Hawaii Five O Season 8 Episode Guide

Total Page:16

File Type:pdf, Size:1020Kb

Hawaii Five O Season 8 Episode Guide Hawaii five o season 8 episode guide Continue Back in the 90s, it was quite a routine for sitcoms to do vacation episodes. Watching TV is already an escape for viewers, but when do you add an exotic locale on top of this? Well, it's just the ultimate escape. And while many classic shows have made their own versions of the holiday episode as family issues, Boy Meets the World, and step by step, no one has made them quite like Full House. Full-house holiday episodes were plentiful and memorable - apparently the Tanners were uploaded - and they definitely inspired many 90s kids to take trips of their own. But which full house holiday episode was the best? First, you have to ask yourself: What makes a good full- house vacation episode? For a start, obviously you need to put the characters in a place other than San Francisco. Next, you really have to involve the whole family. Some episodes release only one or two characters going on the trick, and while they certainly meet the criteria for a vacation episode, they will inherently be weaker than the fee that shows the whole gang going away together. And finally, and this is the most important criterion, it's Adventure with Capital A. The more adventures squeezed into an episode of vacation, the better. So with these rules in mind, that's how all the full house vacation episodes add up. 1Sse Months of Itching - Part OneThis episode begins with an extremely strong vacation premise: Tanners are going to Disneyland! But then it takes a strong nosedive as fog prevents the family plane from taking off and they never make it to the happiest place on Earth. They just... stay home, not. Come on, guys, you could at least go out for some fun. Heck, you're already in California, Disneyland is just seven hours away! After Jesse's new single hits number one in Japan, his label sends him, Becky, and the twins there to promote him. But Jesse behaves like arrogant all the time he's in Japan, and the Tanners and Joey all stay in California. With less than half of the episode happening in another country, and the apparent lack of fun in the parts that do, there isn't much like here. Joey gets a concert in Vegas, and the whole family makes a trip to watch his comedy show. However, the fun is mostly sucked out of the room after Stephanie invites Joey's estranged father, and the episode revolves mainly around their strained relationship rather than Sin City hijinks. Another career-driven getaway, Joey's new comedy show in Los Angeles with Frankie Avalon and Annette Funicello at least gets the whole family to visit him. There's not much in the way of adventure, but Funicello and Avalon make for some fun guest stars. After Stephanie and Michelle lay down on a plane bound for New york, you'd think it would lead to some grandiose adventures for the two. Instead of we don't get to see them explore explore country at all as they hook the flight back to San Francisco as soon as they land. Plenty of missed potential here, but the plane scene is at least a decent vacation feel. Instead of a family vacation, this atypical episode focuses on guys' trip. Joey, Jesse and Danny are fishing together on a yacht without children. It ends up turning into a failed romance for all three who strike out with the women they meet on the boat, but the episode gets some bonus points for Joey Captain hat.7 Our very first Christmas showSo it features as a holiday episode and a holiday episode, but hey, the Christmas break is entirely a thing, so it matters. Meeting plane problems once again while heading to Colorado, the whole family ends up stranded at the airport on Christmas Day. They make the most of a bad situation by learning that being together is what really matters, and Santa even shows up! So overall, it ends up making for a pretty solid vacation. There's a lot of fun stuff here as the Tanners prepare to go to a family reunion on Lake Pollock, including some great road tripping bits and talking about the games they'll be playing on the lake. However, the release powers of the episode are a little hampered by the main story involving Jesse's decision to stay home and try to write a song. By the time he joins the family, there's not enough time to really show them competing in games to reunite, but it still ends on a high note with the Tanners winning some kind of trophy. This two-part sees all head on Lake Tahoe for the taping of Danny and Becky's TV show. There are tons of classic vacation bits here, from Joey's Casino gambling to girls checking out their hotel rooms to Michelle learning to swim. The main plot revolves around the ups and downs of Jesse and Becky's relationship as they almost get married, which takes a bit of fun, but overall it ranks as a very strong vacation episode.10 House Meets Mouse You could probably place this monstrous two-parter at number one, and it won't be a major scandal, like the whole gang heads to Walt Disney World and has a ton of adventures with everyone getting to do their own thing. There are seriously too many adventures to list here, and the only real knock against the episode is that it's basically a giant ad for Disney World (Disney will continue to buy ABC just over two years later). It takes a really special episode to beat tanners' trips to WDW, and that's what you get with this Hawaiian tour. You have everything you could want in a holiday episode: a romance with Joey and a local woman, magic with Stephanie's search for mythical menehune, adventures with family believing they're stranded on