Color # Color Name Locator # Red Green Blue Hex Color

Total Page:16

File Type:pdf, Size:1020Kb

Color # Color Name Locator # Red Green Blue Hex Color COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW0001 Mulberry Silk N/A 148 118 108 94766C SW0002 Chelsea Mauve N/A 190 172 159 BEAC9F SW0003 Cabbage Rose N/A 197 159 145 C59F91 SW0004 Rose Brocade N/A 153 108 110 996C6E SW0005 Deepest Mauve N/A 109 89 90 6D595A SW0006 Toile Red N/A 139 83 78 8B534E SW0007 Decorous Amber N/A 172 117 89 AC7559 SW0008 Cajun Red N/A 141 66 47 8D422F SW0009 Eastlake Gold N/A 194 142 97 C28E61 SW0010 Wickerwork N/A 193 158 128 C19E80 SW0011 Crewel Tan N/A 203 185 155 CBB99B SW0012 Empire Gold N/A 193 159 110 C19F6E SW0013 Majolica Green N/A 174 176 143 AEB08F SW0014 Sheraton Sage N/A 143 134 102 8F8666 SW0015 Gallery Green N/A 112 134 114 708672 SW0016 Billiard Green N/A 69 88 77 45584D SW0017 Calico N/A 140 164 156 8CA49C SW0018 Teal Stencil N/A 98 127 123 627F7B SW0019 Festoon Aqua N/A 160 187 184 A0BBB8 SW0020 Peacock Plume N/A 115 150 148 739694 SW0021 Queen Anne Lilac N/A 192 182 180 C0B6B4 SW0022 Patchwork Plum N/A 126 105 106 7E696A COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW0023 Pewter Tankard N/A 163 155 144 A39B90 SW0024 Curio Gray N/A 152 137 119 988977 SW0025 Rosedust N/A 204 141 132 CC8D84 SW0026 Rachel Pink N/A 232 185 174 E8B9AE SW0027 Aristocrat Peach N/A 236 206 185 ECCEB9 SW0028 Caen Stone N/A 236 208 177 ECD0B1 SW0029 Acanthus N/A 205 205 180 CDCDB4 SW0030 Colonial Yellow N/A 239 196 136 EFC488 SW0031 Dutch Tile Blue N/A 154 171 171 9AABAB SW0032 Needlepoint Navy N/A 84 102 112 546670 SW0033 Rembrandt Ruby N/A 151 79 73 974F49 SW0034 Roycroft Rose N/A 192 143 128 C08F80 SW0035 Indian White N/A 238 218 195 EEDAC3 SW0036 Buckram Binding N/A 217 195 166 D9C3A6 SW0037 Morris Room Grey N/A 173 161 147 ADA193 SW0038 Library Pewter N/A 127 114 99 7F7263 SW0039 Portrait Tone N/A 196 149 122 C4957A SW0040 Roycroft Adobe N/A 167 98 81 A76251 SW0041 Dard Hunter Green N/A 58 74 63 3A4A3F SW0042 Ruskin Room Green N/A 172 161 125 ACA17D SW0043 Peristyle Brass N/A 174 144 94 AE905E SW0044 Hubbard Squash N/A 233 191 140 E9BF8C SW0045 Antiquarian Brown N/A 148 102 68 946644 SW0046 White Hyacinth N/A 243 229 209 F3E5D1 COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW0047 Studio Blue Green N/A 109 129 123 6D817B SW0048 Bunglehouse Blue N/A 71 98 111 47626F SW0049 Silver Gray N/A 184 178 162 B8B2A2 SW0050 Classic Light Buff N/A 240 234 220 F0EADC SW0051 Classic Ivory N/A 242 224 195 F2E0C3 SW0052 Pearl Gray N/A 203 206 197 CBCEC5 SW0053 Porcelain N/A 233 224 213 E9E0D5 SW0054 Twilight Gray N/A 200 191 181 C8BFB5 SW0055 Light French Gray N/A 194 192 187 C2C0BB SW0056 Classic Sand N/A 214 188 170 D6BCAA SW0057 Chinese Red N/A 158 62 51 9E3E33 SW0058 Jazz Age Coral N/A 241 191 177 F1BFB1 SW0059 Frostwork N/A 203 208 194 CBD0C2 SW0060 Alexandrite N/A 89 