The Heart of Mid-Lothian

Total Page:16

File Type:pdf, Size:1020Kb

The Heart of Mid-Lothian The Heart of Mid−Lothian Sir Walter Scott The Heart of Mid−Lothian Table of Contents The Heart of Mid−Lothian.......................................................................................................................................1 Sir Walter Scott..............................................................................................................................................1 CHAPTER I...................................................................................................................................................2 CHAPTER II..................................................................................................................................................7 CHAPTER III..............................................................................................................................................15 CHAPTER IV..............................................................................................................................................21 CHAPTER V................................................................................................................................................34 CHAPTER VI..............................................................................................................................................37 CHAPTER VII.............................................................................................................................................42 CHAPTER VIII............................................................................................................................................46 CHAPTER VIII............................................................................................................................................50 CHAPTER IX..............................................................................................................................................57 CHAPTER X................................................................................................................................................63 CHAPTER XI..............................................................................................................................................68 CHAPTER XI..............................................................................................................................................74 CHAPTER XII.............................................................................................................................................81 CHAPTER XIII............................................................................................................................................86 CHAPTER XIV...........................................................................................................................................93 CHAPTER XV...........................................................................................................................................100 CHAPTER XVI.........................................................................................................................................105 CHAPTER XVIII.......................................................................................................................................111 CHAPTER XIX.........................................................................................................................................118 CHAPTER XX...........................................................................................................................................124 CHAPTER XXI.........................................................................................................................................127 CHAPTER XXII........................................................................................................................................135 VOL. II....................................................................................................................................................................139 CHAPTER I...............................................................................................................................................139 CHAPTER II..............................................................................................................................................144 CHAPTER III............................................................................................................................................153 CHAPTER IV............................................................................................................................................158 CHAPTER V..............................................................................................................................................161 CHAPTER VI............................................................................................................................................169 CHAPTER VII...........................................................................................................................................172 CHAPTER VIII..........................................................................................................................................178 CHAPTER IX............................................................................................................................................183 CHAPTER X..............................................................................................................................................186 CHAPTER XI............................................................................................................................................191 CHAPTER XII...........................................................................................................................................195 CHAPTER XIII..........................................................................................................................................204 CHAPTER XIV.........................................................................................................................................215 i The Heart of Mid−Lothian Sir Walter Scott This page copyright © 2001 Blackmask Online. http://www.blackmask.com • VOL I. • CHAPTER I. • CHAPTER II. • CHAPTER III. • CHAPTER IV. • CHAPTER V. • CHAPTER VI. • CHAPTER