an island, culture with hula show, humor with the legendary Danny clipboard and Jesse's big, Elvis-inspired musical number. It's This. is the undisputed king of the holiday sitcom. Full House has had many vacation episodes and that's one of the things that made the show special. In a series that is all about family unity, it is sometimes required to remove characters from their comfort zone to really show how close they are to each other. Get all the best moments in pop culture and entertainment delivered to your inbox. CBS' Karen Neal announced in February that the long-term Hawaii Series Five- 0 will end in 10 years. That's why the show is reportedly canceled, and when you can catch the series finale. Hawaii Five-0 has been a TV staple since it debuted in 2010. We've got and love Alex O'Loughlin and Scott Caan as Danne, and we can't imagine a Friday night without a duet. But we're going to have to - and very soon. Hawaii's Five-0 has been officially canceled, and the series finale is scheduled to air in less than a month. It's never easy to say goodbye to a hit franchise that performed on the original's legacy with such distinction, while creating its own signature style, said Kelly Kahl, president of CBS Entertainment. We cannot be proud of its quality and longevity and are grateful for the passionate dedication of the fan he inspired. But if he's such a passionate viewer, why would CBS end the series? That's all we know. Why was Hawaii 5-0 canceled? Aside from the fact that it's been 10 whole years - quite a long amount of time, it seems there have been a few behind-the-scenes factors, too. Deadline claimed Alex and Scott's contracts were at the end of this season, which often jumpstarts the actor's exit. But the publication also noted that Alex suffered a back injury many years ago on stage, and that he has not quite recovered. He reportedly had stem cell treatment that helped, but he could not sign up for another round. CBS allegedly toyed with the idea of replacing Alex, but instead decided it was time to cut the cord. Have. So when's the last episode? Karen Neal's worst news of all this is that Hawaii's Five-0 final episode will run in less than a month. The two-hour series finale will air on April 3, 2020, so we're offering to stock up on fabrics now. Will any old actors come back? Yes! Apparently James Marsters (Victor Hesse), William Sadler (Jack McGarrett), and Mark Dacascos (Wo Fat) will return to say goodbye. There's no word on whether Grace Park or Daniel Dae Kim could come back one last time, but given their exits seemed a little controversial, we're not sure we see what's going on. This content is imported from a embedded name. You can find the same content in a different format, or you may be able to find more information on your website. Hopefully they tie everything up as well as criminal minds did this year! This content is created and third party and imported to this page to help users provide their email addresses. You may be able to find more information about this and similar content on piano.io This site is not available in your country by Frank Ockenfels/AMC Get caught up or refresh your memory of the events at the Sterling Cooper Advertising Agency.
Recommended publications
  • 2010 16Th Annual SAG AWARDS
    CATEGORIA CINEMA Melhor ator JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) Melhor atriz SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) Melhor ator coadjuvante MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey – “UM OLHAR NO PARAÍSO” ("THE LOVELY BONES") (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) Melhor atriz coadjuvante PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark – “BASTARDOS INGLÓRIOS” ("INGLOURIOUS BASTERDS") (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) Melhor elenco AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt.
    [Show full text]
  • 1 Nominations Announced for the 19Th Annual Screen Actors Guild
    Nominations Announced for the 19th Annual Screen Actors Guild Awards® ------------------------------------------------------------------------------------------------------------------------------ Ceremony will be Simulcast Live on Sunday, Jan. 27, 2013 on TNT and TBS at 8 p.m. (ET)/5 p.m. (PT) LOS ANGELES (Dec. 12, 2012) — Nominees for the 19th Annual Screen Actors Guild Awards® for outstanding performances in 2012 in five film and eight primetime television categories as well as the SAG Awards honors for outstanding action performances by film and television stunt ensembles were announced this morning in Los Angeles at the Pacific Design Center’s SilverScreen Theater in West Hollywood. SAG-AFTRA Executive Vice President Ned Vaughn introduced Busy Philipps (TBS’ “Cougar Town” and the 19th Annual Screen Actors Guild Awards® Social Media Ambassador) and Taye Diggs (“Private Practice”) who announced the nominees for this year’s Actors®. SAG Awards® Committee Vice Chair Daryl Anderson and Committee Member Woody Schultz announced the stunt ensemble nominees. The 19th Annual Screen Actors Guild Awards® will be simulcast live nationally on TNT and TBS on Sunday, Jan. 27 at 8 p.m. (ET)/5 p.m. (PT) from the Los Angeles Shrine Exposition Center. An encore performance will air immediately following on TNT at 10 p.m. (ET)/7 p.m. (PT). Recipients of the stunt ensemble honors will be announced from the SAG Awards® red carpet during the tntdrama.com and tbs.com live pre-show webcasts, which begin at 6 p.m. (ET)/3 p.m. (PT). Of the top industry accolades presented to performers, only the Screen Actors Guild Awards® are selected solely by actors’ peers in SAG-AFTRA.
