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U.S. Department of Transportation Federal Motor Carrier Safety Administration REGISTER
U.S. Department of Transportation Federal Motor Carrier Safety Administration REGISTER A Daily Summary of Motor Carrier Applications and of Decisions and Notices Issued by the Federal Motor Carrier Safety Administration DECISIONS AND NOTICES RELEASED April 1, 2015 -- 10:30 AM NOTICE Please note the timeframe required to revoke a motor carrier's operating authority for failing to have sufficient levels of insurance on file is a 33 day process. The process will only allow a carrier to hold operating authority without insurance reflected on our Licensing and Insurance database for up to three (3) days. Revocation decisions will be tied to our enforcement program which will focus on the operations of uninsured carriers. This process will further ensure that the public is adequately protected in case of a motor carrier crash. Accordingly, we are adopting the following procedure for revocation of authority; 1) The first notice will go out three (3) days after FMCSA receives notification from the insurance company that the carrier's policy will be cancelled in 30 days. This notification informs the carrier that it must provide evidence that it is in full compliance with FMCSA's insurance regulations within 30 days. 2) If the carrier has not complied with FMCSA's insurance requirements after 30 days, a final decision revoking the operating authority will be issued. NAME CHANGES NUMBER TITLE DECIDED MC-126594 CUSTOMER TRUCK SERVICE - EUREKA, CA 03/27/2015 MC-197750 LONAS DEWITT EDWARDS - CLEMMONS, NC 03/27/2015 MC-204502 RANCOCAS VALLEY TRUCKING, INC. - VINCENTOWN, NJ 03/27/2015 MC-272501 PLAINVIEW MILK PRODUCTS TRANSPORT, LLC - PLAINVIEW, MN 03/27/2015 MC-302560 T J KOURIER LLC - ERIE, PA 03/27/2015 MC-305753 R & A TRANSPORT INC - MAYWOOD, CA 03/27/2015 MC-317885 MAXCO TRANSPORT, LLC. -
Univeristy of California Santa Cruz Cultural Memory And
UNIVERISTY OF CALIFORNIA SANTA CRUZ CULTURAL MEMORY AND COLLECTIVITY IN MUSIC FROM THE 1991 PERSIAN GULF WAR A dissertation submitted in partial satisfaction of the requirements for the degree of DOCTOR OF PHILOSOPHY in MUSIC by Jessica Rose Loranger December 2015 The Dissertation of Jessica Rose Loranger is approved: ______________________________ Professor Leta E. Miller, chair ______________________________ Professor Amy C. Beal ______________________________ Professor Ben Leeds Carson ______________________________ Professor Dard Neuman ______________________________ Tyrus Miller Vice Provost and Dean of Graduate Studies Copyright © by Jessica Rose Loranger 2015 CONTENTS Illustrations vi Musical Examples vii Tables viii Abstract ix Acknowledgments xi CHAPTER 1: INTRODUCTION 1 Purpose Literature, Theoretical Framework, and Terminology Scope and Limitations CHAPTER 2: BACKGROUND AND BUILDUP TO THE PERSIAN GULF WAR 15 Historical Roots Desert Shield and Desert Storm The Rhetoric of Collective Memory Remembering Vietnam The Antiwar Movement Conclusion CHAPTER 3: POPULAR MUSIC, POPULAR MEMORY 56 PART I “The Desert Ain’t Vietnam” “From a Distance” iii George Michael and Styx Creating Camaraderie: Patriotism, Country Music, and Group Singing PART II Ice-T and Lollapalooza Michael Franti Ani DiFranco Bad Religion Fugazi Conclusion CHAPTER 4: PERSIAN GULF WAR SONG COLLECTION, LIBRARY OF CONGRESS 116 Yellow Ribbons: Symbols and Symptoms of Cultural Memory Parents and Children The American Way Hussein and Hitler Antiwar/Peace Songs Collective -
Understanding Oceania: Celebrating the University of the South Pacific
UNDERSTANDING OCEANIA CELEBRATING THE UNIVERSITY OF THE SOUTH PACIFIC AND ITS COLLABORATION WITH THE AUSTRALIAN NATIONAL UNIVERSITY UNDERSTANDING OCEANIA CELEBRATING THE UNIVERSITY OF THE SOUTH PACIFIC AND ITS COLLABORATION WITH THE AUSTRALIAN NATIONAL UNIVERSITY EDITED BY STEWART FIRTH AND VIJAY NAIDU PACIFIC SERIES Published by ANU Press The Australian National University Acton ACT 2601, Australia Email: [email protected] Available to download for free at press.anu.edu.au ISBN (print): 9781760462888 ISBN (online): 9781760462895 WorldCat (print): 1101142803 WorldCat (online): 1101180975 DOI: 10.22459/UO.2019 This title is published under a Creative Commons Attribution-NonCommercial- NoDerivatives 4.0 International (CC BY-NC-ND 4.0). The full licence terms are available at creativecommons.org/licenses/by-nc-nd/4.0/legalcode Cover design and layout by ANU Press This edition © 2019 ANU Press Contents Acknowledgements . vii Acronyms . ix Contributors . xiii 1 . Themes . 