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Jational Register of Historic Places Inventory -- Nomination Form
•m No. 10-300 REV. (9/77) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL PARK SERVICE JATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOW TO COMPLETE NATIONAL REGISTER FORMS ____________TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS >_____ NAME HISTORIC BROADWAY THEATER AND COMMERCIAL DISTRICT________________________ AND/OR COMMON LOCATION STREET & NUMBER <f' 300-8^9 ^tttff Broadway —NOT FOR PUBLICATION CITY. TOWN CONGRESSIONAL DISTRICT Los Angeles VICINITY OF 25 STATE CODE COUNTY CODE California 06 Los Angeles 037 | CLASSIFICATION CATEGORY OWNERSHIP STATUS PRESENT USE X.DISTRICT —PUBLIC ^.OCCUPIED _ AGRICULTURE —MUSEUM _BUILDING(S) —PRIVATE —UNOCCUPIED .^COMMERCIAL —PARK —STRUCTURE .XBOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE ^ENTERTAINMENT _ REUGIOUS —OBJECT _IN PROCESS 2L.YES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: NAME Multiple Ownership (see list) STREET & NUMBER CITY. TOWN STATE VICINITY OF | LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDSETC. Los Angeie s County Hall of Records STREET & NUMBER 320 West Temple Street CITY. TOWN STATE Los Angeles California ! REPRESENTATION IN EXISTING SURVEYS TiTLE California Historic Resources Inventory DATE July 1977 —FEDERAL ^JSTATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS office of Historic Preservation CITY, TOWN STATE . ,. Los Angeles California DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED ^ORIGINAL SITE X.GOOD 0 —RUINS X_ALTERED _MOVED DATE- —FAIR _UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The Broadway Theater and Commercial District is a six-block complex of predominately commercial and entertainment structures done in a variety of architectural styles. The district extends along both sides of Broadway from Third to Ninth Streets and exhibits a number of structures in varying condition and degree of alteration. -
Historic-Cultural Monument (HCM) List City Declared Monuments
Historic-Cultural Monument (HCM) List City Declared Monuments No. Name Address CHC No. CF No. Adopted Community Plan Area CD Notes 1 Leonis Adobe 23537 Calabasas Road 08/06/1962 Canoga Park - Winnetka - 3 Woodland Hills - West Hills 2 Bolton Hall 10116 Commerce Avenue & 7157 08/06/1962 Sunland - Tujunga - Lake View 7 Valmont Street Terrace - Shadow Hills - East La Tuna Canyon 3 Plaza Church 535 North Main Street and 100-110 08/06/1962 Central City 14 La Iglesia de Nuestra Cesar Chavez Avenue Señora la Reina de Los Angeles (The Church of Our Lady the Queen of Angels) 4 Angel's Flight 4th Street & Hill Street 08/06/1962 Central City 14 Dismantled May 1969; Moved to Hill Street between 3rd Street and 4th Street, February 1996 5 The Salt Box 339 South Bunker Hill Avenue (Now 08/06/1962 Central City 14 Moved from 339 Hope Street) South Bunker Hill Avenue (now Hope Street) to Heritage Square; destroyed by fire 1969 6 Bradbury Building 300-310 South Broadway and 216- 09/21/1962 Central City 14 224 West 3rd Street 7 Romulo Pico Adobe (Rancho 10940 North Sepulveda Boulevard 09/21/1962 Mission Hills - Panorama City - 7 Romulo) North Hills 8 Foy House 1335-1341 1/2 Carroll Avenue 09/21/1962 Silver Lake - Echo Park - 1 Elysian Valley 9 Shadow Ranch House 22633 Vanowen Street 11/02/1962 Canoga Park - Winnetka - 12 Woodland Hills - West Hills 10 Eagle Rock Eagle Rock View Drive, North 11/16/1962 Northeast Los Angeles 14 Figueroa (Terminus), 72-77 Patrician Way, and 7650-7694 Scholl Canyon Road 11 The Rochester (West Temple 1012 West Temple Street 01/04/1963 Westlake 1 Demolished February Apartments) 14, 1979 12 Hollyhock House 4800 Hollywood Boulevard 01/04/1963 Hollywood 13 13 Rocha House 2400 Shenandoah Street 01/28/1963 West Adams - Baldwin Hills - 10 Leimert City of Los Angeles May 5, 2021 Page 1 of 60 Department of City Planning No. -
