DOCSLIB.ORG

L Y N N R E Y N O L

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
L Y N N R E Y N O L LYNN REYNOLDS 1014 6th St. * Lake Charles, LA 70601 * [email protected] * lynnreynoldsphoto.com PROFESSIONAL EXPERIENCE 2005-Present McNEESE STATE UNIVERSITY; Lake Charles, Louisiana Associate Professor of Art Chair: Department of Visual Arts 1997-2004 McNEESE STATE UNIVERSITY; Lake Charles, Louisiana Assistant Professor of Art ~ Photography 1996-1997 CREIGHTON UNIVERSITY; Omaha, Nebraska Visiting Assistant Professor ~ Photography 1996-1997 METROPOLITAN COMMUNITY COLLEGE; Omaha, Nebraska Instructor of Photography 1994-1996 UNIVERSITY OF NEBRASKA - LINCOLN Graduate Teaching Assistant ~ Photography Graduate Teaching Assistant ~ Gallery Director: Gallery of The Department of Art & Art History EDUCATION MASTERS of FINE ARTS: ART ~ Photography, May 1996 University of Nebraska-Lincoln BACHELOR of ARTS: ART ~ Photography / Graphic Design, May 1992 McNeese State University; Lake Charles, Louisiana SOLO EXHIBITIONS TENDING HERD ~ 2010 Historic City Hall Arts & Cultural Center Lake Charles, Louisiana : January 8 - March 20, 2010 INVULCRA ~ 2004 Riley Hall Photography Gallery : UNIVERSITY OF NOTRE DAME Notre Dame, Indiana : August 23 - September 24, 2004 CANONICAL REMAINS ~ 2004 Zone VI Gallery : SINCLAIR COMMUNITY COLLEGE Dayton, Ohio : November 9 - December 9, 2004 INVULCRA ~ 2003 SRO Photography Gallery : TEXAS TECH UNIVERSITY Lubbock, Texas : March 10 - April 9, 2003 EMERGENT POINTS ~ 2003 Art Associates Gallery : CENTRAL SCHOOL -CENTER for the ARTS Lake Charles, Louisiana : September 5 - October 31, 2003 SURROGATES of NATURE ~ Shearman Research Fellowship Exhibition ~ 2002 Abercrombie Gallery : MCNEESE STATE UNIVERSITY Lake Charles, LA : October 30 - November 22, 2002 EMERGENT POINTS ~ 2001 Gallery of the Department of Art : UTAH STATE UNIVERSITY Logan, Utah : October 15 - November 9, 2001 To Be is To Be PERCIEVED ~ Shearman Research Fellowship Exhibition ~ 2000 Abercrombie Gallery : MCNEESE STATE UNIVERSITY Lake Charles, LA : October 26 - November 10, 2000 TENDING HERD ~ 1999 Weitman Gallery : WASHINGTON UNIVERSITY St. Louis, MO : October 8 – November 5, 1999 FELLOWSHIPS and GRANTS *2006 McNeese Endowed Professor Grant: In the Shade of Summer *2003 Louisiana Artists Fellowship: INVULCRA *2000 Shearman Research Fellowship: SURROGATES of NATURE *1998 Shearman Research Fellowship: To Be is To Be PERCIEVED SELECTED GROUP EXHIBITIONS: AWARDS *15th Annual MIDWEST WINTER EXHIBITION CENTER for THE VISUAL ARTS : Wausau, WI : January 12 - February 24, 2005 juror: William Weidner ~Professor of Art : Lakeland College : Florida MERIT PRIZE ~ Photography *COUNTER-POINT HILL COUNTRY ARTS FOUNDATION : Ingram, TX : July 29 - August 18, 2001 juror: Jerry Seagle ~Distinguished Contemporary Artist AWARD: the GENE HOVEY Prize for Photography *66TH Annual NATIONAL JURIED ART EXHIBITION COOPERSTOWN ART ASSOCIATION : Cooperstown, NY : April 15 - August 17, 2001 juror: Sylvia de Swaan ~Internationally Distinguished Artist AWARD: the DEBORAH GEURTZE GRAPHICS PRIZE *VALDOSTA WORKS on PAPER XII VALDOSTA STATE UNIVERSITY : Valdosta, GA : March 6 - April 7, 2000 juror: Les Reker ~Director of Collections : Columbus Museum of Art : GA MERIT PRIZE ~ Photography *65TH Annual NATIONAL JURIED ART EXHIBITION COOPERSTOWN ART ASSOCIATION : Cooperstown, NY : July 16 - August 18, 2000 juror: Jerome Witkins ~Associate Instructor: Syracuse University MERIT PRIZE ~ Photography *14th SMALL WORKS INTERNATIONAL AMOS ENO GALLERY : New York, NY jurors: *Beth Venn ~Associate Curator : Whitney Museum : New York *Katie Clifford ~Associate Editor : ARTnews magazine : New York CO-AWARD: Solo Exhibition ~ New York *TRI-STATE '99 BROWN & SCURLOCK GALLERIES : Beaumont Art League : Beaumont, TX juror: Geri Hooks ~ Hooks Epstien Gallery, Houston,TX AWARD: Photographic Purchase Prize SELECTED GROUP EXHIBITIONS Trickle Down ~ 2005 FIREHOUSE GALLERY : Burlington, Vermont : January 7 - February 6, 2005 Curator: C. Sean Horton Photospiva 2004 GEORGE A. SPIVA CENTER for the ARTS : Joplin, MO : April 9 - May 16, 2004 Juror: Therese Mulligan ~ Rochester Institute of Technology 47th annual delta exhibition ARKANSAS ART CENTER : Little Rock, AR : May 14 - July 11, 2004 Juror: Katherine Degn ~ Kraushaar Galleries, New York Art with a Southern Drawl XIII UNIVERSITY OF MOBILE : Mobile, AL : April 1 - 30, 2004 Juror: Georgine Clark ~ Board Member: Alabama State Council on the Arts 69th Annual National Juried Art Exhibition COOPERSTOWN ART ASSOCIATION : Cooperstown, NY : July 17 - August 20, 2004 Jurors: Henry Drexler & Daniel Tennant Alternative Process: Texas Photographic Society ~ OPTIONS GALLERY : Odessa College : Odessa, TX : May 1 - 31, 2004 ~ UNIVERSITY GALLERY : Univ. of North Florida : Jacksonville, FL : Jan. 15 – Feb. 18, 2004 ~ RIVER CITY SILVER GALLERY : San Antonio, TX : Aug. 8 – Sept. 14, 2003 Juror: Christopher James ~ Chair: Leslie University Institute of Art 21st Annual National Juried Exhibition NAVARRO COUNCIL of the ARTS : Corsicana, TX : April 5 - May 17, 2004 Juror: Terry Morrow ~ Associate Professor: Texas Tech University TASIMJAE ~ 2004 the ART STUDIO : Beaumont, TX : April 3 - 24, 2004 Juror: Nick J. De Vries ~ Instructor: University of Houston at Clear Lake Magic Silver ~ 2003 MURRAY STATE UNIVERSITY : Murray, Kentucky : November 18, 2003 – January 16, 2004 Juror: Mark Saurie Photospiva ~ 2003 GEORGE A. SPIVA CENTER for the ARTS : Joplin, MO : April 11 - May 18, 2003 Juror: Sal Lopes Art of the New West DAHL ARTS CENTER : Rapid City, SD : January 17 - March 24, 2003 Juror: Theodore Waddell ~ Artist / Printmaker 13th Annual Midwest Winter Exhibition CENTER for THE VISUAL ARTS : Wausau, WI : January 12 - February 24, 2005 Juror: William Weidner Saltline Biennial ~ 2003 MOBILE CENTER for CONTEMPORARY ART : Mobile, Alabama : Nov. 7 – Dec. 31, 2003 Juror: M. Darsie Alexander ~Junior Curator: Baltimore Museum of Art 30TH Annual Juried Competition MASUR MUSEUM of ART : Monroe, Louisiana : March 16 - April 26, 2003 Juror: Leslie Luebbers ~ Director: Memphis University Museum of Art 18TH annual Invitational Exhibition MEADOWS GALLERY : University of Texas ~ Tyler : Tyler, Texas : April 21 - June 26, 2003 Juror: Mark Williams Photospiva ~ 2002 GEORGE A. SPIVA CENTER for the ARTS : Joplin, MO : May 4 - June 9, 2002 Juror: Walter J. Bailey ~ Instructor: Maine Photo Workshops Food Chain ~ 2002 PRINTMAKING COUNCIL of NEW JERSEY : Somerville, NJ : August 3 – September 14, 2002 Juror: Bill Fick ~ Instructor: Pratt Institute Pressed & Pulled X BLACKBRIDGE HALL GALLERY : Milledgeville, Georgia : January 14 – February 24, 2002 Juror: Carmon Colangelo ~ Instructor: Lamar Dodd School of Art 2nd annual American Landscapes CIRCLE GALLERY Maryland Federation of Art : Annapolis, MD : September 5 – October 14, 2002 Juror: Kathleen Loe Alumni Invitational ~ 2002 EISENTRAGER / HOWARD GALLERY : University of Nebraska : Lincoln, NE January 9 – February 16, 2002 Small Impressions ~ 2001 PRINTMAKING COUNCIL of NEW JERSEY : Somerville, NJ : Oct. 6 – traveling nationally Juror: Zarina Hashmi Photospiva ~ 2001 GEORGE A. SPIVA CENTER for the ARTS : Joplin, MO : April 6 - May 13, 2001 Juror: Elizabeth Opalenik ~ Instructor: Maine Photo Workshops 22nd Annual Paper in Particular COLUMBIA COLLEGE : Columbia, MO : February 4 - March 6, 2001 Juror: Harvey Breverman Works on Paper ~ 2001 LSU UNION ART GALLERY : Baton Rouge, LA : April 18 - May 18, 2001 Juror: David Kiehl ~ Junior Curator: Whitney Museum of American Art 20 x 20 x 20 ~ 2001 LSU UNION ART GALLERY : Baton Rouge, LA : September 9 - October 6, 2001 Jurors: Kelley Scott Kelli / Michael Howes / Katherine Scherer 16th Annual National Works on Paper UNIVERSITY of TEXAS at TYLER : Tyler, TX : March 15 - April 18, 2001 Juror: Richard Ash 16th Annual National Juried Art Exhibition NAVARRO COUNCIL of the ARTS : Corsicana, TX : April 7 - May 12, 2001 Juror: Juergen Strunck Photospiva ~ 2000 GEORGE A. SPIVA CENTER for the ARTS : Joplin, MO : February 18 - March 27, 2000 Juror: Keith Davis ~ Coordinator: HALLMARK Fine Arts Collection 43rd Annual Delta Exhibition ~ 2000 ARKANSAS ART CENTER : Little Rock, AR : August 3 - September 17, 2000 Juror: Graham Nickson ~ Instructor: New York Studio School Texas National ~ 2000 STEPHAN F. AUSTIN STATE UNIVERSITY : Nacogdoches, TX : April 1 - May 4, 2000 Juror: The ART GUYS: Michael Galbreth / Jack Massing International ~ 2000 NEW JERSEY CENTER FOR VISUAL ARTS: Summit, NJ : January 30 - March 27, 2000 Juror: Dan Cameron ~ Director: New Museum of Contemporary Art, New York Compact Competition ~ 2000 LSU UNION ART GALLERY : Baton Rouge, LA : November 18 - December 15, 2000 Jurors: Susan Brunner ~ Director: Brunner Gallery Addie Euba ~ Instructor: Southern University Michael Daugherty ~ Director: LSU School of Art ANA 29 HOLTER MUSEUM of ART : Helena, MT : August 28 - October 29, 2000 Juror: Lucy Lippard ~ New York Art Critic Counterpoint ~ 2000 HILL COUNTY ARTS FOUNDATION : Ingram, TX : August 6 - September 2, 2000 Juror: Barbara Raborn ~ Painter/Printmaker Midwest Photography Invitational X [1999 – 2000] ~ UNIVERSITY of WISCONSIN-GREEN BAY; December 6, 1999 – January 12, 2000 ~ CARLSTEN GALLERY; January 25 - February 14 ~ ART CENTER GALLERY; May 1 - May 30 ~ WISCONSIN UNION GALLERIES; June 1 - July 15 ~ PORT HURON MUSEUM; August 1 - August 30 ~ SAINT MARY'S UNIVERSITY of MINNESOTA; September 15 - October 15 ~ RAHR-WEST ART MUSUEM; November 7 - December 5 Juror: Jerry Dell ~ Professor of Photography: Univ. of Wisconsin - Green Bay Fred Wells 25 ~ 1999 NEBRASKA WESLEYAN UNIVERSITY Department of Art : Lincoln, NE Juror: Daphne
Load more

Recommended publications
  • Richard Stout: Paintings and Sculptures
    RICHARD STOUT: The Arc of Perception New Paintings and Sculpture & Paintings from the 1950’s OCTOBER 20 – NOVEMBER 25, 2006 FOR IMMEDIATE RELEASE: August 15, 2006 - Holly Johnson Gallery in Dallas unveils an exhibition of new work by Texas' most influential artist, Richard Stout, as well as a selection of paintings from the 1950’s. An opening reception for the artist will be held on Friday, October 20, from 6:00 to 8:00 p.m. The exhibition continues through Saturday, November 25, 2006. In 2001, Dr. Edmund Pillsbury writes, “Inspired by Giacometti, Ernst and other Surrealist works on view at the Menil Collection but possessing an understanding of the powers of landscape that is almost mystical, Richard Stout stands apart. He is an artist of our time, but through his works he transports us to places near and far, making us appreciate the world in fresh ways and bringing a set of emotions into our experience of daily life that, albeit clouded in mystery, is both reassuring and uplifting. He is a worthy successor to his Romantic forbearers, Turner and Delacroix, whose goal superseded any traditional concept of beauty in favor of effects that can only be described as Sublime.” And in Sculpture magazine (May 2006), Ileana Marcoulesco writes, “The sculptures appear to explore a space of intimate events – in spite of their rhetorical titles, compiled from grand mythological narratives...they are heavy, complex, versatile three-dimensional shapes. Ascetic in appearance, cryptic in connotation, yet free-wheeling, they speak a private language of passions and are hard to penetrate, except intuitively.” Stout was born in 1934 in Beaumont, Texas.
