Liberating Lawyers: Divergent Parallels in Intruder in the Dust and to Kill a Mockingbird
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Just As the Priests Have Their Wives”: Priests and Concubines in England, 1375-1549
“JUST AS THE PRIESTS HAVE THEIR WIVES”: PRIESTS AND CONCUBINES IN ENGLAND, 1375-1549 Janelle Werner A dissertation submitted to the faculty of the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of History. Chapel Hill 2009 Approved by: Advisor: Professor Judith M. Bennett Reader: Professor Stanley Chojnacki Reader: Professor Barbara J. Harris Reader: Cynthia B. Herrup Reader: Brett Whalen © 2009 Janelle Werner ALL RIGHTS RESERVED ii ABSTRACT JANELLE WERNER: “Just As the Priests Have Their Wives”: Priests and Concubines in England, 1375-1549 (Under the direction of Judith M. Bennett) This project – the first in-depth analysis of clerical concubinage in medieval England – examines cultural perceptions of clerical sexual misbehavior as well as the lived experiences of priests, concubines, and their children. Although much has been written on the imposition of priestly celibacy during the Gregorian Reform and on its rejection during the Reformation, the history of clerical concubinage between these two watersheds has remained largely unstudied. My analysis is based primarily on archival records from Hereford, a diocese in the West Midlands that incorporated both English- and Welsh-speaking parishes and combines the quantitative analysis of documentary evidence with a close reading of pastoral and popular literature. Drawing on an episcopal visitation from 1397, the act books of the consistory court, and bishops’ registers, I argue that clerical concubinage occurred as frequently in England as elsewhere in late medieval Europe and that priests and their concubines were, to some extent, socially and culturally accepted in late medieval England. -
The Rise of Controversial Content in Film
The Climb of Controversial Film Content by Ashley Haygood Submitted to the Department of Communication Studies in partial fulfillment of the requirements for the degree of Masters of Arts in Communication at Liberty University May 2007 Film Content ii Abstract This study looks at the change in controversial content in films during the 20th century. Original films made prior to 1968 and their remakes produced after were compared in the content areas of profanity, nudity, sexual content, alcohol and drug use, and violence. The advent of television, post-war effects and a proposed “Hollywood elite” are discussed as possible causes for the increase in controversial content. Commentary from industry professionals on the change in content is presented, along with an overview of American culture and the history of the film industry. Key words: film content, controversial content, film history, Hollywood, film industry, film remakes i. Film Content iii Acknowledgements I would like to thank my family for their unwavering support during the last three years. Without their help and encouragement, I would not have made it through this program. I would also like to thank the professors of the Communications Department from whom I have learned skills and information that I will take with me into a life-long career in communications. Lastly, I would like to thank my wonderful Thesis committee, especially Dr. Kelly who has shown me great patience during this process. I have only grown as a scholar from this experience. ii. Film Content iv Table of Contents ii. Abstract iii. Acknowledgements I. Introduction ……………………………………………………………………1 II. Review of the Literature……………………………………………………….8 a. -
Faulkner's Southern Gentlewomen