1 Stewart Firth 2 . A Commentary on the 50-Year History of the University of the South Pacific . 11 Vijay Naidu 3 . The Road from Laucala Bay . 35 Brij V . Lal Part 1: Balancing Tradition and Modernity 4 . Change in Land Use and Villages—Fiji: 1958–1983 . 59 R . Gerard Ward 5 . Matai Titles and Modern Corruption in Samoa: Costs, Expectations and Consequences for Families and Society . 77 Morgan Tuimalealiʻifano 6 . Making Room for Magic in Intellectual Property Policy . 91 Miranda Forsyth Part 2: Politics and Political Economy 7 . Postcolonial Political Institutions in the South Pacific Islands: A Survey . 127 Jon Fraenkel 8 . Neo-Liberalism and the Disciplining of Pacific Island States —the Dual Challenges of a Global Economic Creed and a Changed Geopolitical Order . -
Lëw`Single. New Album
A D V E R T I S E M E N EXPERIENCE-THE BUZZ ,ut lëw`single. New album. New lineup. is is just the beginning... www.billboard.aorn www.billboard.biz NO END IN SIGHT: US $6.99 CAN $s. VERYBEST OF FOREIGNER $6 99US $8 99CAN I 3 0> NO END IN SIGHT: * * * * *** * * * *SCII 3 907 A BXNCTCC * * * * * * * * * * * * * * -DIGIT ABL2408043A MAR10 REG A04 000 /005 tIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIIII o 191 47205 9 MONTY GREENLY 0035 3740 ELM AVE A A LONG BEACH CA 90807 -3402 001181 www.americanradiohistory.com Gross: $112,471,918 Attendance: 1,164,945 Shows: 70 Gross: $70,122,146. : : Attendance: 581,066 Shows: 45 HANNAH MONTANA and MILEY CYRUS BEST OF BOTH WORLDS TOUR Atten i ance: 816,421 Shows: 57 CONGRATULATIONS! Thanks for making this possible... www.americanradiohistory.com " LAST.FM VS. THE INDIES LAURIE BERKNER OWNS YOUR KIDS BMG FOR SALE II 14, rie CASSETTE TAPES FOR PRISONERS PUBLISHERS PUSH BRANDED SOUNDTRACKS HOT ON THE CHARTS: BECK, CHRIS BROWN, TOBY KEITH MIDYEAR TOURING NUMBERS ARE IN 33 THE BEST OF ¡PHONE MUSIC APPS ABBA'S GLOBAL EMPIRE WILL HD RADIO EVER MATTER? JUL 26 2008 www.billboard.com www.billboard.biz US $699 CAN 58 99 UK £5 50 www.americanradiohistory.com AUGUST 4, 1951 POP RECORDS Charts . Music Po ,.parity The Billboard's outstanding Not 1100 since ofEpoi tionniníoThe provide quicklast * upwardAchanges0 merely is to Its purpose most 0 week's chart. which moved up of the sides the da visual identification whic first entered designation á to entries h STAR Hot 1100outstandingsince draamatically * up of pos quick an unusuallyor upward chartchanges merely is to provide w chart. -
Native American Film + Video Festival 2003
NATIVE AMERICAN FILM +VIDEO FESTIVAL 2003 DECEMBER 4–7 Smithsonian National Museum of the American Indian THE NATIVE AMERICAN FILM AND VIDEO FESTIVAL The 12th Native American Film and Video Festival celebrates the many remarkable recent accomplish HOW TO ATTEND THE FESTIVAL ments in the field of Native media, presenting 85 outstanding productions from Bolivia, Brazil, Canada, Chile, El Salvador, Mexico, Arctic Russia and the continental United States and Hawai'i. All festival programs are free. For daytime programs at NMAI and the evening program at Donnell Media Center, Organized by the Film and Video Center of the Smithsonian National Museum of the American seating is on a first come, first served basis. Indian (FVC), the festival is being presented in New York City at the NMAI George Gustav Heye Center, the Donnell Media Center of The New York Public Library, and the American Indian Community House. Reservations are recommended for evening programs at NMAI and AICH. No more than 4 tickets can be The festival program has been chosen by invited selectors—Native American media makers and reserved by any one person. At NMAI: pickup cultural activists—and the FVC program staff. Additional input from experts in the field has con reserved tickets at the Will-Call Desk starting 40 tributed to the diversity of work being presented and to this year’s strong “New Generations” program min. before showtime. Tickets not picked up by 15 for Native youth media makers, who will screen their work to New York high school students and the min. before showtime are released to the Wait List. -
