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Ishrat Afreen - Poems
Classic Poetry Series Ishrat Afreen - poems - Publication Date: 2012 Publisher: Poemhunter.com - The World's Poetry Archive Ishrat Afreen(25 December 1956) Ishrat Afreen (Urdu: ???? ?????; Hindi: ???? ?????; alternative spelling: Ishrat Aafreen; born December 25, 1956) is an Urdu poet and women's rights activist named one of the five most influential and trend-setting female voices in Urdu Literature. Her works have been translated in many languages including English, Japanese, Sanskrit and Hindi. The renowned ghazal singers Jagjit Singh & Chitra Singh also performed her poetry in their anthology, Beyond Time (1987). Famed actor Zia Mohyeddin also recites her nazms in his 17th and 20th volumes as well as his ongoing concerts. <b> Early Life and Career </b> Ishrat Jehan was born into an educated family in Karachi, Pakistan as the oldest of five children. She later took the pen name Ishrat Afreen. She was first published at the age of 14 in the Daily Jang on April 31, 1971. She continued writing and was published in a multitude of literary magazines across the subcontinent of India and Pakistan. She eventually became assistant editor for the monthly magazine Awaaz, edited by the poet Fahmida Riaz. Parallel to her writing career she participated in several radio shows on Radio Pakistan from 1970-1984 that aired nationally and globally. She later worked under Mirza Jamil on the now universal Noori Nastaliq Urdu script for InPage. She married Syed Perwaiz Jafri, an Indian lawyer, in 1985 and migrated to India. Five years thereafter, the couple and their two children migrated to America. They now reside in Houston, Texas with their three children. -
Students, Space, and the State in East Pakistan/Bangladesh 1952-1990
1 BEYOND LIBERATION: STUDENTS, SPACE, AND THE STATE IN EAST PAKISTAN/BANGLADESH 1952-1990 A dissertation presented by Samantha M. R. Christiansen to The Department of History In partial fulfillment of the requirements for the degree of Doctor of Philosophy in the field of History Northeastern University Boston, Massachusetts September, 2012 2 BEYOND LIBERATION: STUDENTS, SPACE, AND THE STATE IN EAST PAKISTAN/BANGLADESH 1952-1990 by Samantha M. R. Christiansen ABSTRACT OF DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in History in the Graduate School of Northeastern University September, 2012 3 ABSTRACT This dissertation examines the history of East Pakistan/Bangladesh’s student movements in the postcolonial period. The principal argument is that the major student mobilizations of Dhaka University are evidence of an active student engagement with shared symbols and rituals across time and that the campus space itself has served as the linchpin of this movement culture. The category of “student” developed into a distinct political class that was deeply tied to a concept of local place in the campus; however, the idea of “student” as a collective identity also provided a means of ideological engagement with a globally imagined community of “students.” Thus, this manuscript examines the case study of student mobilizations at Dhaka University in various geographic scales, demonstrating the levels of local, national and global as complementary and interdependent components of social movement culture. The project contributes to understandings of Pakistan and Bangladesh’s political and social history in the united and divided period, as well as provides a platform for analyzing the historical relationship between social movements and geography that is informative to a wide range of disciplines. -
(Cips) Are Prepared by Researching Publicly Accessible Information Currently Available to the Refugee Documentation Centre Within Time Constraints