Eastern Illinois University The Keep Plan B Papers Student Theses & Publications 1-1-1966 The Ladies Being Ghosts: Faulkner's Southern Gentlewomen David Lawrence Walker Follow this and additional works at: https://thekeep.eiu.edu/plan_b Recommended Citation Walker, David Lawrence, "The Ladies Being Ghosts: Faulkner's Southern Gentlewomen" (1966). Plan B Papers. 510. https://thekeep.eiu.edu/plan_b/510 This Dissertation/Thesis is brought to you for free and open access by the Student Theses & Publications at The Keep. It has been accepted for inclusion in Plan B Papers by an authorized administrator of The Keep. For more information, please contact [email protected]. THE LADIES BEING GHOSTS: FAULKNER' S SOUTHERN GENTLEWOMEN (TITLE) BY DAVID LAWRENCE WALKER PLAN B PAPER SUBMITIED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE MASTER OF SCIENCE IN EDUCATION AND PREPARED IN COURSE ENGLISH 592 IN THE GRADUATE SCHOOL, EASTERN ILLINOIS UNIVERSITY, CHARLESTON, ILLINOIS 1966 YEAR I HEREBY RECOMMEND THIS PLAN B PAPER BE ACCEPTED AS FULFILLING THIS PART OF THE DEGREE, M.S. IN ED. DATE ADmER The ladies Being Ghosts 1 Ah, 1 Mr. Compson said. 'Years ago we in the South made our women into ladies. Then the War came and made the ladies into ghosts. So what else can we do, being gentlemen, but listen to them being ghosts? 1 1 Such are the words of the Southern gentleman, the cultivated, cultured nihilist, Mr. Jason Compson III to his son Quentin. He is speaking of Miss Rosa Coldfield, the "Civil War maiden-poetess." In Absalom, Absalom!, after the death of Miss Rosa's father during the Civil War, she is faced with the decision to support herself or to move in with her dead sister's family at Sutpen's Hundred. -
Narrative Epic and New Media: the Totalizing Spaces of Postmodernity in the Wire, Batman, and the Legend of Zelda
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 8-17-2015 12:00 AM Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda Luke Arnott The University of Western Ontario Supervisor Nick Dyer-Witheford The University of Western Ontario Graduate Program in Media Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Luke Arnott 2015 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Other Film and Media Studies Commons Recommended Citation Arnott, Luke, "Narrative Epic and New Media: The Totalizing Spaces of Postmodernity in The Wire, Batman, and The Legend of Zelda" (2015). Electronic Thesis and Dissertation Repository. 3000. https://ir.lib.uwo.ca/etd/3000 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. NARRATIVE EPIC AND NEW MEDIA: THE TOTALIZING SPACES OF POSTMODERNITY IN THE WIRE, BATMAN, AND THE LEGEND OF ZELDA (Thesis format: Monograph) by Luke Arnott Graduate Program in Media Studies A thesis submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Luke Arnott 2015 Abstract Narrative Epic and New Media investigates why epic narratives have a renewed significance in contemporary culture, showing that new media epics model the postmodern world in the same way that ancient epics once modelled theirs. -
A Recurrent Joker
JokeR: A Recurrent Joker Tom Hartvigsen 1 Sanket Gujar 1 Thanh Tran 1 Abstract compute what makes a joke a joke in order to minimize a Generating jokes is a challenging and understud- loss function. ied task of Natural Language Processing. A For joke generation, writing readable text is only half the computer that intends and succeeds to generate battle. We equate a machine that writes un-funny “jokes” jokes could be deemed artificially intelligent. We that retain some semblance of joke-structure to a three or present a couple of novel approaches to joke gen- four year old who, upon hearing others tell jokes and noting eration, such as using SeqGAN and a language the reactions of their audience, begins to mimic the syntax model. We implement a variety of word-level styles of jokes despite their lack of truly humorous content models to tackle parts of the joke-generation (e.g. Why did the apple eat a spoon? Yellow!). problem, namely text generation and joke clas- sification. Ideally, merging these steps will al- We present jokes generated through an Encoder-Decoder low for a model to write joke candidates, that Recurrent Neural Network that learns a language model are then pruned by a well-trained classifier. We using both standard one-hot encoded word representations train these models from a corpus of 231,657 user- and word2vec (Mikolov et al., 2013) as inputs. Addition- written jokes scraped from reddit.com1. ally, as an attempt to force humor into the model, we imple- ment a human-in-the-loop topic-based joke generation by adding a selected topic to the model’s initial state. -
