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THE HIDDEN MEANING OF MATTHEW CHARLES SANDERS’ “M.I.A.”

A SARJANA PENDIDIKAN THESIS

Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education

By Yoseph Yulian Setyadi Student Number: 111214142

ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF ARTS AND EDUCATION PROGRAM FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017 PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

THE HIDDEN MEANING OF MATTHEW CHARLES SANDERS’ “M.I.A.”

A SARJANA PENDIDIKAN THESIS

Presented as Partial Fulfillment of the Requirements to Obtain the Sarjana Pendidikan Degree in English Language Education

By Yoseph Yulian Setyadi Student Number: 111214142

ENGLISH LANGUAGE EDUCATION STUDY PROGRAM DEPARTMENT OF ARTS AND EDUCATION PROGRAM FACULTY OF TEACHERS TRAINING AND EDUCATION SANATA DHARMA UNIVERSITY YOGYAKARTA 2017

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DEDICATION PAGE

I dedicate this undergraduate thesis to:

JESUS CHRIST

AGUSTINUS BUMIADI (1952-2006) ELISABET SRI SULISTYO UDJIANI

"He who makes a beast out of himself, gets rid of the pain of being a man." Avenged Sevenfold – Bat Country

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ABSTRACT

Setyadi, Yoseph (2017). The Hidden Meaning of Matthew Charles Sanders’ “M.I.A.”. Yogyakarta: English Language Education Study Program. Department of Language and Arts Education. Faculty of Teachers Training and Education. Sanata Dharma University. This study analyzes “M.I.A.”, a song written by Matthew Charles Sanders, a vocalist of American metalcore band, Avenged Sevenfold. It tells about a soldier who fights in the war. The song seems to be written in tribute to Sanders’ friends who serve in the military. The aim of this study is to reveal the meaning of Matthew Charles Sanders’ “M.I.A.”. In order to achieve the goal, the researcher has formulated two problems. They are “What is the literal meaning of Matthew Sanders’ ‘M.I.A.’?” and “What is the hidden meaning of Matthew Sanders’ ‘M.I.A.’?” The researcher uses library study in conducting this thesis. There are two sources used in this study. The primary source is “M.I.A.”, a song written by Matthew Charles Sanders. The secondary sources are taken from printed books, online books, and online articles. There are some theories applied in this study, namely theory of poetry, theory of deconstruction, and theory of ambiguity. The approach of this study is post-structuralism approach or deconstruction. Based on the analysis, there are two findings. The first one deals with the literal meaning of “M.I.A.”. It is about the courage of a soldier in the war through the act of killing. The second finding deals with the hidden meaning of “M.I.A.”, namely that Missing in Action (M.I.A.) does not only deal with physical status, but also mental status of the soldier aftermath. It is also suggested that the future researcher analyzes “M.I.A.” using the historical and biographical approach. This study can also be used as a teaching material in the poetry class.

Keywords: M.I.A., Avenged Sevenfold, hidden meaning

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ABSTRAK

Setyadi, Yoseph (2017). The Hidden Meaning of Matthew Charles Sanders’ “M.I.A.”. Yogyakarta: Program Studi Pendidikan Bahasa Inggris. Jurusan Pendidikan Bahasa dan Seni. Fakultas Keguruan dan Ilmu Pendidikan. Universitas Sanata Dharma. Penelitian ini menganalisis “M.I.A.”, sebuah lagu yang ditulis oleh Matthew Charles Sanders, penyanyi dari Avenged Sevenfold, sebuah band metalcore dari Amerika Serikat. Lagu ini tampaknya sebuah bentuk dedikasi dari Sanders untuk teman-temannya yang bertugas di militer. Penelitian ini bertujuan untuk menguak makna dari “M.I.A.” karangan Matthew Charles Sanders. Untuk mencapai tujuan penelitian, peneliti telah merumuskan dua permasalahan. Dua rumusan masalah tersebut adalah “Apa makna tertulis dari ‘M.I.A.’?” dan “Apa makna tersembunyi dari ‘M.I.A.’?” Peneliti menggunakan studi perpustakaan dalam melaksanakan penelitian ini. Ada dua sumber yang digunakan dalam penelitian ini. Sumber utama adalah teks lirik “M.I.A.”, sebuah lagu yang ditulis oleh Matthew Charles Sanders. Sumber kedua diambil dari buku cetak, buku elektronik, dan artikel online. Beberapa teori digunakan dalam penelitian ini, seperti teori puisi, teori dekonstruksi, dan teori ambiguitas. Penelitian ini menggunakan pendekatan post strukturalisme atau disebut juga dekonstruksi. Ditemukan dua hasil berdasarkan analisis yang dilakukan. Hasil pertama berkaitan dengan makna tertulis dari “M.I.A.”. “M.I.A.” memiliki makna tertulis tentang keberanian seorang tentara di medan perang yang digambarkan melalui aksi pembunuhan. Hasil kedua berkaitan dengan makna tersembunyi dari “M.I.A.” bahwa hilang dalam bertugas tidak hanya dilihat dari keadaan fisik, tetapi juga keadaan mental dari tentara setelah perang. Peneliti yang akan datang disarankan menggunakan pendekatan biografis dan sejarah dalam melakukan penelitian tentang “M.I.A.”. Penelitian ini juga dapat digunakan sebagai bahan ajar dalam kelas Poetry.

Kata Kunci: M.I.A., Avenged Sevenfold, hidden meaning

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ACKNOWLEDGEMENTS

First of all, I would like to express my deepest gratitude to Jesus Christ.

Without His blessings, I would not have been able to finish this thesis.

I would like to express my gratitude to my advisor Dr. Antonius

Herujiyanto, M.A. for his time, patience, and guidance throughout this thesis writing. Without his patience and advice, this thesis would never have finished.

I would like to thank my mother Elisabet Sri Sulistyo Udjiani for her unconditional love, patience, and support in this thesis writing. I also would like to thank my late father Agustinus Bumiadi (1952-2006) for his love, patience, guidance and motivation throughout his life. I would never have reached this point without his precious lessons. Then, I would like to thank Sedyo Rahayu, especially my uncle Yos Tata Bhumi Putranto and my aunt Maria Tatik Supriyatiningsih for their generosity and motivation. Without them, I would not have been able to study in Sanata Dharma University.

I would like to give special thanks to Herda Pramundito, S.Pd., for his precious time in helping to finish this thesis. Without his willingness to share his time and knowledge, this thesis is unlikely finished. I would also like to thank Ria

Resty Winarni, S.Pd., and Vincentia Aprilla Putri, S.Pd., for proofreading this thesis. My deepest affection goes to my sister Valentina Febriani, S.Pd., my brothers Aloysius Yuniarto and Petrus Canisius Apriliano for their support and motivation.

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I would like to thank Roosefine Shierly Septiana for always standing beside me. I thank her for the love, support, patience, and companion. I also thank her for our togetherness in joys and tears.

Last but not least, I would like to thank anyone whom I cannot mention one by one for helping me in writing this thesis. May God bless them all.

Sincerely,

Yoseph Yulian Setyadi

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TABLE OF CONTENTS

COVER PAGE ...... i APPROVAL PAGES ...... ii DEDICATION PAGE ...... iv STATEMENT OF WORK’S ORIGINALITY ...... v PERNYATAAN PERSETUJUAN PUBLIKASI ...... vi ABSTRACT ...... vii ABSTRAK ...... viii ACKNOWLEDGEMENTS ...... ix TABLE OF CONTENTS ...... xi LIST OF APPENDICES ...... xiii

CHAPTER I. INTRODUCTION ...... 1 A. Background of the Study ...... 1 B. Research Questions ...... 3 C. Significance of the Study ...... 3 D. Definition of Terms ...... 4

CHAPTER II. REVIEW OF RELATED LITERATURE ...... 7 A. Review of Related Theories ...... 7 1. Decorum ...... 7 2. Theory of Poetry ...... 8 3. Post-Structuralism Approach ...... 11 4. Theory of Deconstruction ...... 13 5. Theory of Ambiguity...... 19 B. Context of the Song ...... 21 C. Theoretical Framework ...... 22

CHAPTER III. METHODOLOGY ...... 23 A. Object of the Study...... 23

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B. Approach of the Study ...... 24 C. Method of the Study ...... 25

CHAPTER IV. ANALYSIS...... 27 A. The Literal Meaning of “M.I.A.” ...... 27 B. The Hidden Meaning of “M.I.A.” ...... 42 1. Binary Opposition ...... 42 2. Contradiction/Paradoxes ...... 48 3. Shifts/Breaks ...... 49 1) Shifts/Breaks in Tone ...... 50 2) Shift/Break in Absence/Omissions ...... 52 3) Shift/Break in Attitude ...... 53

CHAPTER V. CONCLUSIONS AND SUGGESTIONS ...... 56 A. Conclusions ...... 56 B. Suggestions ...... 57

REFERENCES ...... 59 APPENDICES ...... 61

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LIST OF APPENDICES

Appendix A. “M.I.A.” song lyrics ...... 62 Appendix B. Avenged Sevenfold Biography ...... 64 Appendix C. Reflection of Avenged Sevenfold’s “M.I.A.” ...... 66

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CHAPTER 1

INTRODUCTION

This chapter discusses the background of the study, research questions, significance of the study, and definition of terms. The background of the study describes why the researcher chooses the song as the research topic. The research questions present the formulated problems that will be discussed and answered in this study. The significance of the study provides some advantages of this study for the readers, students, teachers, and future researchers. The last part is definition of terms which provides some definitions of the keywords that are used in this study to avoid misunderstanding.

A. Background of the Study

“M.I.A.” is a song composed by American metalcore band, Avenged

Sevenfold. It is listed on their third album entitled City of Evil. The album is also their first album which was released by Warner Music, a major label. It presents the horror of war in the point of view of a soldier. The lyrics of “M.I.A.” were written by Avenged Sevenfold’s vocalist, Matthew Sanders. In the lyrics, Sanders uses the first point of view of a soldier to portray the journey throughout the war.

Matthew Sanders has done a good work on literature through “M.I.A.” song lyrics. He wrote the lyrics as he knew that literature could reflect life experience. In general, there are three genres in literature. They are prose, play, and poetry.

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Perrine, in Sound and Sense: An Introduction to Poetry (1969) argues that “poetry exists to bring us a sense and a perception of life, to widen and sharpen our contacts with existence” (p. 4). In short, it concerns about experience. Through the lyrics of

“M.I.A.”, Matthew Sanders enters the world of poetry by depicting life experience through words. Poetry, is a genre in literature that portrays human life experiences through words. According to Perrine (1969), “poetry can be used as a gear for stepping up the intensity and increasing the range of our experiences and as a glass for clarifying it” (p. 4). Poetry helps us to see and feel other people’s experiences in form of words and to understand more about life. Perrine adds that “as human being, we all have an inner need to live more deeply and fully and with greater awareness, to know the experience of others and to know better our own experiences” (p. 4). However, there is an important thing that a poet should consider. According to Simpson in his book an Introduction to Poetry (1967), a poet should consider “decorum” or “suiting the style to the subject” (p. 10).

Therefore, the style of “M.I.A.” by Matthew Sanders is fitted to his purpose, portraying the journey of a soldier in the war.

