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Title of Thesis: ABSTRACT CLASSIFYING BIAS
ABSTRACT Title of Thesis: CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis Directed By: Dr. David Zajic, Ph.D. Our project extends previous algorithmic approaches to finding bias in large text corpora. We used multilingual topic modeling to examine language-specific bias in the English, Spanish, and Russian versions of Wikipedia. In particular, we placed Spanish articles discussing the Cold War on a Russian-English viewpoint spectrum based on similarity in topic distribution. We then crowdsourced human annotations of Spanish Wikipedia articles for comparison to the topic model. Our hypothesis was that human annotators and topic modeling algorithms would provide correlated results for bias. However, that was not the case. Our annotators indicated that humans were more perceptive of sentiment in article text than topic distribution, which suggests that our classifier provides a different perspective on a text’s bias. CLASSIFYING BIAS IN LARGE MULTILINGUAL CORPORA VIA CROWDSOURCING AND TOPIC MODELING by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang Thesis submitted in partial fulfillment of the requirements of the Gemstone Honors Program, University of Maryland, 2018 Advisory Committee: Dr. David Zajic, Chair Dr. Brian Butler Dr. Marine Carpuat Dr. Melanie Kill Dr. Philip Resnik Mr. Ed Summers © Copyright by Team BIASES: Brianna Caljean, Katherine Calvert, Ashley Chang, Elliot Frank, Rosana Garay Jáuregui, Geoffrey Palo, Ryan Rinker, Gareth Weakly, Nicolette Wolfrey, William Zhang 2018 Acknowledgements We would like to express our sincerest gratitude to our mentor, Dr. -
Czechoslovak-Polish Relations 1918-1968: the Prospects for Mutual Support in the Case of Revolt
University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 1977 Czechoslovak-Polish relations 1918-1968: The prospects for mutual support in the case of revolt Stephen Edward Medvec The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Medvec, Stephen Edward, "Czechoslovak-Polish relations 1918-1968: The prospects for mutual support in the case of revolt" (1977). Graduate Student Theses, Dissertations, & Professional Papers. 5197. https://scholarworks.umt.edu/etd/5197 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. CZECHOSLOVAK-POLISH RELATIONS, 191(3-1968: THE PROSPECTS FOR MUTUAL SUPPORT IN THE CASE OF REVOLT By Stephen E. Medvec B. A. , University of Montana,. 1972. Presented in partial fulfillment of the requirements for the degree of Master of Arts UNIVERSITY OF MONTANA 1977 Approved by: ^ .'■\4 i Chairman, Board of Examiners raduat'e School Date UMI Number: EP40661 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. -
ED383637.Pdf
DOCUMENT RESUME ED 383 637 SO 025 016 AUTHOR Schaufele, William E., Jr. TITLE Polish Paradox: Communism and National Renewal. Headline Series 256. INSTITUTION Foreign Policy Association, New York, N.Y. REPORT NO ISBN-0-87124-071-8; ISSN-0017-8780 PUB DATE Oct 81 NOTE 77p. AVAILABLE FROMForeign Policy Association, 729 Seventh Avenue, New York, NY 10019. PUB TYPE Reports Descriptive (141) Guides Classroom Use Teaching Guides (For Teacher) (052) EDRS PRICE MF01/PC04 Plus Postage. DESCRIPTORS *Catholics; *Communism; Conflict; Diplomatic History; Foreign Countries; *Foreign Policy; Global Approach; Higher Education; International Cooperation; international Law; *International Relations; *Peace; Political Science; Secondary Education; World Affairs; World History; World Problems IDENTIFIERS *Poland ABSTRACT This brief issues booklet provides basic information about the role of the Catholic Church Poland, the erosion of Communist party leadership over the past year (as of1981), the rise of the Solidarity Union and the economic problemsplaguing the Polish people. An introduction is followed by thefollowing sections: (1) "History-of a Millennium";(2) "Communist Poland";(3) "Solidarity"; (4) "Church, Farm, and Freedom";(5) "Poland between East and West"; and (6)"1981 and Beyond: A Personal Epilogue." A list of discussion questions and an 11-item reference list conclude the booklet.(EH) *********************************************************************** Reproductions supplied by EDRS are the best that can be made from the original document. ***********************************A*********************************** 1 IC OA Y SO1 TI U S DEPARTMENT OF EDUCATION Ottrce of Educational Research and Improvement EDUCATIONAL RESOURCES INFORMATION CENTER (ERIC) ytTMs document has been reproduced as recehred from the person or peg&nzation 1 originating 1. 0 minor Changes have been made toimprove reproduction Duality Points of new or opinions stated rn thisdocu mant do not neCeSserity representoffictal. -
DALMI WORKING PAPERS on ART & MARKETS the Artistic Migration