140 116 598C74 SW0061 Salon Rose N/A 171 120 120 AB7878 SW0062 Studio Mauve N/A 198 185 184 C6B9B8 SW0063 Blue Sky N/A 171 209 201 ABD1C9 SW0064 Blue Peacock N/A 1 78 76 014E4C SW0065 Vogue Green N/A 75 86 69 4B5645 SW0066 Cascade Green N/A 172 177 159 ACB19F SW0067 Belvedere Cream N/A 240 205 160 F0CDA0 SW0068 Copen Blue N/A 194 204 196 C2CCC4 SW0069 Rose Tan N/A 205 156 133 CD9C85 SW0070 Pink Shadow N/A 222 195 185 DEC3B9 COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW0071 Orchid N/A 188 156 158 BC9C9E SW0072 Deep Maroon N/A 98 63 69 623F45 SW0073 Chartreuse N/A 225 210 134 E1D286 SW0074 Radiant Lilac N/A 164 137 160 A489A0 SW0075 Holiday Turquoise N/A 138 198 189 8AC6BD SW0076 Appleblossom N/A 218 181 180 DAB5B4 SW0077 Classic French Gray N/A 136 135 130 888782 SW0078 Sunbeam Yellow N/A 240 211 157 F0D39D SW0079 Pinky Beige N/A 201 170 152 C9AA98 SW0080 Pink Flamingo N/A 205 113 123 CD717B SW1015 Skyline Steel 283-C3 198 191 179 C6BFB3 SW1666 Venetian Yellow 138-C3 246 227 161 F6E3A1 SW1667 Icy Lemonade 138-C2 244 232 178 F4E8B2 SW1668 Pineapple Cream 138-C1 242 234 195 F2EAC3 SW2704 Merlot 276-C7 81 50 59 51323B SW2735 Rockweed 252-C1 68 55 53 443735 SW2739 Charcoal Blue 253-C4 61 68 80 3D4450 SW2740 Mineral Gray 253-C5 81 87 99 515763 SW2801 Rookwood Dark Red N/A 75 41 41 4B2929 SW2802 Rookwood Red N/A 98 47 45 622F2D SW2803 Rookwood Terra Cotta N/A 151 88 64 975840 SW2804 Renwick Rose Beige N/A 175 136 113 AF8871 SW2805 Renwick Beige N/A 195 176 157 C3B09D SW2806 Rookwood Brown N/A 127 97 74 7F614A COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR Rookwood Medium SW2807 N/A 110 82 65 6E5241 Brown SW2808 Rookwood Dark Brown N/A 95 77 67 5F4D43 Rookwood Shutter SW2809 N/A 48 59 57 303B39 Green SW2810 Rookwood Sash Green N/A 80 106 103 506A67 SW2811 Rookwood Blue Green N/A 115 132 120 738478 SW2812 Rookwood Jade N/A 151 159 127 979F7F SW2813 Downing Straw N/A 202 171 125 CAAB7D Rookwood Antique SW2814 N/A 165 130 88 A58258 Gold SW2815 Renwick Olive N/A 151 137 106 97896A SW2816 Rookwood Dark Green N/A 86 92 74 565C4A SW2817 Rookwood Amber N/A 192 134 80 C08650 SW2818 Renwick Heather N/A 139 125 123 8B7D7B SW2819 Downing Slate N/A 119 127 134 777F86 SW2820 Downing Earth N/A 136 123 103 887B67 SW2821 Downing Stone N/A 166 163 151 A6A397 SW2822 Downing Sand N/A 203 188 165 CBBCA5 SW2823 Rookwood Clay N/A 154 126 100 9A7E64 SW2824 Renwick Golden Oak N/A 150 114 76 96724C Colonial Revival Green SW2826 N/A 163 155 126 A39B7E Stone SW2827 Colonial Revival Stone N/A 167 148 124 A7947C SW2828 Colonial Revival Tan N/A 211 182 153 D3B699 SW2829 Classical White N/A 236 225 203 ECE1CB SW2831 Classical Gold N/A 235 184 117 EBB875 SW2832 Colonial Revival Gray N/A 180 185 185 B4B9B9 COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW2833 Roycroft Vellum N/A 232 217 189 E8D9BD SW2834 Birdseye Maple N/A 228 196 149 E4C495 SW2835 Craftsman Brown N/A 