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An Eden with No Snake in It: Pure Comedy and Chaste Camp in The
An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 ABSTRACT An Eden With No Snake in It: Pure Comedy and Chaste Camp in the English Novel by Joshua Gibbons Striker Department of English Duke University Date:_______________________ Approved: ___________________________ Victor Strandberg, Co-Supervisor ___________________________ Katherine Hayles, Co-Supervisor ___________________________ Kathy Psomiades ___________________________ Michael Moses An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2019 Copyright by Joshua Gibbons Striker 2019 Abstract In this dissertation I use an old and unfashionable form of literary criticism, close reading, to offer a new and unfashionable account of the literary subgenre called camp. Drawing on the work of, among many others, Susan Sontag, Rita Felski, and Peter Lamarque, I argue that P.G. Wodehouse, E.F. Benson, and Angela Thirkell wrote a type of pure comedy I call chaste camp. Chaste camp is a strange beast. On the one hand it is a sort of children’s literature written for and about adults; on the other hand it rises to a level of literary merit that children’s books, even the best of them, cannot hope to reach. -
Summer 2007 Large, Amiable Englishman Who Amused the World by DAVID MCDONOUGH
The quarterly journal of The Wodehouse Society Volume 28 Number 2 Summer 2007 Large, Amiable Englishman Who Amused the World BY DAVID MCDONOUGH ecently I read that doing crossword puzzles helps to was “sires,” and the answer was “begets.” In Right Ho, R ward off dementia. It’s probably too late for me (I Jeeves (aka Brinkley Manor, 1934), Gussie Fink-Nottle started writing this on my calculator), but I’ve been giving interrogates G. G. Simmons, the prizewinner for Scripture it a shot. Armed with several good erasers, a thesaurus, knowledge at the Market Snodsbury Grammar School and my wife no more than a phone call away, I’ve been presentations. Gussie, fortified by a liberal dose of liquor- doing okay. laced orange juice, is suspicious of Master Simmons’s bona I’ve discovered that some of Wodehouse’s observations fides. on the genre are still in vogue. Although the Egyptian sun god (Ra) rarely rears its sunny head, the flightless “. and how are we to know that this has Australian bird (emu) is still a staple of the old downs and all been open and above board? Let me test you, acrosses. In fact, if you know a few internet terms and G. G. Simmons. Who was What’s-His-Name—the the names of one hockey player (Orr) and one baseball chap who begat Thingummy? Can you answer me player (Ott), you are in pretty good shape to get started. that, Simmons?” I still haven’t come across George Mulliner’s favorite clue, “Sir, no, sir.” though: “a hyphenated word of nine letters, ending in k Gussie turned to the bearded bloke. -
The World of Blandings: (Blandings Castle) Free
FREE THE WORLD OF BLANDINGS: (BLANDINGS CASTLE) PDF P. G. Wodehouse | 656 pages | 20 Jun 2011 | Cornerstone | 9780099514244 | English | London, United Kingdom The World of Blandings (Blandings) by P G Wodehouse A Blandings Omnibus In this wonderfully fat omnibus, which seems to span the dimensions of the Empress of Blandings herself the fattest pig in Shropshire and surely all Englandthe whole world of Blandings Castle is spread out for our delectation: the engagingly dotty Lord Emsworth and his enterprising brother Galahad, his terrifying sister Lady Constance, Beach the butler his voice 'like tawny port made audible'James Wellbeloved, the gifted but not always sober pigman, and Lord Emsworth's secretary the Efficient Baxter, with gleaming spectacles, whose attempts to bring order to the Castle always end in disarray. Lurking in the wings is Sir Gregory Parsloe-Parsloe of Matchingham Hall, the neighbour with designs on the Prize which must surely belong to the The World of Blandings: (Blandings Castle). As Evelyn Waugh wrote, 'The gardens of Blandings Castle are that original garden from which we are all exiled. Each time you read another Blandings story, the sublime nature of that world is such as to make you gasp. It's dangerous to use the word genius to describe a writer, but I'll risk it with him. Not only the funniest English novelist who ever wrote but one of our finest stylists. For as long as I'm immersed in a P. Wodehouse book, it's possible to keep the real world at bay and live in a far, far nicer, funnier one where happy endings are the order of the day. -
Know Your Audience: Middlebrow Aesthetic and Literary Positioning in the Fiction of P.G