The reason for choosing “M.I.A.” as the subject of this study is that because it was the band’s first song about war. The interesting thing is that none of the band members has ever served in the military service. At the moment when the song was created, United States of America deployed massive military forces in Iraq and

Afghanistan. Matt Sanders states that “I have a lot of friends out of high school, they didn’t know what they wanted to do with their lives, so some went into the

Navy, some went into the Marines, some went into the Army” (as cited in Geist, PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

2011). It means that Sanders has many friends served in the military. Thus, “M.I.A.” could be written as a tribute for them. Therefore, the researcher wants to discover the band’s view toward the war which involves many of Sanders’ friends. The band’s view may be discovered through the meaning of the song. Bearing this in mind, this study tries to analyze the lyrics of “M.I.A.” using Jacques Derrida’s deconstruction which deals with meaning. Guerin, Labor, Morgan, Reesman, and

Willingham in A Handbook of Critical Approaches to Literature (2011) state that

“deconstruction involves taking any meaning to reveal contradictory structures hidden within” (p. 177). Thus, this study aims to reveal the hidden meaning of

“M.I.A.” by deconstructing its lyrics.

B. Research Questions

In this study, the problem is formulated into two questions as follows:

1. What is the literal meaning of Matthew Sanders’ “M.I.A.”?

2. What is the hidden meaning of Matthew Sanders’ “M.I.A.”?

C. Significance of the Study

As this study deals with meaning of Matthew Sanders’ “M.I.A.” song lyrics, this study is beneficial for the readers who are interested to know deeper about

Avenged Sevenfold’s song. This study also encourages the readers to know that metalcore bands like Avenged Sevenfold could write meaningful song lyrics. In the field of education, this thesis is useful to broaden the students’ knowledge in applying deconstruction reading strategy in analyzing poems. For future PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

researchers, this study is also useful as references in conducting deconstruction study.

D. Definition of Terms

1. “M.I.A.”

“M.I.A.” is a song composed by Avenged Sevenfold, an American

metalcore band. Its lyrics are written by the vocalist, Matthew Charles

Sanders. It is listed on the album City of Evil which was released in 2005.

Further, its title is taken from the military term Missing in Action (MIA).

Based on the definition provided by the Department of Defense of the

United States, military serviceman is listed as MIA if “he or she was not at

their duty location due to apparent involuntary reasons as a result of hostile

action and his/her location is not known" (as cited in Clark, n.d.). As the

location is unknown, the status of dead or alive is also unclear.

2. Deconstruction

Deconstruction is a reading strategy proposed by a French

philosopher named Jacques Derrida which deals with meaning. According

to Guerin, et al, (2011), “deconstruction describes that the text as always in

the state of change, furnishing only provisional meanings” (p. 176).

Therefore, deconstruction is applied to reveal the hidden meaning within

“M.I.A” song lyrics as Guerin, et al, state that deconstruction aims “to reveal

the contradictory structures hidden within” (p. 176).

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3. Avenged Sevenfold

Avenged Sevenfold is a metalcore band from Huntington Beach,

California. The band was formed in 1999 by Matthew Sanders and

Zachary James Baker along with James Owen Sullivan and Matt Wendt.

Later, Matt Wendt was replaced by Jonathan Seward and a second

guitarist, Brian Haner joined the band. The name of the band, Avenged

Sevenfold, was originally taken from Genesis 4:24 of the Holy Bible. It

was suggested by Matthew Charles Sanders. Avenged Sevenfold has

released seven albums namely Sounding the Seventh Trumpet (2001),

Waking the Fallen (2003), City of Evil (2005), Avenged Sevenfold (2007),

Nightmare (2010), Hail to the King (2013), and The Stage (2016).

4. Hidden Meaning

Sanders (n.d.) categorizes hidden meaning into two common types.

They are deliberately disguised meanings and unconsciously disguised

meanings. The first type includes the use of figurative speech, irony, and

sarcasm. Sanders states that “we read obviously double or triple meanings

every day in the forms of irony and sarcasm, which over- or under-state

the author's real meaning”. On the other hand, Sanders notes that the

second type of hidden meaning is “not consciously intended, but are

artifacts of creation, like fingerprints on a gun, fossil tree rings, or carbon-

14 percentages, which tell us things about how and when the work was

made”. It means that this type of hidden meaning is unintentionally

existed. Further, Sanders adds that it includes socially, psychologically PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

coded, or concealed meanings and historical/cultural conditions. This type

of hidden meaning is resulted from the external side of the text such as the

author and the environment where the author lives.

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CHAPTER II

REVIEW OF RELATED LITERATURE

This chapter consists of three parts; They are review of related theories, context of the song, and theoretical framework. The review of related theories presents the theories and approaches that are used in this study. The context of the study presents the review of the object of the study and the subject matter in it.

While, theoretical framework consists of the contribution of the theories and reviews applied in this study to answer the problem formulations.

A. Review of Related Theories

This part presents the theories that are employed in this study. They are decorum, theory of poetry, post-structuralism approach, theory of deconstruction, and theory of ambiguity. These theories are applied in order to achieve the goal of this study which aims for the meaning of “M.I.A”.

1. Decorum

In the world of poetry, decorum is an essential thing that needs to be

considered. Cuddon (1992) states that decorum is “a matter of behavior on the

part of the poet qua his poem,” (p. 212). While, Simpson (1967) states that

decorum is “the principle of suiting the style to the subject” (p. 10). Based on

these statements, decorum is the principle about what is suitable or proper in the

relationship between form and substance. Cuddon (1992) adds that “action,

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character, thought and language all need to be appropriate to each other” (p.

212). Based on this statement, a poet should modify the style (e.g. action,

character, thought, and language) and tone to fit the subject matters in his/her

poem. Thus, the style fits his/her purpose in writing the poem. Simpson also

adds that “the style is also determined by the necessity to make the reader see

and feel” (p. 10). It means that the style should be appropriate to the speaker,

the circumstance, and the subject matter. In this study, this principle is used to

clarify Matthew Sanders’ decorum in suiting “M.I.A.” song lyrics.

2. Theory of Poetry

Perrine (1969) states that “poetry is as universal as language and almost

as ancient” (p. 3). While, Klarer (1999) states that “poetry is one of the oldest

genres in literary history” (p. 28). Based on those statements, poetry has existed

since long time ago. Therefore, it is difficult to define poetry into a single fixed

definition due to its age. Klarer suggests that “in spite of this long tradition, it

is harder to define than any other genres” (p. 28). Therefore, the researcher

searches some definitions of poetry in order to reach better understanding about

what poetry is. Wordsworth (as cited in Barnet, Berman, and Burto, 1963)

defines poetry as “spontaneous overflow of powerful feelings” (p. 306). Drew

(1959) in Poetry: A Modern Guide to Its Understanding and Enjoyment states

that poetry is “the most concentrated and intense form of communication among

the arts of language” (p. 15). While, Perrine (1969) defines poetry as “a kind of

language that says more and says it more intensely than does ordinary language”

(p. 3). In short, poetry is a genre in literature that emphasizes the word-play as PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

its power in saying something. It means that the words written in poetry may

have meaning other than their literal meaning as seen in dictionary.

Understanding poetry may be difficult since the words are applied

beyond their literal meaning. To help understanding a work of poetry,

paraphrasing is needed. According to Kennedy and Gioia (1999), paraphrasing

is a process “to map out clearly the key images, actions, and ideas” (p. 665).

Further, Kennedy and Gioia add that “in paraphrasing, we put into our own

words what we understand the poem to say, restating ideas that seem essential,

coming out and stating what the poem may only suggest” (p. 652). Based on

those statements, paraphrasing is an attempt the reveal the important things in a

poem in order to understand what the poet wants to say. However, Kennedy and

Gioia (1999) note that “some people maintain that no poem can be truly

paraphrased”. It is reasonable since paraphrasing only tries to map the important

things in a poem, not to re-create the full effect of a poem. Therefore, the result

of paraphrasing is only one interpretation among many others.

Kennedy and Gioia (2002) classify poetry into three major categories:

lyric poetry, narrative poetry, and dramatic poetry. Those three major categories

are described below:

a. Lyric Poetry

It is a short poem expressing the thoughts and feelings of a single speaker.

Often, the poet will write a lyric in the first person, but not always. Instead,

a lyric might describe an object or recall an experience without the speaker’s PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

ever bringing himself or herself into it. Generally, lyric poetry refers to

poem which made for singing (p. 10).

b. Narrative Poetry

It is a poem which main purpose is to tell a story. It similar with fiction in

characters, settings, and storyline (p. 12).

c. Dramatic Poetry

It is a poem which presents the voice of an imaginary character (or

characters) speaking directly, without any additional narration by the author.

It is often called as dramatic monologue (p. 15).

Further, each type of poetry contains stanza. According to Kennedy and

Gioia (2002), stanza is “a recurring pattern of two or more lines of verse,

poetry’s equivalent to the paragraph in prose” (p. 679). Based on this statement,

stanza is the basic organizational principle in poetry. There is also refrain, which

Kennedy and Gioia define as “words, phrases, or lines repeated at intervals in a

song or song-like poem” (p. 145). According to Kennedy and Gioia (2002),

there are several types of stanza as described below:

a. Couplet

Couplet is a stanza that consists of two lines.

b. Tercet

Tercet is a stanza that consists of three lines. It tends to end in the same

rhyme.

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c. Quatrain

Quatrain is a stanza that consists of four lines. It is also the most common

stanza used in English-language poetry.

d. Quintain

Quintain is a stanza that consists of five lines. It is also called as a quintet

or a cinquain.

e. Sestet

Sestet is a stanza that consists of six lines.

f. Septet

Septet is a stanza that consists of seven lines.

g. Octave

Octave is a stanza that consists of eight lines.

There is also one essential thing in poetry, namely a theme. According to

Kennedy and Gioia (2002), theme is “the central thought of the poem” (p. 8). In

short, Perrine (1969) states that “poetry is just a fancy way of writing something

that could be said more simply” (p. 10). However, due to its complexity, poetry

needs special treatment as Kennedy and Gioia (2002) suggest that it needs “to

be read slowly, carefully and attentively” (p. 5).

3. Post-Structuralism Approach

Post-structuralism comes after structuralism. Therefore, it is necessary

to understand what structuralism is. Guerin, et al. (2011) state that structuralism

“identifies structure, systems of relationships, which endow signs (e.g., words)

or items (e.g., clothes, cars, table manners, rituals) with identities and meanings, PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

and shows us the ways in which we think” (p. 169). It means that structuralism

focuses on a system and structure of textual structure study. However,

structuralism only applies a particular system as Guerin, et al. (2011) explain

below:

Accordingly, they (structuralists) have been developed analytical, systematic approaches to literary texts that avoid traditional categories like plot, character, setting, theme, tone, and the like. Even more significantly, however, structuralists tend to deny the text any inherent privilege, meaning, or authority; to them, the text is only a system that poses the question of how such a construct of language can contain meaning for us” (p. 169). In other words, structuralists describe the meaning without considering any

other systems that may help in shaping the meaning of the text. It also reveals

that structuralism seeks what is visible from the text. Thus, structuralists tend

to find meaning from the intrinsic and structural aspects, which is the text itself.