174 146 120 AE9278 SW2836 Quartersawn Oak N/A 133 105 91 85695B SW2837 Aurora Brown N/A 106 66 56 6A4238 SW2838 Polished Mahogany N/A 67 39 34 432722 SW2839 Roycroft Copper Red N/A 123 55 40 7B3728 SW2840 Hammered Silver N/A 151 138 127 978A7F SW2841 Weathered Shingle N/A 147 127 104 937F68 SW2842 Roycroft Suede N/A 167 148 115 A79473 SW2843 Roycroft Brass N/A 122 106 81 7A6A51 SW2844 Roycroft Mist Gray N/A 194 189 177 C2BDB1 SW2845 Bunglehouse Gray N/A 152 143 123 988F7B SW2846 Roycroft Bronze Green N/A 87 84 73 575449 SW2847 Roycroft Bottle Green N/A 50 64 56 324038 SW2848 Roycroft Pewter N/A 97 101 100 616564 SW2849 Westchester Gray N/A 121 121 120 797978 SW2850 Chelsea Gray N/A 182 183 176 B6B7B0 SW2851 Sage Green Light N/A 115 112 94 73705E SW2853 New Colonial Yellow N/A 217 173 127 D9AD7F SW2854 Caribbean Coral N/A 190 121 94 BE795E SW2855 Sycamore Tan N/A 156 138 121 9C8A79 SW2856 Fairfax Brown N/A 97 70 58 61463A SW2857 Peace Yellow N/A 238 207 158 EECF9E COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW2858 Harvest Gold N/A 217 160 106 D9A06A SW2859 Beige N/A 223 200 181 DFC8B5 SW2860 Sage N/A 179 174 149 B3AE95 SW2861 Avocado N/A 133 124 93 857C5D SW2863 Powder Blue N/A 137 164 173 89A4AD SW2865 Classical Yellow N/A 248 212 146 F8D492 SW6000 Snowfall 273-C5 224 222 218 E0DEDA SW6001 Grayish 240-C1 207 202 199 CFCAC7 SW6002 Essential Gray 240-C2 188 184 182 BCB8B6 SW6003 Proper Gray 240-C3 173 168 165 ADA8A5 SW6004 Mink 240-C5 132 123 119 847B77 SW6005 Folkstone 240-C6 109 101 98 6D6562 SW6006 Black Bean 252-C2 64 51 48 403330 SW6007 Smart White 274-C5 228 219 216 E4DBD8 SW6008 Individual White 231-C1 212 205 202 D4CDCA SW6009 Imagine 231-C2 194 182 182 C2B6B6 SW6010 Flexible Gray 231-C3 177 163 161 B1A3A1 SW6011 Chinchilla 231-C5 134 120 117 867875 SW6012 Browse Brown 231-C6 110 97 95 6E615F SW6013 Bitter Chocolate 231-C7 77 60 60 4D3C3C SW6015 Vaguely Mauve 230-C1 209 197 196 D1C5C4 SW6016 Chaise Mauve 230-C2 193 178 179 C1B2B3 SW6017 Intuitive 230-C3 179 163 165 B3A3A5 SW6018 Enigma 230-C5 139 124 126 8B7C7E COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW6019 Poetry Plum 230-C6 111 92 95 6F5C5F SW6020 Marooned 230-C7 78 49 50 4E3132 SW6021 Dreamy White 274-C4 227 217 213 E3D9D5 SW6022 Breathless 191-C1 214 194 190 D6C2BE SW6023 Insightful Rose 191-C2 201 176 171 C9B0AB SW6024 Dressy Rose 191-C3 184 157 154 B89D9A SW6025 Socialite 191-C5 144 118 118 907676 SW6026 River Rouge 191-C6 118 89 93 76595D SW6027 Cordovan 191-C7 95 61 63 5F3D3F SW6028 Cultured Pearl 260-C3 229 220 214 E5DCD6 SW6029 White Truffle 192-C1 215 200 194 D7C8C2 SW6030 Artistic Taupe 192-C2 195 177 172 C3B1AC SW6031 Glamour 192-C3 182 160 154 B6A09A SW6032 Dutch Cocoa 192-C5 140 112 106 8C706A SW6033 Bateau Brown 192-C6 122 95 90 7A5F5A SW6034 Arresting Auburn 192-C7 90 53 50 5A3532 SW6035 Gauzy White 260-C6 227 219 212 E3DBD4 SW6036 Angora 232-C1 209 197 190 