    [Show full text]
  • John G. Vinklarek
    JOHN VINKLAREK VITA EDUCATION MFA University of Oregon, Eugene, Oregon 1973 BFA Texas Technological University, Lubbock EXPERIENCE IN HIGHER EDUCATION 1977- Present Employed as Art Instructor at Angelo State University, San Angelo, Texas (2006 Professor) Employed as a Graduate Teaching Fellow and Casting Consultant for the design of a 1975-76 foundry at the University of Oregon, Eugene, Oregon OTHER CAREER EXPERIENCE 1972-74 Employed as an Artisan at Mesa Bronze Art Foundry, Lubbock, Texas JURIED SHOWS 2019 West Texas Regional Show 3rd prize sculpture San Angelo Art Club San Angelo, Texas. Midland Art Association Annual Fall Show honorable mention Midland, Texas. Laredo 30 international exhibit Laredo College, Laredo, Texas. Monmouth Museum National Show Lincroft, New Jersey. Langdon Center National Show Merit Award, Granbury, Texas. 53rd Annual Richardson Art Society Regional show First Prize Graphics Richardson, Texas 2018 52nd Annual National Drawing and Sculpture show, Del Mar College, Corpus Christi Texas. 31st Annual McNeese National Works on Paper Exhibition, McNeese State University, Lake Charles, Louisiana (Honorable Mention). 5th Annual National Juried Exhibit, Bower Center for the Arts, Bedford , Virginia. 31st Annual Northern National Art Competition, Nicolet College, Rinelander Wisconsin 2017 51nd Annual National Art Exhibit Del Mar College , Corpus Christi Texas. Langdon Center National Show, Granbury, Texas. Matte Kelly art Center National Show Pleasantville, Florida. South Cobb Art Alliance , Mabelton, Georgia. Bower Center National Show Bedford, Virginia. Crooked Tree National Competition Petosky, Michigan. Topeka Competition- National Show 4 Topeka, Kansas. Mixed media Prize Kendall art Gallery, San Angelo , Texas. 2016 50th annual National Art Exhibit Del mar College Corpus Christi, Texas.
    [Show full text]
  • Suits: the Qothesmake The
    FALL 1' "STlircsIinlhs SUITS: THE QOTHES MAKE THE MAN Ladies and Gentlemen: The Art Guys (have left the building.) COMMENTARY By JaMES P. O'BRIEN AND GrEG RuSSELL The Am Guys will make every effort to appear at as many events as possible THROUGHOUT 1998 TO FURTHER EXTEND THE VISIBILITY OF THE SUITS ANO THE CLIENTS REPRESENTED ON THEM: Events and appearances: Todd Oldham's Spnng Show, NY / The Academy Awards, LA / Cannes Film Festival, France / MTV Music Awards, LA / Whitney Museum, NY / Guggenheim, NY / The National Gallery, DC /The Late Show with David Letterman / Rosie O'Donnell /The Winter Olympic Games, Utah / figure 1. 1,000 coats of The Boston Marathon / NFL Football Games paint: telephone 1990-91. teieptiorre, LOOO coats of - Suits: Tlie Clothes the project itinerary. from Make Man, latex paint, glass, brass plaque, left above: in progress, riglit above: finished state, left: paint calendar year 1998 The Art Guys will enact their ctiart and brushes. In seven well-planned Suits: The Clothes Make the Man In months. 1,000 coats of project. Despite the varied physical appearances variously colored paint was applied. and manifestations of their previous works (in perfor- mance, video, photography, sculpture and assemblage,) in the Suits project they retain a certain consistency. How? The Art Guys act repeatedly with twin methods: OBSESSIVE BEHAVIOR and THE ARTIST AS FOOL. below: figure 2. left: blockhead 1996. Deer trophy, concrete, right: largemouth bass1997. Bass These twin methods have allowed them to employ such trophy, plastic lips. "We are currently working on a series of pieces involving animal trophies.
