Pharaohs Daughter: a Novel of Ancient Egypt PDF Book

Total Page:16

File Type:pdf, Size:1020Kb

Pharaohs Daughter: a Novel of Ancient Egypt PDF Book PHARAOHS DAUGHTER: A NOVEL OF ANCIENT EGYPT PDF, EPUB, EBOOK Julius Lester | 182 pages | 09 Mar 2009 | HOUGHTON MIFFLIN | 9780152066628 | English | Boston [Mass.], United Kingdom Pharaohs Daughter: A Novel of Ancient Egypt PDF Book The Finding of Moses 17th century , Andrea Celesti. Moses Saved from the Waters c. Enabling JavaScript in your browser will allow you to experience all the features of our site. Thanks for telling us about the problem. The theme is understanding oneself with time and experience. Lester's interpretation of Moses in the Bulrushes has a prince-and-the-pauper-like twist the pharaoh's daughter invites Moses's sister and mother to come live at the palace with her and the baby she is taken in. For most of the book, it ended up having Moses' adopted sister Moses being adopted as the center of it. Her Mother's Daughter: A Novel. The book is a modern midrash done before Julius Aug 09, Beth Slucher rated it really liked it. In ancient Egypt, there lives a girl named Almah who will do anything to ensure the safety of her baby brother, Mosis. Uh-oh, it looks like your Internet Explorer is out of date. Still, it was a quick easy read, and didn't make me want to throw things. Lester invents another sister for Moses; she lives in the Egyptian court and feels more comfortable with the Egyptian world view than the Jewish one. Abba and Ima will never trust me again. Feb 04, Salsabrarian added it Shelves: ya , historical , fiction , jews , ancient , egypt. This review also appears on my blog, Read-at-Home Mom. Friend Reviews. Javascript is not enabled in your browser. For a better shopping experience, please upgrade now. He writes and teaches in western Massachusetts. Aug 28, R. Lists with This Book. If you are looking for a religiously acceptable interpretation of the Biblical story of Moses, according to other reviewers, this is not it. Almah's perspective seemed too "male. Overview Born into slavery, adopted as an infant by a princess, and raised in the palace of mighty Pharaoh, Moses struggles to define himself. Which one will he eventually choose? I take issue with Lester's assertion in his "Author's Note" section that the book of Exodus is not historically accurate. Carton Quantity : Pharaohs Daughter: A Novel of Ancient Egypt Writer User icon An illustration of a person's head and chest. It was interesting and intriguing and difficult to stop reading. By the end of the book she is confident and knows her choice. Lester has distinguished himself as a civil rights activist, musician, photographer, radio talk-show host, and professor. He writes and teaches in western Massachusetts. This is why he inivited an unknow sister to show a balance view of Egypt as she finds in the Egyptian religon a connection she was unable to find in the Jewish religon. Sign in to Purchase Instantly. Buy Paperback Now. Software Images icon An illustration of two photographs. Almah is a Hebrew girl who is much different than the other girls in her village. She will leave her enslaved family and assume the role of Egyptian princess. Since the story focuses heavily on the clashes between the Haribu religion and the Khemesian belief that Pharaoh is God, it is plausible to suggest that this tension in some way reflected Lester's questions and misgivings as he came to terms with his religious inclinations. Coming Soon. Want the latest What is it that he does not understand about "divine inspiration? Read more For a better shopping experience, please upgrade now. What do you think the overall theme, or universal message, of the novel is? Part I is narrated by a Hebrew girl named Almah who longs for a life different from what her traditions dictates. Yet finding herself within the palace, she begins to feel the power of the gods and thus her place. This story is interesting, very emotional and If I could give it a 8th star I would. Javascript is not enabled in your browser. But overall, I was just "meh" about it. A concern is that the book does have the older sister dance naked which is how things were done apparently in ancient Egypt. But her world is turned upside down when she is captured by the powerful and violent ruler of an infamous Lester got the idea that Moses might have had a second sister becasue the traditional texts don't state that it is Miriam that put Moses in the basket. The second part of the book is from Moses viewpoint as he struggles with his divided idenity of being Hebrew and Egyptian and at Julius Lester tells the story of Moses from the viewpoint of an older