The Bantam Cowboy
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Last of the Great Scouts the Life Story of William F. Cody ["Buffalo Bill" Cody] by Helen Cody Wetmore
Last of the Great Scouts The Life Story of William F. Cody ["Buffalo Bill" Cody] by Helen Cody Wetmore Last of the Great Scouts The Life Story of William F. Cody ["Buffalo Bill" Cody] by Helen Cody Wetmore Scanned by Charles Keller with OmniPage Professional OCR software Last of the Great Scouts, by Helen Cody Wetmore The Life Story of William F. Cody ["Buffalo Bill" Cody] LAST OF THE GREAT SCOUTS THE LIFE STORY OF COL. WILLIAM F. CODY "BUFFALO BILL" AS TOLD BY HIS SISTER HELEN CODY WETMORE TO THE MEMORY OF A MOTHER WHOSE CHRISTIAN page 1 / 365 CHARACTER STILL LIVES A HALLOWED INFLUENCE GENEALOGY OF BUFFALO BILL. The following genealogical sketch was compiled in 1897. The crest is copied from John Rooney's "Genealogical History of Irish Families." It is not generally known that genuine royal blood courses in Colonel Cody's veins. He is a lineal descendant of Milesius, king of Spain, that famous monarch whose three sons, Heber, Heremon, and Ir, founded the first dynasty in Ireland, about the beginning of the Christian era. The Cody family comes through the line of Heremon. The original name was Tireach, which signifies "The Rocks." Muiredach Tireach, one of the first of this line, and son of Fiacha Straivetine, was crowned king of Ireland, Anno Domini 320. Another of the line became king of Connaught, Anno Domini 701. The possessions of the Sept were located in the present counties of Clare, Galway, and Mayo. The names Connaught-Gallway, after centuries, gradually contracted to Connallway, Connellway, Connelly, Conly, Cory, Coddy, Coidy, and Cody, and is clearly shown by ancient indentures still traceable among existing records. -
The Slingshot Kid
The Slingshot Kid US : 1927 : dir. Louis King : FBO Silent : 48 min prod: : scr: Oliver Drake : dir.ph.: William Nobles & Roy Eslick Buzz Barton ………….………….……………………………………………………………………… Frank Rice; Jeanne Morgan; Buck Connors; Jay Morley; Arnold Gray Ref: Pages Sources Stills Words Ω Copy on VHS Last Viewed 3311a 1½ 1 1 710 - - - - - No unseen Saddle-sores imminent? Barton with Jeanne Morgan and Frank Rice. Source: The Silents Majority website Speelfilm Encyclopedie review: King was a younger brother of Henry, and lived 1898-1962. He entered the film industry as an “Action-packed Western in which Buzz Barton actor in 1919 and made his directing debut this and friend Frank Rice have to flee from a gang year as co-director of "IS YOUR DAUGHTER of cattle rustlers and then land in a ghost town SAFE?". He made his solo directing debut with where they meet a man and his daughter driven the start of the Buzz Barton series: "THE BOY off their ranch. It comes to a showdown in the RIDER". He directed thirteen of the fourteen, town with the gang. Oliver Drake adapted the but would continue directing Westerns until story by John Twist and Jean Dupont. William his death, during which time, among others, Nobles and Roy Eslick did the camerawork. the TV series "Deputy" with Henry Fonda and Allen Case. **½ ” The Moving Picture Boy entry on Barton: in "THE BOY RIDER". From the 1931 serial “ "THE BOY RIDER", "THE BANTAM "THE LONE DEFENDER" onward, Buzz COWBOY", "THE FIGHTIN’ RED-HEAD", Barton rode, shot and fought steadily through "THE FRECKLED RASCAL" - Buzz Barton’s the Thirties, but no longer a prodigy, just a film titles tell it all. -
Lost Silent Feature Films
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 11/16/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) Ableminded Lady, -
Orphan of the Sage
