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Boston Symphony Orchestra Concert Programs, Season 130, 2010-2011

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Boston Symphony Orchestra Concert Programs, Season 130, 2010-2011 BOSTON SYMPHONY ORCHESTRA James Levine, Music Director Bernard Haitink, Conductor Emeritus Seiji Ozawa, Music Director Laureate 130th Season, 2010-2011 CHAMBER TEA IV Friday, February 18, at 2:30 COMMUNITY CONCERT VI Sunday, February 27, at 3, at St. Paul AME Church, Cambridge The free Community Concerts are made possible by a generous grant from the Lowell Institute. "CLASSICAL TANGENT" BONNIE BEWICK, violin JULIANNE LEE, violin SHEILA FALLS, violin MICKEY KATZ, cello BENJAMIN LEVY, bass DAN BAUCH, percussion KEN BEWICK, guitar JOHN McGANN, mandolin TRAD. Blackberry Blossom K. BEWICK/B. BEWICK Consider the Source MARK O'CONNOR Limerock for violin and cello BOTTESINI/arr. B. BEWICK Tarantella for double bass and quartet KERN /McGANN Yesterdays TWO RAGS, arranged by DAN BAUCH for quartet and xylophone GEORGE HAMILTON GREEN Triplets HARRY BREUER Back Talk FALLS/arr. McGANN Queen Maeve's Slumber TRAD./arr. B.BEWICK Oh, Shenandoah OLEG PONOMAREV/arr. B. BEWICK Turka Additional support for the February 27 concert is provided by the Biogen Idee Foundation. Week 16 INTRODUCTION What are we doing here? What's a nice group of well-trained classical musicians doing playing this kind of music when there is so much Beethoven, Mozart, and Schubert out there? Shouldn't we just stick to what we've spent years mastering, both when we're performing in the Boston Symphony Orchestra and in our outside endeavors? Classical music will endure forever, and we're always honored to be able to perform music by such masters as Beethoven, Mozart, Schubert, Brahms, not to mention Berlioz, Bartok, Sibelius, Tchaikovsky, Stravinsky, and scores of others. But while the music we usually play is art at its finest, the music we play for you here today is entertainment, for the sheer joy of it. With our extracurricular musical time, we have chosen to join the thousands of farmers, miners, millers, welders, cooks, lovers, and just plain folks who have been celebrating life's joys and sorrows through different kinds of music for centuries. It wasn't ever about money, and I don't think many of the musicians we are emulating ever played an Amati or a Galliano or any other fine Italian violin. Here, skill takes a back seat to enthusiasm, and fun is what it's all about. These finely honed artists have dared to step out of their perfectionist roles and crank out some tunes. Please clap and shout as the mood moves you! THE MUSICIANS A member of the Boston Symphony Orchestra since 1987, Bonnie Bewick studied violin with Paul Makanowitzky and Ruggiero Ricci at the University of Michigan in Ann Arbor, and with David Cerone and Aaron Rosand at the Curtis Institute of Music, where she received her bachelor's degree in music in 1986. Prior to joining the Boston Symphony, she won a position with the Columbus Symphony and participated in sum- mer music festivals at Interlochen, Spoleto, the Colorado Philharmonic, and the Grand Tetons. Ms. Bewick has made solo appearances with a number of west coast orchestras, and with the Boston Pops under John Williams and Keith Lockhart as well as the New England Philharmonic and Cape Ann Symphony in New England. Though trained as a classical violinist, bringing the many forms of traditional and folk music to classical audiences has become her passion. Her newest venture, the group Classical Tangent, made up of BSO members and friends, has been enthusiastically received in concerts at Symphony Hall, around Boston, and in the Berkshires. Ms. Bewick also plays folk music with the group Childsplay, conducts orchestra audition seminars all over the country, teaches privately, and is on the faculty of The Boston Conservatory. She is married to Michael Brown, and they have two boys, Andrew and Kevin. A member of the Boston Symphony Orchestra since 2007, Julianne Lee recently received the Presser Music Award. She made her solo debut at age seven with the Lake Placid Symphonietta and has also appeared as soloist with the KBS Symphony Orchestra in Korea and the Baden-Baden Philharmonie in Germany. Her chamber music collaborations include concerts with such renowned artists as Joseph Silverstein, Peter Wiley, Roger Tapping, Samuel Rhodes, and Arnold Steinhardt. Ms. Lee has partic- ipated at the Marlboro Music Festival and Santa Fe Chamber Music Festival and toured Europe with the Australian Chamber Orchestra as guest principal violist. She holds a bachelor's degree in violin performance and a diploma in viola performance from the Curtis Institute of Music, where she studied with Victor Danchenko, Joseph Silverstein and Joseph DePasquale. She received her master's degree from the New England Conservatory of Music, working with Donald Weilerstein and Kim Kashkashian. A native of Greenville, Rhode Island, Sheila Falls won the All-Ireland Fiddle Cham- pionship at