unknow sister who saves him from the Pharaoh's soilder. I started reading this novel about the third week of school and I finished the book on September 10, HMH Books. The first part of the book is told from the sister's Almah point of view, and the second half is told from Moses' point of view, ending with his escape from Khemet, after murdering a Khemetian man. The balance was off. Author Rory Liam Elliott will take you on a journey deep into the lives of Ancient Egyptians, and the journey will be one that cannot soon be forgotten. For a better shopping experience, please upgrade now. Showing If the story had been as well envisioned as the place, it would have been a much more enticing novel. In either version, she saved Moses from certain death from both the Nile river and from the Pharaoh. The Finding of Moses , Frederick Goodall. And as a Jew, Lester's assertion is puzzling. The Talmud and the Midrash Vayosha provide some additional backstory to the event, saying that she had visited the Nile that morning not to bathe for the purpose of hygiene but for ritual purification , treating the river as if it were a mikveh , as she had grown tired of people's idolatrous ways, and that she first sought to nurse Moses herself but he would not take her milk and so, she called for a Hebrew wet nurse , who so happened to be Moses' biological mother, Jochebed. She becomes a favorite of the Pharoah Ramsees and performs as a dancer. Julius Lester. Pages : The passage describes her discovery of the Hebrew child, Moses, in the rushes of the Nile River and her willful defiance of her father's orders that all male Hebrew children be slain, instead taking the child, whom she knows to be a Hebrew, and raising him as her own son. They were quite vivid and compelling, but at the same time, I felt that the author was more interested in describing the culture and the surroundings, and showing off his research, than he was in telling the story. And honestly, the daughter in question could have referred to eith So The theme is understanding oneself with time and experience. And so do the three women who love him: his own embittered mother, forced to give him up by Pharaoh's decree; the Egyptian princess who defies her father and raises Moses as her own child; and his headstrong sister Almah, who discovers a greater kinship with the Egyptian deities than with her own God of the Hebrews. Pharaohs Daughter: A Novel of Ancient Egypt Reviews Related Searches. This book was very interesting and was so unique. Members save with free shipping everyday! Friend Reviews. It doesn't go into detail, and it's not anything like an MA TV rating, but the author should definitely know better. Uploaded by booksale-cataloger4 on September 27, Read an excerpt of this book! Julius Lester tells the story of Moses from the viewpoint of an older unknow sister who saves him from the Pharaoh's soilder. Pharaoh's Daughter is a retelling of the childhood of Moses whom Lester calls Mosis for reasons explained in the author's note. Apart from this, the novel was interesting, with Lester inventing new members of Moses' Hebrew family. New Releases. Conflict between the Habiru and Khemetian people is the central theme of the book. The Talmud and the Midrash Vayosha provide some additional backstory to the event, saying that she had visited the Nile that morning not to bathe for the purpose of hygiene but for ritual purification , treating the river as if it were a mikveh , as she had grown tired of people's idolatrous ways, and that she first sought to nurse Moses herself but he would not take her milk and so, she called for a Hebrew wet nurse , who so happened to be Moses' biological mother, Jochebed. As Moses grows he begins to learn about Ya- about his people. It has some inappropriate and disturbing, messed-up parts with Moses' adopted sister being trashy and sinful throughout the book, being sexually inappropriate. It is a good story though once I got past my assumption that the older sister should have been Miriam. It is a retelling of the story of Moses, and puts more depth in this story we all thought we knew. Almah is a Hebrew girl who Dawn States Historical Fiction This historical fiction book takes place centuries ago in ancient Egypt during the time of Pharaohs and the building of the temples by the Hebrew people. Originally published: San Diego : Harcourt, c A fictionalized account of the Biblical tale in which a Hebrew infant, rescued by the daughter of the Pharaoh, passes through a turbulent adolescence to eventually become a prophet of his people while his sister finds her true self as a priestess to the Egyptian gods Includes bibliographical references p.