On the contrary, post-structuralism, which is the approach of this study,

concentrates on “rhetorical than the grammatical” (Guerin, et al., 2011, p. 176).

It means that both structuralism and post-structuralism seek for meaning, but

each of them has a different way to obtain the meaning. Structuralism focuses

on how meaning is found out of underlying structure. Barry (2009) states that

structuralism aims for “establishing objective knowledge”. It means that the

meaning that is discovered from a text is firm and fixed. However, post-

structuralism clarifies that meaning is not only produced from a fixed source,

but also produced from other factors as Culler (1997) explains below:

In fact, post-structuralism does not demonstrate the inadequacies or errors of structuralism so much as turn away from the project of working out what makes cultural phenomena intelligible and emphasize instead a critique of knowledge, totality, and subject. It treats each of these as problematical effect. The structures of the systems of the signification PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

do not exist independently of the subject, as objects of knowledge, but are structures for subjects, who are entangled with the forces that produce them (p. 121). Moreover, since post-structuralism concentrates on rhetorics, it is related to

philosophy. Barry (2009) states that post-structuralism “derives ultimately

from philosophy”. Philosophy is a discipline that always tends to emphasize

the difficulty of achieving secure knowledge about things. Barry (2009) adds

that “philosophy is skeptical by nature and usually undercuts and questions

commonsensical notions and assumptions”. Since post-structuralism is related

to philosophy, post-structuralism inherits this habit of skepticism, and

somehow, intensifies it in seeking the meaning within the text. According to

Culler (1997), one procedure in seeking meaning is describing “how texts

create meaning by violating any conventions that structural analysis locates”

(p. 121). For post-structuralists, meaning of the words “cannot be guaranteed

one hundred percent pure” (Barry, 2009). By that means, it is impossible to

define a complete or coherent signifying system, as Culler (1997) states that

“systems are always changing” (p. 121).

4. Theory of Deconstruction

Deconstruction and post-structuralism are related to each other. Barry

(2009) states that “post-structuralist literary critic is engaged in the task of

deconstructing the text”. Guerin, et al. (2011) add that “post-structuralism and

deconstruction are virtually synonymous” (p. 176). In other words, post-

structuralism and deconstruction cannot be separated. Looking at its PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

background, Guerin, et al. state that “deconstruction arises out of structuralism

of Roland Barthes as a reaction against the certainties of structuralism” (p. 176).

However, deconstruction cannot easily to be defined. Culler (1997)

defines deconstruction as “a critique of the hierarchical oppositions that have

structured Western thought: inside/outside, mind/body, literal/metaphorical,

speech/writing, presence/absence, nature/culture, form/meaning” (p. 122).

While, Bertens (2008) states that deconstruction is “applied post-structuralism”.

Barry (2009) states that this “applied post-structuralism” is a process of

“deconstructing the text”. Johnson (as cited in Culler, 1997) states that

deconstruction is a process that “teases out of warring forces of signification

within a text” (p. 122). Later on, Barry concludes that deconstruction is a

process of “deconstructing the text” by “reading it against itself, with the

purpose of knowing the text as it cannot know itself”. Further, Klarer (1999)

argues that “nothing exists outside the text” (p. 88). While, In Of

Grammatology, Derrida describes this process as “deconstructive reading” as

follows:

“deconstructive reading must always aim at a certain relationship, unperceived by the writer, between what he commands and what he does not command of the patterns of language that he uses … [It] attempts to make the not-seen accessible to sight” (as cited in Barry, 2009). Based on description mentioned by Derrida, deconstruction process

which can be called as deconstructive reading aims to reveal other meaning or

idea beyond the first one. It attempts to find the hidden meaning within the text,

but not justifies the result as the final meaning. In other words, it pursues the PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

unseen rather than the visible one. In addition, Cuddon in Dictionary of Literary

Terms (as cited in Barry, 2009) states that in deconstruction:

“a text can be read as saying something quite different from what it appears to be saying … it may be read as carrying plurality or significance or as saying many different things which are fundamentally at variance with, contradictory to and subversive of what may be seen by criticism as a single stable meaning”. It strengthens the idea that deconstructing a text may reveal new meaning that

hides within a text. Moreover, the new meaning may oppose the previous

meaning that can be seen as Cuddon suggests that “a text may betray itself”.

Deconstruction makes the texts as “open-ended constructs” which are

always dynamic. It means that the meaning in the text can only lead to countless

other meanings (Guerin, et al. 2011, p. 176), as described as follows:

“deconstruction views texts as subversively undermining an apparent or surface meaning, and it denies any final explication or statement of meaning. It questions the presence of any objective structure or content in a text. Instead of alarm or dismay at their discoveries, the practitioners of deconstruction celebrate the text’s self-destruction, that inevitable seed of its own internal contradiction, as a never-ending free play of language” (p. 176). Klarer (1999) also agrees that deconstruction leads to various meaning, but not

final meaning by stating “the text does not remain the same after its

reconstruction, since the analysis of signs and their re-organization in the

interpretative process is like a continuation of the text itself” (p. 89).

Therefore, object of deconstruction is not like formalism, which seeks

for the final meaning of a text as Kennedy and Gioia (2002) mention that

formalist “demonstrates how the diverse elements of a text cohere into

meaning” (p. 655). Belsey (1990) in Critical Practice states that the object of PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

deconstruction is “to examine the process of its production--not the private

experience of the individual author, but the mode of production, the materials,

and their arrangements in the work” (p. 104). Kennedy and Gioia state that the

object of deconstruction is “focusing on how language is used to achieve power,

since they (deconstructionists) believe that there are no truths, only rival

interpretations” (p. 655). Those statements above strengthen the argument that

the texts in deconstruction are open-ended and its object, as Guerin, et al. (2011)

suggest, is to describe that “the text as always in the state of change, furnishing

only provisional meanings” (p. 176). Barry (2009) adds that the objective of

deconstruction is “to show the disunity which underlies its apparent unity” (p.

69).

Considering its practice, deconstruction “practices what has been called

textual harassment or oppositional reading, reading with the aim of unmasking

internal contradictions or inconsistence in the text” (Barry, 2009, p. 69). While,

according to Guerin, et al. (2011), deconstruction practice is described as

“taking apart any meaning to reveal contradictory structures hidden within” (p.

177). However, Guerin, et al. add that “since there is no absolute truth,

deconstructionists seek undermine all pretensions to authority, or power

systems, in language” (p. 176). Those statements reveal that deconstruction

takes apart the text to reveal the hidden meaning underneath, but Culler (1997)

argues that deconstruction “does not destroy” the text, but “gives it a different

structure and functioning” (p. 122). It is reasonable since text consists of words,

which according to Kennedy and Gioia (2002) are “fundamentally unstable PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

medium” and have “no fixed, single meaning” (p. 655). In short, Barry (2009)

concludes that deconstruction practice aims “to show that the text is at war with

itself: it is a house divided, and disunified” (p. 69).

Deconstruction involves several steps in the practice. Barry (2009) notes

that “deconstructionist looks for evidence of gaps, breaks, fissures and

discontinuities of all kinds” (p. 70). In order to achieve a better understanding,

Barry adds that the deconstructionist seeks “contradiction/paradoxes,

shift/breaks in tone, viewpoint, tense, time, person, attitude, conflicts,

absences/omissions, linguistic quirks, aporia” to achieve its ultimate goal,

which is “to show textual disunity” (p. 70). Further, Barry (2009) provides

several things that is crucial for deconstructionist to do as follows:

a. Reading text against itself so as to expose what might be thought of as the

‘textual subconscious’, where meanings are expressed which may be

directly contrary to the surface meaning (p. 70).

b. Fixing upon the surface features of the words- similarities in sound, the root

meanings of words, a ‘dead’ (or dying) metaphor and bring these to the

foreground, so that they become crucial to the overall meaning (p. 70).

c. Seeking to show that the text is characterized by disunity rather than unity

(p. 70).

d. Concentrating on a single passage and analyze it so intensively that it

becomes impossible to sustain a ‘univocal’ reading and the language

explodes into ‘multiplicities of meaning’ (p. 70). PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

e. Looking for shifts and breaks of various kinds in the text and see these as

evidence of what is repressed or glossed over or passed over in silence by

the text. These discontinuities are sometimes called ‘fault-lines’, a

geological metaphor referring to the breaks in rock formations which give

evidence of previous activity and movement (p. 71).

Those several things above are practiced in analyzing the “M.I.A” song

lyrics through deconstruction study. However, the study starts with discovering

the binary opposition within the text. Bressler (1999 states that “the first stage

in a deconstructive reading is to recognize the existence and operation of binary

opposition in our thinking” (p. 126). According to Chandler (2002), binary

opposition is “a pair of mutually-exclusive signifiers in a paradigm set

representing categories which are logically opposed” (p. 224). Bressler (1999)

explains that in binary opposition, “one concept is superior and defines itself by

its opposite or inferior center” (p. 125). It means that we can understand the

meaning of ‘good’ when it is contrasted to ‘bad’. Bressler adds that “by

identifying the binary operation that exists in the text, deconstructionist can then

show the preconceived assumptions on which most of us base our

interpretations” (p. 130). Thus, discovering the binary opposition in the text is

important for deconstructionist. Further, Bressler (1999) provides some steps in

practicing this strategy of reading as follows:

a. Discover the binary operation that governs a text

b. Comment on the values, concepts, and ideas beyond these operations

c. Reverse these present binary operations PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

d. Dismantle previously held worldviews

e. Accept the possibility of various perspective or levels of meaning in a text

based on the new binary inversions

f. Allow meaning of the text to be undecidable (p. 131).

Deconstruction in this study is applied in order to reveal the meaning which is

hidden beneath the literal meaning of “M.I.A” song lyrics. This study follows

the guide provided by Barry (2009). However, the step proposed by Bressler

(1999) are applied before moving to Barry’s steps. Therefore, the meaning of

the song is taken to the new level of understanding as Guerin, et al. (2011) note

“deconstruction leaves meaning open for the reader” (p. 178).

5. Theory of Ambiguity

Empson (1955) in his book Seven Types of Ambiguity states that “an

ambiguity, in ordinary speech, means something very pronounced, and as a rule

witty or deceitful” (p. 3). Ambiguity can be found in a text which may occur

due to different perception between the author and the reader. For example,

Empson notes that “the statement ‘the brown cat sat on the red mat’ may be split

up into a series” (p. 3). Empson also adds that “each such simple statement may

be translated into a complicated statement which employs other terms” (p. 3).

Further, Empson (1955) provides seven types of ambiguity that may

occur in a text. In this study, these types of ambiguity are used to analyze to

contradiction found in the “M.I.A” song lyrics. The seven types of ambiguity

are described as follows:

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

a. First Type

The first type ambiguity arises when a detail is effective in several ways at

once, e.g. by comparisons with several points of likeness, antitheses with

several points of difference, ‘comparative’ adjectives, subdued metaphors,

and extra meanings suggested by rhythm (p. 3).

b. Second Type

The second type ambiguity occurs when two or more alternative meanings

are fully resolved into one (p. 57).

c. Third Type

The third type of ambiguity is considered as a verbal matter which occurs

when two ideas connected only by being both relevant in the context, can

be given in one word simultaneously. This is often done by reference to

derivation (p. 117).

d. Fourth Type

The fourth type of ambiguity occurs when two or more meanings of a

statement do not agree among themselves, but are combined to make clear

a more complicated state of mind in the author (p. 151).

e. Fifth Type

This type of ambiguity occurs when the author is discovering his idea in the

act of writing, or not holding it all in his mind at once, so that, for instance,

there is a simile which applies to nothing exactly, but lies half-way between

two things when the author is moving from one to the other (p. 175).