DALMI Working Paper No. 15231 DALMI WORKING PAPERS ON ART & MARKETS The Artistic Migration Between Mechelen and Delft (1550–1625) Fiene Leunissen Working Paper no. 15231 https://www.dukedalmi.org/wp-content/uploads/15231-Working-Paper.pdf DUKE ART, LAW & MARKETS INITIATIVE 114 S. Buchanan Blvd. Campus Box 90766 Durham, NC 27708 May 2015 DALMI working papers are circulated for discussion and comment purposes. They have not been peer-reviewed. © 2015 by Fiene Leunissen. All rights reserved. Leunissen May 2015 DALMI Working Paper No. 15231 The Artistic Migration Between Mechelen and Delft (1550–1625) Fiene Leunissen DALMI Working Paper No. 15231 May 2015 ABSTRACT Mechelen (Malines) is a small city in present-day Belgium, positioned between Antwerp and Brussels, along the river the Dijle. While most people today have never heard anything about this city or its history, this small town was once one of the most important cities in the Low Countries. It was also hub for the production of watercolor paintings. During the religious turmoil in the second half of the 16th century a large portion of artists fled the city to find a better life in other European cities. One of these places was Delft, were a group of 24 Mechelen artists settled. In this paper we look at the lives of these artists to better understand the knowledge circulation between the north and the south at the turn of the 17th century. Keywords: Art Markets, Mechelen, Delft, Seventeenth Century JEL: Z11 Leunissen May 2015 DALMI Working Paper No. 15231 Leunissen May 2015 DALMI Working Paper No. -
Association for Slavic, East European, & Eurasian Studies
1 Association for Slavic, East European, & Eurasian Studies 46th Annual Convention • November 20-23, 2014 San Antonio Marriott Rivercenter • San Antonio, TX “25 Years After the Fall of the Berlin Wall: Historical Legacies and New Beginnings” Stephen E. Hanson, College of William and Mary ASEEES Board President We are most grateful to our sponsors for their generous support. GOLD SPONSOR: East View Information Services BRONZE SPONSORS: College of William and Mary Reves Center for International Studies National Research University Higher School of Economics Indiana University Russian and East European Institute • University of Texas, Austin Center for Russian, Eastern European and Eurasian Studies and Department of Slavic and Eurasian Studies 2 Contents Convention Schedule Overview ..................................................................................................... 2 List of the Meeting Rooms at the Marriott Rivercenter .............................................................. 3 Visual Anthropology Film Series ................................................................................................4-5 Diagram of Meeting Rooms ............................................................................................................ 6 Exhibit Hall Diagram ....................................................................................................................... 7 Index of Exhibitors, Alphabetical ................................................................................................... 8 -
Talking Fish: on Soviet Dissident Memoirs*
Talking Fish: On Soviet Dissident Memoirs* Benjamin Nathans University of Pennsylvania My article may appear to be idle chatter, but for Western sovietolo- gists at any rate it has the same interest that a fish would have for an ichthyologist if it were suddenly to begin to talk. ðAndrei Amalrik, Will the Soviet Union Survive until 1984? ½samizdat, 1969Þ All Soviet émigrés write ½or: make up something. Am I any worse than they are? ðAleksandr Zinoviev, Homo Sovieticus ½Lausanne, 1981Þ IfIamasked,“Did this happen?” I will reply, “No.” If I am asked, “Is this true?” Iwillsay,“Of course.” ðElena Bonner, Mothers and Daughters ½New York, 1991Þ I On July 6, 1968, at a party in Moscow celebrating the twenty-eighth birthday of Pavel Litvinov, two guests who had never met before lingered late into the night. Litvinov, a physics teacher and the grandson of Stalin’s Commissar of Foreign Affairs, Maxim Litvinov, had recently made a name for himself as the coauthor of a samizdat text, “An Appeal to World Opinion,” thathadgarneredwideattention inside and outside the Soviet Union. He had been summoned several times by the Committee for State Security ðKGBÞ for what it called “prophylactic talks.” Many of those present at the party were, like Litvinov, connected in one way or another to the dissident movement, a loose conglomeration of Soviet citizens who had initially coalesced around the 1966 trial of the writers Andrei Sinyavsky and Yuli Daniel, seeking to defend civil rights inscribed in the Soviet constitution and * For comments on previous drafts of this article, I would like to thank the anonymous readers for the Journal of Modern History as well as Alexander Gribanov, Jochen Hell- beck, Edward Kline, Ann Komaromi, Eli Nathans, Sydney Nathans, Serguei Oushakine, Kevin M. -
Vermeer As Aporia: Indeterminacy, Divergent Narratives, and Ways of Seeing