32Nd Annual California Preservation Design Awards
32ND ANNUAL CALIFORNIA PRESERVATION DESIGN AWARDS OCTOBER 2, 2015 JULIA MORGAN BALLROOM, MERCHANTS EXCHANGE BUILDING SAN FRANCISCO The Board of Trustees of the California Preservation Foundation welcomes you to the Preservation Design Awards Ceremony Friday, October 2, 2015 Julia Morgan Ballroom, Merchants Exchange Building, San Francisco 6:00 pm Cocktail Reception and Dinner 7:30 pm Welcome Kelly Sutherlin McLeod, FAIA President, Board of Trustees California Preservation Foundation Cindy L. Heitzman, Executive Director, California Preservation Foundation Awards Presentations Presentation of the President’s Award for Lifetime Acheivement John F. Merritt Presentation of the 32nd Annual Preservation Design Awards Kurt Schindler, FAIA, Jury Chair Amy Crain Jeff Greene Leo Marmol, FAIA Chuck Palley Jay Reiser, S.E. Annual Sponsors Cornerstone Spectra Company Cornice Architectural Resources Group IS Architecture Cody Anderson Wasney Architects, Inc. Kelly Sutherlin McLeod Architecture, Inc. EverGreene Architectural Arts Kitson Contracting, Inc. Garavaglia Architecture Page & Turnbull GPA Consulting Simpson Gumpertz & Heger, Inc. Historic Resources Group Wiss, Janney, Elstner Associates, Inc. Holmes Culley/Holmes Fire 2 Preservation Design Awards 2015 Preservation Design Awards Sponsors Pillar Kelly Sutherlin McLeod Architecture, Inc. Plant Construction Marmol Radziner Plath and Company, Inc. Supporting AC Martin MATT Construction Corporation Cody | Brock Commercial Builders Rinne & Peterson Structural Engineers Cody Anderson Wasney Architects, Inc. Vallier Design Associates Leddy Maytum Stacy Architects Wiss, Janney, Elstner Associates, Inc. Nonprofit Fort Mason Center 3 Preservation Design Awards 2015 2015 Awards Jury Kurt Schindler, FAIA, LEED AP Principal, ELS Architecture and Urban Design | Awards Chair and PDA Jury Chair Kurt Schindler is a principal at ELS and directs the firm’s historic and seismic renovation projects. -
Hclassifi Cation
No. 10-300 ^,.^ P^ ^% (& f) UNITED STATES DEPARTMENT OF THE INTERIOR NATIONAL REGISTER OF HISTORIC PLACES INVENTORY -- NOMINATION FORM SEE INSTRUCTIONS IN HOWTO COMPLETE NATIONAL REGISTER FORMS TYPE ALL ENTRIES -- COMPLETE APPLICABLE SECTIONS NAME HISTORIC MILLION DOLLAR THEATER AND/OR COMMON " LOCATION STREET & NUMBER 307 South Broadway _NOT FOR PUBLICATION CITY, TOWN CONGRESSIONAL DISTRICT 25 "'. Los Angeles —.VICINITY OF STATE CODE COUNTY CODE Cali fornia 06 Los Angeles 037 *" HCLASSIFI CATION CATEGORY -OWNERSHIP v , , "/ STATUS PRESENT USE X fpcK i> -. —DISTRICT ^PUBLIC C1 ^ 0; f 5; J(,f -X.OCCUPIED _ AGRICULTURE —MUSEUM i-BUILDING(S) ^.PRIVATE "f • ^^':ff- —UNOCCUPIED ^-COMMERCIAL —PARK —STRUCTURE —BOTH —WORK IN PROGRESS —EDUCATIONAL —PRIVATE RESIDENCE —SITE PUBLIC ACQUISITION ACCESSIBLE ^.ENTERTAINMENT —RELIGIOUS —OBJECT _JN PROCESS iYES: RESTRICTED —GOVERNMENT —SCIENTIFIC —BEING CONSIDERED — YES: UNRESTRICTED —INDUSTRIAL —TRANSPORTATION —NO —MILITARY —OTHER: OWNER OF PROPERTY NAME Million Dollar Theater Building STREET & NUMBER _____307 South Broadway CITY, TOWN STATE Los Angeles VICINITY OF California LOCATION OF LEGAL DESCRIPTION COURTHOUSE. REGISTRY OF DEEDS.ETC. Los Angeles County Hall of Records STREET & NUMBER 320 W. Temple Street CITY, TOWN STATE Los Angeles California REPRESENTATION IN EXISTING SURVEYS TITLE Historic Resources Inventory DATE March 1976 —FEDERAL X.STATE —COUNTY —LOCAL DEPOSITORY FOR SURVEY RECORDS Qff±c& pf Historic PreserYation P.O. Box 2390 CITY, TOWN STATE Sacramento California DESCRIPTION CONDITION CHECK ONE CHECK ONE —EXCELLENT —DETERIORATED —UNALTERED ^ORIGINAL SITE X-GOOD —RUINS ^.ALTERED —MOVED DATE- —FAIR —UNEXPOSED DESCRIBE THE PRESENT AND ORIGINAL (IF KNOWN) PHYSICAL APPEARANCE The structure consists of two major units; a twelve-story, steel-frame office building of concrete and brick, and a reinforced-concrete theater building faced with brick and terra cotta. -
