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The Spanish-American War As a Bourgeois Testing Ground Richard Harding Davis, Frank Norris and Stephen Crane
David Kramer The Spanish-American War as a Bourgeois Testing Ground Richard Harding Davis, Frank Norris and Stephen Crane The men who hurried into the ranks were not the debris of American life, were not the luckless, the idle. The scapegraces and vagabonds who could well have been spared, but the very flower of the race, young well born. The brief struggle was full of individual examples of dauntless courage. A correspondent in the spasms of mortal agony finished his dispatch and sent it off. —Rebecca Harding Davis, l898l y implying the death of a heroic but doomed newspaperman in the charge at Las Guisimas, Rebecca Harding Davis was, fortunately, premature. Davis’s son, Richard, who witnessed the incident, made a similar misapprehension Bwhen he reported, “This devotion to duty by a man who knew he was dying was as fine as any of the courageous and inspiring deeds that occurred during the two hours of breathless, desperate fighting.” The writhing correspondent was Edward Marshall of the New York Journal who, hit by a Spanish bullet in the spine and nearly paralyzed, was nonetheless able to dictate his stirring account of Roosevelt’s Rough Riders. Taken to the rear and his condition deemed hopeless, Marshall somehow survived his agony and after a long convalescence was restored to health. Marshall would later capitalize on his now national fame by penning such testimonials as “What It Feels Like To Be Shot.”2 Fundamentally, the Spanish-American War was fought for and, to a lesser degree, by the middle and upper classes—Rebecca Harding Davis’s the very flower of the race, young well born. -
NEWSLETTER 43 Antikvariat Morris · Badhusgatan 16 · 151 73 Södertälje · Sweden [email protected] |
NEWSLETTER 43 antikvariat morris · badhusgatan 16 · 151 73 södertälje · sweden [email protected] | http://www.antikvariatmorris.se/ [dwiggins & goudy] browning, robert: In a Balcony The Blue Sky Press, Chicago. 1902. 72 pages. 8vo. Cloth spine with paper label, title lettered gilt on front board, top edge trimmed others uncut. spine and boards worn. Some upper case letters on title page plus first initial hand coloured. Introduction by Laura Mc Adoo Triggs. Book designs by F. W. Goudy & W. A. Dwiggins. Printed in red & black by by A.G. Langworthy on Van Gelder paper in a limited edition. This is Nr. 166 of 400 copies. Initialazed by Langworthy. One of Dwiggins first book designs together with his teacher Goudy. “Will contributed endpapers and other decorations to In a Balcony , but the title page spread is pure Goudy.” Bruce Kennett p. 20 & 28–29. (Not in Agner, Ransom 19). SEK500 / €49 / £43 / $57 [dwiggins] wells, h. g.: The Time Machine. An invention Random House, New York. 1931. x, 86 pages. 8vo. Illustrated paper boards, black cloth spine stamped in gold. Corners with light wear, book plate inside front cover (Tage la Cour). Text printed in red and black. Set in Monotype Fournier and printed on Hamilton An - dorra paper. Stencil style colour illustrations. Typography, illustra - tions and binding by William Addison Dwiggins. (Agner 31.07, Bruce Kennett pp. 229–31). SEK500 / €49 / £43 / $57 [bodoni] guarini, giovan battista: Pastor Fido Impresso co’ Tipi Bodoniani, Crisopoli [Parma], 1793. (4, first 2 blank), (1)–345, (3 blank) pages. Tall 4to (31 x 22 cm). -
Antiquarian, Modern & Private Press Books
Blackwell rare books ANTIQUARIAN, MODERN & PRIVATE PRESS BOOKS CATALOGUE B 166 Blackwell Rare Books 48-51 Broad Street, Oxford, OX1 3BQ Direct Telephone: +44 (0) 1865 333555 Switchboard: +44 (0) 1865 792792 Email: [email protected] Fax: +44 (0) 1865 794143 www.blackwell.co.uk/ rarebooks Our premises are in the main Blackwell bookstore at 48-51 Broad Street, one of the largest and best known in the world, housing over 200,000 new book titles, covering every subject, discipline and interest, as well as a large secondhand books department. There is lift access to each floor. The bookstore is in the centre of the city, opposite the Bodleian Library and Sheldonian Theatre, and close to several of the colleges and other university buildings, with on street parking close by. Oxford is at the centre of an excellent road and rail network, close to the London - Birmingham (M40) motorway and is served by a frequent train service from London (Paddington). Hours: Monday–Saturday 9am to 6pm. (Tuesday 9:30am to 6pm.) Purchases: We are always keen to purchase books, whether single works or in quantity, and will be pleased to make arrangements to view them. Auction commissions: We attend a number of auction sales and will be happy to execute commissions on your behalf. Blackwell online bookshop www.blackwell.co.uk Our extensive online catalogue of new books caters for every speciality, with the latest releases and editor’s recommendations. We have something for everyone. Select from our subject areas, reviews, highlights, promotions and more. Orders and correspondence should in every case be sent to our Broad Street address (all books subject to prior sale). -