Munn Scholars Awards Undergraduate Research 2020 Vermeer as Aporia: Indeterminacy, Divergent Narratives, and Ways of Seeing Iain MacKay Follow this and additional works at: https://researchrepository.wvu.edu/munn Part of the History of Art, Architecture, and Archaeology Commons Vermeer as Aporia: Indeterminacy, Divergent Narratives, and Ways of Seeing Iain MacKay Senior Thesis Written in partial fulfillment of the Bachelor of Arts in Art History April 23, 2020 Copyright 2020, Iain MacKay ABSTRACT Vermeer as Aporia: Indeterminacy, Divergent Narratives, and Ways of Seeing Iain MacKay Although Johannes Vermeer’s paintings have long been labelled “ambiguous” in the canon of Western Art History, this research aims to challenge the notion of ambiguity. By shifting the conception of Vermeer’s works from ambiguity to indeterminacy, divergent narratives emerge which inform a more complex understanding of Vermeer’s oeuvre. These divergent narratives understand Vermeer’s paintings as turning points in stories that extend beyond the canvas; moments where the possibilities of a situation diverge in different directions. Thus, a myriad of narratives might be contained in a single painting, all of which simultaneously have the possibility of existing, but not the actuality. This interpretation of Vermeer takes evidence from seventeenth-century ways of seeing and the iconographic messages suggested by the paintings within paintings that occur across Vermeer’s oeuvre. Here for the first time, an aporetic approach is utilized to explore how contradictions and paradoxes within a system serve to contribute to holistic meaning. By analyzing four of Vermeer’s paintings – The Concert, Woman Holding a Balance, The Music Lesson, and Lady Seated at a Virginal – through an aporetic lens, an alternative to ambiguity can be constructed using indeterminacy and divergent narratives that help explain compositional and iconographical choices. -
Lecture 21 the Polish October And
- 1 - Lecture 21 The Polish October and the ‘Little Stabilization’ 1. The Polish October The rigid Stalinist system established in Poland between 1949 and 1953 did not long outlast the death of Stalin in March 1953. Yet the process by which it was dismantled proved initially to be somewhat slower than parallel developments in Hungary and Czechoslovakia. Indeed, the high point in the conflict between the Church and the Communist authorities, the arrest of the Primate, Cardinal Wyszyński and his confinement in a monastery took place as late as September 1953. Similarly, in spite of some concessions to the ‘New Course’ adopted by Georgi Malenkov in the USSR in August 1953, the second congress of the Polish United Workers Party in March 1954 still upheld without major modification the basic Stalinist economic policies of rapid industrialization, stress on heavy industry and further collectivization in agriculture. A number of factors explain the relative lack of movement in Polish politics in the year after Stalin’s death. In the first place, the process of Stalinization had not been as ruthlessly pursued in Poland as elsewhere in Eastern Europe. As late as 1955, for instance, agriculture was dominated by private production, with state farms controlling only 14 per cent of arable land and collectives 9 per cent. A significant private industrial sector and class of artisans had also managed to survive in spite of punitive taxation. Though Władysław Gomułka and a number of his associates had been purged from the party and imprisoned, the party leadership had rejected all pressures from Moscow to make them the victims of a show trial similar to those taking place elsewhere in Eastern - 2 - Europe. -
Rembrandt's Bankruptcy
Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw Frontmatter More information REMBRANDT’S BANKRUPTCY < This study examines the causes, circumstances, and effects of the 1656 bankruptcy by Rembrandt van Rijn. Following a highly successful early career, Rembrandt’s idiosyncratic art and lifestyle came to dominate his reputation. His evasion of responsibility to his creditors was so socially disreputable that laws in Amsterdam were quickly altered. The poor management of his finances magnified other difficulties that he had with family, paramours, friends, neighbors, and patrons. Collectively, Rembrandt’s economic and social exigencies affected his living and working environment, his public station, and his art. This study examines all of these aspects of Rembrandt’s bankruptcy, including his marketing practices, the appreciation of his work, and his relations with patrons, in addition to the details of the bankruptcy itself. Several patterns of short-sighted decision making emerge as Rembrandt conducted his affairs within a constantly changing framework of relationships, a shifting set of obligations, and evolving artistic pursuits. Paul Crenshaw is assistant professor of art history and archaeology at Washington University in St. Louis. © Cambridge University Press www.cambridge.org Cambridge University Press 0521858259 - Rembrandt’s Bankruptcy: The Artist, His Patrons, and the Art Market in Seventeenth-Century Netherlands Paul Crenshaw -
Relating to the Real