Recommended publications
  • 110 Culture 110 Cu Ltu Re
    images of orphans in fine art By Rita ANOKHIN, Yuriy KUDINOV “ONE PICTURE IS WORTH A THOUSAND WORDS,” a popular saying rphaned characters are extremely common as literary protagonists, and abandonment by par- ents is a persistent theme in myth, fairy tales, fantasy, ancient poetry, and children’s literature. We À nd orphaned heroes in sacred texts: Moses, the great prophet was abandoned in infancy; and in legends, such as that of the founding of Rome by Romulus and Remus who were reared by a she-wolf. OThe classic orphan is one of the most widespread characters in literature. For example: in the 19th century one can À nd Dickens’ Oliver Twist and David CopperÀ eld; Mark Twain’s Huckleberry Finn; and Charlotte Bronte’s Jane Eyre. In the 20th century we meet James Henry Trotter from Roald Dahl’s James and the Giant Peach; Dorothy from the Wizard of Oz; and the Harry Potter series, À rst published in 1997. So far, young Mr. Potter has been arguably the most famous character – orphaned or otherwise – of the 21st century. Authors orphan their characters in order to free them from family obligations and supervision, to force them to pursue a more interesting or adventurous life, or simply to deprive them of a more prosaic exist- ence. The removal of parents and loving guardians creates self-contained, introspective characters who strive for affection. Although orphans can be a useful literary technique, these invented lives do not reÁ ect reality. Orphaned characters in À ction are often remarkably – even unbelievably – successful, sentimental, or wise beyond their years.
    [Show full text]
  • Art Guide 2015 Columban Art Calendar Front Cover
    2015 Columban Art Calendar Art Guide 2015 Columban Art Calendar Front Cover Virgin and Child (detail) by Domenico Ghirlandaio (c.1470-1475) Amongst the subjects favoured by Renaissance masters and their patrons, that of the Virgin and Child must rank as the most beloved. The archetypal image of a serene young woman embracing her child has never failed to appeal to viewers searching for reassurance or mercy. With consummate skill Ghirlandaio evokes the physical presence of the young mother, whose heavy folds of blue fabric create a protective space to enclose her son. The gold background reminiscent of heaven reminds us of the Virgin’s ancient title as “God- Bearer,” the one who made possible the Incarnation. The rock crystal mounted at the centre of the fabulous jewel had traditionally symbolized purity. Thus the magnificent object, known as a morse, which served to fasten the priest’s robe at the neck, here decorates the Virgin’s neckline. As a symbol of purity, the rock crystal alludes to a quality that both poets and theologians had long ascribed to Christ’s mother. Ghirlandaio’s artistry elevates this rather familiar image into a symbol of Mary’s archetypal role as protector and mediator. January 2015 St Paul and the Viper (detail) Mural, Canterbury Cathedral by English School (c. 1180) St Paul is remembered as a great missionary, who after his conversion preached throughout Asia Minor and as far west as Rome and Malta. This wall painting, which once decorated Canterbury Cathedral, recalls an incident recounted in Acts 28:1-6. Paul had been arrested and was on his way to Rome, where he was to be tried.
    [Show full text]
  • Open Access Version Via Utrecht University Repository
    Philosopher on the throne Stanisław August’s predilection for Netherlandish art in the context of his self-fashioning as an Enlightened monarch Magdalena Grądzka Philosopher on the throne Magdalena Grądzka Philosopher on the throne Stanisław August’s predilection for Netherlandish art in the context of his self-fashioning as an Enlightened monarch Magdalena Grądzka 3930424 March 2018 Master Thesis Art History of the Low Countries in its European Context University of Utrecht Prof. dr. M.A. Weststeijn Prof. dr. E. Manikowska 1 Philosopher on the throne Magdalena Grądzka Index Introduction p. 4 Historiography and research motivation p. 4 Theoretical framework p. 12 Research question p. 15 Chapters summary and methodology p. 15 1. The collection of Stanisław August 1.1. Introduction p. 18 1.1.1. Catalogues p. 19 1.1.2. Residences p. 22 1.2. Netherlandish painting in the collection in general p. 26 1.2.1. General remarks p. 26 1.2.2. Genres p. 28 1.2.3. Netherlandish painting in the collection per stylistic schools p. 30 1.2.3.1. The circle of Rubens and Van Dyck p. 30 1.2.3.2. The circle of Rembrandt p. 33 1.2.3.3. Italianate landscapists p. 41 1.2.3.4. Fijnschilders p. 44 1.2.3.5. Other Netherlandish artists p. 47 1.3. Other painting schools in the collection p. 52 1.3.1. Paintings by court painters in Warsaw p. 52 1.3.2. Italian paintings p. 53 1.3.3. French paintings p. 54 1.3.4. German paintings p.