Literary Miscellany
Literary Miscellany Including Recent Acquisitions, Manuscripts & Letters, Presentation & Association Copies, Art & Illustrated Works, Film-Related Material, Etcetera. Catalogue 349 WILLIAM REESE COMPANY 409 TEMPLE STREET NEW HAVEN, CT. 06511 USA 203.789.8081 FAX: 203.865.7653 [email protected] www.williamreesecompany.com TERMS Material herein is offered subject to prior sale. All items are as described, but are consid- ered to be sent subject to approval unless otherwise noted. Notice of return must be given within ten days unless specific arrangements are made prior to shipment. All returns must be made conscientiously and expediently. Connecticut residents must be billed state sales tax. Postage and insurance are billed to all non-prepaid domestic orders. Orders shipped outside of the United States are sent by air or courier, unless otherwise requested, with full charges billed at our discretion. The usual courtesy discount is extended only to recognized booksellers who offer reciprocal opportunities from their catalogues or stock. We have 24 hour telephone answering and a Fax machine for receipt of orders or messages. Catalogue orders should be e-mailed to: [email protected] We do not maintain an open bookshop, and a considerable portion of our literature inven- tory is situated in our adjunct office and warehouse in Hamden, CT. Hence, a minimum of 24 hours notice is necessary prior to some items in this catalogue being made available for shipping or inspection (by appointment) in our main offices on Temple Street. We accept payment via Mastercard or Visa, and require the account number, expiration date, CVC code, full billing name, address and telephone number in order to process payment. -
Job's Colophon and Its Contradictions1 There Are Many
Job’s Colophon and Its Contradictions1 Thomas M. Bolin, St. Norbert College There are many parts of the Bible that people find boring: the genealogies in the first eight chapters of 1 Chronicles, the description of the ark and tabernacle in Exodus 25-31 (re- peated in chapters 35-40) or of the temple in 1 Kings or Ezekiel. These texts are often over- looked by readers because they are long, detailed, and repetitive. But these qualities are also what make them noticed. They must be acknowledged before they are skipped over or other- wise left unregarded. In contrast, the lowly biblical colophon has nothing similar by which it can assert itself to the reader. Colophons often go by unnoticed. They are the textual equiva- lents of the human appendix: structural relics of a bygone time that have outlived their useful- ness. They are the Rodney Dangerfield of ancient text forms. At best they can yield form-crit- ical data, as Michael Fishbane has argued on the basis of colophons in the legal collections of Leviticus and Numbers;2 or be used as evidence of redactional activity, such as the colophon in Psalm 72:20 which denotes the end of a collection of Davidic psalms,3 or be read to glean information about ancient Israelite scribal practices, as is the case with Karel Van Der Toorn’s use of Hos 14:10.4 The Anchor Bible Dictionary, the premiere multi-volume reference work of the past generation, contains no entry on the colophon. The work of Chaim Gevaryahu re- mains the most recent detailed study of the phenomenon,5 but he studies colophons in order to explain the origin of biblical superscriptions. -
A MEDIUM for MODERNISM: BRITISH POETRY and AMERICAN AUDIENCES April 1997-August 1997
A MEDIUM FOR MODERNISM: BRITISH POETRY AND AMERICAN AUDIENCES April 1997-August 1997 CASE 1 1. Photograph of Harriet Monroe. 1914. Archival Photographic Files Harriet Monroe (1860-1936) was born in Chicago and pursued a career as a journalist, art critic, and poet. In 1889 she wrote the verse for the opening of the Auditorium Theater, and in 1893 she was commissioned to compose the dedicatory ode for the World’s Columbian Exposition. Monroe’s difficulties finding publishers and readers for her work led her to establish Poetry: A Magazine of Verse to publish and encourage appreciation for the best new writing. 2. Joan Fitzgerald (b. 1930). Bronze head of Ezra Pound. Venice, 1963. On Loan from Richard G. Stern This portrait head was made from life by the American artist Joan Fitzgerald in the winter and spring of 1963. Pound was then living in Venice, where Fitzgerald had moved to take advantage of a foundry which cast her work. Fitzgerald made another, somewhat more abstract, head of Pound, which is in the National Portrait Gallery in Washington, D.C. Pound preferred this version, now in the collection of Richard G. Stern. Pound’s last years were lived in the political shadows cast by his indictment for treason because of the broadcasts he made from Italy during the war years. Pound was returned to the United States in 1945; he was declared unfit to stand trial on grounds of insanity and confined to St. Elizabeth’s Hospital for thirteen years. Stern’s novel Stitch (1965) contains a fictional account of some of these events. -
