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Archons (Commanders) [NOTICE: They Are NOT Anlien Parasites], and Then, in a Mirror Image of the Great Emanations of the Pleroma, Hundreds of Lesser Angels
A R C H O N S HIDDEN RULERS THROUGH THE AGES A R C H O N S HIDDEN RULERS THROUGH THE AGES WATCH THIS IMPORTANT VIDEO UFOs, Aliens, and the Question of Contact MUST-SEE THE OCCULT REASON FOR PSYCHOPATHY Organic Portals: Aliens and Psychopaths KNOWLEDGE THROUGH GNOSIS Boris Mouravieff - GNOSIS IN THE BEGINNING ...1 The Gnostic core belief was a strong dualism: that the world of matter was deadening and inferior to a remote nonphysical home, to which an interior divine spark in most humans aspired to return after death. This led them to an absorption with the Jewish creation myths in Genesis, which they obsessively reinterpreted to formulate allegorical explanations of how humans ended up trapped in the world of matter. The basic Gnostic story, which varied in details from teacher to teacher, was this: In the beginning there was an unknowable, immaterial, and invisible God, sometimes called the Father of All and sometimes by other names. “He” was neither male nor female, and was composed of an implicitly finite amount of a living nonphysical substance. Surrounding this God was a great empty region called the Pleroma (the fullness). Beyond the Pleroma lay empty space. The God acted to fill the Pleroma through a series of emanations, a squeezing off of small portions of his/its nonphysical energetic divine material. In most accounts there are thirty emanations in fifteen complementary pairs, each getting slightly less of the divine material and therefore being slightly weaker. The emanations are called Aeons (eternities) and are mostly named personifications in Greek of abstract ideas. -
How Superman Developed Into a Jesus Figure
HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE CRISIS ON INFINITE TEXTS: HOW SUPERMAN DEVELOPED INTO A JESUS FIGURE By ROBERT REVINGTON, B.A., M.A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfillment of the Requirements for the Degree of Master of Arts McMaster University © Copyright by Robert Revington, September 2018 MA Thesis—Robert Revington; McMaster University, Religious Studies McMaster University MASTER OF ARTS (2018) Hamilton, Ontario, Religious Studies TITLE: Crisis on Infinite Texts: How Superman Developed into a Jesus Figure AUTHOR: Robert Revington, B.A., M.A (McMaster University) SUPERVISOR: Professor Travis Kroeker NUMBER OF PAGES: vi, 143 ii MA Thesis—Robert Revington; McMaster University, Religious Studies LAY ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. It argues that this connection was not integral to the character as he was originally created, but was imposed by later writers over time and mainly for cinematic adaptations. This thesis also tracks the history of how Christians and churches viewed Superman, as the film studios began to exploit marketing opportunities by comparing Superman and Jesus. This thesis uses the methodological framework of intertextuality to ground its treatment of the sources, but does not follow all of the assumptions of intertextual theorists. iii MA Thesis—Robert Revington; McMaster University, Religious Studies ABSTRACT This thesis examines the historical trajectory of how the comic book character of Superman came to be identified as a Christ figure in popular consciousness. Superman was created in 1938, but the character developed significantly from his earliest incarnations. -
The Sinking Man Richard A