April 2016 Refugee Documentation Centre Country Information Pack Bangladesh Disclaimer Country Information Packs (CIPs) are prepared by researching publicly accessible information currently available to the Refugee Documentation Centre within time constraints. CIPs contain a selection of representative links to sources under a number of categories for use as Country of Origin Information. Links are correct at the time of publication. Please note that CIPs are not, and do not purport to be, exhaustive with regard to conditions in the countries surveyed or conclusive as to the merit of any particular claim to refugee status or protection. The General Human Rights Reports category contains links to information which may be useful for a number of the other categories. Contents 1. Nationality/Citizenship/Residency ............................................................. 3 2. Maps ......................................................................................................... 4 3. Local Information/Language/Culture/Customs .......................................... 4 4. General Human Rights Reports ................................................................ 5 5. Conflict/Security ........................................................................................ 6 6. Minorities/Ethnic Groups ........................................................................... 8 7. Religion/Cults .......................................................................................... 10 8. Political ................................................................................................... -
Identity in the Bones of Grace: a Postcolonial and Feminist Outlook
Research Journal of English Language and Literature (RJELAL) A Peer Reviewed (Refereed) International Journal Vol.7.Issue 4. 2019 Impact Factor 6.8992 (ICI) http://www.rjelal.com; (Oct-Dec.) Email:[email protected] ISSN:2395-2636 (P); 2321-3108(O) RESEARCH ARTICLE IDENTITY IN THE BONES OF GRACE: A POSTCOLONIAL AND FEMINIST OUTLOOK ANKITA SATI D.Phil scholar, Dept. of English and MEL University of Allahabad, Prayagraj U.P. Email: [email protected] doi.org/10.33329/rjelal.74.19 ABSTRACT This paper deals with Tahmima Anam’s The Bones of Grace, which is the final novel of Anam’s Bengal Trilogy and also with the minor description of the other two novels of the trilogy. It explores the complexities of Zubaida’s life and her quest for identity and her roots. It is the third novel and final part of her Bengal trilogy, following A Golden Age and The Good Muslim. The story revolves around Zubaida Haque, an adopted daughter of a native Bengali family who finds herself lost between two worlds. She feels torn by everything which she has to choose. She felt different kind of loyalty towards her motherland Bangladesh and America, from where she completed her study. This paper will show how women are presented as “others” in society and culture, and that they can protest not only verbally but also by their brave steps in light of Gayatri Chakravorty Spivak’s essay entitled, “Can the Subaltern Speak” (1998) and Simone de Beauvoir’s The Second Sex (1949). It shows that although women are treated as subalterns but they have voices, it also scrutinize the issue of identity with special reference to The Bones of Grace on the point of “cultural identity”. -
Spatial Politics in Nadeem Aslam's the Wasted Vigil and the Blind Man's Garden a Thesis Submitted to the Graduate School Of
SPATIAL POLITICS IN NADEEM ASLAM’S THE WASTED VIGIL AND THE BLIND MAN’S GARDEN A THESIS SUBMITTED TO THE GRADUATE SCHOOL OF SOCIAL SCIENCES OF MIDDLE EAST TECHNICAL UNIVERSITY BY GÜLSEVİN GÜLERYÜZ KARA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ENGLISH LITERATURE SEPTEMBER 2018 ii I hereby declare that all information in this document has been obtained and presented in accordance with academic rules and ethical conduct. I also declare that, as required by these rules and conduct, I have fully cited and referenced all material and results that are not original to this work. Name, Last Name : Gülsevin GÜLERYÜZ KARA Signature : iii ABSTRACT SPATIAL POLITICS IN NADEEM ASLAM’S THE WASTED VIGIL AND THE BLIND MAN’S GARDEN GÜLERYÜZ KARA, Gülsevin M.A. in English Literature Supervisor: Assist. Prof. Dr. Hülya YILDIZ BAĞÇE September 2018, 175 pages This thesis aims to analyze British-Pakistani author Nadeem Aslam’s novels The Wasted Vigil (2008) and The Blind Man’s Garden (2013) in terms of how Afghanistan and Pakistan are represented and reconfigured as postcolonial spaces. In the spirit aspired by Sara Upstone’s concept of post-space which suggests a sense of spatiality that resists imperial totalizations of space, subverts colonial frames and puts forward spatial reconfigurations by foregrounding diverse experiences of postcolonial spaces, this study essentially focuses on the post-space representations embedded in these novels. Challenging nation as a political construct and reframing it through alternative spatial locations, Aslam’s novels analysed in this study subtly reconfigure national spaces by accentuating smaller-than-national and larger-than national spaces. -
