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Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least. -
Super Nobody
Super Nobody Alphas and Omegas: Book One Copyright Brent Meske, 2013 Smashwords edition Smashwords Edition License Notes: This free ebook may be copied, distributed, reposted, reprinted and shared, provided it appears in its entirety without alteration, and the reader is not charged to access it. This book is dedicated to Alfred Siegert and Harold ‘Grampa Honey’ Meske, for being strong, gentle, patient, kind, passionate, good cooks, good fathers, good teachers, good grandfathers, and for giving me life, though it was years and years down the road. I wish they were both here today so I could thank them. Table of Contents 1- Poink! 2- Super Awkward 3- The New Tune 4- The Lightning Ball 5- Battery 6- The Seventh Power 7- Getaway 8- The Truth About Santa 9- Disassembly 10- War of the Michaels 11- Orientating 12- Keeping the Keys 13- Brain Stew 14- Johanna Lane 15- Poking the Hive 16- Drone 17- To the Mac 18- The In Crowd 19- A Periwinkle World 20- Flight of the Alphas 21- Just Super Enough About the Author Note Also By This Guy Preview: Super Anybody Super Nobody Chapter 1 - Poink! Michael was in sixth grade when he witnessed his first kid going up in flames. One of the biggest problems with being in middle school is how quickly your friends turn on you. Michael knew it well enough. All the athletic kids, all the normal ones who didn’t bother to question their friendships, they were all well and good. He wasn’t one of them. He also didn’t seem to grow quickly enough either, because he was always picking up cute little names like chopsticks, beanpole, string bean, twerp, geek, nerd. -
The Projectionist
University of New Orleans ScholarWorks@UNO University of New Orleans Theses and Dissertations Dissertations and Theses 5-16-2008 The Projectionist David Parker Jr. University of New Orleans Follow this and additional works at: https://scholarworks.uno.edu/td Recommended Citation Parker, David Jr., "The Projectionist" (2008). University of New Orleans Theses and Dissertations. 662. https://scholarworks.uno.edu/td/662 This Thesis is protected by copyright and/or related rights. It has been brought to you by ScholarWorks@UNO with permission from the rights-holder(s). You are free to use this Thesis in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights- holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/or on the work itself. This Thesis has been accepted for inclusion in University of New Orleans Theses and Dissertations by an authorized administrator of ScholarWorks@UNO. For more information, please contact [email protected]. The Projectionist A Thesis Submitted to the Graduate Faculty of the University of New Orleans in partial fulfillment of the requirements for the degree of Master of Fine Arts in Film, Theatre, and Communication Arts Creative Writing By David Parker Jr. B.A. Hampden-Sydney College, 1994 May, 2008 For the Angel in the fountain. ii Acknowledgments So many people helped me bring forward this body of work – and to them all I offer my sincerest thanks. First, of course, to my family for their unfailing support and long distance power hours – great love and respect to the tribes of Parker, Adams, Sparks, and Featherston. -
By Matthew Omelsky Department of English Duke University Date
FUGITIVE TIME: BLACK CULTURE AND UTOPIAN DESIRE by Matthew Omelsky Department of English Duke University Date: _______________________ Approved: ___________________________ Tsitsi Jaji, Supervisor ___________________________ Ian Baucom ___________________________ Fredric Jameson ___________________________ Ranjana Khanna Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2018 i v ABSTRACT FUGITIVE TIME: BLACK CULTURE AND UTOPIAN DESIRE by Matthew Omelsky Department of English Duke University Date: _______________________ Approved: ___________________________ Tsitsi Jaji, Supervisor ___________________________ Ian Baucom ___________________________ Fredric Jameson ___________________________ Ranjana Khanna An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English in the Graduate School of Duke University 2018 Copyright by Matthew Omelsky 2018 Abstract This project examines how African diasporic writers and filmmakers from Zimbabwe, Martinique, Britain, and the United States inscribe into their works a sense of anticipation of release from subjection, as if to experience in advance the feeling of unequivocal bodily relief. Charting its appearance in both descriptive content as well as aesthetic form—such as metaphor, narrative structure, and aspects of cinematic editing—“Fugitive Time” shows how this recurring form of utopian time-consciousness distinct to African diasporic cultural expression evolves from the 18th century slave narrative to the contemporary novel, and how it mutates across disparate global geographies. In epic poetry, autobiography, experimental film, and historical novels, the project isolates this fugitive anticipation of the outside of black subjection and the persistent memory of violence that engenders it.