Wyvernwood Garden Apartments Has Fostered a Strong Sense of Community Among Its 6,000 Residents
Volume 33 m a r a p r 2 0 1 1 Number 2 Last Remaining Seats Turns 25! Member ticket sales start March 30 Celebrate a quarter century of classic films and live entertainment in the historic theatres of Los Angeles! The 25th Annual Last Remaining Seats series takes place May 25 through June 29. You will receive a large postcard in the mail this year in lieu of a brochure; you can find all the details and order tickets starting March 30 at laconservancy.org. We were finalizing the schedule at press time; it should be online by the time you receive this newsletter. In addition to the six Wednesday evening screenings, this special season will include a bonus Fan Favorite film (Sunset Boulevard, Despite its vast size, Wyvernwood Garden Apartments has fostered a strong sense of community among its 6,000 residents. Clockwise from top left: Historic view of the complex (Security Pacific Collection/Los Angeles Public selected by you, our members!). It will screen Library); current residents (Jesus Hermosillo); a resident sends a message (Evangelina Garza); teenager Juan twice (matinee and evening shows) at the Pal- Bucio’s depiction of what Wyvernwood means to him; young residents (Molly Mills). ace Theatre on Sunday, June 26, a hundred years to the day after it opened! We’ll be at the Wyvernwood Garden Apartments: Palace as part of a broader celebration of the centennial of several theatres on Broadway. Remember to take part in our 2011 mem- Community by Design bership drive for your chance to win VIP by Cindy Olnick and Karina Muñiz tickets to a Last Remaining Seats screening. -
Raise a Glass to History—Before It's Too Late
NEWS Jan/Feb 2018 • Volume 40 Number 1 Celebrate 40 Years of Preservation Happy Anniversary! This year marks forty years since the Conservancy’s founding in 1978. The staff, volunteers, and members of the Conservancy have made a significant impact in preserving the historic places that make L.A. County unique. Thank you! Anniversaries are great times for reflec- tion, and we have much to celebrate. Yet this is also a time to redouble our efforts and renew our commitment. What will Los An- geles look like forty years from now? How will we make sure that future includes the best of our past? The Conservancy won a $150,000 grant to help rehabilitate the famed Formosa Café in West Hollywood. Legacy We’ll mark this milestone throughout bars and restaurants like the Formosa are exceedingly rare, threatened by development pressure, rising rents, the year in various ways, from special events changing demographics, and other factors. Photo by Douglas Hill, courtesy National Trust for Historic Preservation. and newsletter features to new initiatives. As always, for the latest news, join us on social Raise a Glass to History—Before It’s Too Late media and subscribe to our email newsletters. by Cindy Olnick This anniversary is as much yours as If you’re one of the many people who voted for the Formosa Café in last fall’s Partners anyone’s, since your membership makes this in Preservation campaign, thank you! Created by the National Trust for Historic Preserva- work possible. If you have a personal story tion and American Express, Partners in Preservation awards preservation funding to projects to share—about the Conservancy or historic across the U.S. -
Gwendolyn Wright