BALTIC WORLDSBALTIC A scholarly journal and news magazine. December 2016. Vol. IX:4. From the Centre for Baltic and East European Studies (CBEES), Södertörn University. New excerpt by award-winning Lithuanian writer December 2016. Vol. IX:4 BALTIC WORLDSbalticworlds.com Relating to the real Special section: Perspectives and narratives on socialist realism Adorno’s concept of realism Nabokov and cinematic realism Gaidar and the fostering of socialists The truth and the real Special section: Special Translations of reality in Soviet literature Lapin on history writing Swedish painters’ interpretations of realism Perspectives and narratives on socialist realism. socialist on narratives and Perspectives also in this issue Illustration: Karin Sunvisson WAR ON DRUGS IN RUSSIA / FEMINISM ON NEOLIBERALISM / ANTI-SEMITISM IN POLAND / EXILE COMMUNITIES Sponsored by the Foundation BALTIC for Baltic and East European Studies contents 3 colophon WORLDSbalticworlds.com Baltic Worlds is published by the Centre for Baltic and East European Studies (CBEES) at Södertörn University, Sweden. editorial in this issue Editor-in-chief Ninna Mörner Publisher Joakim Ekman Social reality & socialist realism Scholarly advisory council Thomas Andrén, Södertörn hen in daily life we speak of appear differently from another University; Sari Autio-Sarasmo, “reality”, we often use the word angle. In this issue we devote a Aleksanteri Institute, Helsinki; to refer to harsh circumstances substantial section to the dogmas Sofie Bedford, UCRS, Uppsala and the darker side of society. It and ambiguities of the real, and interview reviews University; Michael Gentile, Wseems to be something raw and confined to hid- our guest editor Tora Lane has Helsinki University; Markus Huss, 4 Lithuanian writer. -
Prints, and Drawings in Leiden Outside of the Annual Fairs.[20] Number of Listings: 1600–1710
Leiden Fijnschilders and the Local Art Market in the Golden Age How to cite Bakker, Piet. “Leiden Fijnschilders and the Local Art Market in the Golden Age” (2017). In The Leiden Collection Catalogue, 3rd ed. Edited by Arthur K. Wheelock Jr. and Lara Yeager-Crasselt. New York, 2020–. https://theleidencollection.com/essays/updated-leiden-fijnschilders-and-the-local-art-market-in-the-golden-age/ (accessed October 02, 2021). A PDF of every version of this essay is available in this Online Catalogue's Archive, and the Archive is managed by a permanent URL. New versions are added only when a substantive change to the narrative occurs. © 2021 The Leiden Collection Powered by TCPDF (www.tcpdf.org) Leiden Fijnschilders and the Local Art Market in the Golden Age Page 2 of 25 The year 1631 marked a turning point for painting in Leiden.[1] An abrupt end came to a period during which, sustained by a favorable economy, the number of painters had grown without interruption. This growth began in all of the cities in the Dutch Republic (fig 1) around 1610 and lasted until around mid-century in most of them. This was also true in Leiden, although it ground to a temporary halt in 1631 with the sudden departure of several painters, ushering in a period of artistic stagnation lasting close to a decade. By far the Fig 1. Graph: The Number of Painters in Six Cities in Holland: best-known painter to leave Leiden was Rembrandt van Rijn (1606–69) (fig 2 1590¬–1710. ), who moved to Amsterdam to run the workshop of the famous art dealer Hendrik Uylenburgh (ca. -
A Literature of Conscience: Yevtushenko's Post-Stalin Poetry
A Literature of Conscience: Yevtushenko’s Post-Stalin Poetry by Amy Kathleen Safarik A thesis presented to the University of Waterloo in fulfilment of the thesis requirement for the degree of Master of Arts in Russian Waterloo, Ontario, Canada, 2008 ©Amy Kathleen Safarik 2008 ISBN 978-0-494-43798-8 I hereby declare that I am the sole author of this thesis. This is a true copy of the thesis, including any required final revisions, as accepted by my examiners. I understand that my thesis may be made electronically available to the public. ii Abstract The tradition of civic poetry occupies a unique place in the history of Russian literature. The civic poet (grazhdanskii poet) characteristically addresses socio-political issues and injustices relevant to the era in opposition to the established authority. This often comes out of a sense of responsibility to the nation. During the Thaw period (1953-63), an interval of relative artistic freedom that followed decades of severe artistic control, Y. Yevtushenko (1932- )was among the first poets who dared to speak critically about the social and political injustices that occurred during Stalin‘s dictatorship. At that time, his civic-oriented poetry focused primarily on the reassessment of historical, social, and political values in the post-Stalin era. The aim of the present study is to evaluate Yevtushenko‘s position within the tradition of civic poets and to illustrate his stylistic ability to combine lyrical intimacy and autobiographic experiences with national and international issues in the genre of civic poetry. I approach the subject using a methodology of close examination: a formal and structural analysis of select poems in the original Russian.