Plagiat Merupakan Tindakan Tidak Terpuji

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE HIDDEN MEANING OF MATTHEW CHARLES SANDERS’ “M.I.A.” A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Yoseph Yulian Setyadi Student Number: 111214142 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF ARTS AND EDUCATION PROGRAM FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI THE HIDDEN MEANING OF MATTHEW CHARLES SANDERS’ “M.I.A.” A SARJANA PENDIDIKAN THESIS Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education By Yoseph Yulian Setyadi Student Number: 111214142 ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF ARTS AND EDUCATION PROGRAM FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 i PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI DEDICATION PAGE I dedicate this undergraduate thesis to: JESUS CHRIST AGUSTINUS BUMIADI (1952-2006) ELISABET SRI SULISTYO UDJIANI "He who makes a beast out of himself, gets rid of the pain of being a man." Avenged Sevenfold – Bat Country iv PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRACT Setyadi, Yoseph (2017). The Hidden Meaning of Matthew Charles Sanders’ “M.I.A.”. Yogyakarta: English Language Education Study Program. Department of Language and Arts Education. Faculty of Teachers Training and Education. Sanata Dharma University. This study analyzes “M.I.A.”, a song written by Matthew Charles Sanders, a vocalist of American metalcore band, Avenged Sevenfold. It tells about a soldier who fights in the war. The song seems to be written in tribute to Sanders’ friends who serve in the military. The aim of this study is to reveal the meaning of Matthew Charles Sanders’ “M.I.A.”. In order to achieve the goal, the researcher has formulated two problems. They are “What is the literal meaning of Matthew Sanders’ ‘M.I.A.’?” and “What is the hidden meaning of Matthew Sanders’ ‘M.I.A.’?” The researcher uses library study in conducting this thesis. There are two sources used in this study. The primary source is “M.I.A.”, a song written by Matthew Charles Sanders. The secondary sources are taken from printed books, online books, and online articles. There are some theories applied in this study, namely theory of poetry, theory of deconstruction, and theory of ambiguity. The approach of this study is post-structuralism approach or deconstruction. Based on the analysis, there are two findings. The first one deals with the literal meaning of “M.I.A.”. It is about the courage of a soldier in the war through the act of killing. The second finding deals with the hidden meaning of “M.I.A.”, namely that Missing in Action (M.I.A.) does not only deal with physical status, but also mental status of the soldier aftermath. It is also suggested that the future researcher analyzes “M.I.A.” using the historical and biographical approach. This study can also be used as a teaching material in the poetry class. Keywords: M.I.A., Avenged Sevenfold, hidden meaning vii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ABSTRAK Setyadi, Yoseph (2017). The Hidden Meaning of Matthew Charles Sanders’ “M.I.A.”. Yogyakarta: Program Studi Pendidikan Bahasa Inggris. Jurusan Pendidikan Bahasa dan Seni. Fakultas Keguruan dan Ilmu Pendidikan. Universitas Sanata Dharma. Penelitian ini menganalisis “M.I.A.”, sebuah lagu yang ditulis oleh Matthew Charles Sanders, penyanyi dari Avenged Sevenfold, sebuah band metalcore dari Amerika Serikat. Lagu ini tampaknya sebuah bentuk dedikasi dari Sanders untuk teman-temannya yang bertugas di militer. Penelitian ini bertujuan untuk menguak makna dari “M.I.A.” karangan Matthew Charles Sanders. Untuk mencapai tujuan penelitian, peneliti telah merumuskan dua permasalahan. Dua rumusan masalah tersebut adalah “Apa makna tertulis dari ‘M.I.A.’?” dan “Apa makna tersembunyi dari ‘M.I.A.’?” Peneliti menggunakan studi perpustakaan dalam melaksanakan penelitian ini. Ada dua sumber yang digunakan dalam penelitian ini. Sumber utama adalah teks lirik “M.I.A.”, sebuah lagu yang ditulis oleh Matthew Charles Sanders. Sumber kedua diambil dari buku cetak, buku elektronik, dan artikel online. Beberapa teori digunakan dalam penelitian ini, seperti teori puisi, teori dekonstruksi, dan teori ambiguitas. Penelitian ini menggunakan pendekatan post strukturalisme atau disebut juga dekonstruksi. Ditemukan dua hasil berdasarkan analisis yang dilakukan. Hasil pertama berkaitan dengan makna tertulis dari “M.I.A.”. “M.I.A.” memiliki makna tertulis tentang keberanian seorang tentara di medan perang yang digambarkan melalui aksi pembunuhan. Hasil kedua berkaitan dengan makna tersembunyi dari “M.I.A.” bahwa hilang dalam bertugas tidak hanya dilihat dari keadaan fisik, tetapi juga keadaan mental dari tentara setelah perang. Peneliti yang akan datang disarankan menggunakan pendekatan biografis dan sejarah dalam melakukan penelitian tentang “M.I.A.”