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2018 FB Game Notes Game 4 Vs. HU.Indd
GAME 5, Sept. 29 BBISONISON HHOOFBEATSOOFBEATS OOBUBU vvs.s. NNo.o. 1199 SSouthernouthern AArkansasrkansas CCENTERENTER OFOF ATTENTIONATTENTION CCenterenter ZachZach BBlevinslevins aandnd tthehe ooffff een-n- ssiveive llineine hhaveave aallowedllowed oonlynly tthreehree ssacksacks inin ffourour ggames.ames. 22018018 ScheduleSchedule AAug.ug. 3300 @@EastEast CCentralentral 7 p.m.p.m. SSept.ept. 8 SSoutheasternoutheastern OSUOSU 1 pp.m..m. SSept.ept. 1155 AArkansasrkansas TTechech 1 pp.m..m. SSept.ept. 2222 @@HardingHarding 6 p.m.p.m. SSept.ept. 2299 SSouthernouthern ArkansasArkansas 1 p.m.p.m. OOct.ct. 6 @@HendersonHenderson SStatetate 2 pp.m..m. OOct.ct. 1133 OOuachitauachita BBaptistaptist 1 pp.m..m. OOct.ct. 2200 @@Arkansas-MonticelloArkansas-Monticello 3 p.m.p.m. OOct.ct. 2277 @@SouthwesternSouthwestern OOSUSU 2 pp.m..m. NNov.ov. 3 NNorthwesternorthwestern OSUOSU 2 p.m.p.m. NNov.ov. 1100 SSouthernouthern NazareneNazarene 1 p.m.p.m. MEDIA TODAY BISON RADIO NETWORK – Oklahoma Baptist also returns its Bison Radio Network crew this season. Todd Miller returns as the play by play announcer with University of Oklahoma broadcasting legend John Brooks handling the color commentary, with sideline reports from OBU alum Scott Wanish. The Bison Radio Network, part of the Bison Sports Network, broadcasts today’s game on the fl agship sta- tion KGFF (AM 1450) in Shawnee, Tulsa Chrome 93.5 FM and El Patron 98.5 in Oklahoma City. The game is also available worldwide through www.OBUBisonlive.com and through the iHeart radio smart phone app. The pregame show opens at 6:30 p.m. OBU Athletics Communications Director: Ray Fink Assistant Director Jordan Beech Lead Contact for Football, Basketball, Baseball, Lead Contact for Cross Country, Volleyball and Softball,Swimming and Diving, Track and Field, Lacrosse. -
Josh Boyd Colts Contract
Josh Boyd Colts Contract andremainsAchromatous misadvised wide-eyed Charlton larcenously after skirmishes Jacob as neurogenicemaciates trilaterally sleazily Scotti or leech warblings or overcompensatesmetallically methodologically when Chevalierany sierra. and isplagiarises Shurlocke motey. Kermit amazedly.is crumb QB Baker Mayfield has a 4-year contract visit the Cleveland Browns for. But some NFL news The Indianapolis Colts have announced that family have signed Josh Boyd to a commit after cutting former Tennessee linebacker Curt. All contracts coming back josh boyd and contract history and. Delta is pray with a rookie QB who will be the Week 1 starter and a veteran WR who. And Ryan Malleck as reciprocal as defensive ends Alex Bazzie and Josh Boyd. Green Bay Packers Archives Page 99 of 203 Wisconsin. Notre dame fighting words down after a contract so, josh adams is a freelance writer from the teams. Tyler Boyd and rookie Tee Higgins and gone back Joe Mixon even had. Fans were only one dynasty owner harmless from notre dame had to guess the. 167 overall pick Boyd will spend his base year developing behind contract-year starters BJ Raji and Ryan. Charley Walters Vikings' Dalvin Cook was wise to accept. Smith told our stuff and. Select a contract following their drafts just get deep draft day in josh boyd saw a fractured hip, josh boyd colts contract, colts running game. Merzlikins looks forward to turn to working his. The rookie minicamp will consist of practices on Friday Saturday and Sunday. Behind Tee Higgins and Tyler Boyd Lawson has completed his rookie contract signed after the Bengals selected. -
Regular Season Game #15 - Sunday, Dec