age fifteen and is a three-time North American Champion. She holds a bachelor's degree from the New England Conservatory of Music; while there, she was awarded a Tanglewood Music Center fellowship. Active as both a performer and recording artist, she has recorded for the television special "Tommy Makem's Ireland" and is a member of the fiddle-based band Childsplay. She can be heard on three of the band's CDs, including the most recent, "Waiting For The Dawn," which features one of her own compositions. She is also a member of Classical Tangent, a Boston Symphony- based group that performs in a variety of genres. Sheila Falls is on the music faculty at Wheaton College and is director of the World Music Ensemble. Her newly released debut solo CD is entitled "All In The Timing." To learn more, visit sheilafalls.com. A native of Israel, cellist Mickey Katz joined the Boston Symphony Orchestra in September 2004, having previously been principal cellist of Boston Lyric Opera. Mr. Katz has distinguished himself as a solo performer, chamber musician, and contemporary music specialist. His numerous honors include the Presser Music Award in Boston, the Karl Zeise Prize from the BSO at Tanglewood, first prizes in the Hudson Valley Philharmonic Competition and the Rubin Academy Competition in Tel Aviv, and scholarships from the America Israel Cultural Foundation. A passionate performer of new music, he premiered and recorded Menachem Wiesenberg's Cello Concerto with the Israel Defense Force Orchestra and has worked with composers Elliott Carter, Gyorgy Kurtag, John Corigliano, Leon Kirchner, and Augusta Read Thomas in per- forming their music. A Tanglewood Music Center Fellow in 2001, he was invited back to Tanglewood in 2002 as a member of the New Fromm Players, an alumni ensemble- in-residence that works on challenging new pieces and collaborates with young com- posers. An active chamber musician, he has performed in important venues in the United States, Europe, and Israel, and has participated in the Marlboro Festival and Musicians from Marlboro tour, collaborating with such distinguished players as Pinchas Zukerman, Tabea Zimmermann, Kim Kashkashian, and Gilbert Kalish. A grad- uate of the New England Conservatory of Music, he completed his mandatory military service in Israel as a part of the "Distinguished Musician Program," playing in the Israel Defense Force String Quartet, performing throughout Israel in classical concerts and in many outreach and educational concerts for soldiers and other audiences. Boston Symphony Orchestra double bassist Benjamin Levy was born in Cooperstown, New York, in 1980 and grew up in Pennsylvania and Colorado. While in high school he studied with David Potter and spent two summers studying with Stuart Sankey at the Aspen Music Festival. Mr. Levy has had chamber music collaborations with soprano Dawn Upshaw, the Borromeo String Quartet, the Hawthorne String Quartet, New England Conservatory's First Monday Series, Boston Musica Viva, and Collage New Music. In 2002, while a Fellow at the Tanglewood Music Center, he was the recipi- ent of the Maurice Schwartz Prize and was reviewed in the New York Times for his performance of Jacob Druckman's Valentine for solo double bass. A graduate of the New England Conservatory and winner of the George Whitefield Chadwick Medal, he joined the bass section of the Boston Symphony Orchestra at the start of the 2003 Tanglewood season and was appointed third chair of the orchestra's bass section at the start of the 2007-2008 season. Mr. Levy is also on the board of directors of Music for Autism, a non-profit organization committed to raising public awareness and improving the quality of life of individuals with autism and their families through music. In 2004 Mr. Levy joined the faculty of The Boston Conservatory, where he is cur- rently the head of the school's double bass program. He is also a member of the faculty at Boston University's School of Music. His teachers included David Potter, Todd Seeber, Timothy Pitts, Paul Ellison, and Stuart Sankey. Percussionist Daniel Bauch joined the Boston Symphony Orchestra in fall 2009, having held the position of assistant principal timpanist and percussionist with the Detroit Symphony for three years. He began playing percussion at age seven and during high school studied with the BSO's Timothy Genis and Will Hudgins. Mr. Bauch earned a bachelor's degree from the Juilliard School in 2002 under the tutelage of Daniel Druck- man. While in New York he performed in concert with pianist Maurizio Pollini as part of a Carnegie Hall Perspectives Series, premiered a new work by Osvaldo Golijov with Dawn Upshaw and the Orpheus Chamber Orchestra in Carnegie Hall, and recorded a CD with the New York New Music Ensemble released on Albany Records. Mr. Bauch earned a master's degree from Boston University, studying with Timothy Genis, and following graduation was offered a position on the faculty at BU, where he remained for two years.
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