Innovation and Change in Aotearoa New Zealand's
Innovation and Change in Aotearoa New Zealand’s Documentary Production Ecology 2010-2013 Anna Gwendoline Jackson Submitted in total fulfilment of the requirements of the degree of Doctor of Philosophy under a Jointly-Awarded PhD Program with The University of Melbourne and The University of Auckland. February 2014 School of Culture and Communication, University of Melbourne Department of Film, Television and Media Studies, University of Auckland Produced on archival quality paper ii Abstract This thesis presents a detailed analysis of New Zealand’s documentary production ecology during the period 2010 – 2013, focusing on innovation, change and the function(s) of documentary as a creative and cultural industry. ‘Ecology’ as a term in media and cultural studies scholarship is increasingly employed as a means of extending the scope of critical political economy beyond a critique of power dynamics in contemporary capitalist society to acknowledge the complex and multifaceted nature of relations between producers and audiences and the ways that media are produced, circulated and used. The use of the term ‘ecology’ in this context acknowledges the ways that our systems of communication, like those in nature, are not stable or fixed, but are interconnected, evolving and dynamic. Drawing on interviews, observation, practice-led research and analysis of theatrical and television documentary output, the framework of ecology is used to examine the specific conditions of documentary production in New Zealand as a complex media system in relation to global shifts in media production, distribution and use, and aims to identify factors that support or inhibit innovation in the context of New Zealand’s documentary production ecology. -
SONGS of JUSTICE SONGS of FREEDOM SONGS of HOPE with the Hallelujah Praise Mass Gospel Choir
Good Noise Vancouver Gospel Choir Gail Suderman Artistic Director SONGS OF JUSTICE SONGS OF FREEDOM SONGS OF HOPE With the Hallelujah Praise Mass Gospel Choir Sunday, February 25, 2018 Dunbar Ryerson United Church Vancouver, BC goodnoisevgc.com Good Noise Gala – Soul Edition! SONGS OF JUSTICE In support of Good Noise Vancouver Gospel Choir SONGS OF FREEDOM and the Good Noise VIP Young Artist Program SONGS OF HOPE Friday, April 20, 2018 Programme Heritage Hall - Main & 15th, Vancouver Dinner, Silent Auction & Entertainment Good Noise Vancouver Take Me to the King Featuring Canada’s Queen of Soul Gospel Choir with Soloists Written by Kirk Franklin Soloist: Adrienne Sweat Dawn Pemberton and Band A Change is Gonna Come Written by Sam Cooke I Smile Soloist: Timothy Fuller Written by K. Franklin, J. Harris, T. Lewis, F. Tackett Ain’t Gonna Let Nobody Turn Me Around I Can Make It Traditional Spiritual, arr. Rollo Dilworth Written by Bryan Popin Additional words by Langston Hughes Shed A Little Light Hallelujah Praise Mass Written by James Taylor Gospel Choir Soloist: Gail Suderman The Storm Is Passing Over I Wish I Knew How It Would Feel Written by Charles Tindley To Be Free Walk With Me Lord Passionate, Powerful, Purposeful Written by Billy Taylor and Dick Dallas Traditional Spiritual Soloist: Syllona Kanu Do you have a Passion for the arts, great singing, the excitement of a high-quality concert People Get Ready experience? Would you like to help provide a Powerful musical experience for young Let It Start In Me Written by Curtis Mayfield people: vocal and choral music workshops, performance opportunities, scholarships? Join Written by Gloria and William Soloist: Gail Suderman with Good Noise and like-minded people who desire to be Purposeful in their support of the Gaither, Dony McGuire and arts, and in creating unique and exciting music educational opportunities for young people. -
Claimants Covered by Joint Claim Filed Under Section 111 by the Recording Industry Association of America, Inc