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

f. Sixth Type

The sixth type of ambiguity occurs when a statement says nothing, by

tautology, by contradiction, or by irrelevant statements; so that the reader is

forced to invent statement of his own and they are liable to conflict with one

another (p. 199).

g. Seventh Type

This type of ambiguity is the most ambiguous among other types. It occurs

when two meanings of the word, the two values of ambiguity, are the two

opposite meanings defined by the context, so that the total effect is to show

a fundamental division in the writer’s mind (p. 217).

B. Context of the Song

M.I.A is a song released by Avenged Sevenfold, a metalcore band from

Huntington Beach, California, United States of America. It was released in 2005

on the album City of Evil and listed as the last track of the album. The song was

written by its vocalist, Matthew Charles Sanders. He wrote the song as a tribute

for his friends who joined the military service. The title of the song itself was

taken from military abbreviation of “Missing in Action” which means those

who lost of killed in the battlefield, but the bodies were not found yet.

However, Sanders did not mention the war that inspired him to write a

song. It is started with the protagonist which simply mentioned as “I” watching

inhuman actions that force him to be deployed in the war. As a soldier, the

protagonist must be brave and strong in the field. In the midst of the war, he PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

saw something that bothered his mind as a human being. That thing was the

horror of war which he should go through. The horror of war was depicted in

the act of killings which took his friends’ and enemy soldiers’ lives. In the end,

he managed to come home alive. Despite all brave actions he did during the

war, he was labeled as a murderer.

Understanding the horror faced by the soldiers and having friends on the

field, Sanders decided to write a song about his friends. Although he did not

join the military, Sanders tried to put himself as a soldier in the field. He also

wrote the feelings about the veterans who have come home after the service.

The feeling of guilt, sins, and fear about what they have done is portrayed in the

lyrics.

C. Theoretical Framework

Based on the formulated problem mentioned in the previous chapter,

this study aims for the hidden meaning of “M.I.A” through the deconstruction

study. Besides, the researcher also employs some other theories that are related

to this study. In order to answer the first formulated problem, the researcher

employs decorum from Simpson (1967) and theory of poetry from Kennedy and

Gioia (2002). Further, to answer the second formulated problem, the researcher

applies post-structuralism approach, deconstruction by Derrida which is taken

from various sources such as Barry (2009) and Bressler (1999). The theory of

ambiguity from Empson (1955) is used to clarify that the literal meaning and

the hidden meaning are two things that contradict each other. In other words, it

is used as a bridge between the literal and the hidden meaning. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

CHAPTER III

METHODOLOGY

This chapter consists of three parts namely object of the study, approach of the study, and method of the study. Object of the study explains the song which is used in this study. Approach of the study describes the approach used in this study which is post-structuralism approach. The last part which tells the steps taken in conducting this study is called method of the study.

A. Object of the Study

The object of the study is the song lyrics of “M.I.A.” from American metalcore band, Avenged Sevenfold. The song was written by its vocalist, Matthew

Sanders. It was released on the album City of Evil which was published by Warner

Bros Music on June 7, 2005. The album was ranked #30 on the Billboard 200 and certified as a platinum record by Recording Industry Association of America

(RIAA) in August 2009. Unlike Beast and the Harlot, Bat Country, Burn It Down, and Seize the Day, M.I.A was not released as an individual release or a single.

Further, the band rarely performed the song on the live performance due to its long duration, which ran for eight minutes and forty-eight seconds.

The nine-stanza song shares the theme of war in the modern era. Matthew

Sanders, also known as M. Shadows, wrote the lyrics brilliantly. He succeeds in

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

portraying the point of view of the soldier although he never joins the military. The lyrics begin with the fear about the war. Although the soldier fears about the war, he must be brave and fearless in order to survive through the war. The main character’s bravery can be seen in the lines of fifth stanza say “So many soldiers on the other side, I take their lives so they can't take mine” and “I have my weapons so there's nothing to fear”. In the end, the soldier returns to his country. However, he does not feel like a hero for fighting for the country. Instead, he is haunted by the war and the killing that he did.

B. Approach of the Study

The approach of this study is post-structuralism approach. The approach is employed since it is closely related to the deconstruction. Guerin, et al. (2011) state that “post-structuralism and deconstruction are virtually synonymous” (p. 176).

While, Barry (2009) defines deconstruction as applied post-structuralism. As for deconstruction itself, Klarer (1999) defines it as “the post-structuralist method of analysis” which “starts with the assumption that a text can be analyzed (destructed) and put together (constructed)” (p. 89). Guerin, et al. (2011) add that deconstruction is a reading strategy which views texts as subversively undermining an apparent or surface meaning and it denies any final explication or statement of meaning. In this case, the text is the lyrics of the song “M.I.A.”. Further, Guerin, et al. (2011) state that “texts are found to deconstruct themselves rather than to provide a stable identifiable meaning” (p. 176). This statement explains that meaning is not considered as a permanent thing. Thus, it may change. Bertens (2008) adds that PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

before deconstructionists arrive at this point, it has first uncovered the structure that operates in a text and shown us how these structures can be dismantled by making use of elements of text itself. From the explanations about post-structuralism and deconstruction, it is clear that post-structuralism is applicable in this study. It sees a text from different perspective. Thus, it reveals hidden meaning within a text.

C. Method of the Study

The researcher used library study in conducting this study. The primary datum was the lyrics of the song “M.I.A.” written by Matthew Sanders, the vocalist of American heavy metal band, Avenged Sevenfold. The song lyrics were taken from Avenged Sevenfold’s titled “City of Evil”. The secondary data were theories about poetry, post-structuralism, deconstruction, and some data related to the song and theories used in this study. The data were collected from printed books and online sources.

There were several steps applied by the researcher in conducting this study.

First, the researcher read the lyrics of the song “M.I.A.” repeatedly many times without listening to the audio track of the song. Then, the researcher listened to the song and read its lyrics simultaneously to get into the song deeper. Second, the researcher began to search and collected related theories in order to support the researcher in answering the formulated problems. The researcher also looked for additional information regarding the song from online sources. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Third, the researcher started to analyze the lyrics of the song “M.I.A.” in order to find the literal meaning. Also, the researcher used the theory of poetry to clarify the system in writing the lyrics (e.g. type of poetry and stanza). Having done with the literal meaning, the researcher stepped forward to answer the second formulated problem which reveals the hidden meaning of “M.I.A.”. The researcher applied deconstructive reading strategy using the steps proposed by Barry (2009) and Bressler (1999). Those two experts provide easy steps to follow. Besides, the researcher also employed the theory of ambiguity from Empson (1955) to support the findings. The theory of ambiguity was used to bridge the literal meaning and the hidden meaning by clarifying that they contradict each other. Finally, the researcher made conclusion based on the result of the analysis.

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

CHAPTER IV

ANALYSIS

This chapter is mainly divided into two parts. The first part focuses on the literal meaning of “M.I.A.”. The second part discusses the hidden meaning of

“M.I.A.”.

A. The Literal Meaning of “M.I.A.”

“M.I.A.” is the song composed by the American heavy metal band, Avenged

Sevenfold. The lyrics are written by the vocalist, Matthew Sanders or Matt Shadows as his stage name. Talking about the structure, “M.I.A” consists of nine stanzas.

The length of each stanza varies from four lines to eight lines, except the seven-line stanza. As in poetic term provided by Kennedy and Gioia (2002), four-line stanza is called quatrain, five-line stanza is called quintain, six-line stanza is called sestet, and eight-line stanza is called an octave. The nine stanzas form a complete poem which is also the lyrics of the song “M.I.A.”. The poem “M.I.A.” has one character which is the soldier. It uses the point of view of the soldier himself. The interesting about “M.I.A.” is that Matthew Sanders has never served in the military. Based on the statements above, “M.I.A.” is classified as a lyric poem. It fulfills the requirements that a lyric poem “expresses the thought and feelings of a single speaker, “describe an object or recall an experience without the speaker’s ever bringing himself or herself into it” (Kennedy & Gioia, 2002, p. 10).

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

“M.I.A.” generally tells about the journey of a soldier who serves in the war.

Matthew Sanders employed decorum in order to suit the lyric poem of “M.I.A.”

According to Simpson (1967), decorum means suiting the style to the subject.

Matthew Sanders modified the style and tone to fit the theme of the subject. The subject, or the theme of “M.I.A.” is war. As a musician, he combined the poem’s mood and tone in order to be sung in a song arrangement. Thus, it is clear that his purpose is to make good lyrics to be sung. Therefore, his style as a musician fits his purpose in writing lyrics or poem. According to Simpson and Myers, style is also determined by the necessity to make the reader see and feel. It means that Matthew

Sanders should consider his style in writing lyrics in order to make the reader (or listener) see and feel his writing and singing of “M.I.A.”. Thus, it is important for

Matthew Sanders as a musician and a poet to suit “M.I.A.” in a song.

As mentioned earlier, “M.I.A.” portrays the war in the point of view of a soldier who is also the center of the song. The soldier or the protagonist starts his journey in the battlefield after he sees a “carnage”. In the beginning of the war, he is quite confident that he is in the winning side, but the horror of the war shakes his heart and mind. However, he is able to survive in the war and return to his country.

The researcher provides individual stanza analysis in order to acquire a clear understanding about the lyrics and its literal meaning.

The First Stanza

Staring at the carnage, praying that the sun would never rise Living another day in disguise These feelings can’t be right, Lend me your courage to stand up and fight On tonight PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Oooooo…. Stand up and fight.

This stanza actually consists of six lines. It is called sestet. It tells the thought of someone who is going to be deployed in a war. It begins with someone who sees a large-scale killing as the words “staring at the carnage” suggest. The researcher sees the killing as an event that has direct impact on the person who becomes the subject of the lyrics or the main character. It is shown in the words “praying that the sun would never rise”. The words seem to make the main character wish that the killing day would have never come. It raises a question why the killing has a direct impact to the main character. The answer is revealed in the following line. It turns out that the killing makes the main character be someone else as the word

“disguise” is used. The researcher simply thinks that the word “disguise” means a soldier in uniform since the lyrics’ theme is about war. Further, the same line also reveals that the main character is going to be deployed in a war as written “Living another day in disguise”. After he knows that he is going to a war, he is bothered by something inside his mind. It is stated in the third line, “These feelings can’t be right”. The word “these” reveals that there is more than one thing that bother him.

It seems that he knows that bad things are waiting for him in the war, but he does not know exactly what kind of bad things that await. Having unclear vision about the war and his bad feelings, the main character who is a soldier asks for “courage”.

It is shown in the fourth line, “Lend me your courage to stand up and fight”.