    [Show full text]
  • The Perfect Way by Anna Bonus Kingsford and Edward Maitland the Perfect Way Or the Finding of Christ
    The Perfect Way by Anna Bonus Kingsford and Edward Maitland The Perfect Way or The Finding of Christ by Anna Bonus Kingsford and Edward Maitland Published in 1888 Boston, Mass.: ESOTERIC PUBLISHING COMPANY, 478 Shawmut Avenue. (Revised and Enlarged Edition.) Page 1 The Perfect Way by Anna Bonus Kingsford and Edward Maitland AUTHORS’ EXPLANATION These lectures were delivered in London, before a private audience, in the months of May, June, and July, 1881. The changes made in this edition calling for indication, are, – the substitution of another Lecture for No. V., and consequent omission of most of the plates; the rewriting, in the whole or part, of paragraphs 6 - 8 and 28 in No. I.; 34 - 36 in No. II.; 5 - 8, 12, 13, 22, 23, 42, 43, 54, and 55, in No. IX. (the latter paragraphs being replaced by a new one); the lengthening of Appendices II, and VI; the addition of a new Part to Appendix XIII. (formerly No. IX); and the substitution of eight new Appendices for Nos:. VII., and VIII. The alterations involve no change or withdrawal of doctrine, but only extension of scope, amplification of statement, or modification of expression. A certain amount of repetition being inseparable from the form adopted, – that of a series of expository lectures, each requiring to be complete in itself, – and the retention of that form being unavoidable, – no attempt has been made to deal with the instances in which repetition occurs. PREFACE TO THE AMERICAN EDITION In presenting an American edition of THE PERFECT WAY, or, The Finding of Christ, to the reading and inquiring public, we have been actuated by the conviction that a comprehensive textbook of the “new views,” or the restored wisdom and knowledge of the ages regarding religion or the perfect life, was imperatively required, wherein the subject was treated in a manner luminous, instructive, and entertaining, and which, without abridgement, or inferiority of material or workmanship, could yet be sold at a price that would bring the work within the means of the general public.
    [Show full text]
  • Title a New Proposal on the Chronological Order of the Moses
    Title A new proposal on the chronological order of the Moses and Christ frescoes in the Sistine Chapel Sub Title システィーナ礼拝堂装飾壁画の 〈モーセ伝〉 と 〈キリスト伝〉 連作の制作順序について Author 荒木, 文果(Araki, Fumika) Publisher 慶應義塾大学日吉紀要刊行委員会 Publication year 2019 Jtitle 慶應義塾大学日吉紀要. 人文科学 (The Hiyoshi review of the humanities). No.34 (2019. ) ,p.1- 26 Abstract Notes 挿図 Genre Departmental Bulletin Paper URL https://koara.lib.keio.ac.jp/xoonips/modules/xoonips/detail.php?koara_id=AN10065043-2019063 0-0001 慶應義塾大学学術情報リポジトリ(KOARA)に掲載されているコンテンツの著作権は、それぞれの著作者、学会または出版社/発行者に帰属し、その権利は著作権法によって 保護されています。引用にあたっては、著作権法を遵守してご利用ください。 The copyrights of content available on the KeiO Associated Repository of Academic resources (KOARA) belong to the respective authors, academic societies, or publishers/issuers, and these rights are protected by the Japanese Copyright Act. When quoting the content, please follow the Japanese copyright act. Powered by TCPDF (www.tcpdf.org) A New Proposal on the Chronological Order of the Moses and Christ Frescoes in the Sistine Chapel 1 A New Proposal on the Chronological Order of the Moses and Christ Frescoes in the Sistine Chapel Fumika Araki Introduction In 1481, Pope Sixtus IV della Rovere (papacy: from 1471 to 1484) invited four Umbrian and Florentine painters, Pietro Perugino (c. 1450–1523), Cosimo Rosselli (1439–1507), Domenico Ghirlandaio (1449–1494) and Sandro Botticelli (c. 1445– 1510), to Rome to decorate the entire walls of the pontifical chapel taking his name, the Sistine Chapel [Fig. 1]. These painters were considered to be the most skillful artists at that time and all of them had already managed their own workshop. The walls of the chapel were horizontally divided into three registers [Fig.