(October) Women and the Nation’S Narrative in Tahmima Anam’S a Golden Age and Roma Tearne’S Bone China / Z
284 / RumeliDE Journal of Language and Literature Studies 2018.12 (October) Women and the Nation’s Narrative in Tahmima Anam’s A Golden Age and Roma Tearne’s Bone China / Z. Harputlu Shah (p. 284- 291) Women and the Nation’s Narrative in Tahmima Anam’s A Golden Age and Roma Tearne’s Bone China Zeynep HARPUTLU SHAH1 APA: Harputlu Shah, Z. (2018). Women and the Nation’s Narrative in Tahmima Anam’s A Golden Age and Roma Tearne’s Bone China. RumeliDE Dil ve Edebiyat Araştırmaları Dergisi, (12), 284-291. DOI: 10.29000/rumelide.472779 Abstract This article aims to discuss gendered parameters of national identity and collective memory in contemporary South Asian women’s writing. Tahmima Anam’s A Golden Age (2007) and Roma Tearne’s Bone China (2010), in this context, represent the positive transformation of women’s roles in the public and private spheres, as well as the understanding of femininity and masculinity in Sri Lanka and Bangladesh during the independence war. In the reproduction of national identity, there is an emphasis on the significance of privatised domestic space, women’s involvement in the national struggle, and a feminised collective memory in historically male-constructed nations. In A Golden Age, despite her traditional gender roles and controversial national identity, Rehana becomes a defender of Bangladesh due to her altering political views, while her daughter, Maya, symbolises the progressive role of a new generation of women in the movement. In Bone China, besides civil war and resistance, immigration enforces a loss of collective identity, whilst women’s domestic and public lives are subject to profound change. -
Fchaudharyfinalthesis.Pdf
University of Huddersfield Repository Chaudary, Fariha Hiding and Seeking Identity: The Female Figure in the Novels of Pakistani Female Writers in English: A Feminist Approach Original Citation Chaudary, Fariha (2013) Hiding and Seeking Identity: The Female Figure in the Novels of Pakistani Female Writers in English: A Feminist Approach. Doctoral thesis, University of Huddersfield. This version is available at http://eprints.hud.ac.uk/id/eprint/17563/ The University Repository is a digital collection of the research output of the University, available on Open Access. Copyright and Moral Rights for the items on this site are retained by the individual author and/or other copyright owners. Users may access full items free of charge; copies of full text items generally can be reproduced, displayed or performed and given to third parties in any format or medium for personal research or study, educational or not-for-profit purposes without prior permission or charge, provided: • The authors, title and full bibliographic details is credited in any copy; • A hyperlink and/or URL is included for the original metadata page; and • The content is not changed in any way. For more information, including our policy and submission procedure, please contact the Repository Team at: [email protected]. http://eprints.hud.ac.uk/ Hiding and Seeking Identity: The Female Figure in the Novels of Pakistani Female Writers in English: A Feminist Approach Fariha Chaudhary A thesis submitted to the University of Huddersfield in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Huddersfield March 2013 Abstract Pakistani female writers in English continue to highlight the struggles of women within patriarchal Pakistani society. -
Spring Literature Festival: Cultural Confluences Programme