![Willa Cather, “My First Novels [There Were Two]”, and the Colophon: a Book Collector’S Quarterly](https://docslib.b-cdn.net/cover/4608/willa-cather-my-first-novels-there-were-two-and-the-colophon-a-book-collector-s-quarterly-784608.webp)
Willa Cather, “My First Novels [There Were Two]”, and the Colophon: a Book Collector’S Quarterly
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Digital Initiatives & Special Collections Libraries at University of Nebraska-Lincoln Fall 10-26-2012 Material Memory: Willa Cather, “My First Novels [There Were Two]”, and The Colophon: A Book Collector’s Quarterly Matthew J. Lavin University of Nebraska-Lincoln, [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/librarydisc Part of the Literature in English, North America Commons Lavin, Matthew J., "Material Memory: Willa Cather, “My First Novels [There Were Two]”, and The Colophon: A Book Collector’s Quarterly" (2012). Digital Initiatives & Special Collections. 4. https://digitalcommons.unl.edu/librarydisc/4 This Article is brought to you for free and open access by the Libraries at University of Nebraska-Lincoln at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Digital Initiatives & Special Collections by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Material Memory: Willa Cather, “My First Novels [There Were Two]”, and The Colophon: A Book Collector’s Quarterly Introduction Willa Cather’s 1931 essay “My First Novels [There Were Two]” occupies a distinct position in Cather scholarship. Along with essays like “The Novel Démeublé” and “On The Professor’s House ” it is routinely invoked to established a handful of central details about the writer and her emerging career. It is enlisted most often to support the degree to which Cather distanced herself from her first novel Alexander’s Bridge and established her second novel O Pioneers! As a sort of second first novel, the novel in which she first found her voice by writing about the Nebraska prairie and its people. -
Directory to Western Printed Heritage Collections
Directory to western printed heritage collections A. Background to the collections B. Major named Collections of rare books C. Surveys of Early and Rare Books by Place of Origin D. Surveys of Special Collections by Format A. Background to the Collections A1. Introduction. The Library was founded in 1973 (British Library Act 1972). A number of existing collections were transferred into its care at that time, the most extensive of which were those of the British Museum’s Department of Printed Books (including the National Reference Library of Science and Invention), Department of Mss, and Department Oriental Mss and Printed Books. Other collections of rare and special materials have been added subsequently, most notably the India Office Library & Records in 1982. The Library today holds over 150 million collection items, including books, pamphlets, periodicals, newspapers, printed music, maps, mss, archival records, sound recordings, postage stamps, electronic titles, and archived websites; this figure includes an estimated 4.1 million books, pamphlets and periodical titles printed in the West from the 15th cent to the 19th cent. The breadth of collecting in terms of subjects, dates, languages, and geographical provenance has always been a feature of collection building policies. A wide range of heritage materials continues to be acquired from Britain and overseas through purchase and donation. The Library’s early printed materials feature prominently in a range of digital facsimile products, e.g. Early English Books Online, Eighteenth Century Collections Online, Early Music Online, Nineteenth Century Collections Online, and Google Books. Direct links to facsimiles are increasingly provided from the Library’s website, particularly from the main catalogues. -
Appreciations of Richard Harding Davis
1 APPRECIATIONS Gouverneur Morris Booth Tarkington Charles Dana Gibson E. L. Burlingame Augustus Thomas Theodore Roosevelt Irvin S. Cobb 2 John Fox, Jr Finley Peter Dunne Winston Churchill Leonard Wood John T. McCutcheon R. H. D. BY GOUVERNEUR MORRIS "And they rise to their feet as He passes by, gentlemen unafraid." He was almost too good to be true. In addition, the gods loved him, and so he had to die young. Some people think that a man of fifty-two is middle-aged. But if R. H. D. had lived to be a hundred, he would never have grown old. It is not generally known that the name of his other brother was Peter Pan. Within the year we have played at pirates together, at the taking of sperm whales; and we have ransacked the Westchester Hills for gunsites against the Mexican invasion. And we have made lists of guns, and medicines, and tinned things, in case we should ever happen to go elephant-shooting in Africa. But we weren't going to hurt the elephants. Once R. H. D. shot a hippopotamus and he was always ashamed and sorry. I think he never killed anything else. He wasn't that kind of a sportsman. Of hunting, as of many other things, he has said the last word. Do you remember the Happy Hunting Ground in "The Bar Sinister"?--"where nobody hunts us, and there is nothing to hunt." Experienced persons tell us that a manhunt is the most exciting of all sports. R. H. D. hunted men in Cuba. -