Orphan of the Sage US : 1928 : dir. Louis King : FBO Silent : 52 min prod: William Le Baron : scr: Oliver Drake : dir.ph.: Nick Musuraca Buzz Barton ………….……………………………………………………………………………… Frank Rice; Tom Lingham; Annabelle Magnus; Bill Patton Ref: Pages Sources Stills KBytes Ω Copy on VHS Last Viewed 3056a 1½ 1 0 - - - - - No unseen Speelfilm Encyclopedie review: The Moving Picture Boy entry on Barton: “Excellent action Western in which Buzz “ "THE BOY RIDER", "THE BANTAM Barton gets a whole lot to do. He and buddy COWBOY", "THE FIGHTIN’ RED-HEAD", Frank Rice join up with a covered wagon train "THE FRECKLED RASCAL" - Buzz Barton’s heading for Oregon. Buzz discovers the film titles tell it all. (His real name was Billy nefarious plans of Bill Patton, who is in league Lamarr.) He was the archetypal junior cowboy with friendly indians. The small band cannot of the closing years of the silent cinema. If it withstand the attack for long. Buzz thunders hadn’t been silent, he’d have made a lot of through the lines to alert the army. Oliver noise – ridin’, roarin’, ropin’ and fightin’ till Drake was the screenwriter and Nick Musuraca the cows came home. the cameraman. Producer of the series was William Le Baron (1883-1958), who chiefly He was generally the protagonist, his own boy, gained a name in the thirties and forties with not a sidekick like his younger contemporary Paramount and Fox. *** ” Frankie Darro. His russet hair bristled, his honest blue eyes glared defiance, he whooped exultantly. He was so completely the prairie [no listing in "Classics of the Silent rider that his name passed into the folk Screen", "Hollywood in the Twenties", "A memory. -
MICR B FILMED ^ 9 8 4
C' Î ||M ICRbFILM ED^9841| INFORMATION TO USERS This reproduction was made from a copy of a document sent to us for microfilming. While the most advanced technology has been used to photograph and reproduce this document, the quality of the reproduction is heavily dependent upon the quality of the material submitted. The following explanation of techniques is provided to help clarify markings or notations which may appear on this reproduction. 1.The sign or “target” for pages apparently lacking from the document photographed is “Missing Page(s)”. If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting through an image and duplicating adjacent pages to assure complete continuity. 2. When an image on the film is obliterated with a round black mark, it is an indication of either blurred copy because of movement during exposure, duplicate copy, or copyrighted materials that should not have been filmed. For blurred pages, a good image of the page can be found in the adjacent frame. If copyrighted materials were deleted, a target note will appear listing the pages in the adjacent frame. 3. When a map, drawing or chart, etc., is part of the material being photographed, a definite method of “sectioning” the material has been followed. It is customary to begin filming at the upper left hand comer of a large sheet and to continue from left to right in equal sections with small overlaps. If necessary, sectioning is continued again-beginning below the first row and continuing on until complete. -
The Little Savage
The Little Savage US : 1929 : dir. Louis King : FBO Silent : 51 min prod: : scr: Frank Howard Clark : dir.ph.: Virgil Miller Buzz Barton …….……….