. Penelitian ini juga dapat digunakan sebagai bahan ajar dalam kelas Poetry. Kata Kunci: M.I.A., Avenged Sevenfold, hidden meaning viii PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI ACKNOWLEDGEMENTS First of all, I would like to express my deepest gratitude to Jesus Christ. Without His blessings, I would not have been able to finish this thesis. I would like to express my gratitude to my advisor Dr. Antonius Herujiyanto, M.A. for his time, patience, and guidance throughout this thesis writing. Without his patience and advice, this thesis would never have finished. I would like to thank my mother Elisabet Sri Sulistyo Udjiani for her unconditional love, patience, and support in this thesis writing. I also would like to thank my late father Agustinus Bumiadi (1952-2006) for his love, patience, guidance and motivation throughout his life. I would never have reached this point without his precious lessons. Then, I would like to thank Sedyo Rahayu, especially my uncle Yos Tata Bhumi Putranto and my aunt Maria Tatik Supriyatiningsih for their generosity and motivation. Without them, I would not have been able to study in Sanata Dharma University. I would like to give special thanks to Herda Pramundito, S.Pd., for his precious time in helping to finish this thesis. Without his willingness to share his time and knowledge, this thesis is unlikely finished. I would also like to thank Ria Resty Winarni, S.Pd., and Vincentia Aprilla Putri, S.Pd., for proofreading this thesis. My deepest affection goes to my sister Valentina Febriani, S.Pd., my brothers Aloysius Yuniarto and Petrus Canisius Apriliano for their support and motivation. ix PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI I would like to thank Roosefine Shierly Septiana for always standing beside me. I thank her for the love, support, patience, and companion. I also thank her for our togetherness in joys and tears. Last but not least, I would like to thank anyone whom I cannot mention one by one for helping me in writing this thesis. May God bless them all. Sincerely, Yoseph Yulian Setyadi x PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI TABLE OF CONTENTS COVER PAGE ............................................................................................... i APPROVAL PAGES ..................................................................................... ii DEDICATION PAGE .................................................................................... iv STATEMENT OF WORK’S ORIGINALITY ............................................ v PERNYATAAN PERSETUJUAN PUBLIKASI ............................................ vi ABSTRACT .................................................................................................... vii ABSTRAK ........................................................................................................ viii ACKNOWLEDGEMENTS ........................................................................... ix TABLE OF CONTENTS ............................................................................... xi LIST OF APPENDICES ............................................................................... xiii CHAPTER I. INTRODUCTION .................................................................. 1 A. Background of the Study ............................................................................ 1 B. Research Questions .................................................................................... 3 C. Significance of the Study ........................................................................... 3 D. Definition of Terms .................................................................................... 4 CHAPTER II. REVIEW OF RELATED LITERATURE ......................... 7 A. Review of Related Theories ....................................................................... 7 1. Decorum ............................................................................................... 7 2. Theory of Poetry .................................................................................. 8 3. Post-Structuralism Approach ............................................................... 11 4. Theory of Deconstruction .................................................................... 13 5. Theory of Ambiguity............................................................................ 19 B. Context of the Song ...................................................................................

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