Northumbria Research Link Citation: Einhaus, Ann-Marie (2016) Know Your Audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. Wodehouse. In: Middlebrow Wodehouse: P.G. Wodehouse's Work in Context. Ashgate, Farnham, pp. 16-33. ISBN 9781472454485 Published by: Ashgate URL: This version was downloaded from Northumbria Research Link: http://nrl.northumbria.ac.uk/id/eprint/25720/ Northumbria University has developed Northumbria Research Link (NRL) to enable users to access the University’s research output. Copyright © and moral rights for items on NRL are retained by the individual author(s) and/or other copyright owners. Single copies of full items can be reproduced, displayed or performed, and given to third parties in any format or medium for personal research or study, educational, or not-for-profit purposes without prior permission or charge, provided the authors, title and full bibliographic details are given, as well as a hyperlink and/or URL to the original metadata page. The content must not be changed in any way. Full items must not be sold commercially in any format or medium without formal permission of the copyright holder. The full policy is available online: http://nrl.northumbria.ac.uk/policies.html This document may differ from the final, published version of the research and has been made available online in accordance with publisher policies. To read and/or cite from the published version of the research, please visit the publisher’s website (a subscription may be required.) PLEASE NOTE: This is the typescript of the published version of ‘Know your audience: Middlebrow aesthetic and literary positioning in the fiction of P.G. -
Uncle Dynamite, 2008
Uncle Dynamite, 2008 DOWNLOAD http://bit.ly/1deRiHz http://goo.gl/RiH2x http://www.powells.com/s?kw=Uncle+Dynamite The uncle in question is Frederick Altamount Cornwallis, Fifth Earl of Ickenham, better known as Uncle Fred, an old boy of such a sunny and youthful nature that explosions of sweetness and light detonate all around him (in the course, it must be said, of a plot that involves blackmail, impersonation, knock-out drops, stealing, arrests and potential jewel-smuggling).This is Wodehouse at his very best, with sundered lovers, explorers, broke publishers and irascible aristocrats all eventually yielding to the magic, ever-so-slightly-unscrupulous touch of Uncle Fred. It is, as Richard Usborne writes, 'a brilliantly sustained rattle of word-perfect dialogue and narrative topping a very complicated and well-controlled plot'. DOWNLOAD http://is.gd/rzxYuy http://bit.ly/1wCJWD0 Love Among the Chickens , P. G. Wodehouse, Jan 1, 2008, Fiction, 136 pages. Please visit www.ManorWodehouse.com to see the complete selection of P. G Wodehouse books available in the Manor Wodehouse Collection.. William Tell Told Again - From the Manor Wodehouse Collection, a Selection from the Early Works of P. G. Wodehouse , P. G. Wodehouse, Jan 1, 2008, Fiction, 92 pages. Please visit www.ManorWodehouse.com to see the complete selection of P. G Wodehouse books available in the Manor Wodehouse Collection.. The Intrusion of Jimmy , P. G. Wodehouse, Jan 1, 2008, Fiction, 188 pages. Please visit www.ManorWodehouse.com to see the complete selection of P. G Wodehouse books available in the Manor Wodehouse Collection. -
By the Way Sept 08.Qxd
BY THE WAY Occasional Newsletters from The P G Wodehouse Society (UK) Number 35 September 2008 IONICUS Covers for Wodehouse Paperbacks The topic for this By The Way was inspired by two members, Stephen Payne and Graeme Davidson. Stephen was anxious to confirm precisely how many Wodehouse books had been illustrated by Ionicus, as he understood there were more than the 56 Penguins he had at that point acquired. Graeme had been in correspondence with Ionicus in the late 1980s, with a view to purchasing the original artwork for one of the covers. The artist Ionicus (J C Armitage), who died in February 1998, still retains a narrow lead as the person who has designed more covers for Wodehouse books than any other, although this position will be surrendered during 2009 to Andrzej Klimowski, illustrator of the Collectors series of jacketed hardbacks published by Everyman (or Overlook in the USA). Ionicus provided the illustrations for a total of 58 Penguins, as listed below, plus the wrap-around cover for the Chatto & Windus first edition of Wodehouse’s last book, Sunset at Blandings (part of which was also used for the cover of the Coronet paperback). 1969 Piccadilly Jim 1974 The Little Nugget 1969 Spring Fever 1974 Sam the Sudden 1970 Psmith in the City 1974 Pearls, Girls and Monty Bodkin 1970 Psmith, Journalist 1975 Stiff Upper Lip, Jeeves 1971 The Mating Season 1975 Leave It to Psmith 1971 Very Good, Jeeves 1975 Indiscretions of Archie 1971 Laughing Gas 1975 Bachelors Anonymous 1971 Blandings Castle 1975 Doctor Sally 1971 Summer Lightning -
PG Wodehouse Archive