An Annotated Bibliography of William Faulkner, 1967-1970
Studies in English Volume 12 Article 3 1971 An Annotated Bibliography of William Faulkner, 1967-1970 James Barlow Lloyd University of Mississippi Follow this and additional works at: https://egrove.olemiss.edu/ms_studies_eng Part of the American Literature Commons Recommended Citation Lloyd, James Barlow (1971) "An Annotated Bibliography of William Faulkner, 1967-1970," Studies in English: Vol. 12 , Article 3. Available at: https://egrove.olemiss.edu/ms_studies_eng/vol12/iss1/3 This Article is brought to you for free and open access by the English at eGrove. It has been accepted for inclusion in Studies in English by an authorized editor of eGrove. For more information, please contact [email protected]. Lloyd: Faulkner Bibliography An Annotated Bibliography of William Faulkner, 1967—1970 by James Barlow Lloyd This annotated bibliography of books and articles published about William Faulkner and his works between January, 1967, and the summer of 1970 supplements such existing secondary bibliog raphies as Maurice Beebe’s checklists in the Autumn 1956 and Spring 1967 issues of Modern Fiction Studies; Linton R. Massey’s William Faulkner: “Man Working” 1919-1962: A Catalogue of the William Faulkner Collection of the University of Virginia (Charlottesville: Bibliographic Society of the University of Virginia, 1968); and O. B. Emerson’s unpublished doctoral dissertation, “William Faulkner’s Literary Reputation in America” (Vanderbilt University, 1962). The present bibliography begins where Beebe’s latest checklist leaves off, but no precise termination date can be established since publica tion dates for periodicals vary widely, and it has seemed more useful to cover all possible material than to set an arbitrary cutoff date. -
Award-Winning Hong Kong Film Gallants to Premiere at Hong Kong
FOR IMMEDIATE RELEASE Award-winning Hong Kong film Gallants to premiere at Hong Kong Film Festival 2011 in Singapore One-week festival to feature a total of 10 titles including four new and four iconic 1990s Hong Kong films of action and romance comedy genres Singapore, 30 June 2011 – Movie-goers can look forward to a retro spin at the upcoming Hong Kong Film Festival 2011 (HKFF 2011) to be held from 14 to 20 July 2011 at Cathay Cineleisure Orchard. A winner of multiple awards at the Hong Kong Film Awards 2011, Gallants, will premiere at HKFF 2011. The action comedy film will take the audience down the memory lane of classic kung fu movies. Other new Hong Kong films to premiere at the festival include action drama Rebellion, youthful romance Breakup Club and Give Love. They are joined by retrospective titles - Swordsman II, Once Upon A Time in China II, A Chinese Odyssey: Pandora’s Box and All’s Well, Ends Well. Adding variety to the lineup is Quattro Hong Kong I and II, comprising a total of eight short films by renowned Hong Kong and Asian filmmakers commissioned by Brand Hong Kong and produced by the Hong Kong International Film Festival Society. The retrospective titles were selected in a voting exercise that took place via Facebook and SMS in May. Public were asked to select from a list of iconic 1990s Hong Kong films that they would like to catch on the big screen again. The list was nominated by three invited panelists, namely Randy Ang, local filmmaker; Wayne Lim, film reviewer for UW magazine; and Kenneth Kong, film reviewer for Radio 100.3. -
Art and Omnipotence: Genre Manipulation in Requiem for a Nun