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1990 The sinking man Richard A. Malloy Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Fiction Commons, Literature in English, North America Commons, and the Poetry Commons Recommended Citation Malloy, Richard A., "The sinking man" (1990). Retrospective Theses and Dissertations. 134. https://lib.dr.iastate.edu/rtd/134 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. The sinking man by Richard Alan Malloy A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Major: English Approved: Signature redacted for privacy Signature redacted for privacy Signature redacted for privacy For the Graduate College Iowa State University Ames, Iowa 1990 Copyright @ Richard Alan Malloy, 19 9 0. All rights reserved. ----~---- -~--- -- ii TABLE OF CONTENTS page CATERPILLARS 1 ONE ACRE FARM 7 CLIFFS 11 DUMPS 14 DOWN OUT OF UP 21 THE GIVER 22 TWELVE-PACK JUNKER 36 RELUCTANT SHOOTER 45 TAR YARD 50 IDLE AFTER HOURS AT MY DESK 57 SOMETHING UNDER MY FOOT 59 WINNOCK 61 PALE MEADOW 66 NOBILITY 76 THE SINKING MAN 78 DUMBBELLS 84 A LATE SHARED VISION 90 THE COMMITMENT 92 1 CATERPILLARS Bill kneaded the thin skin over his sternum. -
The Evolution of Batman and His Audiences
Georgia State University ScholarWorks @ Georgia State University English Theses Department of English 12-2009 Static, Yet Fluctuating: The Evolution of Batman and His Audiences Perry Dupre Dantzler Georgia State University Follow this and additional works at: https://scholarworks.gsu.edu/english_theses Part of the English Language and Literature Commons Recommended Citation Dantzler, Perry Dupre, "Static, Yet Fluctuating: The Evolution of Batman and His Audiences." Thesis, Georgia State University, 2009. https://scholarworks.gsu.edu/english_theses/73 This Thesis is brought to you for free and open access by the Department of English at ScholarWorks @ Georgia State University. It has been accepted for inclusion in English Theses by an authorized administrator of ScholarWorks @ Georgia State University. For more information, please contact [email protected]. STATIC, YET FLUCTUATING: THE EVOLUTION OF BATMAN AND HIS AUDIENCES by PERRY DUPRE DANTZLER Under the Direction of H. Calvin Thomas ABSTRACT The Batman media franchise (comics, movies, novels, television, and cartoons) is unique because no other form of written or visual texts has as many artists, audiences, and forms of expression. Understanding the various artists and audiences and what Batman means to them is to understand changing trends and thinking in American culture. The character of Batman has developed into a symbol with relevant characteristics that develop and evolve with each new story and new author. The Batman canon has become so large and contains so many different audiences that it has become a franchise that can morph to fit any group of viewers/readers. Our understanding of Batman and the many readings of him gives us insight into ourselves as a culture in our particular place in history. -
Running Order
Runnnig Order 2018 Master National Flights (Dogs Listed in Numeric Order) FLIGHT # DOGNAME OWNER BR SEX HANDLER Flight A A 1 Oakview Rough And Tough Enough MH Laurice Williams Lab M Stephen Durance A 2 Big Muddy's Rivers Rising Fast MH Randy McLean Lab F Scott Greer A 3 Banjo's Fever Is Boomin MH Adam Gonzalez Lab M Adam Gonzalez A 4 Stickponds Abra-Ca-Dabra MH Becky Williams Lab F Becky Williams A 5 DMR Golden Boy's Black Magic MH Lillian Logan Lab F Doug Shade A 6 Black Dude's Sergeant Pepper MH Hunter Lamar Lab M Stephen Durrence A 7 Bustin' Water's She's No Mirage MH Gary Metzger Lab F Lauren Springer A 8 Black Powder Cali Tnt's Blasting Cap MH A Christy Lab M Scott Greer A 9 Island Acres Stitch and Glue MH Brian Norman Lab F Brian Norman A 10 Silver State's Home Means Nevada MH Carole Gardner Lab F Carole Gardner A 11 Brody Cooper Oakridge Fender MH James Fender Lab M Stephen Durrence A 12 SUNRISE RUBY RAYNE MH MNH5 Sidney Sondag Lab F Sid Sondag A 13 Island Acres Hot Shot MH Lynn & Jack Loacker Golden F Doug Shade A 14 Rough'N Tumble MH Kenneth McCune Lab M Caroline Davis A 15 Cape Rock's Every Which Way But Loose MH Randy Lampley Lab M Scott Greer A 16 Cannon's Big League Trouble MH Chris Cannon Lab F Stephen Durrence A 17 Cooter Holand III "Tres" MH Joseph Holand Lab M Lauren Springer A 18 Healmarks Sam I Am MH Becky Williams Lab M Becky Williams A 19 Gator Points Miss TAMU MH R Bower/J Bower Lab F Mandy Cieslinski A 20 Castile Creeks Have Gun Will Travel MH Art Stoner Lab M Art Stoner A 21 CH Rippling Waters Miss Francine MH -
“Justice League Detroit”!