    [Show full text]
  • The Finding of Moses Oil on Panel 95.5 X 162 Cm (37½ X 63¾ In)
    Attributed to Jacob de Backer (Antwerp 1560 - Antwerp 1590) The Finding of Moses oil on panel 95.5 x 162 cm (37½ x 63¾ in) This interpretation of The Finding of Moses is an elegant and harmonious composition. The scene depicts the discovery of the baby Moses, his mother having hidden him in the reeds by a riverbank to avoid the persecution of the Hebrews by the Pharaoh. The story is told in Exodus 2: 3-9 and narrates that one day the daughter of the Pharaoh came to bathe in the river, and having spied the basket in the reeds sent her servant woman to fetch it. Miriam, the sister of Moses, approached the Pharaoh’s daughter and offered to find a Hebrew woman to nurse the baby for her, and subsequently returned with her mother. When the child grew up, his mother returned Moses to the Pharaoh’s daughter, and he became her son. She named him Moses, ‘Because,’ she said, ‘I drew him out of the water’. Central to the composition is the seated figure of the Pharaoh’s daughter. Gracefully dressed and wearing a crown, a servant girl stands behind her, fanning her with a canopy of feathers. The Pharaoh’s daughter speaks with a woman dressed in a flowing yellow and white dress, whose cupped exposed left breast and covered head indicate that she is Moses’ mother offering to nurse the child. Between the two conversing figures a younger woman, presumably Miriam, listens intently. The baby Moses is laid down by two servant women, whilst another points to the location of his hiding.
    [Show full text]
  • Tommaso Maria Conca
    TOMMASO MARIA CONCA (Rome 1735 - Rome 1822) The Rest on the Flight into Egypt signed with the artist’s abbreviated first names in black chalk on the fallen stone ‘TÙM. / MAP / V.D.’ (lower right) black chalk, within black chalk framing lines 45.9 x 51.8 cm (18⅛ x 20⅜ in) Provenance: with Crispian Riley-Smith, London, acquired in 2001; Jeffrey E. Horvitz. Literature: Louis Gauffier: Le Repos en Égypt, exhibition catalogue, Musées de Poitiers, 2015, p.38, fig. 12. HE PRESENT DRAWING DEPICTS A MOMENT IN House in Villa Albani. Conca went on to become one of the better known the Holy Family’s escape from the infanticide of King Herod. decorators of the late eighteenth and early nineteenth centuries. His early The figures have obviously been resting and are now preparing works reflect a degree of research which gained him a prominent position to set off again. Joseph hails a boatman whilst gathering their as a late Rococo artist and exponent of nascent neo-Classicism. In 1775, belongings and Mary picks up her son. Details, such as the having been commissioned by Prince Marcantonio Borghese, he started Tsphinx, hieroglyphs and distant obelisk, create a setting which is overtly working at the Villa Borghese, notably in the Sala Egizia which is concerned Egyptian, whilst the Grecian style signature reflects a general interest in with the evocation of ancient Egypt. In 1786 he decorated the Sala delle the ancient world on the part of Tommaso Maria Conca. This interest is Muse at the Museo Pio-Clementino in the Vatican Palace, and the dome of confirmed by another treatment of the same subject by the artist, which is the cathedral of Città di Castello.