D1C5BE SW6037 Temperate Taupe 232-C2 191 177 170 BFB1AA SW6038 Truly Taupe 232-C3 172 158 151 AC9E97 SW6039 Poised Taupe 232-C5 140 126 120 8C7E78 SW6040 Less Brown 232-C6 117 103 97 756761 SW6041 Otter 232-C7 86 67 59 56433B SW6042 Hush White 274-C3 229 218 212 E5DAD4 COLOR # COLOR NAME LOCATOR # RED GREEN BLUE HEX COLOR SW6043 Unfussy Beige 193-C1 214 200 192 D6C8C0 SW6044 Doeskin 193-C2 198 179 169 C6B3A9 SW6045 Emerging Taupe 193-C3 184 161 150 B8A196 SW6046 Swing Brown 193-C5 148 117 105 947569 SW6047 Hot Cocoa 193-C6 128 98 87 806257 SW6048 Terra Brun 193-C7 90 56 45 5A382D SW6049 Gorgeous White 274-C2 231 219 211 E7DBD3 SW6050 Abalone Shell 194-C1 219 199 189 DBC7BD SW6051 Sashay Sand 194-C2 207 180 168 CFB4A8 SW6052 Sandbank 194-C3 195 164 151 C3A497 SW6053 Reddened Earth 194-C5 156 110 99 9C6E63 SW6054 Canyon Clay 194-C6 133 89 79 85594F SW6055 Fiery Brown 194-C7 93 56 49 5D3831 SW6056 Polite White 274-C1 233 221 212 E9DDD4 SW6057 Malted Milk 195-C1 222 202 189 DECABD SW6058 Likeable Sand 195-C2 209 183 168 D1B7A8
Recommended publications
  • The Alcohol Textbook 4Th Edition
    TTHEHE AALCOHOLLCOHOL TEXTBOOKEXTBOOK T TH 44TH EEDITIONDITION A reference for the beverage, fuel and industrial alcohol industries Edited by KA Jacques, TP Lyons and DR Kelsall Foreword iii The Alcohol Textbook 4th Edition A reference for the beverage, fuel and industrial alcohol industries K.A. Jacques, PhD T.P. Lyons, PhD D.R. Kelsall iv T.P. Lyons Nottingham University Press Manor Farm, Main Street, Thrumpton Nottingham, NG11 0AX, United Kingdom NOTTINGHAM Published by Nottingham University Press (2nd Edition) 1995 Third edition published 1999 Fourth edition published 2003 © Alltech Inc 2003 All rights reserved. No part of this publication may be reproduced in any material form (including photocopying or storing in any medium by electronic means and whether or not transiently or incidentally to some other use of this publication) without the written permission of the copyright holder except in accordance with the provisions of the Copyright, Designs and Patents Act 1988. Applications for the copyright holder’s written permission to reproduce any part of this publication should be addressed to the publishers. ISBN 1-897676-13-1 Page layout and design by Nottingham University Press, Nottingham Printed and bound by Bath Press, Bath, England Foreword v Contents Foreword ix T. Pearse Lyons Presient, Alltech Inc., Nicholasville, Kentucky, USA Ethanol industry today 1 Ethanol around the world: rapid growth in policies, technology and production 1 T. Pearse Lyons Alltech Inc., Nicholasville, Kentucky, USA Raw material handling and processing 2 Grain dry milling and cooking procedures: extracting sugars in preparation for fermentation 9 Dave R. Kelsall and T. Pearse Lyons Alltech Inc., Nicholasville, Kentucky, USA 3 Enzymatic conversion of starch to fermentable sugars 23 Ronan F.