VII. • CHAPTER VIII. • CHAPTER VIII. • CHAPTER IX. • CHAPTER X. • CHAPTER XI. • CHAPTER XI. • CHAPTER XII. • CHAPTER XIII. • CHAPTER XIV. • CHAPTER XV. • CHAPTER XVI. • CHAPTER XVIII. • CHAPTER XIX. • CHAPTER XX. • CHAPTER XXI. • CHAPTER XXII. • VOL. II. • CHAPTER I. • CHAPTER II. • CHAPTER III. • CHAPTER IV. • CHAPTER V. • CHAPTER VI. • CHAPTER VII. • CHAPTER VIII. • CHAPTER IX. • CHAPTER X. • CHAPTER XI. • CHAPTER XII. • CHAPTER XIII. • CHAPTER XIV. The Heart of Mid−Lothian 1 The Heart of Mid−Lothian CHAPTER I. The spirit I have seen May be the devil. And the devil has power To assume a pleasing shape. Hamlet. Witchcraft and demonology, as we have had already occasion to remark, were at this period believed in by almost all ranks, but more especially among the stricter classes of presbyterians, whose government, when their party were at the head of the state, had been much sullied by their eagerness to enquire into, and persecute these imaginary crimes. Now, in this point of view, also, Saint Leonard's Crags and the adjacent Chase were a dreaded and ill−reputed district. Not only had witches held their meetings there, but even of very late years the enthusiast, or imposter, mentioned in the Pandæmonium of Richard Bovet, Gentleman, had, among the recesses of these romantic cliffs, found his way into the hidden retreats where the fairies revel in the bowels of the earth. With all these legends Jeanie Deans was too well acquainted, to escape that strong impression which they usually make on the imagination. Indeed, relations of this ghostly kind had been familiar to her from her infancy, for they were the only relief which her father's conversation afforded from controversial argument, or the gloomy history of the strivings and testimonies, escapes, captures, tortures, and executions of those martyrs of the Covenant, with whom it was his chiefest boast to say he had been acquainted. In the recesses of mountains, in caverns, and in morasses, to which these persecuted enthusiasts were so ruthlessly pursued, they conceived they had often to contend with the visible assaults of the Enemy of mankind, as in the cities, and in the cultivated fields, they were exposed to those of the tyrannical government and their soldiery. Such were the terrors which made one of their gifted seers exclaim, when his companion returned to him, after having left him alone in a haunted cavern in Sorn in Galloway, "It is hard living in this worldincarnate devils above the earth, and devils under the earth! Satan has been here since ye went away, but I have dismissed him by resistance; we will be no more troubled with him this night." David Deans believed this, and many other such ghostly encounters and victories, on the faith of the Ansars, or auxiliaries of the banished prophets. This event was beyond David's remembrance. But he used to tell with great awe, yet not without a feeling of proud superiority to his auditors, how he himself had been present at a field−meeting at Crochmade, when the duty of the day was interrupted by the apparition of a tall black man,
Recommended publications
  • The Whistler's Story Tragedy and the Enlightenment Imagination in the Eh Art of Midlothian Alan Riach
    Studies in Scottish Literature Volume 33 | Issue 1 Article 24 2004 The Whistler's Story Tragedy and the Enlightenment Imagination in The eH art of Midlothian Alan Riach Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Riach, Alan (2004) "The Whistler's Story Tragedy and the Enlightenment Imagination in The eH art of Midlothian," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/24 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Alan Riach The Whistler's Story Tragedy and the Enlightenment Imagination in The Heart ofMidlothian The Heart of Midlothian is generally considered Scott's most approach­ able novel. David Daiches tells us that "most critics consider [it to be] the best of Scott's works."J In his short but influential 1965 study, it is the only novel to which Thomas Crawford devotes an entire chapter, and in his 1982 revision of the same book, Crawford preserves the emphasis, citing the "extended criti­ cal debate" to which the novel has been subjected by Robin Mayhead, Dorothy van Ghent, Joan Pittock and David Craig.2 In Scottish Literature since 1707, Marshall Walker tellingly chooses The Heart ofMidlothian above any other of Scott's works for extended consideration before addressing the question of Scott's fluctuating appeal as a novelist, "then and now.,,3 When Ludovic Ken­ nedy inquired in 1969, he found that the Edinburgh City Library's nine copies of the work were all out.
    [Show full text]
  • Circulation, Monuments, and the Politics of Transmission in Sir Walter Scott’S Tales of My Landlord by Kyoko Takanashi
    CirCUlaTion, MonUMenTs, and THe PoliTiCs of TransMission in sir WalTer sCoTT’s TaLEs of My LandLord by kyoko TakanasHi i n the opening passage of sir Walter scott’s The Heart of Midlothian, the narrator, Peter Pattieson, asserts that the “times have changed in nothing more . than in the rapid conveyance of intelligence and communication betwixt one part of scotland and another.”1 Here, Pattieson seems to confirm the crucial role that the speed of print distribution played in romantic print culture, particularly in relation to time-sensitive reading material such as periodical publications, po- litical pamphlets, and statements by various corresponding societies.2 indeed, the rapidity of the mail-coach that enabled up-to-date com- munication seems crucial to our understanding of the romantic period as an age that became particularly cognizant of history as an ongoing process, forming, as it were, what benedict anderson characterizes as a “historically clocked, imagined community.”3 and yet the first half of Pattieson’s sentence reveals ambivalence about such change; while he admits that there has been dramatic increase in the speed of com- munication, he also asserts that “nothing more” has changed. despite the presence of “the new coach, lately established on our road,” Pat- tieson considers the village of Gandercleugh as otherwise unchanged, since it still offers him the opportunity to collect local, historical tales that will eventually be published as Tales of My Landlord (H, 14). This representation of communication infrastructures in Tales of My Landlord series does not so much confirm the thorough penetration of a national print-based imagined community as it exposes how this national infrastructure existed uneasily alongside pockets of traditional, local communities.