THE RETRO COMICS EXPERIENCE! t 201 2 A ugus o.58 N . 9 5 $ 8 . d e v r e s e R s t h ® g i R l l A . s c i m o C C IN THE BRONZE AGE! D © & THE SATELLITE YEARS M T a c i r e INJUSTICE GANG m A f o e MARVEL’s JLA, u g a e L SQUADRON SUPREME e c i t s u J UNOFFICIAL JLA/AVENGERS CROSSOVERS 7 A SALUTE TO DICK DILLIN 0 8 2 “PRO2PRO” WITH GERRY 6 7 7 CONWAY & DAN JURGENS 2 8 5 6 And the team fans 2 8 love to hate — 1 “JUSTICE LEAGUE DETROIT”! The Retro Comics Experience! Volume 1, Number 58 August 2012 Celebrating the Best Comics of the '70s, '80s, '90s, and Beyond! EDITOR Michael “Superman”Eury PUBLISHER John “T.O.” Morrow GUEST DESIGNER Michael “BaTman” Kronenberg COVER ARTIST ISSUE! Luke McDonnell and Bill Wray . s c i m COVER COLORIST o C BACK SEAT DRIVER: Editorial by Michael Eury .........................................................2 Glenn “Green LanTern” WhiTmore C D © PROOFREADER & Whoever was sTuck on MoniTor DuTy FLASHBACK: 22,300 Miles Above the Earth .............................................................3 M T . A look back at the JLA’s “Satellite Years,” with an all-star squadron of creators a c i r SPECIAL THANKS e m Jerry Boyd A Rob Kelly f o Michael Browning EllioT S! Maggin GREATEST STORIES NEVER TOLD: Unofficial JLA/Avengers Crossovers ................29 e u Rich Buckler g Luke McDonnell Never heard of these? Most folks haven’t, even though you might’ve read the stories… a e L Russ Burlingame Brad MelTzer e c i T Snapper Carr Mi ke’s Amazing s u J Dewey Cassell World of DC INTERVIEW: More Than Marvel’s JLA: Squadron Supreme ....................................33 e h T ComicBook.com Comics SS editor Ralph Macchio discusses Mark Gruenwald’s dictatorial do-gooders g n i r Gerry Conway Eri c Nolen- r a T s DC Comics WeaThingTon , ) 6 J. -
"Superman" by Wesley Strick
r "SUPERMAN" Screenplay by Wesley Strick Jon Peters Entertainment Director: Tim Burton Warner Bros. Pictures July 7, 1997 y?5^v First Draft The SCREEN is BLACK. FADE IN ON: INT. UNIVERSITY CORRIDOR - LATE NIGHT A YOUNG PROFESSOR hurries down the empty hall — hotly murmuring to himself, intensely concerned ... A handsome man, about 30, but dressed strangely — are we in some other country? Sometime in the past? Or in the future? YOUNG PROFESSOR It's switched off ... It can't be ... But the readings, what else — The Young Professor reaches a massive steel door, like the hatch of a walk-in safe. Slides an ID card, that's emblazoned with a familiar-looking "S" shield: the door hinges open. The Young Professor pauses — he hadn't noted, till now, the depths of his fear. Then, enters: INT. UNIVERSITY LAB - LATE NIGHT Dark. The Professor tries the lights. Power is off. Cursing, he's got just enough time, as the safe door r swings closed again, to find an emergency flashlight. He flicks it on: plays the beam over all the bizarre equipment, the ultra-advanced science paraphernalia. Now he hears a CREAK. He spins. His voice quavers. YOUNG PROFESSOR I.A.C. ..? His flashlight finds a thing: a translucent ball perched atop a corroding pyramid shape. It appears inanimate. YOUNG PROFESSOR (cont'd) Answer me. And finally, from within the ball, a faint alow. Slyly: BALL How can I? You unplugged me, Jor- El ... Remember? Recall? The Young Professor -- JOR-EL -- looks visibly shaken. y*fi^*\ (CONTINUED) CONTINUED: JOR-EL I did what I had to, I.A.C. -
The Art of Reverse-Engineering Flash Exploits [email protected]