    [Show full text]
  • Wholly Moses – in Art, Culture and Jewish Thought Yeshiva College / Spring 2018 / Friday, 10:00Am – 12:30Pm Rabbi Meir Soloveichik and Professor Jacob Wisse
    Wholly Moses – in Art, Culture and Jewish Thought Yeshiva College / Spring 2018 / Friday, 10:00am – 12:30pm Rabbi Meir Soloveichik and Professor Jacob Wisse E-mail: [email protected] E-mail: [email protected] Co-Sponsored by The Straus Center for Torah and Western Thought & Yeshiva University Museum Course Description No Hebrew biblical figure has exercised as much fascination throughout history as Moses. Prophet, leader, lawgiver, Moses is considered a precursor and model for the Pope and a revered figure within Christianity, Islam and the Abrahamic faiths. He has been a rich source of interpretation for writers, scholars and leaders across cultures, from Greek philosophers to America’s founding fathers, and disciplines, from politics to psychoanalysis. Artists from the ancient period through the Renaissance and early modern artists, from Botticelli and Michelangelo to Rembrandt and Poussin, have found in the figure and story of Moses an unparalleled, multifaceted source of visual imagery and exegesis. For Jews, Moses is, arguably, the most important biblical figure – the person who led the children of Israel from slavery in Egypt to the Promised Land and who received the Torah from God and gave it to the people of Israel. Moses is also a flashpoint of theological and philosophical debate. This interdisciplinary course explores the figure of Moses both within the context of art and visual culture and of theology and philosophy – in order to arrive at a richer understanding of Moses within history and world culture. Course Structure This course is structured thematically and chronologically. We will analyze Moses according to key themes, such as Moses as a historical figure, Moses as an intermediary between God and mankind, Moses as a prophet, Moses as teacher; and we will trace the evolution of the perception and depiction of Moses in art from the ancient to modern periods.
    [Show full text]
  • Louis Marin's Plea for Poussin As a Painter
    This is a repository copy of Legacies of ‘Sublime Poussin’: Louis Marin’s plea for Poussin as a painter. White Rose Research Online URL for this paper: http://eprints.whiterose.ac.uk/96935/ Version: Accepted Version Article: Saint, NW (2016) Legacies of ‘Sublime Poussin’: Louis Marin’s plea for Poussin as a painter. Early Modern French Studies, 38 (1). pp. 59-73. ISSN 2056-3035 https://doi.org/10.1080/20563035.2016.1181427 (c) 2016, Taylor & Francis. This is an Accepted Manuscript of an article published by Taylor & Francis in Early Modern French Studies on July 2016,, available online: http://dx.doi.org/10.1080/20563035.2016.1181427 Reuse Unless indicated otherwise, fulltext items are protected by copyright with all rights reserved. The copyright exception in section 29 of the Copyright, Designs and Patents Act 1988 allows the making of a single copy solely for the purpose of non-commercial research or private study within the limits of fair dealing. The publisher or other rights-holder may allow further reproduction and re-use of this version - refer to the White Rose Research Online record for this item. Where records identify the publisher as the copyright holder, users can verify any specific terms of use on the publisher’s website. Takedown If you consider content in White Rose Research Online to be in breach of UK law, please notify us by emailing [email protected] including the URL of the record and the reason for the withdrawal request. [email protected] https://eprints.whiterose.ac.uk/ Legacies of Sublime Poussin: Louis M P P P Nigel Saint (University of Leeds) L grande théorie et pratique (Poussin, Letter to Chantelou, 24 November 1647)1 Introduction L M American sojourns in the 1970s, followed by further visits in the 1980s, have arguably obscured his period of residence in London in the 1960s.
    [Show full text]
  • Observations on the Ancestor Cycle of the Sistine Chapel Ceiling Andrea Pappas Santa Clara University, [email protected]
    Santa Clara University Scholar Commons Art and Art History College of Arts & Sciences Winter 1992 Observations on the Ancestor Cycle of the Sistine Chapel Ceiling Andrea Pappas Santa Clara University, [email protected] Follow this and additional works at: http://scholarcommons.scu.edu/a_ah Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Pappas, Andrea. "Observations on the Ancestor Cycle of the Sistine Chapel Ceiling." Source: Notes in the History of Art 11, No. 2 (Winter 1992), pp. 27-31. Reprinted with permission of the Ars Brevis Foundation, Inc. This Article is brought to you for free and open access by the College of Arts & Sciences at Scholar Commons. It has been accepted for inclusion in Art and Art History by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. OBSERVATIONS ON THE ANCESTOR CYCLE OF THE SISTINE CHAPEL CEILING Andrea Pappas The figures in the lunettes and window one of the sibyls, Erithraea, lives in Baby spandrels of the Sistine Chapel were liter lon.3 ally obscured for about 500 years. Now Although it is one of the most important that the frescoes are visible once again, events in the Old Testament, the Babylo scholars will turn to the ancestor cycle nian captivity lacks its own narrative with renewed interest.1 First, it has been panel, like Moses Leading the Jews out of noted that the distributional pattern of the Egypt or the Flood. Instead, a structural ancestor figures, which alternates across feature in the program—the break in the the chapel, is interrupted at the chronologi alternating pattern of the ancestor cy cal point of the Babylonian captivity, but cle—alludes to the captivity, which, how the significance of this break has yet to be ever, does not occur at the logical point explored.2 Second, the lunette figures have between the last king of Judah, Josias, and been related neither to the quattrocento the first captive king, Jechonias.
