational © © © Shawmut Bank © Street^ Boston © 40 Water © Member Federal Deposit Insurance Corporation © Capital % 10,000,000 Surplus $20,000,000 © "Outstanding Strength" for 108 Years © © © ^oHc^;c^oH(§@^a^^^aa^aa^^@^a^^^^^©©©§^i^ SYMPHONIANA Musical Exposure Exhibition MUSICAL EXPOSURE Among the chamber concerts organ- ized by members of this orchestra, there is special interest in the venture of the Zimbler String Quartet. Augmented by a flute, clarinet, or harpsichord, they are acquainting the pupils of high schools with this kind of music. -
Tchaikovsky Violin Concerto
Tchaikovsky Violin Concerto Friday, January 12, 2018 at 11 am Jayce Ogren, Guest conductor Sibelius Symphony No. 7 in C Major Tchaikovsky Concerto for Violin and Orchestra Gabriel Lefkowitz, violin Tchaikovsky Violin Concerto For Tchaikovsky and The Composers Sibelius, these works were departures from their previ- ous compositions. Both Jean Sibelius were composed in later pe- (1865—1957) riods in these composers’ lives and both were pushing Johan Christian Julius (Jean) Sibelius their comfort levels. was born on December 8, 1865 in Hämeenlinna, Finland. His father (a doctor) died when Jean For Tchaikovsky, the was three. After his father’s death, the family Violin Concerto came on had to live with a variety of relatives and it was Jean’s aunt who taught him to read music and the heels of his “year of play the piano. In his teen years, Jean learned the hell” that included his disas- violin and was a quick study. He formed a trio trous marriage. It was also with his sister older Linda (piano) and his younger brother Christian (cello) and also start- the only concerto he would ed composing, primarily for family. When Jean write for the violin. was ready to attend university, most of his fami- Jean Sibelius ly (Christian stayed behind) moved to Helsinki For Sibelius, his final where Jean enrolled in law symphony became a chal- school but also took classes at the Helsinksi Music In- stitute. Sibelius quickly became known as a skilled vio- lenge to synthesize the tra- linist as well as composer. He then spent the next few ditional symphonic form years in Berlin and Vienna gaining more experience as a composer and upon his return to Helsinki in 1892, he with a tone poem. -
Boston Symphony Orchestra Concert Programs, Summer, 1965-1966
& ANGLEWOOD THIRD WEEK July 16, 17, 18, 1965 ERKSHIRE FESTIVAL The Boston Symphony under Leinsdorf With the release of this new recording of Brahms' Second Symphony, the Bostonians under Leinsdorf add new luster to their reputation as interpreters of Romantic music—a reputation so notably advanced with their earlier recording of Brahms' First. Called "consistently melodious . thoroughly engaging" Brahms' Second as heard here is not only a musical triumph but also a tribute to the art (and science) of recording. The spacious warmth of tone so characteristic of the Bostonians is captured here in flawless fidelity and balance — in vivid Dynagroove sound. Hear both these albums soon! MS SYMPHONY No. )NSYM LEINSDORF Brahms Symphony No. 2^ Boston Symphony Orchestra Erich Leinsdorf RCA Victory (ROB The most trusted name in sound ^ftt*^ Boston Symphony Orchestra ERICH LEINSDORF, Music Director RICHARD BURGIN, Associate Conductor Berkshire Festival, Season 1965 TWENTY-EIGHTH SEASON MUSIC SHED AT TANGLEWOOD, LENOX, MASSACHUSETTS THIRD WEEK Concert Bulletin, with historical and descriptive notes by John N. Burk Copyright, 1965 by Boston Symphony Orchestra, Inc. The Trustees of The BOSTON SYMPHONY ORCHESTRA, Inc. President Vice-President Treasurer Henry B. Cabot Talcott M. Banks Richard C. Paine Abram Bekkowitz Andrew Heiskell Edward G. Murray Theodore P. Ferris Harold D. Hodgkinson John T. Noonan Robert H. Gardiner E. Morton Jennings, Jr. Mrs. James H. Perkins I Francis W. Hatch Henry A. Laughlin Sidney R. Rabb John L. Thorndike Raymond S. Wilkins Trustees Emeritus Palfrey Perkins Lewis Perry Edward A. Taft Oliver Wolcott Tanglewood Advisory Committee Alan J. Blau Lawrence K. Miller Jesse L. -
Concert Handout 2014-04-13
Wethersfield Chamber Concerts 13 April 2013 – 4pm THE VILLIERS QUARTET Violin - James Dickenson | Violin - Tamaki Higashi | Viola - Carmen Flores | Cello - Nick Stringfellow PROGRAMME NOTES by John Woollard BENJAMIN BRITTEN (1913-1976) – Three Divertimenti 1. March March contains spiky rhythms, sliding notes and colourful 2. Waltz harmonics typical of music from the first half of the 20th 3. Burlesque century, with clear influences from Stravinsky, Bartók and Britten’s teacher Bridge. At the same time the music is As a young man, Britten was a prolific composer, with tonal, accessible and appealing, as with most of Britten’s over 100 compositions completed before the age of 18. works throughout his career. Whilst the mature composer is perhaps best known for his stage and choral works such as Peter Grimes and the War The Second movement Waltz nods towards the pastoral Requiem, his early output contains many examples of very character of earlier English composers such as Vaughan skilful compositions for small ensembles and solo Williams, with compelling textures and dialogue between instruments. the players, and the third movement returns to the rhythms, techniques and sonorities of the 20th century. Apart from three numbered string quartets, Britten wrote The whole work demonstrates that Britten promised great these Divertimenti in 1933 when he was in his early things in his maturity; a composer of great skill, twenties. They were extensively revised a few years later imagination and originality. in 1936. Britten also showed that he was dedicated to the mission Perhaps Divertimento can best be “translated” as of writing music for the public, without needing to retreat “pleasing entertainment” without necessarily any serious into an isolated intellectual world. -