    [Show full text]
  • 2012 Annual Report
    2012 ANNUAL REPORT Table of Contents Letter from the President & CEO ......................................................................................................................5 About The Paley Center for Media ................................................................................................................... 7 Board Lists Board of Trustees ........................................................................................................................................8 Los Angeles Board of Governors ................................................................................................................ 10 Public Programs Media As Community Events ......................................................................................................................14 INSIDEMEDIA/ONSTAGE Events ................................................................................................................15 PALEYDOCFEST ......................................................................................................................................20 PALEYFEST: Fall TV Preview Parties ...........................................................................................................21 PALEYFEST: William S. Paley Television Festival ......................................................................................... 22 Special Screenings .................................................................................................................................... 23 Robert M.
    [Show full text]
  • Machinima As Digital Agency and Growing Commercial Incorporation
    A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation A thesis presented to the faculty of the College of Fine Arts of Ohio University In partial fulfillment of the requirements for the degree Master of Arts Megan R. Brown December 2012 © 2012 Megan R. Brown. All Rights Reserved 2 This thesis titled A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation by MEGAN R. BROWN has been approved for the School of Film and the College of Fine Arts by Louis-Georges Schwartz Associate Professor of Film Studies Charles A. McWeeny Dean, College of Fine Arts 3 ABSTRACT BROWN, MEGAN R., M.A., December 2012, Film Studies A Binary Within the Binary: Machinima as Digital Agency and Growing Commercial Incorporation (128 pp.) Director of Thesis: Louis-Georges Schwartz. This thesis traces machinima, films created in real-time from videogame engines, from the exterior toward the interior, focusing on the manner in which the medium functions as a tool for marginalized expression in the face of commercial and corporate inclusion. I contextualize machinima in three distinct contexts: first, machinima as historiography, which allows its minority creators to articulate and distribute their interpretation of national and international events without mass media interference. Second, machinima as a form of fan fiction, in which filmmakers blur the line between consumers and producers, a feature which is slowly being warped as videogame studios begin to incorporate machinima into marketing techniques. Finally, the comparison between psychoanalytic film theory, which explains the psychological motivations behind cinema's appeal, applied to videogames and their resulting machinima, which knowingly disregard established theory and create agency through parody.
    [Show full text]
  • CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake
    CINE MEJOR ACTOR JEFF BRIDGES / Bad Blake - "CRAZY HEART" (Fox Searchlight Pictures) GEORGE CLOONEY / Ryan Bingham - "UP IN THE AIR" (Paramount Pictures) COLIN FIRTH / George Falconer - "A SINGLE MAN" (The Weinstein Company) MORGAN FREEMAN / Nelson Mandela - "INVICTUS" (Warner Bros. Pictures) JEREMY RENNER / Staff Sgt. William James - "THE HURT LOCKER" (Summit Entertainment) MEJOR ACTRIZ SANDRA BULLOCK / Leigh Anne Tuohy - "THE BLIND SIDE" (Warner Bros. Pictures) HELEN MIRREN / Sofya - "THE LAST STATION" (Sony Pictures Classics) CAREY MULLIGAN / Jenny - "AN EDUCATION" (Sony Pictures Classics) GABOUREY SIDIBE / Precious - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MERYL STREEP / Julia Child - "JULIE & JULIA" (Columbia Pictures) MEJOR ACTOR DE REPARTO MATT DAMON / Francois Pienaar - "INVICTUS" (Warner Bros. Pictures) WOODY HARRELSON / Captain Tony Stone - "THE MESSENGER" (Oscilloscope Laboratories) CHRISTOPHER PLUMMER / Tolstoy - "THE LAST STATION" (Sony Pictures Classics) STANLEY TUCCI / George Harvey - "THE LOVELY BONES" (Paramount Pictures) CHRISTOPH WALTZ / Col. Hans Landa - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MEJOR ACTRIZ DE REPARTO PENÉLOPE CRUZ / Carla - "NINE" (The Weinstein Company) VERA FARMIGA / Alex Goran - "UP IN THE AIR" (Paramount Pictures) ANNA KENDRICK / Natalie Keener - "UP IN THE AIR" (Paramount Pictures) DIANE KRUGER / Bridget Von Hammersmark - "INGLOURIOUS BASTERDS" (The Weinstein Company/Universal Pictures) MO’NIQUE / Mary - "PRECIOUS: BASED ON THE NOVEL ‘PUSH’ BY SAPPHIRE" (Lionsgate) MEJOR ELENCO AN EDUCATION (Sony Pictures Classics) DOMINIC COOPER / Danny ALFRED MOLINA / Jack CAREY MULLIGAN / Jenny ROSAMUND PIKE / Helen PETER SARSGAARD / David EMMA THOMPSON / Headmistress OLIVIA WILLIAMS / Miss Stubbs THE HURT LOCKER (Summit Entertainment) CHRISTIAN CAMARGO / Col. John Cambridge BRIAN GERAGHTY / Specialist Owen Eldridge EVANGELINE LILLY / Connie James ANTHONY MACKIE / Sgt. J.T.
    [Show full text]
  • Newsletter 04/15 DIGITAL EDITION Nr
    ISSN 1610-2606 ISSN 1610-2606 newsletter 04/15 DIGITAL EDITION Nr. 349 - Juni 2015 Michael J. Fox Christopher Lloyd LASER HOTLINE - Inh. Dipl.-Ing. (FH) Wolfram Hannemann, MBKS - Talstr. 11 - 70825 K o r n t a l Fon: 0711-832188 - Fax: 0711-8380518 - E-Mail: [email protected] - Web: www.laserhotline.de Newsletter 04/15 (Nr. 349) Juni 2015 editorial Hallo Laserdisc- und DVD-Fans, liebe Filmfreunde! Der Juni ist zwar schon fast vorbei, doch wollten wir es uns nicht nehmen lassen, Ihnen noch schnell eine Juni-Ausgabe unseres Newsletters zukommen zu las- sen. Der hätte ja eigentlich schon viel früher produ- ziert werden sollen, doch hat uns der Terminkalender einen kleinen Strich durch die Rechnung gemacht: noch nie standen so viele Kino-Events im Planer wie in den vergangenen Wochen. Will heissen: unsere Videoproduktion läuft auf Hochtouren! Und das ist auch gut so, wollen wir doch schließlich unseren Youtube-Kanal mit Nachschub versorgen. Damit aber nicht genug: inzwischen klopfen verstärkt Kino- betreiber, Filmverleiher und auch DVD-Labels bei uns an, um Videos in Auftrag zu geben. Ein Wunsch, dem wir nur allzu gerne nachkommen – es geht nichts über kreatives Arbeiten! Insbesondere freuen wir uns, dass es wieder einmal eines der beliebtesten Videos in un- serem Youtube-Kanal als Bonus-Material auf eine kommende DVD-Veröffentlichung geschafft hat. Auf persönlichen Wunsch von Regisseur Marcel Wehn wird unser Premierenvideo zu seinem beeindrucken- den Dokumentarfilm EIN HELLS ANGEL UNTER BRÜ- DERN auf der DVD, die Ende Juli veröffentlicht wird, zu finden sein. Merci, Marcel! Übrigens hat genau dieses Video zwischenzeitlich mehr als 26.000 Zugriffe Oben: Hauptdarstellerin Vicky Krieps Rechts: Regisseur Ingo Haeb LASER HOTLINE Seite 2 Newsletter 04/15 (Nr.
    [Show full text]
  • Are Solar Panels Coming to Foley?