The art of reverse-engineering Flash exploits [email protected] Jeong Wook Oh July 2016 Adobe Flash Player vulnerabilities As recent mitigations in the Oracle Java plugin and web browsers have raised the bar for security protection, attackers are apparently returning to focus on Adobe Flash Player as their main attack target. For years, Vector corruption was the method of choice for Flash Player exploits. Vector is a data structure in Adobe Flash Player that is implemented in a very concise form in native memory space. It is easy to manipulate the structure without the risk of corrupting other fields in the structure. After Vector length mitigation was introduced, the attackers moved to ByteArray.length corruption (CVE-2015-7645). Control Flow Guard (CFG) or Control Flow Integrity (CFI) is a mitigation introduced in Windows 8.1 and later, and recently into Adobe Flash Player. Object vftable (virtual function table) corruption has been very common technology for exploit writers for years. CFG creates a valid entry point into vftable calls for specific virtual calls, and exits the process when non-conforming calls are made. This prevents an exploit’s common method of vftable corruption. Reverse-engineering methods Dealing with Adobe Flash Player exploits is very challenging. The deficiency of usable debuggers at the byte code level makes debugging the exploits a nightmare for security researchers. Obfuscating the exploits is usually a one-way process and any attempt to decompile them has caveats. There are many good decompilers out there, but they usually have points where they fail, and the attackers usually come up with new obfuscation methods as the defense mechanism to protect their exploits from being reverse-engineered. -
Your Guide to All-Flash Storage, How It Stacks up Against Hybrid and Pcie, and How to Measure the Benefits
All-Flash: The Essential Guide All-Flash: The Essential Guide Your guide to all-flash storage, how it stacks up against hybrid and PCIe, and how to measure the benefits All-Flash: The Essential Guide In this e-guide In this e-guide: All-flash array roundup 2016: Computer Weekly keeps its finger on the pulse in the world of The big six data storage, with regular news, features and practical articles. This guide offers a comprehensive survey of the all- All-flash storage roundup flash array market. We look at all-flash products from the big 2016: The startups six storage vendors and the startups and specialists. Plus, we give the lowdown on all-flash vs hybrid flash arrays and all- Hybrid flash vs all-flash storage: When is some flash flash vs server-side PCIe SSD. Finally, we look at the not enough? shortcomings of measuring the value of flash by metrics designed for spinning disk and suggest practical alternatives. PCIe SSD vs all-flash for enterprise storage How to measure flash storage's true value Antony Adshead, Storage editor Page 1 of 32 All-Flash: The Essential Guide In this e-guide All-flash array roundup 2016: The big six All-flash array roundup 2016: Chris Evans, Contributor The big six In all-flash storage 2015 was year of consolidation, incremental improvement All-flash storage roundup and price reduction from the big six storage suppliers. 2016: The startups In a short space of time, the big six storage providers have built out their flash product offerings into mature and scalable platforms. -
A M E R I C a N C H R O N I C L E S the by JOHN WELLS 1960-1964
AMERICAN CHRONICLES THE 1960-1964 byby JOHN JOHN WELLS Table of Contents Introductory Note about the Chronological Structure of American Comic Book Chroncles ........ 4 Note on Comic Book Sales and Circulation Data......................................................... 5 Introduction & Acknowlegments................................. 6 Chapter One: 1960 Pride and Prejudice ................................................................... 8 Chapter Two: 1961 The Shape of Things to Come ..................................................40 Chapter Three: 1962 Gains and Losses .....................................................................74 Chapter Four: 1963 Triumph and Tragedy ...........................................................114 Chapter Five: 1964 Don’t Get Comfortable ..........................................................160 Works Cited ......................................................................214 Index ..................................................................................220 Notes Introductory Note about the Chronological Structure of American Comic Book Chronicles The monthly date that appears on a comic book head as most Direct Market-exclusive publishers cover doesn’t usually indicate the exact month chose not to put cover dates on their comic books the comic book arrived at the newsstand or at the while some put cover dates that matched the comic book store. Since their inception, American issue’s release date. periodical publishers—including but not limited to comic book publishers—postdated -