ART AND OMNIPOTENCE: GENRE MANIPULATION IN REQUIEM FOR A NUN Requiem lor a Nun is usually classified as a novel. Yet it remains an irritating example of the genre, since it appears to defy even the loosest definition of a novel. Published in 1953, it consists of the three acts of a play called Requiem for a Nun, each of which is preceded by a long introduction see mingly unrelated to the action, if not the setting, of the play. Together, the introductions are about two-thirds as long as the play. If we consider that the text of a play, since it is not printed in continuous paragraphs, tends to take up more pages than narrative prose, we might actually end up with two Faulknerian texts of about equal length. Although Requiem lor a Nun has been produced as a play (most notably in 1956 at the Theatre des Mathurins under the direction of Albert Ca mus, who had also translated the text) the play cannot be truly understood if seen out of the context of the introductions. The story is a sequel to the events related in Sanctuary, published twenty years earlier in 1931, so that ideally even the play Re quiem lor a Nun requires a knowledge of the rest of the Faulk ner canon. Yet Temple Stevens, nee Drake, of Requiem for a Nun is no longer the Temple Drake of Sanctuary, nor is the Negress Nancy Mannigoe the Nancy of "That Evening Sun" (also published in 1931). Faulkner, although interested in the development of his characters, severs the ties between their 385 earlier and later versions because by the Fifties he had secretly become more interested in his own role as author. -
Schurken Im Batman-Universum Dieser Artikel Beschäftigt Sich Mit Den Gegenspielern Der ComicFigur „Batman“
Schurken im Batman-Universum Dieser Artikel beschäftigt sich mit den Gegenspielern der Comic-Figur ¹Batmanª. Die einzelnen Figuren werden in alphabetischer Reihenfolge vorgestellt. Dieser Artikel konzentriert sich dabei auf die weniger bekannten Charaktere. Die bekannteren Batman-Antagonisten wie z.B. der Joker oder der Riddler, die als Ikonen der Popkultur Verankerung im kollektiven Gedächtnis gefunden haben, werden in jeweils eigenen Artikeln vorgestellt; in diesem Sammelartikel werden sie nur namentlich gelistet, und durch Links wird auf die jeweiligen Einzelartikel verwiesen. 1 Gegner Batmans im Laufe der Jahrzehnte Die Gesamtheit der (wiederkehrenden) Gegenspieler eines Comic-Helden wird im Fachjargon auch als sogenannte ¹Schurken-Galerieª bezeichnet. Batmans Schurkengalerie gilt gemeinhin als die bekannteste Riege von Antagonisten, die das Medium Comic dem Protagonisten einer Reihe entgegengestellt hat. Auffällig ist dabei zunächst die Vielgestaltigkeit von Batmans Gegenspielern. Unter diesen finden sich die berüchtigten ¹geisteskranken Kriminellenª einerseits, die in erster Linie mit der Figur assoziiert werden, darüber hinaus aber auch zahlreiche ¹konventionelleª Widersacher, die sehr realistisch und daher durchaus glaubhaft sind, wie etwa Straûenschläger, Jugendbanden, Drogenschieber oder Mafiosi. Abseits davon gibt es auch eine Reihe äuûerst unwahrscheinlicher Figuren, wie auûerirdische Welteroberer oder extradimensionale Zauberwesen, die mithin aber selten geworden sind. In den frühesten Batman-Geschichten der 1930er und 1940er Jahre bekam es der Held häufig mit verrückten Wissenschaftlern und Gangstern zu tun, die in ihrem Auftreten und Handeln den Flair der Mobster der Prohibitionszeit atmeten. Frühe wiederkehrende Gegenspieler waren Doctor Death, Professor Hugo Strange und der vampiristische Monk. Die Schurken der 1940er Jahre bilden den harten Kern von Batmans Schurkengalerie: die Figuren dieser Zeit waren vor allem durch die Abenteuer von Dick Tracy inspiriert, der es mit grotesk entstellten Bösewichten zu tun hatte. -
William Faulkner and the Meaning of History
Longwood University Digital Commons @ Longwood University Theses, Dissertations & Honors Papers 8-15-1978 William Faulkner and the Meaning of History Allen C. Lovelace Follow this and additional works at: https://digitalcommons.longwood.edu/etd Part of the English Language and Literature Commons WILLIAM FAULKNER AND THE MEANING OF HISTORY by Allen c. Lovelace Firs Reader ��-c:.7eond Reader � (Repr�sentative of Graduate cil) THESIS Allen c. Lovelace, B. A. Graduate School Longwood College 1978 WILLIAM FAULKNER AND THE MEANING OF HISTORY Thesis A thesis submitted in partial fulfillment or the requirements for the degree or Master of Arts in English at Longwood College. by Allen c. Lovelace South Boston, Virginia Quentin Vest, Associate Professor of English Farmville, Virginia 1978 ACKNOWLEDGEMENTS A thesis, by its very nature, is the product not only of the writer, but also of the efforts of a number of other individuals. This paper is no exception, and I wish to ex press my indebtedness and sincerest appreciation to a nUJ.