    Serving the greater NORTH, CENTRAL AND SOUTH BALDWIN communities Fairhope residents paint rocks for positivity PAGE 5 City votes to establish resource The Onlooker officer PAGE 3 JUNE 14, 2017 | GulfCoastNewsToday.com | 75¢ Children meet a chocolate skunk at library’s summer reading event Are solar panels coming to Foley? Riviera Utilities in early talks early stages, DeBell and his core team at Riviera have already begun seeking out of bringing solar to the city locations that may be used for the solar array. By JESSICA VAUGHN “I just wanted to introduce this idea, [email protected] we’re not looking for any action today,” DeBell stressed. “We have to negotiate FOLEY — Could Foley soon be home some agreements on who’s going to own to a new array of solar panels? That is what, how the agreements are going the hope of Tom DeBell, the General to work, and what land it’s going to be Manager and CEO at Riviera Utilities. on. But as to what our message is with DeBell came before the Foley council on this project, it’s that we want to be the Monday, June 5, to introduce the idea of local leader in doing this, and I see this placing an array of solar panels at a yet as a great opportunity for us to partner undecided location. between Riviera, the city, and bring the “I just wanted to introduce this con- schools into it.” cept to you,” DeBell began. “We’ve got If the panels were to come, AMEA an opportunity to get the community would do an array like the one that they solar, and the good news about it is we set up in Montgomery, which is a 50KW can do it at practically no cost to us.” array.
    [Show full text]
  • Lan Xb1 Digital Manual E
    WARNING Before playing this game, read the Xbox One system, and accessory manuals for important safety and health information. www.xbox.com/support. Important Health Warning About Playing Video Games A very small percentage of people may experience a seizure when exposed to certain visual images, including flashing lights or patterns that may appear in video games. Even people with no history of seizures or epilepsy may have an undiagnosed condition that can cause “photosensitive epileptic seizures” while watching video games. Symptoms can include light-headedness, altered vision, eye or face twitching, jerking or shaking of arms or legs, disorientation, confusion, momentary loss of awareness, and loss of consciousness or convulsions that can lead to injury from falling down or striking nearby objects. Immediately stop playing and consult a doctor if you experience any of these symptoms. Parents, watch for or ask children about these symptoms—children and teenagers are more likely to experience these seizures. The risk may be reduced by being farther from the screen; using a smaller screen; playing in a well-lit room, and not playing when drowsy or fatigued. If you or any relatives have a history of seizures or epilepsy, consult a doctor before playing. BACKSTORY In the years after World War II, while many struggled to rebuild their lives in a devastated economy, Los Angeles embraced an era of unprec - edented growth and prosperity, and Hollywood became a shining beacon of the American Dream to the rest of the world. Yet beneath the glitz and glamour lay a darker reality: a burgeoning drug trade, a movie industry relentlessly preying on naïve young girls, rampant corruption at every level of police and government, and thousands of demobilized troops trying to readjust to civilian life and leave the horrors of war behind them.
    [Show full text]
  • Schools Prepare for COVID Lawmakers Seek ‘Endangered’ Status for Local Protocols for Dealing with Virus Not Affected by Gov
    Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: A look back at some top images of empathy /B1 TUESDAY T O DA Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 91 Partly sunny; LOW scattered evening storms. 75 PAGE A4 www.chronicleonline.com AUGUST 10, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 307 NEWS BRIEFS Schools prepare for COVID Lawmakers seek ‘endangered’ status for Local protocols for dealing with virus not affected by Gov. DeSantis order manatees HANNAH signed into law House Bill Health and the Florida parents’ right under Flor- In addition, the order 241, the Parents’ Bill of Department of Education ida law to make health states the Florida Com- With Florida seeing a SACHEWICZ Staff writer Rights, which prevents to work together. care decisions for their missioner of Education record number of mana- any governmental institu- The goal of this partner- minor children; and pro- will pursue all legal tee deaths this year, two On July 30, Gov. Ron De- tion from making health ship is to ensure COVID- tect children with disabil- means available to ensure congressmen Monday Santis issued an execu- care decisions for minor 19 safety protocols that, ities or health conditions districts adhere to Flor- said they have introduced tive order, “Ensuring children. according to the executive who would be harmed by ida law, including with- legislation that would des- Parents’ Freedom to The governor’s execu- order, “do not violate Flo- certain protocols such as holding funding.