……………………………………………………………………………… Milburn Morante; Willard Boelner; Patricia Palmer; Sam Nelson; Ethan Laidlaw Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 2840a 1.5 1 0 566 - - - - - No Unseen Speelfilm Encyclopedie review: Barton had been raised on a ranch, and at 12 won the title of Champion Trick Rider and “Bandit Ethan Laidlaw manages to shake up the Fancy Rider. In 1926, performing in a show at lives of Sam Nelson and Patricia Palmer pretty Cheyenne, Wyoming, he was spotted by a scout nicely through his activities, but Buzz Barton from FBO, and soon afterwards was launched and friend Milburn Morante take care of the in "THE BOY RIDER". From the 1931 serial victims, including a baby whose parents were "THE LONE DEFENDER" onward, Buzz murdered by Laidlaw. After this they try to put Barton rode, shot and fought steadily through the villain out of action. A Western with the Thirties, but no longer a prodigy, just a action, romance and a little sentiment. Frank cowboy among others. He didn't return to the Howard Clark was the screenwriter and Virgil saddle after World War Two, not in front of a Miller the cameraman. **1/2 ” camera anyway. An unrecognisable Buzz Barton is the train conductor in "IN THE HEAT OF THE NIGHT" in 1967.” The Moving Picture Boy entry on Barton: “ "THE BOY RIDER", "THE BANTAM [no listing in "Classics of the Silent COWBOY", "THE FIGHTIN’ RED-HEAD", Screen", "Hollywood in the Twenties", "A "THE FRECKLED RASCAL" - Buzz Barton’s Pictorial History of the Silent Screen", film titles tell it all. -
TOM THATCHER's FORTUNE, by Horatio Alger, Jr
4€ ^i 1^ ^^^^^TH^f^^^J. X ^%-3 uyi A.T A GLANCE, Tom saw the bear watching the man crouchinc, AMONG THE BRANCHES. [Page SIS.J Tom TMclier's Fortie. By HORATIO ALGER, Jr. Auth0^ ^ "Joes Luck," "Frank Fowler, the Cash Boy," "Ragged Dick," "Tom Temple's Career," *' Luck and Pluck," etc., etc. ILLUSTRATED. A. L. BURT COMPANY, PUBLISHEES, 52-58 DuAi^E Stkeet, New Yoek. Copyright, 1888. By A. L. BURT, TOM THATCHER'S FORTUNE, By Horatio Alger, Jr. TOM THATCHER'S FORTUNE. CHAPTER I. AK OLD LETTEK. IS SUPPER ready, mother? I^m as hungry as a bear!^^ The speaker was a sturdy boy of sixteen, with bright eyes, and a smiling sun-browned face. His shirt sleeves wer3 rolled up displaying a pair of muscular arms. His hands were brown and soiled with labor. It was clear that he was no white-handed young aristocrat. His clothes alone would have shown that. They were of coarse cloth, made without any special regard to the pre- vailing fashion. Tom Thatcher, for this was his name, had just come home from the shoe manufactory, where he was em- ployed ten hours a day in pegging shoes, for the lucra- tive sum of fifty cents per day. I may as well state here that he is the hero of my story, and I hope none of my readers will think any the worse of him for working in a shop I am aware that it is considered more " genteel " to stand behind a counter, and display goods to customers, even if the wages are smaller. -
List of 7200 Lost US Silent Feature Films 1912-29
List of 7200 Lost U.S. Silent Feature Films 1912-29 (last updated 12/29/16) Please note that this compilation is a work in progress, and updates will be posted here regularly. Each listing contains a hyperlink to its entry in our searchable database which features additional information on each title. The database lists approximately 11,000 silent features of four reels or more, and includes both lost films – approximately 7200 as identified here – and approximately 3800 surviving titles of one reel or more. A film in which only a fragment, trailer, outtakes or stills survive is listed as a lost film, however “incomplete” films in which at least one full reel survives are not listed as lost. Please direct any questions or report any errors/suggested changes to Steve Leggett at [email protected] $1,000 Reward (1923) Adam And Evil (1927) $30,000 (1920) Adele (1919) $5,000 Reward (1918) Adopted Son, The (1917) $5,000,000 Counterfeiting Plot, The (1914) Adorable Deceiver , The (1926) 1915 World's Championship Series (1915) Adorable Savage, The (1920) 2 Girls Wanted (1927) Adventure In Hearts, An (1919) 23 1/2 Hours' Leave (1919) Adventure Shop, The (1919) 30 Below Zero (1926) Adventure (1925) 39 East (1920) Adventurer, The (1917) 40-Horse Hawkins (1924) Adventurer, The (1920) 40th Door, The (1924) Adventurer, The (1928) 45 Calibre War (1929) Adventures Of A Boy Scout, The (1915) 813 (1920) Adventures Of Buffalo Bill, The (1917) Abandonment, The (1916) Adventures Of Carol, The (1917) Abie's Imported Bride (1925) Adventures Of Kathlyn, The (1916) -