�ber of individuals. I am particularly grateful to Dr. Quentin Vest. Without his encouragement and guidance this paper would quite probably never have been written. I also wish to thank Dr. Vest for his patience with my tendency toward pro crastination. 1 '1hanks are due also to my wife, Carole, for her un derstanding and encouragement during the writing of this paper, and especially for the typing of the manuscript. I also wish to express my appreciation for their time and consideration to those members of the faculty at Longwood College who were my readers and to the Dabney Lancaster Library for their services which I found especial ly helpful. -
Jake's Ornament List
Hallmark Keepsake Artists and Their Work Artist Year Item Number Title Comments Jake Angell 2013 QFO5202 Stand-Up Skeleton available at four in-store signing Victorian Doll House (fireplace casing) events; red roof, cream Jake Angell 2013 QMP5003 (colorway) exterior Disney/Pixar Legends: Crush and Squirt Disney/Pixar's Finding Nemo Jake Angell 2013 QX9135 3rd in the Series event exclusive available at the Hangin' With Your Buddies Jake Angell 2013 QXC5064 Victorian Doll House (fireplace casing) event Jake Angell 2013 QXG1342 Santa's Magic Storybook Jake Angell 2013 QXI2005 Iron Patriot™ Iron Man 3™ Jango Fett™ Star Wars: Attack of the Jake Angell 2013 QXI2225 Clones™ Jake Angell 2013 QXI2315 Finn and Jake Adventure Time™ Jake Angell 2013 XKT1292 Daisy Wireless Disney Band Jake Angell 2014 QGO1256 I Want You to Want Me Jake Angell 2014 QGO1553 Sugar, Sugar Jake Angell 2014 QGO1636 Holy Cow with Jim Kemme Mrs. Claus's Kitchen Sink (gingerbread house available at 16 in-store signing Jake Angell 2014 QMP4087 mold under sink) events repaint of 2013 Iron Patriot™ ornament; San Diego and New York Comic Con exclusive; Jake Angell 2014 QMP4088 War Machine™ Iron Man 3™ (colorway) edition size 1350 available for purchase by Victorian Doll House (fireplace casing) members only; red exterior, teal Jake Angell 2014 QXC5075 (colorway) roof Jake Angell 2014 QXD6126 The Great Gonzo Disney The Muppets Ornament Premiere limited Jake Angell 2014 QXE3726 Who You Callin' Chicken? Looney Tunes edition Jake Angell 2014 QXI2586 Yoda™ Peekbuster Star Wars™ Hiccup -
Ballad of the Buried Life
Ballad of the Buried Life From 1949 to 2004, UNC Press and the UNC Department of Germanic & Slavic Languages and Literatures published the UNC Studies in the Germanic Languages and Literatures series. Monographs, anthologies, and critical editions in the series covered an array of topics including medieval and modern literature, theater, linguistics, philology, onomastics, and the history of ideas. Through the generous support of the National Endowment for the Humanities and the Andrew W. Mellon Foundation, books in the series have been reissued in new paperback and open access digital editions. For a complete list of books visit www.uncpress.org. Ballad of the Buried Life rudolf hagelstange translated by herman salinger with an introduction by charles w. hoffman UNC Studies in the Germanic Languages and Literatures Number 38 Copyright © 1962 This work is licensed under a Creative Commons cc by-nc-nd license. To view a copy of the license, visit http://creativecommons. org/licenses. Suggested citation: Hagelstange, Rudolf. Ballad of the Buried Life. Translated by Herman Salinger. Chapel Hill: University of North Car- olina Press, 1962. doi: https://doi.org/10.5149/9781469658285_Hagel- stange Library of Congress Cataloging-in-Publication Data Names: Salinger, Herman. Title: Ballad of the buried life / by Herman Salinger. Other titles: University of North Carolina Studies in the Germanic Languages and Literatures ; no. 38. Description: Chapel Hill : University of North Carolina Press, [1962] Series: University of North Carolina Studies in the Germanic Languages and Literatures. Identifiers: lccn unk81010792 | isbn 978-0-8078-8038-8 (pbk: alk. paper) | isbn 978-1-4696-5828-5 (ebook) Classification: lcc pd25 .n6 no.