    [Show full text]
  • It's a Mad Mad Men's World
    Lunds universitet Viktor Svanström Språk- och Litteraturcentrum FIVK01 Filmvetenskap Handledare: Erik Hedling 2020-01-15 It’s a mad mad men’s world En analys av HBO-serien Mad Men utifrån ett genusperspektiv med fokus på maskulinitet Abstract: I uppsatsen genomförs en djupanalys av ett flertal avsnitt från den amerikanska tv-serien Mad Men utifrån huvudsakligen två teoretiska koncept gällande studiet av maskulinitet. Dessa inkluderar bland andra Joseph A. Vandello och Jennifer K. Bosson et als studier gällande en så kallad ”osäker maskulinitet” i den vetenskapliga artikeln Precarious Manhood. Teorin gällande hegemonisk maskulinitet kommer att användas som basis för min analys, där R.W. Connell och respektive verk som Masculinities och Hegemonic masculinity: Rethinking the Concept kommer att användas som mina primära källor gällande konceptet av hegemonisk maskulinitet och diskussionen därav. Detta i syfte för att komma underfund med hur maskulinitet porträtteras i Mad Men, dess möjliga konsekvenser och reflektera kring maskulinitet i förhållande till det västerländska samhället, mer precist USA och Sverige, och det nuvarande 2000-talet. Nyckelord: Mad Men, maskulinitet, manlighet, könsroller, psykisk ohälsa Abstract: This essay will delve into a deep analysis regarding multiple episodes of the American tv-series Mad Men primarily from the perspective of two theoretical concepts regarding the study of masculinity. These include, for example, studies regarding the concept of “precarious manhood” by Joseph A. Vandello and Jennifer K. Bosson et al in the scientific article Precarious Manhood. The concept regarding hegemonic masculinity will be used for the basis of my analysis as well, with R.W. Connell and respective works such as Masculinities and Hegemonic masculinity: Rethinking the Concept will serve as my primary sources regarding the concept of hegemonic masculinity and the discussion there of.
    [Show full text]
  • Uses and Gratifications Within AMC's Mad
    Uses and Gratifications within AMC’s Mad Men Arcadia University: Media & Communication Bryce Wadsworth Intro: In today’s society, we are consumers of all sorts of media- whether that be by reading books, watching a TV show or a movie, or even exploring social media sites. Media has become a part of our everyday lives, in both social and professional respects.The ways viewers use media to gratify desires has shown to be telling of an audience (even down to the individual viewer) and influence the way we live our lives. So, without a doubt, media platforms serve a purpose in the world, but we seldom question why and how we consume particular pieces of entertainment media, despite their relevance and importance in our lives. Theory Explanation: (U&G) Elihu Katz’s theory of ‘Uses and Gratifications’ is generally defined as ‘the practice of people using the media to their own advantage’. In other words, the viewers and consumers of media are actively picking what they view and choosing how to view it, despite other theories that describe media viewers as passive beings with no control over what they are exposed to. In Media Studies 101, a Creative Commons Textbook, U&G is explained as a behavior and display of power rather than a controlled happening within media studies. Which then implies that viewers make decisions and responses in order to find what best suits their personal needs and interests. This developing concept began to evolve as Herta Herzog started looking at the emotional needs of a viewer in 1944.
    [Show full text]
  • The Acting/Music Theatre Option
    School of Drama Purnell Center for the Arts Carnegie Mellon University Pittsburgh PA 15213 412.268.2392 phone [email protected] www.drama.cmu.edu DRAMA THE ACTING/MUSIC THEATRE OPTION . We prepare you for immediate entry into the acting profession. Our 4-year conservatory training systematically introduces and reinforces your skills, leading you to mastery. CURRICULUM Year 1: Discovery An introduction to basic skills Year 2: Transformation Skills are solidified and deepened by delving into more sophisticated, verbally complex scripts Year 3: Interpretation Expansion of technique by working in many different and more challenging and demanding styles. This is the year you begin performing in CMU productions Year 4: Performing You are prepared for your transition into a professional and will attend performances in New York and Los Angeles Fourteen experienced theatre artists comprise our faculty in teaching acting, music theatre, voice, dance, and movement. All have worked in professional theatre and are committed to your individual growth as an emerging professional. In addition, distinguished visiting artists from stage, film, and television will train and work with you. Other special aspects of our program: • Opportunities to study abroad • Student-initiated projects • The International Artists Residency Program featuring innovative companies from around the world. For further information, please visit www.drama.cmu.edu or contact Barbara MacKenzie-Wood, Acting/Music Theatre Option Coordinator, at [email protected] or call 412-268-5750. School of Drama Purnell Center for the Arts Carnegie Mellon University Pittsburgh PA 15213 412.268.2392 phone [email protected] www.drama.cmu.edu DRAMA ALUMNI .
    [Show full text]