The Women's Virtue Movement in Contemporary
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Uncovering the Messages Behind Four Imperial Dragon Robes from Exhibitions with Yin and Yang Message
Journalism and Mass Communication, January 2017, Vol. 7, No. 1, 53-62 doi: 10.17265/2160-6579/2017.01.006 D DAVID PUBLISHING Uncovering the Messages Behind Four Imperial Dragon Robes from Exhibitions With Yin and Yang Message Shu Hwa Lin, C J Duarte University of Hawaii at Manoa, Honolulu HI, USA The design themes of three Qing dynasty imperial dragon robes from the University of Hawaii at Manoa Costume Collection act as carriers of the Chinese yin-yang philosophy. The information shared by these imperial dragon robes are discussed through a cultural and technological analysis of the symbolic motifs and fabric structures of these garments to reveal the cultural and social impact of yin-yang on Qing imperial costume design. Keywords: Dragon robe, Yin and Yang, imperial/court costume Introduction Since the Qing dynasty (1644-1911), the yin-yang philosophy has been utilized in Chinese court dress (Lin, 2015). The influence of yin-yang on Chinese costume design can be observed in the surviving artifacts of the Qing dynasty (Cheng, 2008; Camman, 1952). The University of Hawaii at Manoa (UHM) Costume Collection (UHMCC) houses three kosse robes (i.e., tapestry) and one embroidery dragon robes from the Qing dynasty which provide representations of the yin-yang philosophy through the motifs and color patterns of its design. These important robes were selected to exhibit during special days such as year of dragon, UHM 100 years, and UHMCC 50 year’s anniversary. There are four categories of court dress: gunfu, chaofu, jifu, changfu (Zhoa, 1989; Zhou & Gao, 1988). Three dragon robes from the UHM Costume Collection are classified as jifu, or semi-formal court robe (Vollmer, 1977a). -
Digital Feminism in the Arab Gulf
MIT Center for Intnl Studies | Starr Forum: Digital Feminism in the Arab Gulf MICHELLE I'm Michelle English, and on behalf of the MIT Center for International Studies, welcome you to ENGLISH: today's Starr Forum. Before we get started, I'd like to mention that this is our last planned event for the fall. However, we do have many, many events planned for the spring. So if you haven't already, please take time to sign up to get our event notices. Today's talk on digital feminism in the Arab Gulf states is co-sponsored by the MIT Women's and Gender Studies program, the MIT History department, and the MIT Press bookstore. In typical fashion, our talk will conclude with Q&A with the audience. And for those asking questions, please line up behind the microphones. We ask that you to be considerate of time and others who want to ask questions. And please also identify yourself and your affiliation before asking your question. Our featured speaker is Mona Eltahawy, an award winning columnist and international public speaker on Arab and Muslim issues and global feminism. She is based in Cairo and New York City. Her commentaries have appeared in multiple publications and she is a regular guest analyst on television and radio shows. During the Egypt Revolution in 2011, she appeared on most major media outlets, leading the feminist website Jezebel to describe her as the woman explaining Egypt to the West. In November 2011, Egyptian riot police beat her, breaking her left arm and right hand, and sexually assaulted her, and she was detained for 12 hours by the Interior Ministry and Military Intelligence. -
The 2018 GLOBEX JULMESTER® PROGRAM Classes: July 2-20, 2018
The 2018 GLOBEX JULMESTER® PROGRAM Classes: July 2-20, 2018 http://globex.coe.pku.edu.cn/ The Globex Julmester at Peking University in Beijing, China is a professional mobility program with a worldwide exchange of students from all disciplines of study. To enhance students' global and professional experience, Globex offers courses that focus on the two core elements of our program: engineering & science and China-focused study. Engineering and science generate new knowledge and skills for society to advance and prosper (10 engineering/science courses). Societies everywhere are being profoundly impacted by China, as it grows to become the world’s largest economy. Globex offers students an opportunity to study China and its peoples (2 China focused courses). Although students are allowed to select 2 courses (one in the morning and the other in the afternoon), we recommend Globex