    [Show full text]
  • Novels of Walter Scott As a Mimetic Vehicle for Portraying Historical Characters
    International Journal of English and Literature (IJEL) ISSN 2249-6912 Vol. 3, Issue 1, Mar 2013, 69-74 © TJPRC Pvt. Ltd. NOVELS OF WALTER SCOTT AS A MIMETIC VEHICLE FOR PORTRAYING HISTORICAL CHARACTERS SHEEBA AZHAR 1 & SYED ABID ALI 2 1Assistant Professor, Department of English, College of Applied Medical Science, Hafr Al Batin University of Dammam,Kingdom of Saudi Arabia 2Lecturer, Department of English, College of Applied Medical Science, Hafr Al Batin University of Dammam, Kingdom of Saudi Arabia ABSTRACT Sir Walter Scott is a great historical novelist. Scott’s knowledge of human psychology is evident to from the presentation of his characters. Scott’s assertion in the first chapter of Waverley is that “the object of my tale is more a description of men than manners.” He has thrown the force of his narrative upon the characters and passions of the actors; those passions, that are common to men in all stages of society, and which have alike agitated the human heart in all ages. His characters present their inherent traits with an unequalled eloquence. They are not made up of one or two sets of qualities. They are moulded from the substance of which human life is made and possess all its attributes. Present paper examines Sir Walter Scott’s method of characterization and point of excellence in the portrayal of various historical characters. KEYWORDS: Sir Walter Scott, Unequalled Eloquence, Waverley INTRODUCTION According to George Lukacs “what matters in the historical novel is not the re-telling of great historical events, but the poetic awakening of the people who are figured in those events” 1 It means that the responsibilities of a historical novelist are doubled as compared to those of the general novelist, in the matter of characterization, for he has to introduce characters from the past.
    [Show full text]
  • Sir Walter Scott – Bringing out the Best in Us
    Riach, A. (2017) Sir Walter Scott – Bringing out the best in us... National, 2017, 27 Jan. This is the author’s final accepted version. There may be differences between this version and the published version. You are advised to consult the publisher’s version if you wish to cite from it. http://eprints.gla.ac.uk/161549/ Deposited on: 30 April 2018 Enlighten – Research publications by members of the University of Glasgow http://eprints.gla.ac.uk Approaching Walter Scott: Part Three Alan Riach In the final part of this series, Alan Riach looks at Scott’s late work and legacy: powerful in the 19th century but greatly diminished in the 20th century. Why? And, since the brilliant new Edinburgh edition of his works (Go to: http://www.walterscott.lib.ed.ac.uk/index.html) has made thorough revaluation possible, what would be good reason to read him in Scotland’s circumstances now? In the late 1820s, Scott’s health declined and in 1831, after a stroke, he travelled to Italy to try to recuperate, returning, still very ill, in 1832. As his carriage approached home, he seemed to be unconscious, but when the Eildon Hills appeared, he roused himself and according to his first biographer, John Gibson Lockhart, Scott became “greatly excited” and when he saw Abbotsford, “sprang up with a cry of delight.” Lockhart was determined to present an idealised picture of the last days of Scott, to give the impression that his characteristic decency was rewarded with a tranquil passing. Doubts have been raised about this, but Lockhart’s account is undeniably touching: “About half-past one p.m.