    [Show full text]
  • To the Exhibition Catalogue
    -the banishment of ... 48, 191, 191, 196, 236, 268, 299, Conus imperialis L. 416, 416 (fig. 112b) 300, 302, 306, ... waiting for Abraham 132, portrayal HOMER 134, 318, 378, 378 of ... 192, figure identified as ... 132, 191, 192 -Aristotle contemplating the bust of... 27, 28, 134, 171, HAID, Johann Gottfried 134 378, ... as painted by A. de Gelder 38, figure identified -prints by... as ... teaching his pupils 134, ... dictating to scribes Man in Armour (after Rembrandt) 134, 134 (fig. 15a), 318, 319, 378, 379,... reciting versus 326, 327, Portrait 136 of ... copy after late Hellinistic original, Boston 378, 378 Hairy War 128 (fig. 97a) HALL, Bernard 18 -books by... HALS, Frans (also Francis)18, 44, 149, 150, 153, 187, Odyssey 340, 440 200, 286, 322 HONTHORST, Gerrit van 126, 160, 214, 222, 284 -broad manner of ... 184 -paintings by... -paintings by... Violinist with a Glass Amsterdam 214, 214 (fig. 33a) The Evangelist Luke Odessa 162 HONTHORST, Willem van 284 The Evangelist Matthew Odessa 161, 162, 162 (fig. HOOCH, Carel de 110, 114 22b), 286 HOOCH, Pieter de 146, 279 Corporalship of Captain Reynier Reael and Lieutenant HOOFT, Pieter Cornelisz Cornelis Michiels Blaeuw (with Pieter Codde) -plays by... Amsterdam 150, 152 (fig. 19c), 153 Geeraerdt van Velsen 170 Married Couple in a Garden ( Isaac Massa and Beatrix HOOFT, W D van der Laan ) Haarlem 240 -plays by... Portrait of a Man Cambridge 183, 184, 184 (fig. 28c) Heden-daeghsche Verlooren Soon 396 Portrait of a Standing Man Edinburgh 150, 152 (fig. HOOGEWERFF G J 134, 378 19b), 153 HOOGH, de Portrait of a Woman Edinburgh 153 -collection of ..
    [Show full text]
  • HANNA BENESZ Allegorical Female Busts by Bernaert De Rijckere in The
    HANNA BENESZ Female Busts Bernaert de in the Allegorical by Rijckere National Museum in Warsaw In 1878 Pieter Genard published an article on the Antwerp painter Bernaert de Rijckere (Courtrai c. i S 3 S - i S 9oAntwerp). Pursuing a typically x r xth century in- terest in going back to the source, the author uncovered a mass of archival data from which he could deduce the eminent social standing and essential wealth of this artist. Documents establish that Bernaert de Rijckere, born and educated in Coutrai, owned houses in Antwerp, Courtrai and plots of land in Lendele. After moving to Antwerp in 15 61 he was enrolled as a master in the guild of St. Luke and also became a member of the chamber of rhetoricians 'De Violieren'. His paintings were popular among several prominent families of the city, such as Della Faille and de Doncker, who were befriended by him. After his death some of his paintings were purchased by the Prince of Orange. However, the works known to Genard at the time he published his book on De Rijckere - a Carrying of the Cross and the triptych of the Descent of the Holy Ghost in Courtrai, two portraits of the Clarys, a married couple, in the Antwerp museum, and two further matrimonial portraits of J. B. de Doncker and his wife - aroused the author's interest, leading him to believe that many more important works by this prolific and talented painter might be rediscovered among anonymous or wrongly attributed pieces. His assumption proved to be truly prophetic.
    [Show full text]