students to enroll in only 1 course as the program is highly intensive. ENGINEERING & SCIENCE CHINA-FOCUSED Fri - Smart Materials & The Tissue Engineer’s Compliant Robotics: Inter-Cultural Design Financial Decisions in Digital China: Adaptive Systems Toolkit: Design and Humanoids to Soft for a Responsible Engineering Project Technology, Media and (3) Evaluation of Regenerative Robots Business Model Management Culture Therapies (3) (4) (3) (3) Dean Greg Washington & (3) Prof. Farzad Ahmadkanlou Prof. Hongbin Liu Prof. Marc Lucas Prof. Daricha Sutivong Prof. Wenhong Chen 11:00 AM, Mon The University of California Prof. Ken Webb King’s College London Mines ParisTech Chulalongkorn The University of Texas - Irvine Clemson University University Austin 8:00 Artificial Organ Drug and Gene Delivery The Materials Genome Robotics: The Big History of Our China Economy: Fri - Engineering in Biomedicine Assessment Programming & Practice Planet: A Scientific Journey Growth and Global (3) (3) (3) (3) over 14 Billion Years of Connections Mon Evolution (3) (3) Prof. -
C Ntentasia 21 March-3 April 2016 Page 2
#GreatJobs page 6 ! s r a ye 2 0 C 016 g 1 NTENT - Celebratin www.contentasia.tv l https://www.facebook.com/contentasia?fref=ts facebook.com/contentasia l @contentasia l www.contentasiasummit.com 21 March-3 april 2016 Vietnam tops Asia’s format charts MAIN COLOR PALETTE 10 GRADIENT BG GRADIENT R: 190 G: 214 B: 48 46 titles onR: 0 G:Q1 0 B:2016 0 slate,Take the green and the blue Take the green and the blue C: 30 M: 0 Y: 100 K: 0 C: 75 M: 68 Y: 67 K: 90 from the main palette. from the main palette. Opacity: 100% Opacity: 50% R: 0 G: 80 B: 255 R: 138 G: 140 B: 143 Blending Mode: Normal Blending Mode: Hue C: 84 M: 68 Y: 0 K: 0 withC: China49 M: 39 Y: 38 at K: 328 Vietnam was Asia’s most active formats market in Q1 2016, with 46 titles on air, in production or in waiting. ContentAsia’s updated Formats Outlook puts China sec- ond by volume, with 28 formats, although China is spending the most money by far. Full story on page 2 Streaming mania in Southeast AsiaC Battle heats up as Sky,M Astro pile in Y CM U.S. studios and everyone else with a MY show to peddle have a new best friend forever in Southeast Asia. Actually,CY call that a whole lot of new BFFs as OTTCMY plat- forms prepare for battle. K Full story on page 16 History Asia clears 4-nights for Roots Day & date Asia premiere set for 31 May History premieres mega-drama Roots in Asia at the end of May, scheduling the epic four two-hour episodes across four nights from 31 May. -
Practical Contextualism in Chinese Philosophy Yuzhou Yang a Thesis
Practical Contextualism in Chinese Philosophy Yuzhou Yang A thesis in fulfilment of the requirements for the degree of Doctor of Philosophy School of Humanities and Languages Faculty of Arts and Social Sciences November 2016 PLEASE TYPE THE UNIVERSITY OF NEW SOUTH WALES Thesis/Dissertation Sheet Surname or Family name: Yang First name: Yuzhou Other name/s: Abbreviation for degree as given in the University calendar: PhD School: School of Humanities and Languages Faculty: Faculty of Arts and Social Sciences Title: Practical Contextualism in Chinese Philosophy Abstract 350 words maximum: (PLEASE TYPE) 'Practical Contextualism' is a multifaceted concept which, I will argue, permeates various ancient Chinese texts. The central focus of practical contextualism is to be aware of, and sensitive to, the contextual environment or situation, including the relationships involved in those contexts. On an individual level, this has important implications for one’s daily engagement with others and the world. On a socio-political level, this is essential to creating and implementing well-functioning social and political institutions and policies. Practical contextualism means, among other things, that one must be prepared for possible changes that might occur in these contexts, and calls for the fostering of optimal and timely responses and solutions. In this light, the cultivation of the self is an arduous process whereby one develops epistemic cognition and skills in order to be able to detect and deal with exigent situations. This thesis studies four pre-Qin Chinese texts: the Yi Jing, the Han Fei Zi, the Zhuang Zi, and the Analects. Each of these arguably exemplifies the particular tradition or practical field it represents, and has received extensive and long-term scholarly attention. -
Young Feminist Activists in Present-Day China: a New Feminist Generation?