    [Show full text]
  • Nov. 26, 1946 Birthplace: Denver, CO Residence: Houston Heights, Houston, TX Education: Bachelor of Fine Arts (Painting), University of Houston 1988
    Wayne D. Gilbert Born: Nov. 26, 1946 Birthplace: Denver, CO Residence: Houston Heights, Houston, TX Education: Bachelor of Fine Arts (Painting), University of Houston 1988 Chronology 1986 1989 U.S.OlympicFence RepublicBankCenter,Houston,TX JuriedbyCommittee 6thAnnualJuriedFineArtExhibition GroupShow GroupShow Painting:Wrestlers Juror:MichaelPeranteau StatementbyMr.Peranteau 1987 March4-April1,1989 LosAlamosHistoricalMuseum, 1stPlace LosAlamos,NM ThirdBiennialJuriedPaintingExhibitionGroupShow LawndaleArtandPerformanceCenter, June5-July19,1987 Houston,TX Juror:KarenN.Purucker EastEndShow GroupShow TwoHoustonCenter,Houston,TX Juror:WilliamCampbell TexasArtCelebration‘87 StatementbyMr.Campbell GroupShow March4-March24,1989 March29-April25,1987 Juror:JohnCaldwell LynnGoodeGallery,Houston,TX StatementbyMr.Caldwell LongHotSummer CatalogunderwrittenbyAssistanceLeagueofHous- HoustonAreaArtistsInvitationalShow tonandtheHoustonGalleries Aug.1-Sept.6,1989 JewishCommunityCenterofHouston JewishCommunityCenter,Houston,TX Texas21stJuriedArtExhibition 22ndJuriedArtExhibition GroupShow GroupShow Sept.12-Oct.22,1987 Juror:HughM.Davies Juror:MaryJaneJacob StatementbyMr.Davies StatementbyMs.Jacob HistoricalEssaybyLynnWeycer CatalogstatementbyMs.LynnWeycer Aug.19-Sept.25,1989 1988 1990 Greenway3Theater,Houston,TX TwoHoustonCenter,Houston,TX DoItfortheGipper VisualArtsAlliance7thAnnualJuriedArtExhibition GroupShow GroupShow March1-Aug.1,1988 Juror:Unknown CuratedbyPaulaFridkinand&MichaelGalbreth March3-April7,1990 Butera’sonAlabama,Houston,TX LawndaleArtandPerformance,Houston,TX
    [Show full text]
  • Umedalen Skulptur 2010 5/6–15/8 Umeå, Sweden
    1 Umedalen Skulptur 2010 5/6–15/8 UMEÅ, SWEDEN Angela de la Cruz, Jacob Dahlgren, Grönlund–Nisunen, Lotta Hannerz, Michael Johansson, Per Kirkeby, Wilhelm Mundt, Trine Lise Nedreaas, Magnus Petersson, Jaume Plensa, Bjørn Poulsen, Astrid Sylwan 2 CONTENT 2010 map 4–5 Overview 6–7 Introduction 8–9 Grönlund-Nisunen 12–13 Trine Lise Nedreaas 14–15 Jacob Dahlgren 16–17 Per Kirkeby 18–19 Magnus Petersson 20–21 Angela de la Cruz 22–23 Astrid Sylwan 24–25 Wilhelm Mundt 26–27 Grönlund-Nisunen 28–29 Bjørn Poulsen 30–31 Michael Johansson 32–33 Jaume Plensa 34–35 Permanent collection 36–54 Skulptures from earlier years 55–59 In Umea City 60–67 3 5/6–15/8 Sculptures placed in the Mikael city center of Umeå 2010 map Richter p. 60–65 49 Winter & 48 Hörbelt New Sculptures 2010 p. 10–33 Jacob 50 Sculptures from Permanent Dahlgren earlier years collection Jaume p. 54–59 p. 34–52 Plensa 47 Lotta 51 Hannerz Lin Peng 1 Magnus Jacob Takashi Petersson Angela Dahlgren 46 Naraha 45 2 3 4 De La Cruz Grönlund-Nisunen Michael Raffael Rheinsberg 44 9 Trine Lise Nedreaas Johansson Jacob Dahlgren Claes Antony Kari Per Kirkeby Bård Hake Gormley Cavén 5 Breivik 43 42 41 40 38 37 Johanna Jonas Charlotte Clay Cristos 10 Buky Anna Ekström Kjellgren 6 Gyllenhammar Ketter Gianakos Schwartz Renström Bernard Astrid 39 Anne-Karin 15 7 Kirchenbaum 36 8 Sylwan Furunes 14 11 12 Torgny Gunilla Wilhelm Mundt The Art Nilsson Samberg 16 Meta Isæus Berlin Sean Guys 17 18 35 Henry Roland Mats Persson Grönlund-Nisunen 13 19 Bergqvist Kari Kaarina Cavén Kaikkonen 25 30 Louise 21 34 Bourgeois Anish Bjørn Poulsen Kapoor 20 22 23 24 26 27 28 29 31 32 33 Nina David Tony Antony Richard Cristina Carina Miroslaw Bigert & Serge Saunders Wretling Cragg Gormley Nonas Iglesias Gunnars Balka Bergström Spitzer 4 Sculptures placed in the Mikael city center of Umeå Richter p.