Electronically Filed Filing Date: 07/12/2017 05:32:44 PM EDT Claimants Covered by Joint Claim Filed Under Section 111 By the Recording Industry Association of America, Inc. (RIAA) For Calendar Year 2016 with Addresses1 2:59:00 3 Car Wreckords 604 3 Legged Records 2062 3 Prong Records (Red)Wire, P&D 30 Days Til I'm Famous [PIAS] America 300 Entertainment 110 RECORDS 311 RECORDS 112 ‐ Bad Boy 333 MUSIC 112 Records 35 35 Entertainment 11‐7 Recording Corp. 360MUSICWORX‐SOR 13 RECORDS 38 Special Records 15 PASSENGER 3Dream Records 15 TONES ‐ COMPILATIONS 4 Life 1500 RECORDS 4 Star Records, LLC 1720 Entertainment 4 West Records 1720 Entertainment PS 40 RECORDS‐FTY 19 RCRDNG/AMER IDOL 40 SNDTRK/UNVRSL‐CAP 19 Records 456 Enterprises 19R‐LA'PORSHA RENAE 4STRIKES, INC. 1st & Hope DVD 4TH SUN ENT GRP‐FSU 2008 Grammy Album 4TH&BROADWAY/MERCURY 2012 SDTK Cat 50 Cent ‐ Movie 20th Century Fox ‐ Fat Albert 50/50 Music Group 21 ENTERTAINMENT 500 Years Later 21 Entertainment Group / IDJ 510 RECORDS 21 Music / IDJ (Fefe Dobson) 5th Year Productions 2101 RED ONE RECORDS 6131 RECORDS 22 ENTERTAINMENT 71st St. Music 220 Entertainment 78 AND 3/4 222 RECORDS 786 Music 222 RECORDS/INTERSCOPE 7Arts 2‐4‐1 Records 7ARTS 2 2PAC & OUTLAWZ‐STILL I RISE 7Bros. Records 2PAC ALL EYEZ ON ME 7Brothers Records 2PAC BEST OF (PART 2) 7eventy 5ive 2PAC BETTER DAYZ 7Hz Productions 2PAC GREATEST HITS 8 MINUTES 20 SECONDS 2PAC PACS LIFE 800 Pound Gorilla Records 2PAC UNTIL THE END OF TIME 87 Music/Controlled Substance Sounds Labs 2Pac Very Best of 2Pac 8th Impression Music 1SONY, UMG, and WMG as noted in parentheses refer to the RIAA member by or with whom the listed label is owned, affiliated, or distributed. -
NATIVE AMERICAN Film + Video Festival 2006
65248-Broch.qxp 10/25/06 3:25 PM Page 1 NATIVE AMERICAN Film + Video Festival 2006 NOVEMBER 30 - DECEMBER 3 65248-Broch.qxp 10/25/06 3:25 PM Page 2 FESTIVAL STAFF NMAI ADMINISTRATION HOW TO ATTEND THE FESTIVAL W. Richard West (Southern Cheyenne), Director, NMAI Director Tim Johnson (Mohawk), Associate Director, NMAI Museum Programs Group John Haworth (Cherokee), Director, George Gustav Heye Center All festival programs are free. For daytime programs at NMAI and the Peter Brill, Deputy Assistant Director for Exhibits, Programs and Public Spaces evening program at the Donnell Media Center, seating is on a first come, FESTIVAL DIRECTORS AND MANAGERS first served basis. Elizabeth Weatherford, Head of Film and Video Center (FVC) Emelia Seubert, Assistant Curator, FVC Reservations are recommended for evening programs at NMAI. No more Michelle Svenson, Festival Manager, FVC than 4 tickets can be reserved by any one person. Pickup reserved tickets Reaghan Tarbell (Mohawk), Assistant Festival Manager, FVC at the Will Call Desk starting 40 min. before showtime. Tickets not FESTIVAL SELECTORS picked up 15 minutes before showtime are released to the Wait List. Mariano Estrada (Tzeltal) Amalia Córdova, Coordinator, Latin American Program, FVC NMAI charter members are given priority for reservations until Carol Kalafatic (Quechua//Spanish/Croatian) November 17. To reserve, call 212 514-3737 or reserve on-line at Laura Milliken (Ojibwe) Nora Naranjo-Morse (Tewa of Santa Clara Pueblo) www.nativenetworks.si.edu/reservfest. Emelia Seubert, FVC Michelle Svenson, FVC Please note: All visitors to the NMAI Heye Center are required to go FESTIVAL STAFF through a security check and magnetometer. -
Tarasoff, Lawrence Alexander Michael (2019)
Tarasoff, Lawrence Alexander Michael (2019) Searching for hidden assumptions: a critical discourse analysis of British Columbia’s Aboriginal Education Enhancement Agreement policy. Ed.D thesis. http://theses.gla.ac.uk/75146/ Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Searching for Hidden Assumptions: a Critical Discourse Analysis of British Columbia’s Aboriginal Education Enhancement Agreement Policy Lawrence Alexander Michael Tarasoff BA, MA Submitted in Fulfilment of the Requirements of the Degree of Doctor of Education School of Education College of Social Sciences University of Glasgow June 2019 © 2019 ii ABSTRACT There exists persistent disparity in the achievement of Aboriginal and non-Aboriginal public school students in British Columbia (BC), Canada. The international literature stresses that education has the power to improve the lives and futures of indigenous peoples through the use of government policy. With that in mind, this study sets out to critically analyse BC’s Aboriginal Education Enhancement Agreement (EA) policy texts to better understand how Aboriginal education in BC is shaped, formed and reformed in the production and interpretation of the province’s policy discourses.