China Perspectives 2018/3 | 2018 Twenty Years After: Hong Kong's Changes and Challenges under China's Rule Young Feminist Activists in Present-Day China: A New Feminist Generation? Qi Wang Electronic version URL: http://journals.openedition.org/chinaperspectives/8165 ISSN: 1996-4617 Publisher Centre d'étude français sur la Chine contemporaine Printed version Date of publication: 1 September 2018 Number of pages: 59-68 ISSN: 2070-3449 Electronic reference Qi Wang, « Young Feminist Activists in Present-Day China: A New Feminist Generation? », China Perspectives [Online], 2018/3 | 2018, Online since 01 September 2019, connection on 28 October 2019. URL : http://journals.openedition.org/chinaperspectives/8165 © All rights reserved Articles China perspectives Young Feminist Activists in Present-Day China A New Feminist Generation? QI WANG ABSTRACT: This article studies post-2000 Chinese feminist activism from a generational perspective. It operationalises three notions of gene- ration—generation as an age cohort, generation as a historical cohort, and “political generation”—to shed light on the question of generation and generational change in post-socialist Chinese feminism. The study shows how the younger generation of women have come to the forefront of feminist protest in China and how the historical conditions they live in have shaped their feminist outlook. In parallel, it examines how a “po- litical generation” emerges when feminists of different ages are drawn together by a shared political awakening and collaborate across age. KEYWORDS: -
Ming-Qing Women's Song Lyrics to the Tune Man Jiang Hong
engendering heroism: ming-qing women’s song 1 ENGENDERING HEROISM: MING-QING WOMEN’S SONG LYRICS TO THE TUNE MAN JIANG HONG* by LI XIAORONG (McGill University) Abstract The heroic lyric had long been a masculine symbolic space linked with the male so- cial world of career and achievement. However, the participation of a critical mass of Ming-Qing women lyricists, whose gendered consciousness played a role in their tex- tual production, complicated the issue. This paper examines how women crossed gen- der boundaries to appropriate masculine poetics, particularly within the dimension of the heroic lyric to the tune Man jiang hong, to voice their reflections on larger historical circumstances as well as women’s gender roles in their society. The song lyric (ci 詞), along with shi 詩 poetry, was one of the dominant genres in which late imperial Chinese women writers were active.1 The two conceptual categories in the aesthetics and poetics of the song lyric—“masculine” (haofang 豪放) and “feminine” (wanyue 婉約)—may have primarily referred to the textual performance of male authors in the tradition. However, the participation of a critical mass of Ming- Qing women lyricists, whose gendered consciousness played a role in * This paper was originally presented in the Annual Meeting of the Association for Asian Studies, New York, March 27-30, 2003. I am deeply grateful to my supervisor Grace S. Fong for her guidance and encouragement in the course of writing this pa- per. I would like to also express my sincere thanks to Professors Robin Yates, Robert Hegel, Daniel Bryant, Beata Grant, and Harriet Zurndorfer and to two anonymous readers for their valuable comments and suggestions that led me to think further on some critical issues in this paper. -
Informal and Formal Institutions in Taiwan's Political Process
Towards a Consolidated Democracy? Informal and Formal Institutions in Taiwan's Political Process Christian Göbel University of Heidelberg [email protected] Paper prepared for the Conference Group on Taiwan Studies at the APSA Annual Meeting 2001, San Francisco, August 30 - September 2 ABSTRACT Institutionalization plays an important role in democratic consolidation. This paper goes beyond constitutional reforms and takes a closer look at the institutions, both informal and formal, that have shaped and influenced Taiwan's political process since its successful democratic transition. It seeks to elucidate in a systematic way the role major informal networks have played, and in a second step examines their relationship with the formal institutional environment. Political representation in Taiwan is found to have been, to a great extent, based on informal institutions which undermine democracy. The relationship between these informal institutions and the formal institutions has been largely complementary, meaning that formal and informal institutions have reinforced each other. In cases where conflicts existed, the sanctions that the formal institution carried were either toothless, or their enforcement was lax. Seen in this light, Taiwan's process of democratic consolidation was largely stagnating until the changeover of power in May 2000. However, the new administration's "sweeping out black gold-" policies are a step in the right direction and might eventually serve to initiate further institutional reform. Introduction Much has been written about Taiwan's democratization process, and hardly anyone doubts that Taiwan became a democracy with its first direct presidential elections in March 1996. There is considerable argument, however, about the quality of Taiwan's democracy. -
Remembering the Grandmothers: the International Movement to Commemorate the Survivors of Militarized Sexual Abuse in the Asia-Pacific War