USA modern architectures in history Gwendolyn Wright REAKTION BOOKS Contents 7 Introduction one '7 Modern Consolidation, 1865-1893 two 47 Progressive Architectures, ,894-'9,8 t h r e e 79 Electric Modernities, '9'9-'932 fau r "3 Architecture, the Public and the State, '933-'945 fi ve '5' The Triumph of Modernism, '946-'964 six '95 Challenging Orthodoxies, '965-'984 seven 235 Disjunctures and Alternatives, 1985 to the Present 276 Epilogue 279 References 298 Select Bibliography 305 Acknowledgements 3°7 Photo Acknowledgements 3'0 Index chapter one Modern Consolidation. 1865-1893 The aftermath of the Civil War has rightly been called a Second American Revolution.' The United States was suddenly a modern nation, intercon- nected by layers of infrastructure, driven by corporate business systems, flooded by the enticements of consumer culture. The industrial advances in the North that had allowed the Union to survive a long and violent COll- flict now transformed the country, although resistance to Reconstruction and racial equality would curtail growth in the South for almost a cen- tury. A cotton merchant and amateur statistician expressed astonishment when he compared 1886 with 1856. 'The great railway constructor, the manufacturer, and the merchant of to-day engage in affairs as an ordinary matter of business' that, he observed, 'would have been deemed impos- sible ... before the war'? Architecture helped represent and propel this radical transformation, especially in cities, where populations surged fourfold during the 30 years after the war. Business districts boasted the first skyscrapers. Public build- ings promoted a vast array of cultural pleasures) often frankly hedonistic, many of them oriented to the unprecedented numbers of foreign immi- grants. -
Los Angeles Street 623-627 Los Angeles Street
623-627 LOS ANGELES STREET 623-627 LOS ANGELES STREET 623-627 Los Angeles Street offers an unprecedented opportunity to purchase a stunning multi-story building in the Historic Core of Downtown Los Angeles. The subtle Art Deco facade is a compelling contrast to the breathtaking interior spaces - all four stories have dramatic high ceilings and incredible natural light flooding in from three window lines. Vintage touches, concrete floors, and a modern urban layout combine to create a highly sought-after energy in today’s market. The property is surrounded by high-end amenities and large-scale developments as the neighborhood continues to evolve and flourish. This impressive asset has great potential for a buyer to restore and revive its unique charm, and capitalize on the building momentum of Downtown Los Angeles. BUILDING LAND 36,086 SF 8,579 SF RICH HISTORY FOUR STORIES Stunning Art Deco facade and vintage 4 stories plus mezzanine and basement features are preserved with efficient floor plates ABUNDANT SUNLIGHT DRAMATIC CEILINGS Natural light fills the space from Ceiling heights range from windows on three sides of the building approximately 10’ to 25’ CONCRETE FLOORS IDEAL LOCATION Concrete floors keep noise between Property is surrounded by high-end floors to a minimum amenities and new developments Incredible potential BUILDING SIZE ±36,086 SF LAND SIZE ±8,579 SF STORIES Plus Mezz 4 and Basement FLOOR SIZE ±8,484 SF CLEAR HEIGHT Ranges 10’ - 25’ ELEVATOR YES YEAR BUILT 1910 CONSTRUCTION MASONRY ZONING C2 APN 5148-021-016 Site Plan -
CLASSIC JAZZ This Page Intentionally Left Blank CLASSIC JAZZ
CLASSIC JAZZ This page intentionally left blank CLASSIC JAZZ A Personal View of the Music and the Musicians FLOYD LEVIN Foreword by BENNY CARTER UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London Title page illustration: The author and his wife, Lucille—Emperor and Empress of the 1985 Jazz Jubilee, Sacramento, California. Unless otherwise credited, all illustrations are by the author or are from his collection. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2000 by the Regents of the University of California Library of Congress Cataloging-in-Publication Data Levin, Floyd. Classic jazz : a personal view of the music and the musicians / Floyd Levin. p. cm. Includes index. isbn 0-520-21360-2 (cloth : alk. paper) 1. Jazz—History and criticism. 