British Library: Western Manuscripts P.G. Wodehouse Archive (1894-2016) (Loan MS 129) Table of Contents P.G. Wodehouse Archive (1894–2016) Key Details........................................................................................................................................ 1 Arrangement..................................................................................................................................... 1 Provenance........................................................................................................................................ 2 Related Resources.............................................................................................................................. 2 Loan MS 129/1 P.G. Wodehouse Archive: Manuscript Material (1900–2004)........................................... 2 Loan MS 129/2 P.G. Wodehouse Archive: Wartime Material (1939–2015)............................................... 86 Loan MS 129/3 P.G. Wodehouse Archive: Theatrical and Cinematic Work (1905–2008)........................... 97 Loan MS 129/4 P.G. Wodehouse Archive: Correspondence (1899–2010)................................................ 111 Loan MS 129/5 P.G. Wodehouse Archive: Published Material (1899–2003)............................................. 187 Loan MS 129/6 P.G. Wodehouse Archive: Biographical Material (1894–2001)......................................... 210 Loan MS 129/7 P.G. Wodehouse Archive: Posthumous Material (1929–2016)......................................... 218 Loan MS 129/8 P.G. Wodehouse -
THE CODING of the WOOSTERS by Max Sonin a Thesis Submitted In
THE CODING OF THE WOOSTERS By Max Sonin A Thesis submitted in partial fulfillment of the requirements for the degree of Bachelor of Arts, English, Haverford College Advised by Gabriel Sessions, Visiting Assistant Professor of English, Haverford College April, 2019 Sonin / 2 ACKNOWLEDGMENT I would like to thank Alexandra Kochetkova for her ongoing support throughout my academic career at Haverford college. Alisa Tsurkan has aided me in my studies and my final project. My little Wodehouse club sustained by Regina Kovriga and Maria Dubovskaya was a constant source of sound judgment and profound insight into the complexities of translation and transnationality. Tristan Reasor has served as a great friend and provider of work space. Sofia Chochaeva was always there for me with thoughts and questions. My advisor Professor Gabriel Sessions supported my most extreme attempts at mixing computer science into literary criticism, guided me steadily through the jungles of trans-Atlantic study and guarded me from assassins. Professor Laura McGrane introduced me to interface theory and shared with me her excitement for hypertext. Professor Maud McInerney invited me to enjoy Barthes and humor in writing. Professor Benjamin Parris was a crucial force in expanding my interest in literature and music. Finally, I want to thank my mother Saule Tuganbaeva and my father Konstantin Sonin for their support and love. Max Sonin Haverford College April 11, 2019 Sonin / 3 Introduction During his lifetime P. G. Wodehouse had all the aspects of fame – reader recognition (in book sales1), fellow-writer recognition (in praise by Hilaire Belloc, George Orwell and Evelyn Waugh2), and financial success3 with an obligatory tax-scandal – in the 1930s Wodehouse owed the IRS an estimated $32,7534 in backpay (though, seemingly, not through a fault of his own). -
P. G. Wodehouse Linguist?1
Connotations Vol. 15.1-3 (2005/2006) P. G. Wodehouse Linguist?1 BARBARA C. BOWEN One of the world’s great comic writers, “English literature’s perform- ing flea” (according to Sean O’Casey), a linguist? Surely not. In the first place, we Brits have traditionally been resistant to learning for- eign languages (on the grounds that English should be good enough for everybody); in the second place, PG received the then-standard English public-school education, which stressed Latin and Greek but certainly not any living foreign languages; in the third place the only foreign countries he visited, as far as I know, were France, Germany (through no fault of his own), and the United States, which became his home. Critics have not to my knowledge ever thought of him as a linguist; when Thelma Cazalet-Keir says “For me it is in his use of language that Mr. Wodehouse appears supremely,” she is thinking of his highly literary style and “concentration of verbal felicities.”2 But linguists are born, not made, and this article will contend that PG had a natural gift for language, both for the almost endless varia- tions on his own, and for a surprising number of foreign and pseudo- foreign tongues. He also wrote in several letters to Bill Townend that he thought of his books as stage plays, which means he was listening to his characters speaking as he wrote. In his first published book, The Pothunters (1902), we can listen to schoolboys: “That rotter, Reade, […] has been telling us that burglary chestnut of his all the morning. -
1511 Christmas