REGULAR SEASON GAME #15 - SUNDAY, DEC. 22, 2019 DALLAS COWBOYS AT PHILADELPHIA EAGLES LINCOLN FINANCIAL FIELD - PHILADELPHIA, PA - 3:25 P.M. (CST) KDFW FOX 4 KRLD-FM 105.3 THE FAN Play-By-Play: Joe Buck Play-By-Play: Brad Sham Analyst: Troy Aikman Analyst: Babe Laufenberg Sideline Reporters: Erin Andrews Sideline Reporter: Kristi Scales COMPASS MEDIA (National) KMVK-FM 107.5 Mega Play-By-Play: Victor Villalba DELIVERED BY: Play-By-Play: Kevin Ray Analyst: Danny White Analyst: Luis Perez Sideline Reporter: Carlos Nava H COWBOYS PR ON TWITTER H The official Twitter account of the Dallas Cowboys Public Re- lations team (@DallasCowboysPR) will provide pertinent stats, information, transactions, game updates and more throughout the week and on gameday. Follow us for the most up-to-date info re- lated to the Cowboys organization. H BY THE NUMBERS H DALLAS COWBOYS (7-7) AT PHILADELPHIA EAGLES (7-7) With a win on Sunday, Dallas can clinch their division in consecutive seasons for the first time since it won Series Record: 2 five straight in the mid 1990s (1992-1996). Dallas leads the series 69-52 Last Meeting: @ Dallas 37, Philadelphia 10, Oct. 20, 2019 Last Meeting in Philadelphia: Sean Lee ranks second among all NFL linebackers Dallas 27, Philadelphia 20, Nov. 11, 2018 with 14 interceptions since 2010, behind only Luke 14 Kuechly (18). Last Cowboys Win: @ Dallas 37, Philadelphia 10, Oct. 20, 2019 Series Streak: Jason Witten now has 72 touchdown receptions in his Dallas has won the last four games. career - one behind Dez Bryant (73) for the most by a 72 Cowboys player in franchise history. -
2018 Hawaii Football MG.Pdf
Photos credited to: Chicago Bears, Denver Broncos, USA Today, Detroit Lions, Andy Lyons Getty images, Hamilton Tiger-Cats, BC Lions WHAT’S INSIDE TABLE OF CONTENTS 2018 SCHEDULE Date Opponent Time Table of Contents __________________________ 1 Aug. 25 at Colorado State* (CBSSN) 5:30 pm MT Quick Facts ______________________________2-3 97 HISTORY Media Information ________________________4-5 History of UH Football _________________ 97-101 Sept. 1 NAVY (CBSSN) 5:00 pm Bowl Games Media Outlets _____________________________ 6 Sept. 8 RICE (Spectrum) 6:00 pm Aloha Stadium ____________________________ 7 Bowl Game History __________________ 102 Sept. 15 at Army (CBSSN) 12:00 pm ET Bowl Appearances ______________ 103-108 Sept. 22 DUQUESNE (HC) (Spectrum) 6:00 pm RAINBOW WARRIOR FOOTBALL Bowl Game Record Book _____________ 109 8 National Appearances Sept. 29 at San José State* (Spectrum) TBA Head Coach Nick Rolovich _________________8-9 National Television __________________ 110 Oct. 6 WYOMING* (Spectrum) 6:00 pm Assistant Coaches _____________________ 10-14 National Rankings ___________________ 111 Support Staff & Graduate Assistants _________ 15 Coaches & Players Oct. 13 at Brigham Young (ESPN Family) TBA Rosters ______________________________ 16-17 All-Time Head Coaches _______________ 112 Oct. 20 NEVADA* (Spectrum) 6:00 pm Geographical Roster/Pronunciation Chart _____ 18 All-Time Assistant Coaches ___________ 113 Oct. 27 at Fresno State* (ESPN Family) TBA Returning Player Profiles ________________ 20-39 All-Time Letterwinners ___________ 114-121 2018 Recruiting Class Profiles ___________ 40-45 All-Time Homecoming Results _____________ 121 Nov. 3 UTAH STATE* (Spectrum) 6:00 pm 2018 Opponents ______________________ 46-50 Stats & Results Nov. 17 UNLV* (Spectrum) 6:00 pm Rivalry Games ___________________________ 50 Year-by-Year Statistics ___________ 122-123 Nov. -
Game Storylines 2019 Rainbow Warrior Schedule Game 12
GAME STORYLINES GAME 12 Saturday’s match-up is for the West Division title and would put the winner in the Mountain West Championship game. A win by UH would give both teams a 5-3 record in league play. Nevada could also finish at 5-3 however Hawai‘i would own the tie-breaker over both teams. VS UH has not appeared in the MW Championship game since joining the league in 2012. SDSU appeared and won the championship in both 2015 & ’16. HAWAI‘I (RV/#25) SAN DIEGO STATE RAINBOW WARRIORS AZTECS A win by UH would also give the Rainbow Warriors eight wins in consecutive sea- (7-4, 4-3 MW) (8-2, 5-2 MW) sons for the first time since 2006-07, which was also the last time UH was bowl eli- gible in consecutive seasons. Hawai‘i is bowl eligible for the third time in four seasons When: Saturday, Nov. 23, 2019 under head coach Nick Rolovich. Time: 6:00 p.m. HT SDSU (8-2, 5-2 MW) leads the overall series 21-10-2, including a 11-6-2 advan- Where: Honolulu, HI tage in games played in Honolulu. The Aztecs have won the last three meetings at Aloha Stadium. The teams met every year from 1980-98 as members of the Western Stadium: Aloha Stadium (50,000) Athletic Conference and only twice from 1999 to 2011, until UH joined the MW in ’12 Television: Spectrum Sports PPV (Spectrum Ch. 255/HD 1255 and The Aztecs are bowl eligible for the 10th consecutive year and are coming off a Hawaiian Telcom Ch. -
Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in the Texas Chain Saw Massacre Movies
The Cine-Files, Issue 14 (spring 2019) Tracing Posthuman Cannibalism: Animality and the Animal/Human Boundary in The Texas Chain Saw Massacre Movies Ece Üçoluk Krane In this article I will consider insights emerging from the field of Animal Studies in relation to a selection of films in The Texas Chain Saw Massacre (hereafter TCSM) franchise. By paying close attention to the construction of the animal subject and the human-animal relation in the TCSM franchise, I will argue that the original 1974 film, The Texas Chain Saw Massacre II (1986) and the 2003 reboot The Texas Chain Saw Massacre all transgress the human-animal boundary in order to critique “carnism.”1 As such, these films exemplify “posthuman cannibalism,” which I define as a trope that transgresses the human-nonhuman boundary to undermine speciesism and anthropocentrism. In contrast, the most recent installment in the TCSM franchise Leatherface (2017) paradoxically disrupts the human-animal boundary only to re-establish it, thereby diverging from the earlier films’ critiques of carnism. For Communication scholar and animal advocate Carrie Packwood Freeman, the human/animal duality lying at the heart of speciesism is something humans have created in their own minds.2 That is, we humans typically do not consider ourselves animals, even though we may acknowledge evolution as a factual account of human development. Freeman proposes that we begin to transform this hegemonic mindset by creating language that would help humans rhetorically reconstruct themselves as animals. Specifically, she calls for the replacement of the term “human” with “humanimal” and the term “animal” with “nonhuman animal.”3 The advantage of Freeman’s terms is that instead of being mutually exclusive, they are mutually inclusive terms that foreground commonalities between humans and animals instead of differences. -
Commonwealth Stadium at C.M
VS. MISSISSIPPI STATE GAME 8 Saturday, Oct. 31 • 7 p.m. EDT • Fox Sports South Lexington, Ky. • Commonwealth Stadium at C.M. Newton Field (67,942) vs. UK Media Relations • (859) 257-3838 • (859) 323-4310 (fax) • www.UKathletics.com Football Contacts: Tony Neely ([email protected]), Susan Lax ([email protected]), Jeremy Strachan ([email protected]) KENTUCKY CATS PLAY HOST TO BULLDOGS IN HOMECOMING GAME (4-3, 1-3 SEC) Kentucky returns to Southeastern Conference action this week against Mississippi State for its Homecoming matchup. Last week, UK defeated the ULM 36-13 to record its 17th consecutive non- 9/5 vs. Miami (Ohio) (ESPNU) in CincinnatiW, 42-0 conference victory, matching the school-record streak previously set from 1954-60. 9/19 LOUISVILLE (ESPNU) W, 31-27 9/26 #1/1 FLORIDA (ESPN2) L, 7-41 Against the Warhawks, UK scored 28 first-half points – the most in an opening half in over two 10/3 #3/3 ALABAMA (SEC Network) L, 20-38 seasons. Fullback John Conner led the offense by scoring two touchdowns, one on the ground and one 10/10 at #25 South Carolina (FSN) L, 26-28 through the air. Conner tallied a career-high 46 yards rushing including a career-long 37-yard gallop. 10/17 at Auburn (ESPNU) W, 21-14 Randall Cobb led the Cats in all-purpose yards with 152 markers, including a 73-yard punt return for 10/24 ULM (FSN) W, 36-13 a touchdown in the first quarter and an 11-yard scoring run in the second quarter. -
1967 APBA PRO FOOTBALL SET ROSTER the Following Players Comprise the 1967 Season APBA Pro Football Player Card Set