Djvu Editions
The Maine Woods HENRY DAVID THOREAU 1864 DjVu Editions Copyright c 2001 by Global Language Resources, Inc. All rights reserved. Based on the 1864 Ticknor & Fields edition. Contents Ktaadn ................................... 1 Chesuncook ................................ 51 The Allegash and East Branch ...................... 96 Appendix .................................184 I. TREES. 184 II. FLOWERS AND SHRUBS. 185 III. LIST OF PLANTS. 188 IV. LIST OF BIRDS . 196 V. QUADRUPEDS. 197 VI. OUTFIT FOR AN EXCURSION. 198 VII. A LIST OF INDIAN WORDS. 199 Ktaadn 1 Ktaadn N THE 31st of August, 1846, I left Concord in Massachusetts for Bangor and Othe backwoods of Maine, by way of the railroad and steamboat, intending to accompany a relative of mine engaged in the lumber-trade in Bangor, as far as a dam on the west branch of the Penobscot, in which property he was interested.1 From this place, which is about one hundred miles by the river above Bangor, thirty miles from the Houlton military road, and five miles beyond the last log-hut, I proposed to make excursions to Mount Ktaadn, the second highest mountain in New England, about thirty miles distant, and to some of the lakes of the Penobscot, either alone or with such company as I might pick up there. It is unusual to find a camp so far in the woods at that season, when lumbering operations have ceased, and I was glad to avail myself of the circumstance of a gang of men being employed there at that time in repairing the injuries caused by the great freshet in the spring. The mountain may be approached more easily and directly on horseback and on foot from the northeast side, by the Aroostook road, and the Wassataquoik River; but in that case you see much less of the wilderness, none of the glorious river and lake scenery, and have no experience of the batteau and the boatman’s life. -
University Microfilms, Inc., Ann Arbor, Michigan Copyright I967
This dissertation hasb e e n microfilmed exactly as received 67-15,910 CARRIKER, Robert Charles, 1940- FORT SUPPLY, INDIAN TERRITORY; FRONTIER OUT POST ON TH E SOUTHERN PLAINS, 1868-1894. The University of Oklahoma, Ph.D,, 1967 History, general University Microfilms, Inc., Ann Arbor, Michigan Copyright I967 by Robert Charles Carrlker THE UNIVERSITY OF OKLAHOMA GRADUATE COLLEGE FORT SUPPLY, INDIAN TERRITORY; FRONTIER OUTPOST ON THE SOUTHERN PLAINS, 1868-1894 A DISSERTATION SUBMITTED TO THE GRADUATE FACULTY in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY BY ROBERT CHARLES CARRIKER Norman, Oklahoma 1967 FORT SUPPLY, INDIAN TERRITORY: FRONTIER OUTPOST ON THE SOUTHERN PLAINS, 1868-1894 APPROVED BY mmK K ^ __ 2 DISSERTATION COMMITTEE PREFACE In my first month of graduate training in Western his tory at the University of Oklahoma I was introduced to Fort Supply. At the time I was working part-time for the Division of Manuscripts on the Walter S. Campbell Collection. Many of the interests of Campbell soon became my own. Indians, Dodge City, the Santa Fe Trail, and dozens of other western topics spiced the correspondence, manuscripts and research papers of the late Professor Campbell, who often wrote under the pseudo nym Stanley Vestal. In the volumes of material one military post. Fort Supply, northwestern Indian Territory, struck my fancy. Some weeks after my initial contact with the post, in the fall of 1963, I spent several days at a friend's house in the Oklahoma Panhandle on Beaver River. On my journey north west from Norman I passed through Supply, Oklahoma and the scattered buildings of the old fort, now a State Mental Hospi tal. -