At first, the researcher thinks that the main character asks God for courage, but the word “your” does not capitalized. Apparently, the word “your” refers to the main character’s loved ones. Since there is no clear information about the main PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

character’s loved ones, the researcher concludes that mother, wife, girlfriend, siblings, or even friends are included in the group of the main character’s loved ones. The courage itself may be in form of prayer or blessing. It emerges the image that the main character comes to his loved ones exactly before he is deployed in the war to ask such “courage”. However, speaking of the war that the main character is going to fight in, the researcher does not find any clue that refers to the “carnage”.

As Matt Sanders said that the song is written as a tribute to his friends who serve the military, the researcher still did not find any actual event that may be hidden behind the lyrics. It seems that Matt Sanders creates an imaginary war which is inspired by his friends’ story.

The Second Stanza

The fighting rages on and on To challenge me you must be strong I walk your land, but don’t belong Two million soldiers can’t be wrong

The second stanza consists of four lines which can be called as quatrain. It portrays the confidence of the soldier who becomes the main character of the lyrics in the war. It appears that God answers the soldier’s prayer for courage and strength written in the previous stanza. In this stanza, the main character experiences his first contact with the enemy during the war. Further, this contact involves shooting from both sides depicted in the first line “The fighting rages on and on”. It is a fierce battle as the word “rage” is used to explain the fighting itself. Even though the battle is described as fiery, it seems that the main character is ready to take more. The evidence is written in the second line which says “To challenge me you must be strong”. Here, the word “you” has different addressee compared to the same word PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

in the first stanza. The word “you” refers to the enemy forces he fights. Further, the second line means that the enemy forces need to be more violent and brutal in order to challenge the main character’s physical and psychological strengths.

The third line reveals that the main character’s side invades other country.

However, the objective is not to colonize to country, but it has other purpose. The words “I walk your land” give a direct meaning that the main character is in other people’s land or country. While, the words “but don’t belong” suggest that his objective is not to own the country or colonize the country. It means that the invasion is not for economic reason, but there is a hidden agenda behind that. There is a clue in the eighth stanza. However, it could not help to reveal the hidden agenda.

Since the song focuses on one particular person, the researcher thinks that Matt

Shadows does not write that matter on purpose. The proof that the hidden agenda is unimportant for the main character is written on the fourth line which becomes the last line for this stanza. It says, “Two million soldiers can’t be wrong”. It means that the main character’s side deploys a massive military forces to invade a country.

Then, the main character thinks that it should be for a good reason to deploy so many soldiers on a single invasion. Here, the courage of the main character can be seen from the fourth stanza which states that “two million” soldiers are deployed together with him. Furthermore, the words “can’t be wrong” explain that the main character has his courage because he fights along with many soldiers on his side.

The Third Stanza

It’s no fun but I’ve been here before I’m far from home and I’m fighting your war (Not the way I pictured this, I wanted better things) PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Some are scared, others killing for fun I shot a mother right in front of her son (Take this from my consciousness and please erase my dreams)

The third stanza is classified as sestet since it consists of six lines. This stanza tells about the main character’s thought about the war. The first line says

“It’s no fun but I’ve been here before”. “It’s no fun” means that the main character sees the war as a part of his job being a soldier. This line also reveals that the main character has already experienced war. It is depicted in the words “I’ve been here before” in which, the use of word “here” refers to the war. The fact that the main character has already tasted a war giving clearer understanding about the second line of the second stanza. Hence, it can be said that the main character is an experienced soldier. On the other side, he is not a war-addict who sees a war as a game to play and enjoy the killing. It means that the main character serves the war due to conscription policy applied in the United States. Moreover, the main character thinks that the war is unnecessary, but he should obey the higher order.

This explains the words “I’m fighting your war” which are written in the second line. While, the words “I’m far from home” lead to an imagination that the main character fights in a war located in a country far away from his country. This line also reveals that the main character has courage which can be seen from he fights in the war that do not belong to his. Therefore, the main character probably fights in other country’s war. This idea is strengthened by the third line of the second stanza, “I walk your land but don’t belong”.

As the previous lines reveal that the main character has already served in the war, the third line depicts the internal conflict of the main character towards the PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

current war. The main character imagines that the current war is similar to his previous war. Therefore, it leads to an imagination that the main character fights for a good purpose. However, he faces the different situation in the current war as written “not the way I pictured this”. In other words, the current war is against his conscience. The words also give another clue about his bad feelings in the first stanza. Further, he also wants to make things better by joining the war as written “I wanted better things”.

The next line portrays about the soldiers who involved in the war. Matt

Sanders symbolizes them into two groups as “scared” and “killing for fun”. The

“scared” ones are those who are not ready to see the reality of the war. They are fresh soldiers who have no experience in combat. While, the “killing for fun” symbolizes those who are easy with their guns, see the war as a game, and maniacs.

In short, the “killing for fun” sides are war addicts. Even though the main character is a veteran who already tasted war, it does not make him kill people easily. Thus, the researcher classifies him into the “scared” one. It can be seen from how the main character sees the war which is an obligation since he is a conscript.

However, this stanza also tells that the main character does something wrong. To be precise, it is mentioned in fifth line, “I shot a mother right in front of her son”. The researcher sees this action as cruel and unforgiven. Killing a mother right in front of her son may cause trauma to the son even though, there are possibilities that drive the main character to kill a woman. The first possibility is that the mother carries a weapon that may put the soldiers into danger. The second possibility is that the main character has some psychological disorders due to the PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

brutal war he faces. The researcher looks upon the sixth line to discover the reason behind the main character’s action. It says “take this from my consciousness and please erase my dreams”. It shows that the main character is completely on his sanity when he kills the woman. He does not want to be haunted by the images when he kills the woman because he knows that he has done something wrong.

Thus, it is revealed that the main character kills the woman because she may cause harm to the soldier and he should kill her before she does any harm. The researcher sees this action of killing woman in front of her son as an act of courage portrayed by the main character.

The Fourth Stanza

Fight for honor, fight for your life Pray to God that our side is right Although we won, I still may lose Until I make it home to you I see our mothers filled with tears, Grew up so fast where did those years go? Memories won’t let you cry Unless I don’t return tonight

The fourth stanza is the refrain of “M.I.A.”. It is also the longest stanza in the song which consists of eight lines. Thus, it is an octave. It tells about the reason of the main character to fight in the war. The researcher sees the reason as the reason to fight as a soldier and as an individual human being. The first reason is honor which is defined by the main character as a soldier. The main character fights along with other brave soldiers who may lose their lives in the war. Therefore, he does not want to be the one who is afraid of killing or being killed. The second reason is life. Here, the main character fights to survive the war and return to his country alive. Those reasons are written in the first line, “Fight for honor, fight for your PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

life”. Further, the main character sees that fighting for his honor and life is not enough. Therefore, he prays to the God to show that he fights for the right thing as seen in the second line. This stanza also reveals the definition of victory by the main character. He defines it as returning to his family alive, not only by winning the battle. This idea can be seen from the third and fourth line, “Although we won, I still may lose/Until I make it home to you”.

After he defines that he should return to his country alive to win the war, the main character sees the image of those he left for war. It is depicted in the fifth line, “I see our mother filled with tears”. This line also reveals that mothers let their sons go to war without knowing if their sons return home alive or dead. The words

“our mothers” reveal that the main character probably shares this image to other soldiers. He also shares that the time flies so fast so that he cannot remember every precious moment he spent with his family as written in the sixth line, “Grew up so fast where did those years go?”. Moreover, the main character does not want his loved ones, especially his mother to cry because of the memories of the moments they spent together as seen in the seventh line, “Memories won’t let you cry”.

Despite all the possibilities that the main character can be killed in action, he shows that he is strong by trying to calm his loved ones. In other words, this line also shows the main character’s courage as an ordinary person, not a soldier. However, the main character stays realistic that he may be killed in the war as written in the eighth line, “Unless I don’t return tonight”.

The Fifth Stanza

So many soldiers on the other side, I take their lives so they can’t take mine PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

(Scared to make it out alive now, murder’s all I know) Nobody tells me all the reasons we’re here I have my weapon so there’s nothing to fear (Another day, another life, but nothing real to show for)

The fifth stanza has a similar structure to the third stanza. It consists of sixth stanza in which two lines are written in parentheses. It portrays the main character in killing his enemies. Here, the main character faces a large number of enemies. It is shown in the first line, “So many soldiers on the other side”. The words “other side” clearly mean enemy forces. Then, the second line reveals that the main character kills the enemy in order to stay alive. It says “I take their lives so they can’t take mine”. The first two lines of the fifth stanza show another act of courage done by the main character. However, the main character is scared despite all the killing he did as depicted in the third line, “Scared to make it out alive now, murder’s all I know”. Here, the main character is afraid of being killed by the enemy, but he wants to come home alive as revealed in the fifth stanza. Thus, the only way to be able to come home alive is that killing the enemies he confronts.

Speaking of the background of the war, the main character thinks that he should know the whole reasons why he is deployed in the war that may take his life.

This is written in the fourth line, “Nobody tells me all the reasons we’re here”.

Later, the reasons become unimportant since the main character fights for his own life. The only thing that matters to the main character now is the weapon which he carries to keep him alive as written in the fifth stanza, “I have my weapon so there’s nothing to fear”. Further, by having a weapon, the main character has nothing to be afraid of, even death. The main character has the tool to keep him away from the enemy soldiers who may kill him. However, the researcher sees that the main PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

character does not want to be remembered as a killer. Specifically, he does not want to be remembered that way in “another life” which is written in the last line. Another life means the main character’s life as a civilian in his country. Then, “Another day” means the day when he lives after the war. “But nothing real to show for” suggests the whole story of the war he serves which includes the killing he did. It shows that the main character’s courage has bad consequences. It leads to an idea that the main character only wants to be remembered as a brave and courageous soldier.

The Sixth Stanza

The sixth stanza repeats what happens in the fourth stanza. It shows that the main character fights for his honor as a soldier. He fights together with his fellow teammates in the war. It means that they fight to keep their teammates alive while achieving their mission objectives. The main character has pride that he should do the same as his teammates. Besides, the main character fights for his life in order to return to his home alive and reunite with his loved ones. In short, the stanza repetition which is shown in the sixth stanza strengthens the idea that the main character fights for his honor and his life. His family becomes the source of his courage to stay alive in the cruel war.

The Seventh Stanza

Staring at the carnage, praying that the sun would never rise PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Living another day in disguise These feelings can’t be right, Lend me your courage to stand up and fight

The seventh stanza is similar to the first stanza, except the words “tonight” and “stand up and fight” in the last line. Unlike the first stanza which consists of six lines, the seventh stanza consists of four lines which is called quatrain. It presents the main character’s thought about the war. It seems that he is tired about killing business and wishes he does no more killing. However, he is still in the middle of the war. Thus, the act of killing cannot be avoided and he knows that.

Once again, the feelings that bother the main character emerge in his mind, but there is no clear explanation about what kind of feelings that bother him. Instead of being stuck with the unpleasant feelings, he continues to fight. At this point, the main character still has his courage and asks for more. Thus, the sense of courage is still presented in this stanza.