    [Show full text]
  • 1 Trinity Church in the City of Boston the Rev. Morgan S. Allen
    Trinity Church in the City of Boston The Rev. Morgan S. Allen November 17, 2019 XXIII Pentecost, Luke 21:5-19 Come Holy Spirit, and enkindle in the hearts of your faithful, the fire of your Love. Amen. A 1995 New York Times article begins, “Meet The Art Guys … working as clerks for 24 hours straight at the Stop-N-Go convenience store in Houston’s museum district. They sold lottery tickets. They asked for patience when a customer couldn’t get the gas pump to work and neither could they. ‘Hey, we’re new at this,’ [explained] Michael Galbreth, [one of the two Art Guys]. They mopped the floor. And they called [all of this] art.”i According to the Times, “The Art Guys are part Dada, part David Letterman, pushing the concept of performance art to [its] outer limits.”ii Galbreth met collaborator and fellow Art Guy Jack Massing in 1982, and the pair began their creative partnership a year later. Their “work has been included in more than 150 exhibitions in museums, galleries, and public spaces throughout the United States … Europe, and China,” and they lectured as near to us as Harvard.iii Galbreth and Massing described their work “with terms like ‘pursuances,’ ‘disturbances,’ ‘procurements,’ and ‘doohickeys,’”iv using ordinary objects as unusual media in their sculptures – as in Cheese Grid (1993),v their strangely beautiful, wall-sized mosaic of American Cheese slices – and exaggerating by scale or repetition familiar actions in their “events” – as in Loop, driving Houston’s 610 freeway for 24 hours straight, 12 hours in one direction, and 12 hours in the other.vi Combining these static and dynamic elements, The Art Guys even “presciently anticipated our age of self-branding ‘influencers’ with SUITS: The Clothes Make the Man (1997- 98).
    [Show full text]
  • 2020 TXN Catalogue
    26th Annual Juried Competition & Exhibition Catalog May 5 - June 13, 2020 Cover Design by André Gagnon Juror Annette Lawrence, Professor of Studio Art, College of Visual Arts and Design at University of North Texas Photo Credit: Megan DeSoto Annette Lawrence’s studio practice is characterized by transforming raw data into draw- ings, objects, and installations. The data accounts for and measures everyday life. Her subjects of inquiry range from body cycles, to ancestor portraits, music lessons, unsolic- ited mail, and journal keeping. She addresses questions of text as image, and the rela- tionship between text and code. Her work is grounded in examining what counts, how it is counted, and who is counting. Her process is one of making and unmaking, looking, waiting, recognizing things that go unannounced, remain steady, continuous, unremark- able on the surface, and develop meaning over time. Lawrence’s work has been widely exhibited and is held in museums, and private col- lections including The Museum of Fine Arts, Houston, The Dallas Museum of Art, The Rachofsky Collection, ArtPace Center for Contemporary Art, Jack S. Blanton Museum of Art, American Airlines and the Art Collection of the Dallas Cowboys. She received a 2018 MacDowell Fellowship, the 2015 Moss/Chumley Award from the Meadows Museum, and the 2009 Otis and Velma Davis Dozier Travel Award from the Dallas Museum of Art. Her work was included in the 1997 Biennial Exhibition at the Whitney Museum of American Art, New York, NY. She is an alumnus of the Core Program at the Museum of Fine Arts, Houston, and the Skowhegan School.