    [Show full text]
  • Joseph Rezek [email protected]
    Joseph Rezek [email protected] Boston University, Department of English, 236 Bay State Road, Boston, MA 02215 EDUCATION University of California, Los Angeles. Ph.D. in English, 2009 Columbia University. B.A. in English, 2001 (magna cum laude) EMPLOYMENT Boston University, Associate Professor of English. 2017-present Boston University, Assistant Professor of English. 2011-2017. McNeil Center for Early American Studies, University of Pennsylvania. Barra Postdoctoral Fellow. 2009- 2011. New York University, Gallatin School of Individualized Study. Adjunct Instructor. 2007-2009. PUBLICATIONS Book: London and the Making of Provincial Literature: Aesthetics and the Transatlantic Book Trade, 1800- 1850. University of Pennsylvania Press, 2015. Reviewed in: Times Literary Supplement, NOVEL: A Forum on Fiction, American Literary History, American Literature, Literature & History, European Romantic Review, Common-Place, Studies in the Novel, The Wordsworth Circle, Early American Literature, Textual Cultures, Publications of the Bibliographical Society of America, Studies in English Literature, Nineteenth-Century Contexts, Nineteenth Century Studies, The Journal of American Studies, BARS Review, Victorian Studies, and The Journal of the Early Republic. Book-in-progress: The Racialization of Print. This book will tell a new story about the history of race and the history of print before the twentieth century. When, where, and how, did modern racism first change the meaning of print? How did shifting ideologies of racial hierarchy continue to shape the medium over time? I begin to answer these questions with a transatlantic account of protest and struggle over the technology of print in the Anglophone world, beginning in the sixteenth century, with the spread of printing in Europe and the emergence of modern racial categories, and ending in the nineteenth century, with the industrialization of print and the codification of scientific racism.
    [Show full text]
  • PDF Download the Heart of Midlothian
    THE HEART OF MIDLOTHIAN PDF, EPUB, EBOOK Sir Walter Scott,Claire Lamont | 624 pages | 01 Apr 2009 | Oxford University Press | 9780199538393 | English | Oxford, United Kingdom The Heart of Mid-Lothian by Walter Scott The Deans and Butler families were both threatened with eviction by the old Laird of Dumbiedikes but reprieved by his son following his father's deathbed change of heart. Butler and Jeanie grew up together, Jeanie being sluggishly courted by the young Dumbiedikes. He passes on Robertson's message and is annoyed at Jeanie's secrecy on the matter. Deans, Saddletree, Dumbiedikes, and Butler set about investigating the evidence and making arrangements for Effie's representation. Robertson escapes a party seeking to arrest him at the cairn after a warning song by Madge. Baillie Middleburgh receives an anonymous letter from Robertson indicating that Jeanie has it in her power to save her sister. Meg Murdockson comes to fetch her daughter Madge. The citizens comment on the proceedings. Her peasant guide fills in the family background before she completes her journey by coach. Argyle conducts her to Windsor. She fends off more of Mrs Glass's enquiries. In a letter Effie says she is intending to make a new life abroad. The Captain of Knockdunder, a local laird, is introduced. Her happiness is marred only by theological disagreements between her father and her husband, and by the lack of news of Effie. On a visit to the manse Argyle sings the praises of Lady Staunton, ignorant of her identity. Lady Staunton arrives at the manse: on a mountain excursion with her elder nephew David she is rescued by a wild lad, who is later identified as the Whistler, Effie's son.
    [Show full text]
  • Following in the Footsteps of Sir Walter Scott Seventeen Days In
    Following in the Footsteps of Sir Walter Scott: Eighteen Days in Scotland Lingwei Meng Göttingen November 2016 For Prof. Dr. Barbara Schaff Dr. Kirsten Sandrock Contents Introduction......................................................................................................................................... 1 First Day: Callaner.............................................................................................................................. 2 Second Day: Rob Roy’s Grave and Ledard Waterfall........................................................................ 3 Third Day: Loch Katrine - Inversnaid - Glasgow Cathedral.............................................................. 6 Fourth Day: Stirling Castle............................................................................................................... 10 Fifth Day: Impression on Edinburgh.................................................................................................13 Sixth Day: 25 George Square............................................................................................................15 Seventh Day: Old Site of Tolbooth and St Giles’ Cathedral.............................................................17 Eighth day: A City Tour.....................................................................................................................20 Ninth Day: Old Site of the Mercat Cross and Lady Stair’s Close ................................................22 Tenth Day: St. Andrews...................................................................................................................