The Eighth Stanza

Watching the death toll rise, wondering how I’m alive Strangers blood on my hand, shot all I can There were no silent nights watching your brothers all die To destroy all their plans with no thought of me (No thought of me) No thought of me

This stanza consists of six lines which can be called as sestet. It presents an event or a single battle that is faced by the main character. Here, the battle is shown as brutal and bloody fight. It is referred from the use of the phrase “Watching the death toll rise” in the first line. This phrase clearly depicts that the war takes casualties from the main character’s side as well as the enemy side. Further, the first line also shows that the main character questions why he is still alive. The answer PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

lies on the seventh stanza; he asks for courage as shown in the last line. This courage makes him able to kill the enemy soldiers. The act of killing can be seen from the second line, “Strangers blood on my hand, shot all I can”. This line also shows the main character as a killer. It is strengthened by the phrase “shot all I can”. It means that the main character kills every enemy soldier he can see. Moreover, there is no statement that indicates regret felt by the main character for killing other human being.

As stated earlier that the battle takes casualties from both sides, the third line shows that the main character loses his teammates in the firefight. His teammates, are referred by the word “brothers”. As the word “brother” is commonly associated to a family member, it seems that there is an emotional bond between the main character and his fellow teammates. The researcher thinks that this bond is acquired from the good and the bad things experienced together. Further, as the third line shows that his “brothers” are died, the main character seems not affected by this condition. Normally, people mourn for their loved ones who died, but not with the main character in “M.I.A.”. He does not have time for mourning as “There were no silent nights watching your brothers all die”. Instead of mourning for his

“brothers”, the main character focuses on what makes him fight in the war. The fourth line reveals the purpose of the main character in the war. It is “To destroy all their plans”. It means that the main character has purpose to destroy the enemy’s plans to prevent something bad. Unfortunately, there is no further explanation about what kind of plans that the main character should deny. Destroying those plans may cost his life, but as a courageous soldier, his purpose in the war comes first no matter PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

if it takes his life. This can be seen in “To destroy all their plans with no thought of me”. The repeated lines “No thought of me” strengthen the idea that the main character puts the mission objective above his own life. Looking at the actions done by the main character, the sense of courage is still strong in this stanza.

The Ninth Stanza

I walk the city lonely Memories that haunt are passing by A murderer walks your streets tonight Forgive me for my crimes, don’t forget that I was so young Fought so scared in the name of God and country

This stanza consists of five lines. Thus, it is a quintet. It shows the aftermath of the war in the matter of a particular subject, the main character of “M.I.A.”. It begins with “I walk the city lonely”. It is clear that the main character feels lonely because his “brothers” were killed in the battlefield. He does not have his “brothers” to drink and share stories about the war they went through together. The worse thing occurs in the second line written “Memories that haunt are passing by”. To reveal what memories that the main character recalls, the researcher reads the lyrics from the beginning. Then, the researcher marks the related lines that matter to the main character. Further, the researcher looks the usage of the word “haunt”. The word haunt is commonly associated with terrible and scary things. Therefore, the researcher looks for the scary and terrible things written in the lyrics and involving the main character. The researcher reveals that he recalls the memories of the mother he shot in front of her child, soldiers that he killed, a firefight which nearly killed him, and he saw most of his squad killed. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Those memories the main character recalls also have impact in his mind.

They make the main character realizes that he is a murderer as written in the third line, “a murderer walks your streets tonight”. The main character does not feel as a hero who has come back from the war. Instead, he feels nothing more than a murderer who killed a mother in front of her son. The label “murderer” comes not only for the men he had killed, but also the public judgement who disagrees that the country deploys armed forces in other’s war.

While the first three lines tell about the effects of the war to the main character, the last two lines tell about the main character who asks for forgiveness and justifies his choice to be a soldier. It is clearly seen in the fourth line “Forgive me for my crimes, don’t forget that I was so young”. The main character wants the label “murderer” to be taken away from him. The words “I was so young” show that he fights in the war when he is so young. Besides, the word “young” also means that his emotion is not mature enough. Moreover, the main character tries to justify that he is fighting for the right things as written in the last line, “Fought so scared in the name of God and country”.

Based on the explanation above, it can be concluded that the song “M.I.A.” tells a story of a soldier who serves in the war. The soldier is depicted as a courageous soldier who overcomes his fear in order to make his way home. His fear of killing people is suppressed by his courage and sheer will to stay alive. The sense of courage can be seen through the acts of the main character explained. Moreover, each stanza provides the acts of courage done by the main character. Therefore, the PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

literal meaning of “M.I.A.” is the courage of a soldier who fights in a fierce war to make his way home through the acts of killing.

B. The Hidden Meaning of “M.I.A.” through Deconstruction Analysis

The result of the analysis of the literal meaning of “M.I.A.” leads to a conclusion that the song is about the horror of war that leaves unhealed scars to the soldiers who fought in the war. To analyze the hidden meaning of “M.I.A.”, the researcher applies the deconstruction reading strategy. The deconstruction analysis is based on the steps provided by Barry (2009) and Bressler (1999). Deconstruction in this study aims to reveal meaning that hides beneath the literal meaning. In the practice, this study does not destroy the lyrics as Culler (1997) argues that deconstruction does not mean to destroy the text, but to give it a different structure and functioning. The researcher classifies the finding into three main parts namely binary opposition, contradictions/paradoxes, and shifts/breaks.

1. Binary Opposition

To find the binary operation within the text, the researcher applies the

steps provided by Bressler (1999). Bressler argues that by finding binary

operations that exist in the text, deconstructionist can then show the

preconceived assumptions on which most of us base our interpretations.

Therefore, it is important to discover the binary operations that govern “M.I.A.”

before proceeding further. The binary operations in the text are in the form of

binary opposition. Binary opposition is a pair of signifiers which oppose each PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

other. Further, one signifier is superior or dominant, while the other is inferior.

There are some binary oppositions that are found in the text.

The first binary opposition that appears in the text is killer/victim.

“Killer” refers to “a person, an animal, or a thing that kills” (Turnbull, 2010, p.

820). While, the word “victim” refers to “a person who has been attacked,

injured, or killed” (Turnbull, 2010, p. 1656). In the lyrics, killer is represented

by the physical body of the main character and victim is represented by the main

character’s conscience. The examples of this opposition can be seen from the

lyrics itself as it tells a story of a soldier in the war. It is also clear that as a

soldier, the main character should realize that he deals with killing as his

business. The example of the main character as a killer is written in the fifth

stanza:

So many soldiers on the other side, I take their lives so they can’t take mine (Scared to make it out alive now, murder’s all I know) Nobody tells me all the reasons we’re here I have my weapon so there’s nothing to fear (Another day, another life, but nothing real to show for)

From the stanza above, it is clear that the main character is a soldier who kills

enemy soldiers to accomplish his mission objective which is still unclear to him.

Besides, he kills enemy soldiers in order to stay alive as suggested by the second

line of the stanza above. The idea that the main character is a killer is also

depicted in the second line of the eighth stanza as written as “strangers blood

on my hand, shot all I can”. The phrase “strangers blood on my hand” strongly

shows that the main character kills other people. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

As the binary opposition, “victim” appears in the last stanza as written

below:

This stanza provides a clear image of the main character in the post-war, unlike

the rest of the song lyrics which depicts the main character in the war. It means

that the main character finally makes his way home alive. This stanza also

shows that the main character becomes the victim of the war although he finally

makes his way home. He is haunted by the past memories of the war such as the

image when he killed a mother in front of her son and the brothers who died

beside him. However, it is inferior compared to its opposition which is

dominated the song lyrics from the beginning. Thus, killer is the dominant

binary and victim is the inferior one.

The second binary opposition that appears in the lyrics is fear/courage.

According to Turnbull (2010), fear refers to “the bad feeling that you have when

you are in danger” or “when something bad might happen” (p. 541). While,

courage refers to “the ability to do something dangerous” or “to face pain or

opposition without showing fear” (Turnbull, 2010, p. 335). In the lyrics,

courage is represented by the main character as a soldier. As a soldier, the main

character is demanded to be fearless, effective, tough, and professional. The

main character’s courage is shown in the second stanza to sixth stanza. The PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

researcher provides analysis of each stanza to show the main character’s

courage as follows:

The fighting rages on and on To challenge me you must be strong I walk your land, but don’t belong Two million soldiers can’t be wrong

The second stanza above clearly shows that the main character is courageous.

The proof lies on the first and the second line which portray the cruelty of the

war. However, the cruelty of the war does not seem to challenge the main

character. It suits the profile of the main character as a soldier that is fearless

and tough. Moreover, the main character shows that he puts his emotions aside

to focus on doing his job as a soldier as written in the third stanza:

It’s no fun but I’ve been here before I’m far from home and I’m fighting your war (Not the way I pictured this, I wanted better things) Some are scared, others killing for fun I shot a mother right in front of her son (Take this from my consciousness and please erase my dreams)

This stanza shows that the main character is brave enough to do

something against his conscience as a human being which shoots people and

probably takes other people’s life. Further, the main character shows that his

courage comes from his willing to come home alive to his family as written in

the fourth and sixth stanza:

Fight for honor, fight for your life Pray to God that our side is right Although we won, I still may lose Until I make it home to you I see our mothers filled with tears, grew up so fast where did those years go? Memories won’t let you cry unless I don’t return tonight PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

The key to reveal the main character’s courage is written in the first line which

says “Fight for honor, fight for your life”. It shows the main character’s life is

with his family and friends. They become the main character’s courage in

surviving the cruel war. Moreover, the faces of those he left appear in his mind

strengthen his willing to come home alive. The courage that is gained by the

main character leads him to the ability to kill the enemy soldiers as written to

sixth stanza:

Here, the main character faces a large number of enemy soldiers that he should

kill in order to stay alive. Courage makes him able to do this action. However,

his emotion of fear slightly arises, it also cannot match the courage he gets from

his loved ones.

On the contrary, fear is represented by the main character after war.

Throughout the war, the main character is portrayed as a courageous and strong

soldier. In the ninth stanza, the sense of courage and strength are not visible.

The sense that emerges within this stanza is fear as following below:

It is clear that the main character finally makes his way home. The irony occurs

in the first line, “I walk the city lonely”. It completely contrasts with the PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

previous stanzas which show the struggle of the main character to come home

alive. It is natural if someone gets what he wants, he will feel happy, but the

main character is an exception. However, when he succeeds to come home, he

feels “lonely”. Moreover, he is haunted by the images of the war which disturb

him as mentioned in the second line, “Memories that haunt are passing by”.

Then, the atmosphere gets darker when the main character says “A murderer

walks your streets tonight” on the third line. Here, the main character sees

himself as a murderer, not a hero. The second and third lines end up in fear

because he has done terrible things. At this point, the sense of fear grows

stronger. It leads the main character to look for forgiveness to get rid the

unpleasant images during the war.

Based on the analysis of the binary opposition in “M.I.A.”, it can be

concluded that the song lyrics operates two binary oppositions. They are

killer/victim and fear/courage. The analysis designates “killer” and “courage”

as the superior and the oppositions, “victim” and “fear” as inferior ones. Those

binary oppositions become the basic concept to reveal the hidden meaning of

“M.I.A.”. The researcher applies the next step proposed by Bressler (1999)

which is inversing the binary oppositions that operate in the text. The inversion

means that the inferior binaries become the important aspect in analysis rather

than the superior ones. In other words, “victim” and “fear” are emerged to the

surface and become basis in analyzing the hidden meaning of “M.I.A.”.