Spring Literature Festival Cultural Confluences Saturday, 7 March 2015 10am - 8pm CENTRES & PROGRAMMES OFFICE SOAS, University of London Russell Square, London WC1H 0XG www.soas.ac.uk Culture is one of the most complex and contested words in the dictionary. With meanings encompassing both artistic endeavour and the broader fabric of everyday life, culture has recently been a site of conflict; it has been elevated to a definitive marker of identity by some, while cultural difference has been cited by others as the main source of dissension and conflict in the world today. This one-day literary festival brings together writers from a number of cultural background, all of whom have interrogated in their work the nature of culture and intercultural experience. As well as forming their subject matter, culture envelops the processes by which their work is circulated and consumed. Their experience as creators of culture also gives them a unique insight into the processes and pitfalls of producing literary art in the modern world. At the Spring Literature festival writers will read from and be in conversation about their recent publications. Books will be available for purchase on the day. Spring Literature Festival Cultural Confluences Programme Time Feature 10.00 Registration 10.10 Welcome 10.15 Panel 1: Conflicted memories: contested territories Naomi Foyle, Sadaf Saaz, Mirza Waheed 11.15 Panel 2: New Voices: Interconnections, consonances Ahsan Akbar, Somnath Batabyal, Minoli Salgado 12.15 Lunch and Music 13.15 Panel 3: ‘Fear, Fun And The Deep State: ‘ some scenes and thoughts about the arrest of Ai Wewei’ Playwright Howard Brenton reads from his play #Ai Weiwei, performed in 2013 at the Hampstead theatre, and considers the implications of Ai Weiwei’s account of his arrest and interrogation. -
MULTICULTURAL ISSUES and RELIGIOUS ORTHODOX in NADEEM ASLAM's MAPS for LOST LOVERS Nazran Alam (Research Scholar, M.J.P
VEDA’S Vol.7 JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Spl.Issue 1 An International Peer Reviewed(Refereed) Journal 2020 Impact Factor (SJIF) 4.092 http://www.joell.in Spl.Issue MULTICULTURAL ISSUES AND RELIGIOUS ORTHODOX IN NADEEM ASLAM'S MAPS FOR LOST LOVERS Nazran Alam (Research Scholar, M.J.P. Rohilkhand University Bareilly U.P) ABSTRACT This paper discus about Diaspora literature especially on Pakistani-British writer Nadeem Aslam and through his fiction Maps for Lost Lovers, he wants to depict the real pictures and condition of multiculturalism and religious orthodox. This paper aims to analysis the impact of minor community culture on the major community makes multiculturalism. Multiculturalism affects many fields and creates various associations with politics, ideology, social science, humanities, ethnic studies, race and nation or political economy through the characters. Most over it, the novelist has been remaining success to see the orthodox through Kaukab who have much more time to show loyalty and orthodox form of Islam. How to Nadeem Aslam bring out the multiculturalism and orthodox in this novel Maps for Lost Lovers. Keywords: multiculturalism, orthodox, community, religious retain the copyright of this article Copyright© 2020VEDAPublications Author(s) agree that this article remains permanently open access under the terms of the Creative Commons Attribution License 4.0 International License . 63 Nazran Alam Spl- Issue on “CULTURAL STUDIES IN THE 21ST CENTURY” Editor- FAIYAZURREHMAN VEDA’S Vol.7 JOURNAL OF ENGLISH LANGUAGE AND LITERATURE (JOELL) Spl.Issue 1 An International Peer Reviewed(Refereed) Journal 2020 Impact Factor (SJIF) 4.092 http://www.joell.in INTRODUCTION describe politics which came especially in the USA; the term multiculturalism is more preventive One of the highest questions of societies meaning especially in Britain, the USA, Africa and how to deal with the cultural diversity of different other parts in Europe. -
Bodies and Voices Ross Readings in the Post / Colonial C Ultures Literatures in English 94
Bodies and Voices ross Readings in the Post / Colonial C ultures Literatures in English 94 Series Editors Gordon Collier Hena Maes–Jelinek Geoffrey Davis (Giessen) (Liège) (Aachen) Bodies and Voices The Force-Field of Representation and Discourse in Colonial and Postcolonial Studies Edited by Merete Falck Borch, Eva Rask Knudsen, Martin Leer and Bruce Clunies Ross Amsterdam - New York, NY 2008 Cover design: Gordon Collier and Pier Post Cover painting: Albert Eckhout, “Tapuya War Dance” (c.1641–43), oil on canvas Ethnographic Department, ©Nationalmuseet, Copenhagen, inv. no. N.38B. (wall painting for Vrijburg, the palace of Johan Maurits outside Recife, Brazil.) The paper on which this book is printed meets the requirements of “ISO 9706:1994, Information and documentation - Paper for documents - Requirements for