    [Show full text]
  • The Heart of Mid-Lothian
    THE HEART OF MID-LOTHIAN By Walter Scott An Electronic Classics Series Publication The Heart of Mid-Lothian by Sir Walter Scott is a publication of The Electronic Classics Series. This Portable Document file is furnished free and without any charge of any kind. Any person using this document file, for any purpose, and in any way does so at his or her own risk. Neither the Pennsylvania State University nor Jim Manis, Editor, nor anyone associated with the Pennsylvania State University assumes any responsibility for the material contained within the document or for the file as an electronic transmission, in any way. The Heart of Mid-Lothian by Sir Walter Scott, The Electronic Classics Series, Jim Manis, Editor, PSU- Hazleton, Hazleton, PA 18202 is a Portable Document File produced as part of an ongoing publication project to bring classical works of literature, in English, to free and easy access of those wishing to make use of them. Jim Manis is a faculty member of the English Department of The Pennsylvania State University. This page and any preceding page(s) are restricted by copyright. The text of the following pages are not copyrighted within the United States; however, the fonts used may be. Cover Design: Jim Manis; image courtesy Wikimedia Commons Copyright © 2009 - 2013 The Pennsylvania State University is an equal opportunity university. Sir Walter Scott THE HEART OF MID-LOTHIAN By Walter Scott TALES OF MY LANDLORD COLLECTED AND ARRANGED BY JEDEDIAH CLEISHBOTHAM, SCHOOLMASTER AND PARISH CLERK Sir Walter Scott, 1st Baronet OF GANDERCLEUGH. (15 August 1771 – 21 September 1832) Image courtesy Wikimedia Commons 3 The Heart of Mid-Lothian PROVENANCE OF ILLUSTRATIONS Subject or Title Original Drawing Etching Effie and Geordie Sir J.
    [Show full text]
  • Multilingualism, Language Contact and Translation in Walter Scott's Scottish
    Multilingualism, language contact and translation in Walter Scott’s Scottish novels Fernando Toda University of Salamanca No one bade us welcome, nor did anyone offer to take our horses [...] and to our various enquiries, the hopeless response of “Ha niel Sassenach” was the only answer we could extract. [Frank Osbaldistone arrives at the clachan of Aberfoil, in the Highlands.] (Rob Roy, ch. 28, 254)1 “[…] How far can you walk in a day?” “Five-and-twenty miles and a bittock.” “And a what?” said the Queen, looking towards the Duke of Argyle. “And about five miles more,” replied the Duke. [Jeanie Deans meets the Queen.] (The Heart of Mid-Lothian, ch. 37, 396) In his Scottish novels, Walter Scott foregrounded the multilingual and multi- dialectal situation of Scotland. He not only made a deliberate effort to reflect the different linguistic varieties in the dialogues, but also, through his nar- rators, drew his readers’ attention to the variety being used or the pronun- ciation employed. Since Scott is writing about post-Union Scotland, he implies that the United Kingdom is a multilingual and multicultural socie- ty, and that the British have to be aware of this in order to make their union stronger in its diversity, by preserving national cultural identities and values. Evidence is given from three of Scott’s most relevant Scottish novels. 1. The image of a multicultural and multilingual United Kingdom The two quotes above are good illustrations of a factor that is constantly present in Walter Scott’s Scottish novels: the multilingual setting in which they take place.
    [Show full text]
  • REALISM I N the Iiovels of SIR SCOTT ' S ROMANTICISM
    REALISM IN THE IiOVELS OF SIR WALTER SCOTT: A STUDY OF ITS SIGNIFICANCE AND REL.~TION TO SCOTT ' S ROMANTICISM i REA.LISM IN THE NOVELS OF SIR VlALTER SCOTT: A STUDY OF ITS SIGNIFICANCE AND RELA'l'IOU TO SCOTT'S ROMANTICISM. by Homer M. Ledbetter Bachelor of Science East Central State Tee.chars' College 1934 Submitted to the Department of English, Oklahoma Agricultural and Mechanical College In Partial Fulfillment of the Requirements For the Degree of MA.STER OF .ARTS 1937 .. .. ·. ... : . .. : .:. :' ~ .. :. : ~ ·. :... : .. ... .. ."' . APPROVED : ... Head of the English Deparbn.ent > ~Dean (o ~ 100772 iii TABLE OF CONTENTS Page Introduction 1 Chapter I - Definitions and Functions of Realism 3 Chapter Il - Scott as a Romanticist 14 Chapter III - Scottie Realism 19 Chapter IV - Value of Realism to Scott's Work 41 Bibliography 48 1 INTRODUCTION To read Scott. to know his works familiarly. and to examine his biographies is not only to know one of the greatest of romancers. but to know as ,vell a man whose feet were placed upon solid earth. In this reading. one comes under the spell or a great. frank, wise1 hu- morous. and loving nature. a man with a rich and sympathetic imagina- tion. and equipped with an abundance of knowledge both of men and af­ £a.1rs .1 That knowledge represents the experience of a man, not only of visionary romance, but of realities as well. Today there are men of letters who affect to speak of Scott ,vith disdain. Th$y criticise his work as romances of chivalry as if it had no connection with actual life.