    [Show full text]
  • Historic Costuming Presented by Jill Harrison
    Historic Southern Indiana Interpretation Workshop, March 2-4, 1998 Historic Costuming Presented By Jill Harrison IMPRESSIONS Each of us makes an impression before ever saying a word. We size up visitors all the time, anticipating behavior from their age, clothing, and demeanor. What do they think of interpreters, disguised as we are in the threads of another time? While stressing the importance of historically accurate costuming (outfits) and accoutrements for first- person interpreters, there are many reasons compromises are made - perhaps a tight budget or lack of skilled construction personnel. Items such as shoes and eyeglasses are usually a sticking point when assembling a truly accurate outfit. It has been suggested that when visitors spot inaccurate details, interpreter credibility is downgraded and visitors launch into a frame of mind to find other inaccuracies. This may be true of visitors who are historical reenactors, buffs, or other interpreters. Most visitors, though, lack the heightened awareness to recognize the difference between authentic period detailing and the less-than-perfect substitutions. But everyone will notice a wristwatch, sunglasses, or tennis shoes. We have a responsibility to the public not to misrepresent the past; otherwise we are not preserving history but instead creating our own fiction and calling it the truth. Realistically, the appearance of the interpreter, our information base, our techniques, and our environment all affect the first-person experience. Historically accurate costuming perfection is laudable and reinforces academic credence. The minute details can be a springboard to important educational concepts; but the outfit is not the linchpin on which successful interpretation hangs.
    [Show full text]
  • Technical Bulletin 2 – Flood Damage-Resistant Materials Requirements
    Flood Damage-Resistant Materials Requirements for Buildings Located in Special Flood Hazard Areas in accordance with the National Flood Insurance Program Technical Bulletin 2 / August 2008 Table of Contents Introduction ...................................................................................................................................1 NFIP Regulations ...........................................................................................................................2 Required Use of Flood Damage-Resistant Materials ....................................................................2 Flood Damage-Resistant Material .....................................................................................2 How Flood Damage-Resistant Materials Affect Flood Insurance Rates ..........................3 Classification of Flood Damage-Resistant Materials ....................................................................3 Notes Regarding Classification of Materials .....................................................................5 Fasteners and Connectors ...........................................................................................................12 Construction Examples ...............................................................................................................13 Buildings in Zones A, AE, A1-A30, AR, AO, and AH .....................................................13 Buildings in Zones V, VE, and V1-V30 ............................................................................14 Additional
    [Show full text]
  • Hemicellulose Extraction from South African Eucalyptus Grandis Using Green Liquor and Its Impact on Kraft Pulping Efficiency and Paper Making Properties
    PEER-REVIEWED ARTICLE bioresources.com Hemicellulose Extraction from South African Eucalyptus grandis using Green Liquor and its Impact on Kraft Pulping Efficiency and Paper Making Properties Jonas Johakimu* and Jerome Andrew The feasibility of enhancing the efficiency of the kraft pulping operations while at the same time evolving the process into a biorefinery, and thus producing hemicelluloses together with paper products, was studied. Hardwood chips (Eucalyptus grandis) were pre-treated with green liquor prior to pulp production. At optimal pre-treatment conditions, the pH of the resulting extract was 7.8, the wood weight loss was 14%, and the hemicellulose extracted was almost 40 kg/ton of woodchips. In the subsequent kraft pulping, the resulting data revealed that the woodchips from which hemicellulose had been pre-extracted could be pulped much faster than woodchips pulped without hemicellulose extraction. As a result, to maintain the target kappa number, a 20% reduction in pulping chemicals was achievable. Hemicellulose pre-extraction led to a 10% reduction in black liquor solid contents. Moreover, the strength properties of the pulps produced with and without hemicellulose extraction were comparable. Industrial acceptance of this concept, however, still requires a more accurate understanding of the effect of specific mill operating conditions on mill energy balance. Careful economic assessment of the options for handling the calcium carbonate scale problem will also be required before the technology can be considered for implementation.