permanence”. ISBN: 978-90-420-2334-5 ©Editions Rodopi B.V., Amsterdam – New York, NY 2008 Printed in The Netherlands Table of Contents P REFACE: R EMEMBERING A NNA R UTHERFORD xi I NTRODUCTION: B ODIES AND V OICES T HE F ORCE-FIELD OF R EPRESENTATION AND D ISCOURSE xvii AFRICA Martyred Bodies and Silenced Voices in South African Literature Under Apartheid A NDRÉ V IOLA 3 Postcolonial Disgrace: (White) Women and (White) Guilt in the “New” South Africa G EORGINA H ORRELL 17 Identity: Bodies and Voices in Coetzee’s Disgrace and Bouraoui’s Garçon manqué B ENAOUDA L EBDAI 33 From “Cutting Without Ritual” to “Ritual Without Cutting”: Voicing and Remembering the Excised Body in African Texts and Contexts C HANTAL Z ABUS 45 A Woman’s Body on Fire: Yvonne Vera’s Butterfly Burning M AYA G. -
Representations of Generationality and Genealogy in Contemporary British Asian Narratives
Narrating Generations: Representations of Generationality and Genealogy in Contemporary British Asian Narratives Inaugural-Dissertation zur Erlangung des Doktorgrades der Philosophie des Fachbereichs 05 der Justus-Liebig-Universität Gießen vorgelegt von Jutta Karen Weingarten aus Gießen 2012 ! ! Dekan: Prof. Dr. Magnus Huber 1. Berichterstatter: Prof. Dr. Ansgar Nünning 2. Berichterstatterin: Prof. Dr. Astrid Erll Tag der Disputation: 21. November 2012! ! ! ! ! ! To my family and friends ! ! ! ! ! ! Table of Contents 1. Introducing Generation Studies to Literary and Cultural Studies 1 1.1. Sending ‘Generation’ on the Journey to Contemporary British Asian Literature 1 1.2. State of the Arts: Generation Studies and British Asian Literature 10 1.3. On the Structure, the Theoretical Approach, and the Methodological Framework of this Study 19 2. The Interdisciplinary Origins of the Concept of ‘Generation’ and its Uses in Generation Studies 23 2.1. Terminological Disambiguation: Genealogy and Generationality 25 2.1.1. Genealogy: The Succession of Kindred Generations 26 2.1.2. Social Generation and Generationality: The Contemporaneity of Generations 39 2.2. Intersections of Genealogy and Generationality 50 2.2.1. Migration as Family Project: Conceptualizations and Applications of Generationality and Genealogy in Migration Studies 52 2.2.2. Acceleration and Rivalry for Time: Temporality in Generational and Genealogical Relations 57 2.2.3. From Generational to Transgenerational Memory: ‘Generation’ as Key Concept in Memory Studies 62 2.2.4. Subcultural Generations and the Importance of Youth in Generation Studies 72 3. Generation Narratives 79 3.1. Representations of Generations as Generic Feature in Literary Genres 79 3.1.1. The Genealogical Novel and the Family Novel 79 3.1.2. -
I. War Trauma in Tahmima Anam's a Golden
I. War Trauma in Tahmima Anam’s A Golden Age This research explores Tahmima Anams’ novel A Golden Age in the perspective of traumatic experience. A Golden Age, as a war representation, depicts the vivid incidents of Bangladesh war of independence. The Bangladesh independence war was an outcome of autocracy by Bhutto and Yahiya Khan upon Bengali people. And at the same time, the power of Seikh Mujib also exercised among the political parties and his socialist absolutism ultimately made Bengali movement inevitable. Therefore, Anam in this every work pasteurizes the traumatic vision through the vivid depiction of the war chipped Bengali society. Objectively, Anam’s major characters Rehana, bears of the Bangladesh war independence, who is the witness of mass destruction, she projects herself with the pathetic lives of Bengali people triggered by long times independence war. Rehana, who is the mother of freedom fighter in the novel, bears witness to the fear and anxiety of the catasclysmic situation of Bangladesh. And she relates herself and the Bangladesh citizen’s sorrowful psychological condition. Rehana presents herself anxiety and fearful condition due to Bangladesh war of Independence and Bangladesh’s people traumatic condition. A Golden Age is a war representation of Bangladesh War of Independence. Mrs. Chowdhary, as a citizen of Bangladesh, exposes the fearful condition of war chipped situation: “[A]t ten o’clock the tanks began to fire. It was the sound of a thousand New Year firecrackers of metal pipes being dragged across a stun road of chilies popping in a smoking pan. “Yah Allah!’ Mrs. Chowdhary cried.