    [Show full text]
  • REGULARMAIN the Latest in Contemporary Texas Art - June Mattingly
    REGULARMAIN The Latest in Contemporary Texas Art - June Mattingly FRONTPAGE BROWS E SUBSCR IBE IIs earch the archives... return home by topic rss feed II --- FEBRUARY 15, 2011• 4:51 PM • 0 Pages A Call for a Competition and Shane Mecklenburger in "Glitch" a group Exhibition show of Video Art at CentralTrak curated by o About June Mattingly John Pomara and Dean Terry o Objectsof Desire: a competition and eXhibltlon Artists and Topics Armory Show A link to my articles in The Art Guys ModAustin .net David Aylsworth WIiiiam Betts o Link to my articles In ModAustln.net Colby Bird Ed Blackbum A link to my articles in Modem Amy Blakemore Dallas.net Erika Blumenfeld Paul Booker o Please check out my articles In Troy Brauntuch ModemDallas.net and Russell Buchanan ModemHouston.net every weekl Richie Budd Angel Cabrales A link to my articles in Modern Jerry Cabrera Houston .net WIiiiam Cannlngs Douglas Leon Cartmel o Link to my article on Modemhouston.net The Chlnati Foundation Michael Craig-Martin DADA Austin Dallas Museum of Art "Glltchensteln's Monster" 2011 Alejandro Diaz o Arthouse at the Jones Center Kent Dorn o Austin Museum of Art Jeff Elrod Shane and I met through a mutual artist/friend In not exactly a "serene• setting o d.berman at the show's opening and again two weeks later at Centraltrak to hear two of Vincent Falsetta o Okay Mountain the conl/lbuting artists discuss their art to an engrossed audience surrounded Joey Fauerso Tony Feher by theoreticallymesmerizi ng art on the walls. The versatility of the artistic Vernon Fisher technologlcal feats possible on a computer and the reference to •a computer Corpus Christi Sean Fitzgerald glitch" In the show's title an of a sudden poppedwi de open.
    [Show full text]
  • “In November of 2002, the Wheeler Bro's Blew Into Houston Like a Dust
    “In November of 2002, the Wheeler Bro’s blew into Houston like a dust storm to present ULTERIOR MOTIFS no. 4, creating a whirlwind extravaganza of paintings, drawings, and shit-kicking shenanigans…after the dust had settled, we were left wondering what hit us as they drove off into the sunset in their paint-spattered boots, tailgates down, to their next appointment with art destiny.” -The Art Guys It all began on the lonely dusty Plains of West Texas…Lubbock to be exact. Living in a cavernous downtown building and having lots and lots of new unseen art, artists and brothers, Jeff and Bryan Wheeler, dreamed up what would become an annual excuse to have a city-wide party to highlight their own art and music. (Bryan is also the frontman for Lubbock band, LOS SONSABITCHES). The Wheeler Brothers invited their artist and musician friends to unite for a free-wheeling celebratory art show that from the very beginning featured such measured craziness as opening ceremonies, real live Texas Tech cheerleaders, wandering musicians and magicians, Elvis impersonators, and lots more surprises at every turn. ULTERIOR MOTIFS was born. By UM no. 3, Ulterior Motifs was a much anticipated annual Lubbock event complete with real sponsors, over 1,000 revelers, and real art world reviews. Word got out to the rest of Texas, and in in 2002, the Wheeler brothers were invited by infamous Texas artists, The Art Guys, to bring their art extravaganza on the road to the famous ART GUYS WORLS HEADQUARTERS in Houston, Texas. As Catherine D. Anspon writes in her 2010 book, TEXAS ARTISTS TODAY, “The [Houston] debut provided imprimatur and just the right amount of insouciance to launch them into mainstream contemporary circles in Texas…” That night, the Wheeler brothers met famous Houston art people such as Gus Kopriva and Wayne Gilbert.
    [Show full text]
  • The Art Car Spectacle: a Cultural Display And
    THE ART CAR SPECTACLE: A CULTURAL DISPLAY AND CATALYST FOR COMMUNITY Dawn Stienecker, MEd Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS August 2012 APPROVED: Rina Kundu, Major Professor Nadine Kalin, Co-major Professor Connie Newton, Committee Member Denise A. Baxter, Interim Chair of the Department of Art Education and Art History Robert W. Milnes, Dean of the College of Visual Arts and Design Mark Wardell, Dean of the Toulouse Graduate School Stienecker, Dawn. The Art Car Spectacle: A Cultural Display and Catalyst for Community. Doctor of Philosophy (Art Education), August 2012, 231 pp., 11 illustrations, reference list, 120 titles. This auto-ethnographic study focuses on Houston’s art car community and the grassroots movement’s 25 year relationship with the city through an art form that has created a sense of community. Art cars transform ordinary vehicles into personally conceived visions through spectacle, disrupting status quo messages of dominant culture regarding automobiles and norms of ownership and operation. An annual parade is an egalitarian space for display and performance, including art cars created by individuals who drive their personally modified vehicles every day, occasional entries by internationally renowned artists, and entries created by youth groups. A locally proactive public has created a movement has co-opted the cultural spectacle, creating a community of practice. I studied the events of the Orange Show Center for Visionary Art’s Art Car Weekend to give me insight into art and its value for people in this community. Sources of data included the creation of a participatory art car, journaling, field observation, and semi-structured interviews.