The Dictionary Legend
THE DICTIONARY The following list is a compilation of words and phrases that have been taken from a variety of sources that are utilized in the research and following of Street Gangs and Security Threat Groups. The information that is contained here is the most accurate and current that is presently available. If you are a recipient of this book, you are asked to review it and comment on its usefulness. If you have something that you feel should be included, please submit it so it may be added to future updates. Please note: the information here is to be used as an aid in the interpretation of Street Gangs and Security Threat Groups communication. Words and meanings change constantly. Compiled by the Woodman State Jail, Security Threat Group Office, and from information obtained from, but not limited to, the following: a) Texas Attorney General conference, October 1999 and 2003 b) Texas Department of Criminal Justice - Security Threat Group Officers c) California Department of Corrections d) Sacramento Intelligence Unit LEGEND: BOLD TYPE: Term or Phrase being used (Parenthesis): Used to show the possible origin of the term Meaning: Possible interpretation of the term PLEASE USE EXTREME CARE AND CAUTION IN THE DISPLAY AND USE OF THIS BOOK. DO NOT LEAVE IT WHERE IT CAN BE LOCATED, ACCESSED OR UTILIZED BY ANY UNAUTHORIZED PERSON. Revised: 25 August 2004 1 TABLE OF CONTENTS A: Pages 3-9 O: Pages 100-104 B: Pages 10-22 P: Pages 104-114 C: Pages 22-40 Q: Pages 114-115 D: Pages 40-46 R: Pages 115-122 E: Pages 46-51 S: Pages 122-136 F: Pages 51-58 T: Pages 136-146 G: Pages 58-64 U: Pages 146-148 H: Pages 64-70 V: Pages 148-150 I: Pages 70-73 W: Pages 150-155 J: Pages 73-76 X: Page 155 K: Pages 76-80 Y: Pages 155-156 L: Pages 80-87 Z: Page 157 M: Pages 87-96 #s: Pages 157-168 N: Pages 96-100 COMMENTS: When this “Dictionary” was first started, it was done primarily as an aid for the Security Threat Group Officers in the Texas Department of Criminal Justice (TDCJ). -
Batman/Superman/Wonder Woman: Trinity Written by Alex Mckinnon
Batman/Superman/Wonder Woman: Trinity Written by Alex McKinnon Batman created by Bob Kane Superman created by Jerry Siegel and Joe Shuster Wonder Woman created by William Moulton Marston [email protected] INT. SMALLVILLE DINER A small glob of red ketchup on a white plate. A hand dips and slides a french fry through it in a sunny, relaxed restaurant. CLARK ... and that's how I got out. The hand belongs to CLARK KENT, approaching his twenties, the boy next door in a world without neighbors. He beams a happy, sheepish smile. Two teenagers (a BOY and a GIRL) sit across from him, speechless. GIRL You're not serious. Clark chuckles and gestures 'cross my heart'. GIRL THAT'S your big secret. The girl folds her arms and leans back in her chair, frowning. GIRL I don't believe you. CLARK Honest. The girl slaps the table, laughing incredulously. GIRL Come on! You skipped physics?! That's REALLY the best you got? CLARK I told you it wasn't worth knowing. GIRL But we gave you such good ones! You can't honestly tell me that's all. CLARK What exactly were you expecting? The girl just shrugs. Clark looks around the diner for a waiter. He suddenly looks flushed. He leans forward, elbow on the table, rubbing a hand across his face. GIRL Hey Boy Scout, what's wrong? 2. CLARK Nothing. Clark grabs a menu and hides behind it, coughing, fidgeting. He wipes his brow with the back of his hand. His eyes slowly adopt a tint of red, an odd WHISTLING accompanying the change.