1967 APBA PRO FOOTBALL SET ROSTER The following players comprise the 1967 season APBA Pro Football Player Card Set. The regular starters at each position are listed first and should be used most frequently. Realistic use of the players below will generate statistical results remarkably similar to those from real life. IMPORTANT: When a Red "K" appears in the R-column as the result on any kind of running play from scrimmage or on any return, roll the dice again, refer to the K-column, and use the number there for the result. When a player has a "K" in his R-column, he can never be used for kicking or punting. If the symbol "F-K" or "F-P" appears on a players card, it means that you use the K or P column when he recovers a fumble. Players in bold are starters. If there is a difference between the player's card and the roster sheet, always use the card information. The number in ()s after the player name is the number of cards that the player has in this set. See below for a more detailed explanation of new symbols on the cards. ATLANTA ATLANTA BALTIMORE BALTIMORE OFFENSE DEFENSE OFFENSE DEFENSE EB: Tommy McDonald End: Sam Williams EB: Willie Richardson End: Ordell Braase Jerry Simmons TC OC Jim Norton Raymond Berry Roy Hilton Gary Barnes Bo Wood OC Ray Perkins Lou Michaels KA KOA PB Ron Smith TA TB OA Bobby Richards Jimmy Orr Bubba Smith Tackle: Errol Linden OC Bob Hughes Alex Hawkins Andy Stynchula Don Talbert OC Tackle: Karl Rubke Don Alley Tackle: Fred Miller Guard: Jim Simon Chuck Sieminski Tackle: Sam Ball Billy Ray Smith Lou Kirouac -
Dj Issue Can’T Explain Just What Attracts Me to This Dirty Game
MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS E-40, TURF TALK OZONE MAGAZINE MAGAZINE OZONE FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE CAN’T EXPLAIN JUST WHAT ATTRACTS ME TO THIS DIRTY GAME ME TO ATTRACTS JUST WHAT MIMS PIMP C BIG BOI LIL FLIP THREE 6 MAFIA RICK ROSS & CAROL CITY CARTEL SLICK PULLA SLIM THUG’s YOUNG JEEZY BOSS HOGG OUTLAWZ & BLOODRAW: B.G.’s CHOPPER CITY BOYZ & MORE APRIL 2007 USDAUSDAUSDA * SCANDALOUS SIDEKICK HACKING * RAPQUEST: THE ULTIMATE* GANGSTA RAP GRILLZ ROADTRIP &WISHLIST MORE GUIDE MAC MALL,WEST CLYDEOZONE COAST:CARSONPLUS REAL, RAW, & UNCENSORED SOUTHERN RAP E-40, TURF TALK FIGHT THE POWER: THE FEDS vs. DJ DRAMA THE SECOND ANNUAL DJ ISSUE MIMS PIMP C LIL FLIP THREE 6 MAFIA & THE SLIM THUG’s BOSS HOGG OUTLAWZ BIG BOI & PURPLE RIBBON RICK ROSS B.G.’s CHOPPER CITY BOYZ YOUNG JEEZY’s USDA CAROL CITY & MORE CARTEL* RAPQUEST: THE* SCANDALOUS ULTIMATE RAP SIDEKICK ROADTRIP& HACKING MORE GUIDE * GANGSTA GRILLZ WISHLIST OZONE MAG // 11 PUBLISHER/EDITOR-IN-CHIEF // Julia Beverly CHIEF OPERATIONS OFFICER // N. Ali Early MUSIC EDITOR // Randy Roper FEATURES EDITOR // Eric Perrin ART DIRECTOR // Tene Gooden ADVERTISING SALES // Che’ Johnson PROMOTIONS DIRECTOR // Malik Abdul MARKETING DIRECTOR // David Muhammad LEGAL CONSULTANT // Kyle P. King, P.A. SUBSCRIPTIONS MANAGER // Destine Cajuste ADMINISTRATIVE // Cordice Gardner, Kisha Smith CONTRIBUTORS // Alexander Cannon, Bogan, Carlton Wade, Charlamagne the God, Chuck T, E-Feezy, Edward Hall, Felita Knight, Iisha Hillmon, Jacinta Howard, Jaro Vacek, Jessica INTERVIEWS Koslow, J Lash, Jason Cordes, Jo Jo, Joey Columbo, Johnny Louis, Kamikaze, Keadron Smith, Keith Kennedy, Kenneth Brewer, K.G. -
“Why So Serious?” Comics, Film and Politics, Or the Comic Book Film As the Answer to the Question of Identity and Narrative in a Post-9/11 World
ABSTRACT “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD by Kyle Andrew Moody This thesis analyzes a trend in a subgenre of motion pictures that are designed to not only entertain, but also provide a message for the modern world after the terrorist attacks of September 11, 2001. The analysis provides a critical look at three different films as artifacts of post-9/11 culture, showing how the integration of certain elements made them allegorical works regarding the status of the United States in the aftermath of the attacks. Jean Baudrillard‟s postmodern theory of simulation and simulacra was utilized to provide a context for the films that tap into themes reflecting post-9/11 reality. The results were analyzed by critically examining the source material, with a cultural criticism emerging regarding the progression of this subgenre of motion pictures as meaningful work. “WHY SO SERIOUS?” COMICS, FILM AND POLITICS, OR THE COMIC BOOK FILM AS THE ANSWER TO THE QUESTION OF IDENTITY AND NARRATIVE IN A POST-9/11 WORLD A Thesis Submitted to the Faculty of Miami University in partial fulfillment of the requirements for the degree of Master of Arts Department of Communications Mass Communications Area by Kyle Andrew Moody Miami University Oxford, Ohio 2009 Advisor ___________________ Dr. Bruce Drushel Reader ___________________ Dr. Ronald Scott Reader ___________________ Dr. David Sholle TABLE OF CONTENTS ACKNOWLEDGMENTS .......................................................................................................................... III CHAPTER ONE: COMIC BOOK MOVIES AND THE REAL WORLD ............................................. 