Lineage Curated by Julia Bullock Soundbox
LINEAGE CURATED BY JULIA BULLOCK SOUNDBOX 1 julia bullock on lineage “I’ve found that musicians often share a lot about the various influences in their lives— whether they be historical, political, philosophical, personal, or based on other mediums of art. They let diverse influences not only impact their work, but find ways to let them register explicitly. It’s like musicians are hyper conscious of their lineage—they honor it and value it. So, as I continue to follow along the path and legacy of artists that came before me, lineage has become increasingly important—it’s a part of knowing from where I originated and letting that inform where I envision myself going. The musicians on this SoundBox program could not make music all together in one place, or even at one time, but the very nature of this program—which links material that spans across almost 900 years—captures an audio and visual snapshot of how lineage can inform, influence, impact, and express itself in a musical context.” 2 Esa-Pekka Salonen SAN FRANCISCO SYMPHONY MUSIC DIRECTOR San Francisco Symphony Music Director Esa-Pekka Salonen has, through his many high-profile conducting roles and work as a leading composer, shaped a unique vision for the present and future of the contemporary symphony orchestra. Salonen is currently the Principal Conductor & Artistic Advisor for London’s Philharmonia Orchestra and is Artist in Association at the Finnish National Opera and Ballet. He is a member of the faculty of the Colburn School in Los Angeles, where he developed and directs the pre-professional Negaunee Conducting Program. -
Undergraduate Student Recital Noelle Barr, Violin Erik Lawrence, Piano May 21, 2021 | 6 Pm PDT | Virtual Event Program
Undergraduate Student Recital Noelle Barr, violin Erik Lawrence, piano May 21, 2021 | 6 pm PDT | Virtual Event program Partita No. 1 in B minor, for solo violin, BWV 1002 Johann Sebastian Bach Allemande - Double (German, 1685-1750) Sarabande - Double Sonata No. 1 in D Major, for violin and piano, Op. 12 Ludwig van Beethoven Allegro con brio (German, 1770-1827) Tema con variazioni: Andante con moto Rondo: Allegro Concerto in D Major, for violin, Op. 35 Pyotr Ilyich Tchaikovsky Allegro moderato (Russian, 1840-1893) *** Noelle Barr is a student of UC Santa Barbara Lecturer Ertan Torgul Presented by the University of California, Santa Barbara Division of Humanities and Fine Arts in the College of Letters and Science and the UC Santa Barbara Department of Music in partial fulfillment of the Bachelor of Arts degree. About the Artist Noelle started playing the violin at the age of 9 in a public school program. After participating in the local community orchestra throughout elementary and middle school, she became a member of the Claremont Young Musicians Orchestra (CYMO), where she was exposed to an expansive list of symphonic repertoire, coachings led by musicians of the Los Angeles Philharmonic, and a rehearsal with Gustavo Dudamel in 2015. Since continuing her violin studies as a double major in Music Studies and the History of Art and Architecture at UCSB, she has participated in the music department’s chamber ensembles as a student of Ertan Torgul. Receiving masterclasses from the Danish String Quartet in 2019 and Sheryl Staples of the NY Philharmonic in 2020, she extends her gratitude to the UCSB string faculty and musicologists, her parents, and friends. -
Boston Symphony Orchestra Concert Programs, Season 48,1928
SYMPHONY HALL, BOSTON HUNTINGTON AND MASSACHUSETTS AVENUES Branch Exchange Telephones, Ticket and Administration Offices, Eack Bay 1492 INC. SERGE KOUSSEVITZKY, Conductor FORTY-EIGHTH SEASON, 1928-1929 WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE COPYRIGHT, 1929, BY BOSTON SYMPHONY ORCHESTRA, INC. THE OFFICERS AND TRUSTEES OF THE BOSTON SYMPHONY ORCHESTRA. Inc. FREDERICK P. CABOT President BENTLEY W. WARREN Vice-President ERNEST B. DANE Treasurer FREDERICK P. CABOT FREDERICK E. LOWELL ERNEST B. DANE ARTHUR LYMAN N. PENROSE HALLOWELL EDWARD M. PICKMAN M. A. DE WOLFE HOWE HENRY B. SAWYER JOHN ELLERTON LODGE BENTLEY W. WARREN W. H. BRENNAN, Manager G. E. JUDD, Assistant Manager 1449 THE INSTRUMENT OF THE IMMORTALS "RUSSIAN MASS," by Sergei Rachmaninoff, painted for the STEINWAY COLLECTION by Rockwell Kent Even to those who have no expert The extraordinary durability of knowledge of pianos, it is apparent the Steinway is the true index of its that some good reason must exist economy. For 30, 40, and even 50 for the universal prestige of the years or more it will serve you well. Steinway. Calculated on the basis of cost-per- The answer is simplicity itself, year, the Steinway is the most eco- The Steinway is the leading piano nomical piano you can own. among musicians everywhere be- And you need never buy another cause it is by far the best piano piano. • • • made and has been for more than — A new Steinway piano can be seventy-five years! bought from Artists of this rank demand a $875 up sonority and brilliance of tone, a Any Steinway piano may be purchased with degree of sensitivity which lie be- a cash deposit of 10%, and the balance will yond the range of the ordinary be extended over a period of two years.