CHRISTMAS CATALOGUE 1511 MAGGS BROS. LTD. RARE BOOKS & MANUSCRIPTS Christmas 061120.indd 1 09/11/2020 17:31 Maggs Bros. Ltd. 48 Bedford Square, London, WC1B 3DR 46 Curzon Street, London, W1J 7UH Telephone: +44 (0)20 7493 7160 Email: [email protected] Website: www.maggs.com Please note that items marked with asterisks* are subject to 20% VAT to customers within the UK & EU. Cover image: pictorial cloth designed by W. Graham Robertson, taken from item 103; Robertson, Gold, Frankincense, and Myrrh. © Maggs Bros. Ltd. 2020 Christmas 061120.indd 2 09/11/2020 17:31 oming towards the end of this difficult year, we hope that any customers who have suffered, willC have been able to find some comfort, consolation, or perspective. Forsan et haec olim meminisse iuvabit maybe, but it’s hard to see when. It may only be modest consolation that obligatory near- isolation has reinforced the book as ideal home companion, but I take cheer in the story of a locked-down pop star (Tony Mortimer of East 17, for those readers “of a certain age”) who had never read a novel before lockdown, and on doing so discovered an entire new landscape of the imagination, becoming a full-on bookworm. Our transformation has not been so complete, but after reeling under the initial shock of the pandemic, we have sold a lot of good books and manuscripts this year, and need to thank our customers for their enthusiasm and sometimes for their patience, as remote working and slow shipping have at times slowed things down to a crawl. -
The PG Wodehouse Society
The P G Wodehouse Society (UK) Information Sheet Number 1 Revised December 2018 Books by P G Wodehouse The purpose of this information sheet is to provide a comprehensive list of the books written by P G Wodehouse. There is no agreement amongst commentators or aficionados as to how many he wrote, for the reasons explained below, and The P G Wodehouse Society (UK) does not express a view on this matter. Please note that the Society’s listing does not include titles of books which have appeared since Wodehouse’s death for which the Wodehouse Trustees did not give consent for publication. In some cases, this may be because the texts, for example short stories in a new compilation, are now in the public domain in the country of publication so that consent was not sought; in other cases, the publication maybe wholly unofficial, in breach of copyright law and not necessarily in a format in which Wodehouse would recognise. Reasons why there can be many legitimate views as to the number of his books include: 1 Several books, particularly collections of short stories, which were published in the United States differed in the minutiae of their contents from the nearest equivalent collection in the United Kingdom. 2 Some books have joint authorship with another person. 3 When referring to his output of fiction, it is necessary to exclude autobiographical and similar work, and collections of essays. 4 It is not uncommon for reports in the media to double-count his output, eg by misusing the term ‘novel’ to include short story collections, and accordingly referring to ‘more than 90 (or even 100) novels and 300 short stories’, when any total number of books approaching 100 will already have to include the collections of short stories. -
A Pelican at Blandings: (Blandings Castle) Free
FREE A PELICAN AT BLANDINGS: (BLANDINGS CASTLE) PDF P. G. Wodehouse | 256 pages | 02 Sep 2008 | Cornerstone | 9780099514022 | English | London, United Kingdom Blandings Castle and Elsewhere - Wikipedia Blandings Castle is a recurring fictional location in the stories of British comic writer P. Wodehousebeing the seat of Lord Emsworth Clarence Threepwood, 9th Earl of Emsworthhome to many of his family and the setting for numerous tales and adventures. A Pelican at Blandings: (Blandings Castle) stories were written between and The series of stories taking place at the castle, in its environs and involving its denizens have come to be known as the "Blandings books", or indeed, in a phrase used by Wodehouse in his preface to the reprint of the first book, "the Blandings Castle Saga". In a radio broadcast on 15 JulyEvelyn Waugh said: "The gardens of Blandings Castle are that original garden from which we are all exiled. Blandings Castle, lying in the picturesque Vale of Blandings, ShropshireEngland, is two miles from the town of Market Blandingshome to at least nine pubs, most notably the Emsworth Arms. The tiny hamlet of Blandings A Pelican at Blandings: (Blandings Castle) lies directly outside the castle gates and the town of Much Matchinghamhome to Matchingham Hallthe residence of Sir Gregory Parsloe-Parsloeis also nearby. The castle is a noble pile, of Early Tudor building "its history A Pelican at Blandings: (Blandings Castle) recorded in England's history books and Viollet-le-Duc has written of its architecture", according to Something Fresh. One of England's largest stately homesit dominates the surrounding country, standing on a knoll of rising ground at the southern end of the celebrated Vale of Blandings; A Pelican at Blandings: (Blandings Castle) Severn gleams in the distance.