2. Jazz musi- cians—United States. I. Title. ml3508.l48 2000 781.65—dc21 00-022554 Manufactured in the United States of America 08 07 06 05 04 03 02 01 00 10987654321 The paper used in this publication meets the mini- mum requirements of ansi/niso z39.48-1992 (r 1997) (Permanence of Paper). To Lucille, my loving wife and perceptive editor, who shared these wonderful experiences with me. Her sincere praises buoyed my efforts, and her unerring criticisms deftly improved my narration. This page intentionally left blank CONTENTS FOREWORD BY BENNY CARTER xv PREFACE xvii ACKNOWLEDGMENTS xxiii INTRODUCTION 1 1 KID ORY AND THE REVIVAL ERA 9 Kid Ory / 11 Kid Ory’s Legendary 1921 Nordskog/Sunshine Recordings / 14 Papa Mutt Carey -
Conduit Map 277Sw
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The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California
University of Pennsylvania ScholarlyCommons Theses (Historic Preservation) Graduate Program in Historic Preservation 2012 The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California Lauro Alonso Parra University of Pennsylvania Follow this and additional works at: https://repository.upenn.edu/hp_theses Part of the Historic Preservation and Conservation Commons Parra, Lauro Alonso, "The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California" (2012). Theses (Historic Preservation). 204. https://repository.upenn.edu/hp_theses/204 Suggested Citation: Parra, Lauro Alonso (2012). The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California. (Masters Thesis). University of Pennsylvania, Philadelphia, PA. This paper is posted at ScholarlyCommons. https://repository.upenn.edu/hp_theses/204 For more information, please contact [email protected]. The Future of Historic Preservation in Blighted Areas: Effects of the Abolishment of Redevelopment Agencies in California Abstract Redevelopment agencies play a major role in the preservation or destruction of historic buildings. When considering the benefits of preservation, we not only consider the protection of buildings for history's sake; but its usage has become more evident as a form of economic growth. During 2011, in efforts to balance the budget in the state of California, Governor Brown proposed abolishing -
LACEA Alive Feb05 7.Qxd
01-68_Alive_JAN09_v7.qxd 12/26/08 3:21 PM Page 22 22 January 2009 City Employees Club of Los Angeles, Alive! A City of [ PART 1 OF 2 ] Theatres By Marc Wanamaker n Noted theatre historian Marc Wanamaker is Hynda’s guest columnist this month. Part two continues next month. t is not generally known, but Los Angeles was one of the largest Itheatre towns in the United States dating back to the 19th cen- tury. Beginning with legitimate stages and later cinema theatres, Los Angeles boasted more than several thousand theatres sprawl- ing throughout the entire Los Angeles area by the 1920s. Every main street in every town had a theatre on it, and by the time movies came to Los Angeles there were even more built that were bigger and better. Los Angeles had a grand legitimate theatre history since the mid-19th century as described by famed stage and film actor Hobart Bosworth, who worked in several of the downtown theatres in the 1880s and 1890s. Bosworth described the theatre world of Los Angeles as “surprisingly robust and patronized by thousands of residents who were knowledgeable about the plays and players.” Los Angeles had its first semi-permanent stage, an open-air cov- ered platform with a proscenium arch near the Plaza in 1848, but the most important theater to be built in Los Angeles was the 1,200-seat Ozro Childs Grand Opera House, built in 1884 on Main Street near First. From the mid-1880s, Los Angeles became a regular stop for touring theatrical companies, starring some of the world’s most illustrious stars including Sarah Bernhardt, Maurice Barrymore, Lillian Russell, Anna Held and Lionel Barrymore, among many others.