    [Show full text]
  • Artist's Resumé
    Artist’s Resumé Louis Theodore “Ted” Ollier 86 Powder House Blvd #3 Somerville, MA 02144 617.633.1816 [email protected] BA Honors Liberal Arts, University of Texas at Austin, 1993; 3.381 Dual BFA Communication Design & Studio Art, Texas State University, San Marcos, 2004; 3.786 MFA, Massachusetts College of Art, 2008 Experience: Founding member of Ars Ipsa artist-funded guerilla gallery Founding member of Progressions collectors circle Presentation, ArtH 4301 Class, Texas State University; How to Start Your Own Gallery , April 18, 2006; Dr. James Housefield, instructor Member, Slugfest print cooperative, Austin, TX Member, EES-Arts print cooperative, Boston, MA Printmaking tutor and studio assistant, MassArt Low Residency MFA Program at the Fine Arts Work Center, Provincetown, MA Adjunct tutor and printer, Bow & Arrow Press, Adams House, Harvard University Shows (solo in bold): 2004 They Who Search Gallery, Austin; Handsome Fur-Bearing Animals , Apr. 2; The Art Guys, jurors Gallardia Gallery, San Marcos, Texas; Handsome Fur-Bearing Animals , Apr. 19-May 14 House Showing, Austin; Opus V: Black and White , Jun 24; Anthony Campbell, curator Gomez Art Gallery, Lincoln, Nebraska; Down ‘n’ Dirtier Art Show II , Oct 8-9; found art Gallery II, Texas State University, San Marcos, Texas; All-Student Juried Competition , Nov. 9-23; Clint Willour, juror Iron Gate Studios, Austin; Stays Crispy in Milk*, Nov 19-21; Mary Quin Matteson, juror 2005 Stone Metal Press, San Antonio; Hand-Pulled Prints XII , Mar 31-Apr 30; Frances Colpitt, juror Gallery
    [Show full text]
  • Stage Environment: You Didn't Have to Be There September 8–October
    Stage Environment: You Didn’t Have to Be There Contemporary Arts Museum Houston Stage Environment: You Didn’t Have to Be There September 8–October 21, 2018 Please do not remove from gallery. 1 Stage Environment: You Didn’t Have to Be There Contemporary Arts Museum Houston DOUGLAS DAVIS After CAMH flooded in 1976, Director Jim Harithas decided to use the city as his extended museum. One notable performance took place on December 20, 1976 in the Astrodome. The art and interactive technology pioneer Douglas Davis broadcast the first live global satellite performance in Houston. This was one of the early uses of live satellite technology for artistic purposes, as well as one of the first times a private citizen had rented satellite time. CAMH could only afford to rent the Astrodome for thirty-minutes, which translated to ten minutes of direct transmission. During the performance Davis read seven thoughts to a live international satellite audience and an empty Astrodome; he then put the seven sheets of paper that contained the seven thoughts in a sealed box that was never to be opened. Douglas said that these thoughts were “peaceful resistance against the idea that only the mighty and powerful could speak or broadcast to the world.” Seven Thoughts (1976) is an example of technology-based performance engaging a live audience without proximity to the performer. Please do not remove from gallery. 2 Stage Environment: You Didn’t Have to Be There Contemporary Arts Museum Houston Photograph of Astrodome, Houston, Texas Douglas Davis Seven Thoughts (documentation), 1976 NTSC single-channel video: color, sound, 32 minutes Video by Andy Mann, Dale Brooks, and Rita Myers Courtesy Video-Forum of Neuer Berliner Kunstverein (n.b.k.), Germany Douglas Davis Seven Thoughts (performance still), 1976 Photograph Copyright Massachusetts Institute of Technology (MIT) Courtesy Center for Advanced Visual Studies Special Collection, MIT Program in Art, Culture, and Technology Please do not remove from gallery.
    [Show full text]