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

2. Contradictions/Paradoxes

The story of a soldier in the war depicted in the “M.I.A.” may be perfect.

It depicts the courage of a soldier who wants to return home alive no matter the

hardships he should pass through. However, there is a contradiction within the

text. Here, the theory of ambiguity proposed by Empson (1955) is applied in

order to bridge the literal meaning and the hidden meaning by clarifying the

contradiction in the lyrics. The researcher discovers that the lines written in

parentheses contradict the single line before them. Those lines are taken from

the third and fifth stanza:

The Third Stanza

…. I’m far from home and I’m fighting your war (Not the way I pictured this, I wanted better things) …. I shot a mother right in front of her son (Take this from my consciousness and please erase my dreams)

The Sixth Stanza

…. I take their lives so they can’t take mine (Scared to make it out alive now, murder’s all I know) …. I have my weapon so there’s nothing to fear (Another day, another life, but nothing real to show for)

The lines in parentheses clearly show the mind of the main character toward his

own actions. By that mean, the main character’s actions are against his own

mind. This finding contradicts the general idea of the lyrics which emphasizes

on the courage of a soldier in the war. It leads to inconsistency that is done by PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Matthew Sanders as a poet. Based on the seven types of ambiguity from

Empson, it is classified as the fourth type which occurs when the author is

discovering his idea in the act of writing or not holding it all in his mind at once.

Here, Sanders as the lyrics researcher reveals his idea in writing but results in

the inconsistency of his own mind. If he wants to convey the lyrics to show the

bravery of a soldier in the war, he should make it consistent that the soldier is

strong, tough, and brave rather than he reveals the soldier’s other side as an

ordinary human being.

The second contradiction can be seen from the last line of the second

stanza which says “Two million soldiers can’t be wrong” and the second line of

the fourth and sixth stanza, “Pray to God that our side is right”. In the last line

of the second stanza, the main character indirectly states that he is on the right

side. It also shows that main character is confident and has courage since he

knows that he fights for the right thing. Later, on the fourth and sixth stanza, the

main character doubts if he is on the right side. The contradiction of what has

been said by the main character earlier in the second stanza shows inconsistency

within the text. It means that the doubt said by the main character weakens the

sense of courage within him. It reveals that the main character possibly fights

for the wrong side or reason. In Empson’s ambiguity, this contradiction belongs

to the fifth type.

3. Shifts/Breaks

As suggested by Barry (2009), deconstructionist looks for shifts/breaks

in the text such as tone, viewpoint, tense, time, person, attitude, conflicts, PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

absences/omissions, linguistic quirks, and aporia. In the lyrics, there are some

shifts/breaks that are discovered by the researcher. However, some of them are

not found. The researcher provides in-depth analysis regarding the shifts/breaks

that are found in the text as follows:

1) Shifts/Breaks in Tone

There are some shifts/breaks in tone that exist in “M.I.A.”. The first

shift/break occurs in the second stanza. The first stanza is sung smoothly

that indicates a calm atmosphere. The musical instruments are also played

calmly that strengthen the calm atmosphere. Suddenly, when it comes to the

second stanza, the music changes into fast-paced play. The second stanza is

sung energetically to adapt the musical style. This shift indicates that the

main character has been already in the middle of the war. It is strengthened

by the first line of the second stanza, “The fighting rages on and on”.

Further, the word “soldiers” mentioned in the last line of the second stanza

also indicates that the main character is in the middle of the war.

The second shift/break occurs within the third and the fifth stanza.

The lines in parentheses are sung differently compared to the other lines in

the third and the fifth stanza. The lines in the parentheses are sung slower,

smoother and less energetic than the other lines in the third stanza and the

fifth stanza. On the other side, the lines other than those in parentheses are

sung energetically and fast. This shift/break indicates that two opposite

things are against each other. The fast and energetic singing style represents

the courage, whereas the general idea of the song is to represent the courage PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

of a soldier in the war. Thus, the slow, smooth, and less energetic singing

style represents fear which is the opposite of courage. The state of fear can

be seen from the words within the lines in parentheses. The tone shift/break

that occurs in the third stanza and the fifth stanza reveals that courage deals

with the physical matters and actions of the main character. Hence, fear

deals with the mind of the main character.

The third shift/break occurs in the seventh stanza. As the second

stanza starts to tell that the main character is in the middle of the war which

is represented with energetic singing style and instrument playing, the

seventh stanza also indicates that the main character is still in the middle of

the war, in the matter of instrument playing. The shift/breaks occurs in the

singing style of the seventh stanza. Sanders sings it similar to the first stanza,

but the difference lies on the instruments playing as mentioned earlier. Here,

the sense of courage within the main character as a soldier seems degraded.

Thus, it conflicts the general idea of the song which shows the courage of a

soldier in the battlefield.

The fourth shift/break occurs in the eighth stanza. This stanza is sung

completely different from any other stanzas in “M.I.A.”. This stanza

involves shouting, screaming, and smooth singing style. Those singing style

combination lead to an imagination that the main character experiences

multiple emotions at once. The shouting singing style is similar to the

singing style on the other stanzas. In short, it shows the courage of the main

character. However, it may show the main character’s anger. The screaming PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

singing style suggests that the main character fears about something. On the

other hand, the smooth singing style shows that the main character is already

calm after the series of shouting and screaming. The tone shift in this stanza

becomes the most complex tone shift in “M.I.A.”.

The last shift/break can be seen in the last stanza of “M.I.A.”. This

stanza utilizes the same tone as the first stanza. Thus, it shows that the main

character is not in the middle of the war. The researcher concludes that this

stanza portrays the main character after the war or post-war. The interesting

thing occurs within the last line of the last stanza; it is sung very

emotionally. This stanza shows a strong atmosphere of sorrow. This

atmosphere is inconsistent with courage which becomes the general

atmosphere of the song.

2) Shift/Break in Absence/Omissions

The shift/break in absence/omission presents in the seventh stanza.

In order to show the clear omission that occurs in the seventh stanza, the

researcher provides the first stanza as a comparison since the first and the

sixth stanza share similarity in words below:

The First Stanza

…. …. …. Lend me your courage to stand up and fight On tonight Oooooo…. Stand up and fight

The Seventh Stanza

…. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

…. …. Lend me your courage to stand up and fight

From the two stanzas above, it is clear that the first stanza contains six lines.

While, the seventh stanza only contains four lines. It means that there are

two lines that are omitted in the seventh stanza. The lines that are omitted

in the seventh stanza are “On tonight” and “Ooooo…. Stand up and fight”.

The omission of those lines shows an inconsistency in writing as those two

stanzas share the same lines except the omitted lines on the seventh stanza.

Further, another repeated stanza is written exactly the same as seen in the

fourth and sixth stanza.

In order to reach better understanding the significance behind the

omission in the seventh stanza, the researcher looks upon the omitted lines.

The first omitted line is “On tonight” which follows the line “Lend me your

courage to stand up and fight”. The omitted line indicates the time when the

main character needs the courage to stand up and fight. While, the second

omitted line, “Ooh… Stand up and fight” emphasizes the purpose of the

courage asked by the main character. On the other hand, those lines are

omitted in the seventh stanza. It only leads to possibilities that the main

character has enough courage to fight in the war, or the main character needs

no more courage because he does not want to fight in the war anymore.

3) Shift/Break in Attitude

Shift/break in attitude occurs in the ninth stanza. This stanza

contrasts other stanzas in “M.I.A.”. Here, the main character’s expectation PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

to come home alive is fulfilled. Therefore, he should be happy and thankful

because he is reunited with his family, but there is no such word that

indicates the main character is happy for coming home alive. Moreover, the

previous stanzas show that he struggles so much in order to come home

alive. It means that something big occurs which changes the main

character’s attitude. The key to reveal the thing that changes him is written

on the second line, “Memories that haunt are passing by”. Here, the horror

of the war follows him as disturbing images in his mind. Those images have

a huge impact inside the main character’s mind. They change the main

character from a brave and strong soldier into a loner and fearful person.

Based on the findings on gaps, fissures, and discontinuity in the form of contradictions/paradoxes and shifts/breaks, it is clear that “M.I.A.” has a textual disunity. The researcher focuses on the number of stanzas which contribute in revealing the contradictions and shifts. The third and the sixth stanza reveal the significant contradiction in the lyrics. From those stanzas, it is clear that there is a conflict between the action and the mind of the main character. If Matthew Sanders wants to convey the meaning of the song that is about courage and bravery of a soldier in the war to emphasize nationalism, there is no need to show the fear that is felt by the soldier as depicted from the main character. Moreover, the last stanza shows no courage, but sorrow and fear. The last stanza strengthens the idea that

Matthew Sanders wants to say something beyond the bravery and courage as depicted in “M.I.A.”. As the words in the last stanza depicts the fear of the PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

memories of the cruel war which has a huge impact to a soldier, it seems that

Sanders wants to deliver a message that a soldier can be counted as a victim of war even though he is still alive. The shift in attitude which is showed in the last stanza strengthens the idea beyond courage.

At this point, the use of the title “M.I.A.” which stands for Missing in Action seems reasonable. This condition suits the new inversion of the binary opposition discussed above. The last stanza makes the image of fear has more significance than courage and victim has more significance than killer. Therefore, the new interpretation that can be drawn from “M.I.A.” is that a soldier loses his conscience and soul in the war which make him alive physically, but his soul is taken away in the war. In other words, the status of being Missing in Action (MIA) does not only deal with physical status, but also mental status of the soldier after the war.

PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

CHAPTER V

CONCLUSIONS AND SUGGESTIONS

This chapter consists of two parts namely conclusion and suggestions.

Conclusion presents the points and final remarks drawn from the analysis. While, suggestions present some suggestions for the future researchers and for teachers.

A. Conclusions

Having analyzed the meaning of Matthew Sanders’ “M.I.A.” in Chapter IV, the deconstruction study comes to an end. Therefore, the researcher has come to the conclusion of this study. This study deals with the meaning acquired from “M.I.A.” and it has two formulated problems which are “What is the literal meaning of

Matthew Sanders’ ‘M.I.A.’?” and “What is the hidden meaning of Matthew

Sanders’ ‘M.I.A.’?” The answers of those problems become the conclusion of this study.

The first answer deals with the literal meaning of Matthew Sanders’

“M.I.A.”. As described in the Chapter IV, the literal meaning is about courage of a soldier in the war in the act of killing in order to return home alive. The hardships that the soldier should overcome are clearly shown in the lyrics. Sanders describes the hardships in series of events. He also includes the internal conflict within the main character. This makes the sense of courage overpower the fear that is felt by the main character.

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The second answer deals with the hidden meaning of Matthew Sanders’

“M.I.A.”. It involves deconstruction reading strategy to achieve the new meaning that can be revealed from the lyrics. This reading strategy emerges new interpretation of “M.I.A.” This can be seen from the contradictions, shifts/breaks that exist in the text. There are contradictions found in the third and sixth stanza.