The Little Buckaroo
The Little Buckaroo US : 1928 : dir. Louis King : Silent : 51 min prod: : scr: Frank Howard Clark : dir.ph.: Roy Eslick Buzz Barton ……….…….……………………………………………………………………………… Milburn Morante; Kenneth McDonald; Peggy Shaw; Al Ferguson; Walter Maly; Robert Burns; James Welch; Florence D Lee Ref: Pages Sources Stills Words Ω 8 M Copy on VHS Last Viewed 2829a 1.5 1 0 584 - - - - - No unseen Speelfilm Encyclopedie review: Barton had been raised on a ranch, and at 12 won the title of Champion Trick Rider and “Everything in Frank Howard Clark's script Fancy Rider. In 1926, performing in a show at hinges on Peggy Shaw, daughter of a Cheyenne, Wyoming, he was spotted by a murdered gold prospector. Buzz Barton scout from FBO, and soon afterwards was and friend Milburn Morante take her under launched in "THE BOY RIDER". From the their wing and Kenneth McDonald wants 1931 serial "THE LONE DEFENDER" to marry her and protect her in the future. onward, Buzz Barton rode, shot and fought Ferguson is the arch-villain, also the steadily through the Thirties, but no longer a murderer, who even manages to prodigy, just a cowboy among others. He incriminate McDonald of the murder. But didn't return to the saddle after World War Buzz unmasks the villain. Sam Nelson, Two, not in front of a camera anyway. An later a director, was assistant director unrecognisable Buzz Barton is the train here, and Roy Eslick did the camerawork. conductor in "IN THE HEAT OF THE **1/2 ” NIGHT" in 1967.” The Moving Picture Boy entry on Barton: [no listing in "Classics of the Silent Screen", "Hollywood in the Twenties", "A “ "THE BOY RIDER", "THE BANTAM Pictorial History of the Silent Screen", COWBOY", "THE FIGHTIN’ RED- "Silent Movies: A Picture Quiz Book", HEAD", "THE FRECKLED RASCAL" – "Halliwell's Film Guide", "Leonard Maltin's Buzz Barton’s film titles tell it all. -
Cinematic Childhood(S) and Imag(In)Ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film
CINEMATIC CHILDHOOD(S) AND IMAG(IN)ING THE BOY JESUS: ADAPTATIONS OF LUKE 2:41-52 IN LATE TWENTIETH-CENTURY FILM by JAMES MAGEE Master of Arts, Vancouver School of Theology, 2011 Thesis Submitted in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN BIBLICAL STUDIES in the FACULTY OF GRADUATE STUDIES TRINITY WESTERN UNIVERSITY May 2019 © James Magee, 2019 Cinematic Childhood(s) and Imag(in)ing the Boy Jesus: Adaptations of Luke 2:41-52 in Late Twentieth-Century Film Abstract Despite sustained academic examinations of Jesus in film over the past couple of decades, as well as biblical scholars’ multidisciplinary work in the areas of children’s and childhood studies, the cinematic boy Jesus has received little attention. This thesis begins to fill the lacuna of scholarly explorations into cinematic portrayals of Jesus as a child by analyzing two adaptations of Luke’s story of the twelve-year- old Jesus in late twentieth-century film. Using methods of historical and narrative criticism tailored to the study of film, I situate the made-for-television movies Jesus of Nazareth (1977) and Jesus (2000) within the trajectories of both Jesus films and depictions of juvenile masculinity in cinema, as well as within their respective social, cultural and historical contexts. I demonstrate how these movie sequences are negotiations by their filmmakers between theological and historical concerns that reflect contemporary ideas about children and particular idealizations about boyhood. ii For Michael iii Table of Contents Acknowledgements . v Abbreviations . vi Chapter 1 Searching for the Boy Jesus: A Neglected Area of Jesus-in-Film Scholarship .