Infirm Soldiers in the Cuban War of Theodore Roosevelt and Richard Harding Davis”
David Kramer “Infirm Soldiers in the Cuban War of Theodore Roosevelt and Richard Harding Davis” George Schwartz was thought to be one of the few untouched by the explosion of the Maine in the Havana Harbor. Schwartz said that he was fine. However, three weeks later in Key West, he began to complain of not being able to sleep. One of the four other survivors [in Key West] said of Schwartz, “Yes, sir, Schwartz is gone, and he knows it. I don’t know what’s the matter with him and he don’t know. But he’s hoisted his Blue Peter and is paying out his line.” After his removal to the Marine Hospital in Brooklyn, doctors said that Schwartz’s nervous system had been completely damaged when he was blown from the deck of the Maine. —from press reports in early April 1898, shortly before the United States officially declared War on Spain. n August 11th 1898 at a Central Park lawn party organized by the Women’s Patriotic Relief Association, 6,000 New Yorkers gathered to greet invalided sol- diers and sailors returningO from Cuba following America’s victory. Despite the men’s infirmities, each gave his autograph to those in attendance. A stirring letter was read from Richmond Hobson, the newly anointed hero of Santiago Bay. Each soldier and sailor received a facsimile lithograph copy of the letter as a souvenir.1 Twenty years later, the sight of crippled and psychologically traumatized soldiers returning from France would shake the ideals of Victorian England, and to a lesser degree, the United States. -
Kotare Template
Glover’s and Fairburn’s Inklings Lindsay Rollo Trade journals issued by New Zealand companies, as distinct from trade or industry magazines, were not that common in the period 1945-55. One that deserves a place in the local literary and typographical annals is Inkling. Published for just 37 issues by the Christchurch-based company Morrison & Morrison (M & M) from June 1947 to August 1951, it includes three pieces each by two of New Zealand‘s leading lights of that literary nationalism that emerged in the late 1930s. THE PUBLISHER M & M started in 1906 as printing ink manufacturers and expanded over time to have branches in the then four main centres. Their activities also diversified to include the sale of type, printing trade sundries, and machinery. After World War II it was one of a group of companies offering comparable services to the printing and allied trades throughout New Zealand. It was this company that provided boat fares in 1939 for Denis Glover and his printing partner John Drew to visit Wellington to look at printing machines.1 Glover and Drew were the two working principals of what subsequently became the Caxton Press. They bought a German machine- fed (automatic) rotary press, presumably not only to incrementally expand their printing capacity, but also to relieve the drudgery and limited production capacity of their hand-fed Wharfedale rotary press. They still had and used their hand-fed platen press (which had been converted from treadle to electric motor driven). It may be assumed that by 1947 M & M management had defined a need to increase their recognition in the marketplace and decided to issue their own free trade journal, initially monthly but as time went on reduced to two-monthly. -
Adventures and Letters by Richard Harding Davis
Adventures and Letters by Richard Harding Davis Adventures and Letters by Richard Harding Davis This etext was prepared with the use of Calera WordScan Plus 2.0 ADVENTURES AND LETTERS OF RICHARD HARDING DAVIS EDITED BY CHARLES BELMONT DAVIS CONTENTS CHAPTER I. THE EARLY DAYS II. COLLEGE DAYS III. FIRST NEWSPAPER EXPERIENCES IV. NEW YORK V. FIRST TRAVEL ARTICLES VI. THE MEDITERRANEAN AND PARIS page 1 / 485 VII. FIRST PLAYS VIII. CENTRAL AND SOUTH AMERICA IX. MOSCOW, BUDAPEST, LONDON X. CAMPAIGNING IN CUBA, AND GREECE XI. THE SPANISH-AMERICAN WAR XII. THE BOER WAR XIII. THE SPANISH AND ENGLISH CORONATIONS XIV. THE JAPANESE-RUSSIAN WAR XV. MOUNT KISCO XVI. THE CONGO XVII. A LONDON WINTER XVIII. MILITARY MANOEUVRES XIX. VERA CRUZ AND THE GREAT WAR XX. THE LAST DAYS CHAPTER I THE EARLY DAYS Richard Harding Davis was born in Philadelphia on April 18, 1864, but, so far as memory serves me, his life and mine began together several years later in the three-story brick house on South Twenty-first Street, to which we had just moved. For more than forty years this was our home in all that the word implies, and I do not believe that there was ever a moment when it was not the predominating influence in page 2 / 485 Richard's life and in his work. As I learned in later years, the house had come into the possession of my father and mother after a period on their part of hard endeavor and unusual sacrifice. It was their ambition to add to this home not only the comforts and the beautiful inanimate things of life, but to create an atmosphere which would prove a constant help to those who lived under its roof--an inspiration to their children that should endure so long as they lived.