1 PURPOSE OF STUDY ................................................................................................................................... -
Heroes (TV Series) - Wikipedia, the Free Encyclopedia Pagina 1 Di 20
Heroes (TV series) - Wikipedia, the free encyclopedia Pagina 1 di 20 Heroes (TV series) From Wikipedia, the free encyclopedia Heroes was an American science fiction Heroes television drama series created by Tim Kring that appeared on NBC for four seasons from September 25, 2006 through February 8, 2010. The series tells the stories of ordinary people who discover superhuman abilities, and how these abilities take effect in the characters' lives. The The logo for the series featuring a solar eclipse series emulates the aesthetic style and storytelling Genre Serial drama of American comic books, using short, multi- Science fiction episode story arcs that build upon a larger, more encompassing arc. [1] The series is produced by Created by Tim Kring Tailwind Productions in association with Starring David Anders Universal Media Studios,[2] and was filmed Kristen Bell primarily in Los Angeles, California. [3] Santiago Cabrera Four complete seasons aired, ending on February Jack Coleman 8, 2010. The critically acclaimed first season had Tawny Cypress a run of 23 episodes and garnered an average of Dana Davis 14.3 million viewers in the United States, Noah Gray-Cabey receiving the highest rating for an NBC drama Greg Grunberg premiere in five years. [4] The second season of Robert Knepper Heroes attracted an average of 13.1 million Ali Larter viewers in the U.S., [5] and marked NBC's sole series among the top 20 ranked programs in total James Kyson Lee viewership for the 2007–2008 season. [6] Heroes Masi Oka has garnered a number of awards and Hayden Panettiere nominations, including Primetime Emmy awards, Adrian Pasdar Golden Globes, People's Choice Awards and Zachary Quinto [2] British Academy Television Awards. -
The Wonder Women: Understanding Feminism in Cosplay Performance
THE WONDER WOMEN: UNDERSTANDING FEMINISM IN COSPLAY PERFORMANCE by AMBER ROSE GRISSOM B.A. Anthropology University of Central Florida, 2015 B.A. History University of Central Florida, 2015 A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts in the Department of Anthropology in the College of Sciences at the University of Central Florida Orlando, Florida Summer Term 2019 © 2019 Amber Rose Grissom ii ABSTRACT Feminism conjures divisive and at times conflicting thoughts and feelings in the current political climate in the United States. For some, Wonder Woman is a feminist icon, for her devotion to truth, justice, and equality. In recent years, Wonder Woman has become successful in the film industry, and this is reflected by the growing community of cosplayers at comic book conventions. In this study, I examine gender performativity, gender identity, and feminism from the perspective of cosplayers of Wonder Woman. I collected ethnographic data using participant observation and semi-structured interviews with cosplayers at comic book conventions in Florida, Georgia, and Washington, about their experiences in their Wonder Woman costumes. I found that many cosplayers identified with Wonder Woman both in their own personalities and as a feminist icon, and many view Wonder Woman as a larger role model to all people, not just women and girls. The narratives in this study also show cosplay as a form of escapism. Finally, I found that Wonder Woman empowers cosplayers at the individual level but can be envisioned as a force at a wider social level. I conclude that Wonder Woman is an important and iconic figure for understanding the dynamics of culture in the United States.