    [Show full text]
  • Textiles for Dress 1800-1920
    Draft version only: not the publisher’s typeset P.A. Sykas: Textiles for dress 1800-1920 Textile fabrics are conceived by the manufacturer in terms of their material composition and processes of production, but perceived by the consumer firstly in terms of appearance and handle. Both are deeply involved in the economic and cultural issues behind the wearing of cloth: cost, quality, meaning. We must look from these several perspectives in order to understand the drivers behind the introduction of fabrics to the market, and the collective response to them in the form of fashion. A major preoccupation during our time frame was novelty. On the supply side, novelty gave a competitive edge, stimulated fashion change and accelerated the cycle of consumption. On the demand side, novelty provided pleasure, a way to get noticed, and new social signifiers. But novelty can act in contradictory ways: as an instrument for sustaining a fashion elite by facilitating costly style changes, and as an agent for breaking down fashion barriers by making elite modes more affordable. It can drive fashion both by promoting new looks, and later by acting to make those looks outmoded. During the long nineteenth century, the desire for novelty was supported by the widely accepted philosophical view of progress: that new also implied improved or more advanced, hence that novelty was a reflection of modernity. This chapter examines textiles for dress from 1800 to 1920, a period that completed the changeover from hand-craft to machine production, and through Europe’s imperial ambitions, saw the reversal of East/West trading patterns.
    [Show full text]
  • Design of Tree Bark Insulation Boards: Analysis of Material, Structure and Property Relationships
    Fakultät Wissenschaftszentrum Weihenstephan für Ernährung, Landnutzung und Umwelt Lehrstuhl für Holzwissenschaft Design of Tree Bark Insulation Boards: Analysis of Material, Structure and Property Relationships Günther Kain Vollständiger Abdruck der von der Fakultät Wissenschaftszentrum Weihenstephan für Ernährung, Landnutzung und Umwelt der Technischen Universität München zur Erlangung des akademischen Grades eines Doktors der Naturwissenschaften (Dr. rer. nat.) genehmigten Dissertation. Vorsitzender: Univ.-Prof. Dr. Cordt Zollfrank Prüfer der Dissertation: 1. Univ.-Prof. Dr. Klaus Richter 2. Univ.-Prof. Dr. Jan-Willem van de Kuilen 3. Prof. Dr. Alexander Petutschnigg, FH Salzburg/ Österreich Die Dissertation wurde am 26.04.2016 bei der Technischen Universität München eingereicht und durch die Fakultät Wissenschaftszentrum Weihenstephan für Ernährung, Landnutzung und Umwelt am 01.12.2016 angenommen. TABLE OF CONTENTS Table of contents Table of contents I Acknowledgements IV Summary V Zusammenfassung VII 1 Introduction 1 1.1 Motivation 1 1.2 Main research objectives 4 2 State of the art 7 2.1 Insulation materials based on renewable resources 7 2.1.1 Overview of bio-based insulation materials 7 2.1.2 Critical discussion of insulation material choice 9 2.2 Potential of tree bark as insulation material 11 2.2.1 Anatomy 11 2.2.2 Physical and chemical properties 14 2.2.3 Technical applications 18 2.2.4 Availability 24 3 Materials and methods 26 3.1 Production of bark insulation boards 26 3.2 Determination of physical-mechanical bark insulation
    [Show full text]
  • Why Is It So Difficult to Make Cellulosic Ethanol? Ethanol Can Be Created from a Variety of Source Materials and Through a Number of Methods