Volume 17 | Issue 4 | Number 1 | Article ID 5248 | Feb 15, 2019 The Asia-Pacific Journal | Japan Focus Remembering the Grandmothers: The International Movement to Commemorate the Survivors of Militarized Sexual Abuse in the Asia-Pacific War Vera Mackie, Sharon Crozier-De Rosa It is over seventy years since the issue of systematized sexual abuse in the Asia-Pacific War came to light in interrogations leading up The Australian War Memorial to the post-Second World War Military Tribunals. There was also widespreadThe Australian War Memorial was established vernacular knowledge of the system in the at the end of the First World War as a ‘shrine, a world-class museum, and an extensive early postwar period in Japan and its former 2 occupied territories. The movement for redress archive’. Its mission is to ‘assist Australians to for the survivors of this system gainedremember, interpret and understand the Australian experience of war and its enduring momentum in East and Southeast Asia in the 3 1970s. By the 1990s this had become a global impact on Australian society’. The holdings include ‘relics, official and private records, art, movement, making connections with other photographs, film, and sound’. The physical international movements and political archive is augmented by an extensive on-line campaigns on the issue of militarized sexual archive of digitized materials.4 From the end of violence. These movements have culminated in the First World War to the present, the advances in international law, where Memorial has been the official repository for militarized sexual violence has been addressed the documentation of Australia’s involvement in in ad hoc Military Tribunals on the former military conflicts and peacekeeping operations. -
The Paradigm of Hakka Women in History
DOI: 10.4312/as.2021.9.1.31-64 31 The Paradigm of Hakka Women in History Sabrina ARDIZZONI* Abstract Hakka studies rely strongly on history and historiography. However, despite the fact that in rural Hakka communities women play a central role, in the main historical sources women are almost absent. They do not appear in genealogy books, if not for their being mothers or wives, although they do appear in some legends, as founders of villages or heroines who distinguished themselves in defending the villages in the absence of men. They appear in modern Hakka historiography—Hakka historiography is a very recent discipline, beginning at the end of the 19th century—for their moral value, not only for adhering to Confucian traditional values, but also for their endorsement of specifically Hakka cultural values. In this paper we will analyse the cultural paradigm that allows women to become part of Hakka history. We will show how ethical values are reflected in Hakka historiography through the reading of the earliest Hakka historians as they depict- ed Hakka women. Grounded on these sources, we will see how the narration of women in Hakka history has developed until the present day. In doing so, it is necessary to deal with some relevant historical features in the construc- tion of Hakka group awareness, namely migration, education, and women narratives, as a pivotal foundation of Hakka collective social and individual consciousness. Keywords: Hakka studies, Hakka woman, women practices, West Fujian Paradigma žensk Hakka v zgodovini Izvleček Študije skupnosti Hakka se močno opirajo na zgodovino in zgodovinopisje. -
Rethinking Feminism Across the Taiwan Strait Author
Out of the Closet of Feminist Orientalism: Rethinking Feminism Across the Taiwan Strait Author: Ya-chen Chen Assistant Professor of Chinese Literature and Asian Studies at the CCNY What is Chinese feminism? What is feminism in the Chinese cultural realm? How does one define, outline, understand, develop, interpret, and represent women and feminism in the Chinese cultural realm? These questions are what scholars will always converse over in the spirit of intellectual dialogue.1 However, the question of “which version of [feminist] history is going to be told to the next generation” in the Chinese cultural realm is what cannot wait for diverse scholars to finish arguing over?2 How to teach younger generations about women and feminism in the Chinese cultural realm and how to define, categorize, summarize, or explain women and feminism in the Chinese cultural realm cannot wait for diverse scholars to articulate an answer that satisfies everyone. How women and feminists in the Chinese cultural realm, especially non- Mainland areas, should identify themselves cannot wait until this debate is over. Because anthologies are generally intended for classroom use, I would like to analyze a number of feminist anthologies to illustrate the unbalanced representation of women and feminism in the Chinese cultural realm. In this conference paper, I will examine the following English-language feminist anthologies: Feminisms: An Anthology of Literary Criticism and 327 Theory; The Second Wave: A Reader in Feminist Theory, Western Feminisms: An Anthology of -
Women's Rights in China and Feminism on Chinese Social Media
Issue Brief June 14, 2021 Women’s Rights in China and Feminism on Chinese Social Media Frida Lindberg In recent years, women in China have to a greater extent than previously raised their voices about issues relating to women’s rights and gender equality. Social media has served as an important tool and venue for women to share their own experiences with sexual harassment, domestic violence, and gender discrimination in the labor market. Yet, while the feminist movement has been on the rise over the past ten years, feminists and women in China who speak up about gender-related issues nevertheless face threats, antagonism, and censorship online.1China has stated that it aims to empower women and protect their rights.2 However, activities and discourses that have the potential to disturb the existing social order or challenge the authorities are not tolerated by the government, as social stability is one of its top priorities.3,4 This paper addresses how women and feminists in China use social media to speak up, while at the same time having to cope with gender antagonism in Chinese society and monitoring efforts by the government. Oppression and Discrimination Against enshrined in the constitution, while initiatives that Women in China involved women in building the new communist China were introduced.8 Through posters and In ancient China, women were subordinate to first speeches, the party projected the image of female and foremost their fathers, secondly their husbands, socialist icons, so-called “iron women”, who were and lastly, as widows, their sons. At that time, depicted as labor heroes that also managed to religious and philosophical norms had been set up maintain a harmonious family.