    [Show full text]
  • Physiognomy in Sir Walter Scott's Fiction Graeme Tytler
    Studies in Scottish Literature Volume 33 | Issue 1 Article 19 2004 "Faith in the Hand of Nature": Physiognomy in Sir Walter Scott's Fiction Graeme Tytler Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation Tytler, Graeme (2004) ""Faith in the Hand of Nature": Physiognomy in Sir Walter Scott's Fiction," Studies in Scottish Literature: Vol. 33: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol33/iss1/19 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Graeme Tytler "Faith in the Hand of Nature": Physiognomy in Sir Walter Scott's Fiction One aspect of Sir Walter Scott's fiction that has received critical attention down the years is his treatment of physical character description, whereby comments made on that subject in the twentieth century would appear to have been generally more objective, not to say more sober, than some made in the nineteenth century, the early part of which is conspicuous for outright con­ demnations of Scott's uses of this device. l Nevertheless, there were at that time literary critics such as John Adolphus and Edward Channing who not only wrote favorably about Scott's descriptive techniques, but seemed alive to their physiognomic implications, even though neither of them, nor, indeed, any other literary critic of that period, is known to have mentioned or alluded to physiognomic theory.2 It was not until the latter half of the twentieth century that scholars first remarked on references to physiognomy in Scott's fiction, doing so, however, without touching on the historical background against lFor examples of nineteenth·century condemnation of Scott's character description, see especially John O.
    [Show full text]
  • Roseneath: Scotland Or "Scott-Land"? a Reappraisal of the Heart Ofmidlothian
    Studies in Scottish Literature Volume 32 | Issue 1 Article 5 2001 Roseneath: Scotland or "Scott-land"? A Reappraisal of The eH art of Midlothian Julian Meldon D 'Arcy Follow this and additional works at: https://scholarcommons.sc.edu/ssl Part of the English Language and Literature Commons Recommended Citation D 'Arcy, Julian Meldon (2001) "Roseneath: Scotland or "Scott-land"? A Reappraisal of The eH art of Midlothian," Studies in Scottish Literature: Vol. 32: Iss. 1. Available at: https://scholarcommons.sc.edu/ssl/vol32/iss1/5 This Article is brought to you by the Scottish Literature Collections at Scholar Commons. It has been accepted for inclusion in Studies in Scottish Literature by an authorized editor of Scholar Commons. For more information, please contact [email protected]. Julian Meldon D 'Arcy Roseneath: Scotland or "Scott-land"? A Reappraisal of The Heart ofMidlothian The first three quarters of The Heart of Midlothian have frequently been acknowledged as some of the best fiction Sir Walter Scott ever wrote. The opening scenes, with the vivid and stirring descriptions of the Porteous Riots, followed by the heart-rending drama of young Effie Deans on trial for her life, through to Jeanie's heroic walk to London to save her sister, culminating in her gaining a reprieve from Queen Caroline in person, have enthralled and been admired by generations of readers and critics ever since the novel was first published in 1818. The final section of the novel, however, approximately twenty-five per­ cent of the text, has not usually met with equal approval. Jeanie Deans, her father Davie Deans and her husband, Reuben Butler, being rewarded with farms and a manse in an apparently idyllic West Highland setting, the smug­ gler Robertson and Effie Deans being transformed into Lord and Lady Staun­ ton and living in high sOyiety, and Staunton's death at the hands of his own long-lost son, all seem melodramatic and inconsistent in structure, tone and meaning with all that has gone before.
    [Show full text]