Further, shifts in tone and attitude in the ninth stanza strengthen the idea that Matt

Shadows wants to say beyond the lyrics. Those contradiction and shifts/breaks show that there is a disunity in the text. Moreover, the inversion of the binary opposition in the text shows that victim and fear are two hidden things that have significance in the lyrics more than killer and courage as their opposition. The new interpretation of “M.I.A.” after practicing deconstructive reading strategy is that

Missing in Action (MIA) does not only deal with physical status, but also mental status.

B. Suggestions

In this part, the researcher would like to suggest some recommendations.

After conducting a study in “M.I.A.”, the researcher believes that this study can be developed. The suggestions are divided into three parts as follows:

1. For Future Researchers, Upon Employing the Deconstruction Study

Deconstruction study is not a simple task to do. First, the researcher should master post-structuralism approach. This approach becomes the approach for deconstruction study. As deconstruction study aims to reveal hidden meaning beneath the surface structure of a text, the researcher needs to employ some theories PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

that are relevant to the topic discussed. Therefore, several steps are required in conducting deconstruction study. As references, theory and steps provided by Barry

(2009) gives clear guidelines to follow in conducting the study.

2. For Future Researchers On “M.I.A.” Song Lyrics

Upon conducting research on “M.I.A.”, the researcher suggests the future researchers to use historical and biographical approach in order to find the hidden meaning of “M.I.A.”. The focus will be on the author of “M.I.A.” song lyrics. There are many books discuss this approach. The challenge would be in finding the necessary documents about the author.

3. For Fellow Teachers On Using “M.I.A.” Song Lyrics

In the field of education, the song lyrics of “M.I.A.” could be used as an example of material to conduct teaching in Poetry class. The story of a soldier depicted in the lyrics becomes the perfect example to see a soldier as a human being rather than a war machine. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

REFERENCES

Barnet, S., Berman, M., & Burto, W. (1963). An Introduction to Literature: Fiction, Poetry, Drama. Boston: Little, Brown and Company, Inc.

Barry, P. (2009). Beginning Theory: An Introduction to Literary and Cultural Theory. Manchester: Manchester University Press.

Belsey, C. (1990). Critical Practice. New York: Routledge.

Bertens, H. (2008). Literary Theory: The Basics (2nd ed.). London: Taylor and Francis.

Bressler, C. (1999). Literary Criticism: An Introduction to Theory and Practice (2nd ed.). New Jersey: Prentice-Hall, Inc.

Chandler, D. (2002). Semiotics: The Basics. London: Routledge.

Clark, M. S. (n.d.). Missing in Action. Retrieved on February 21, 2017, from http://www.deathreference.com/Me-Nu/Missing-in-Action.html

Cuddon, J. A. (1992). Dictionary of Literary Terms and Literary Theory. England: Clays, Ltd.

Culler, J. (1997). Literary Theory: A Very Short Introduction. New York: Institut d’etudes Theologiques.

Drew, E. (1959). Poetry: A Modern Guide to Its Understanding and Enjoyment. New York: Dell Publishing Co., Inc.

Empson, W. (1955). Seven Types of Ambiguity. New York: A Meridian Book.

Geist, B. (2011). Interview Outtake: Avenged Sevenfold's M. Shadows On Playing for The Troops. Revolver Magazine. Retrieved on February 21, 2017, from http://www.revolvermag.com/news/interview-outtake- avenged-sevenfold-frontman-m-shadows-on-playing-for-the-troops.html

Guerin, W., Labor, E., Morgan, L., Reesman, J., & Willingham, J. (2011). A Handbook of Critical Approaches to Literature. New York: Oxford University Press.

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Kennedy, X. & Gioia, D. (1999). Literature: An Introduction to Fiction, Poetry, and Drama. New York: Longman.

Kennedy, X. & Gioia, D. (2002). An Introduction to Poetry. New York: Longman.

Klarer, M. (1999). An Introduction to Literary Studies. London: Routledge.

Perrine, L. (1969). Sound and Sense: An Introduction to Poetry. New York: Harcourt, Brace & World, Inc.

Sanders, A. (n.d.). “Hidden Meanings” and Literary Analysis. Retrieved on June 12, 2017, from http://faculty.goucher.edu/eng211/hidden_meanings theory_101.htm

Simpson, L. (1967). An Introduction to Poetry. New York: St. Martin’s Press.

Turnbull, J. (2010). Oxford Advanced Learner’s Dictionary. Oxford: Oxford University Press. PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

APPENDICES

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Appendix A

“M.I.A” song lyrics Words by Matthew Charles Sanders

Staring at the carnage, praying that the sun would never rise Living another day in disguise These feelings can’t be right, lend me your courage to stand up and fight Ooooh, tonight Oooooo…. Stand up and fight

The fighting rages on and on To challenge me you must be strong I walk your land, but don’t belong Two million soldiers can’t be wrong

Fight for honor, fight for your life Pray to God that our side is right Although we won, I still may lose until I make it home to you

I see our mothers filled with tears, grew up so fast where did those years go? Memories won’t let you cry, unless I don’t return tonight

So many soldiers on the other side, I take their lives so they can’t take mine (Scared to make it out alive now, murders all I know) Nobody tells me all the reasons we’re here I have my weapon so there’s nothing to fear (Another day, another life, but nothing real to show for)

Fight for honor, fight for your life Pray to God that our side is right Although we won, I still may lose until I make it home to you PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

I see our mothers filled with tears, grew up so fast where did those years go? Memories won’t let you cry, unless I don’t return tonight

Staring at the carnage, praying that the sun would never rise Living another day in disguise These feelings can’t be right, lend me your courage to stand up and fight

Ohh…

I walk the city lonely, Memories that haunt are passing by A murderer walks your streets tonight Forgive me for my crimes, don’t forget that I was so young Fought so scared in the name of God and country

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Appendix B

Avenged Sevenfold Biography

One of the more successful and accessible metalcore outfits to come out of the early 2000s, Avenged Sevenfold endured changes both stylistic and internal during their rise from teenage troublemakers to mainstream success story. The members of Avenged Sevenfold (or A7X) were still attending high school in

Huntington Beach, California when they formed their band in 1999. Nevertheless, it didn't take long for M. Shadows (vocals), Zacky Vengeance (guitar), Synyster

Gates (guitar), the Reverend (drums), and Johnny Christ (bass) to make an impression with their aggressive hybrid of metal, hard rock, and punk-pop. The band made its official debut in July 2001, releasing Sounding the Seventh Trumpet on the Goodlife label before moving to the Hopeless roster for 2003's Waking the

Fallen. Warner Bros. took interest in the band's aggressive sound and issued its breakthrough release, City of Evil, in June 2005. The album reached number 30 on

Billboard's Top 200, propelled in part by the Top Ten success of the single "Bat

Country." The accompanying music video was heavily rotated on MTV and Fuse, where live appearances also helped boost Avenged's growing profile, and the band ultimately won the Best New Artist Award (though they were hardly newcomers) at the 2006 MTV Video Music Awards.

As demand for their music increased, Avenged Sevenfold canceled their tour dates for fall 2006 and set to work on a fourth studio album. Boasting a grittier PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

sound than previous releases, the self-titled/self-produced disc appeared in October

2007, debuting at number four on the Billboard Top 200 and spinning off the radio single "Almost Easy." The album also fared well in England, where three songs cracked the Top Five of the U.K. rock charts, and Avenged Sevenfold helped support the release by touring North America on the Taste of Chaos tour. Released in September 2008, the CD/DVD package Live in the LBC and Diamonds in the

Rough captured the band during a tour stop in Long Beach. In 2009, the band announced plans to begin work on its third studio release. That same year, drummer

Jimmy "The Rev" Sullivan passed away at the age of 28, and in 2010, the band released Nightmare with replacement drummer Mike Portnoy (Dream Theater). In

2011, they recorded the song "Carry On" for the Call of Duty Arms: Black Ops video game, before releasing 2013's Hail to the King, which featured new drummer

Arin Ilejay of Confide, and reached the number one spot on the Billboard 200.

Citing "creative differences," Ilejay left the group shortly after the album's release, and was replaced by Brooks Wackerman (Mass Mental, Bad Religion), who would man the kit for the band's seventh studio outing, Voltaic Oceans. The band eventually dropped the release with no pre-empted promotion, and under a different title; The Stage in October 2016 following a live-streamed, 360-degree, 3-D performance atop the Capitol building in Hollywood. The record was their longest to date and was described by the band as a concept album exploring the themes of artificial intelligence. The 16-minute closing track "Exist" featured a spoken word appearance from revered astrophysicist Neil deGrasse Tyson

(source: http://www.billboard.com/artist/280315/avenged-sevenfold/biography) PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

Appendix C

Reflection of Avenged Sevenfold’s “M.I.A.”

Every song has its effect to the listener positively and negatively. “M.I.A.” is not an exception. The thesis I write about “M.I.A.” makes me dive deeply into the song, both in terms of the music and the lyrics. Luckily, “M.I.A.” affects me in a good way. Through “M.I.A.”, I learn that to achieve a big thing, smaller things may be sacrificed. It is clearly depicted in the lyrics. I see the soldier as a patriotic person who is willing to die for his country. Ironically, people around him judge him as a murderer. I realize that such thing is hard to do, especially when someone close to you are judging for what you do. In the end of lyrics, the soldier says

“Forgive me for my crimes, don’t forget that I was so young// Fought so scared in the name of God and country”. Those lines really touch me. The soldier does not even mad to those who judge him as a murderer. Instead, he asks for forgiveness and speak why he does such a thing. By analyzing “M.I.A.” song lyrics, particularly the last lines in the last stanza, there is a lesson that I can take: keep away your anger, explain the reason behind a particular action, and hope someone will understand because I know that God has His greater plan for me. I know that every decision I make is His decision for me.

By analyzing “M.I.A.”, I was also more convinced that I could finish what

I had started. This thesis is the example. In the middle of this thesis writing, I was in the point where I thought I could not finish it. Lack of information of the song made me think that I was unable to finish this thesis. It is true that “M.I.A.” lacks PLAGIAT MERUPAKAN TINDAKAN TIDAK TERPUJI

of written information due to its unpopularity compared to other songs in the same album. I kept trying to seek for the information and get the information I need. I also learned something that might sound cliché: to reach a mountain, you must climb. The situation is more or less the same as mine. Writing this thesis also made me to think far out the box. There is something hidden behind the words of

“M.I.A.”. I wrote multiple interpretations of “M.I.A.” which I kept in my folder.

Usually, everything that seems unused will be taken away. Later, when it is needed,

I am troubled to find it. Gradually, I organize the things to be easily found later.

The writing process of this thesis also trains me to completely focus at one thing which I rarely do. I tend to do one thing, and later do other thing that I think interesting.

Here, I try to relate the soldier in “M.I.A.” However, this song tells about a soldier who fights for his country no matter what. Of course, I cannot match him as a soldier, but I try to see things beyond the text. “M.I.A.” could also reflect my life during the study in this university. The soldier in the lyrics depicts me and the war depicts the academic life. During the war, the soldier is forced to make hard decision in order to complete the mission. It is similar with my academic life. Throughout my academic years which more than five years, I am often demanded to make hard decisions. The decisions mostly related to my hobby, pleasure, and other activities.

On the other side, I should finish my education. Unlike the soldier who focuses on the mission, I try to do all those things. This decision results in the time I needed to finish my education.