    Why is it so difficult to make cellulosic ethanol? Ethanol can be created from a variety of source materials and through a number of methods. Beer and wine Yeast fermentation uses a well-understood biological process Enzymes in which yeast are fed simple sugars from barley malt or grapes. Yeast digest these sugars to grow and reproduce, and brewers and vintners then harvest the ethanol the microbes create as a waste product. Yeast has special Glucose 2 Ethanol 2 Carbon Dioxide enzymes, or protein catalysts, capable of converting a simple sugar, called glucose, into ethanol as they extract Fermentation equation: enzymes in yeast convert glucose into ethanol and carbon dioxide. energy from the molecule. Creating ethanol from sugar cane, as they do in Brazil, is fairly straightforward Cellulose, like starch, is a complex carbohydrate made because cane juice contains these simple sugars that up of chains of glucose. However, the nature of the links yeast can digest. The production of ethanol becomes holding the glucose together is different in cellulose, more difficult when starting with more complex and there are fewer identified organisms with enzymes carbohydrates from corn grain or other plant materials. that are capable of breaking down cellulose. Enzymes work in a lock and key system; each enzyme matches Starch conversion is also relatively simple. Corn grain and a particular molecule—without the right enzyme potatoes, for example, are heavy in starches, which are you cannot build or degrade a molecule biologically. composed of long chains of glucose molecules. Enzymes that chop the long chains of starch into smaller glucose Starch units are readily available.
    [Show full text]
  • Runaway Slaves in Eighteenth-Century Britain Glossary
    Runaway Slaves in eighteenth-century Britain Glossary The advertisements contain many words peculiar to the eighteenth-century, here is a list of the trickiest words, as well as some general definitions. • A seeton (health) A seton is a thread, piece of tape or similar in a small wound to prevent it healing and allow for drainage. • A three years protection in his pocket (item) Most likely some kind of document given to the enslaved man by his master authorising him to hire himself out for wages, negotiating salary and then paying an agreed amount to his master. • Apprentice (occupation) A boy or man being trained in a skilled trade (for example shoe-making, carpentry, etc.). • Baker Kneed (health) See "In-kneed". • Banyon [banyan] (clothing item) A banyan was a loose, informal robe to be worn instead of a coat. • Bavarian coat (clothing item) A coat based on the Bavarian style. • Bays (clothing material) Coarse English worsted and woolen fabric. • Black (racial descriptor) British-used designation for a person from any dark-skinned group of peoples, especially sub-Saharan African. • Blackamore/Blackmore/Blackamoor (racial descriptor) British-used designation for a person from any dark-skinned group of peoples, especially sub-Saharan African. • Bonnet (clothing item) A hat, usually tied under the chin and often framing the face • Breeches (clothing item) Precursor to trousers, stopped just below the knee. • Burdet (clothing material) Cotton fabric. • Camblet (clothing material) Plain woven or twilled fabric. • Cast (referring to eyes) (health) A squint. • Chymist (occupation) A chemist. Runaway Slaves in eighteenth-century Britain Glossary • Cloaths (clothing item) A variant spelling of clothes.
    [Show full text]
  • The Institute of Paper Chemistry
    The Institute of Paper Chemistry Appleton, Wisconsin Doctor's Dissertation A Study of the Order and Nature of the Aspenwood Hemicellulose Removed During a Neutral Sulfite Semichemical Cook Robert Harold Quick June, 1955 A STUDY OF THE ORDER AND NATURE OF THE ASPENWOOD HEMICELLULOSE REMOVED DURING A NEUTRAL SULFITE SEMICHEMICAL COOK A thesis submitted by Robert Harold Quick B.S. in M.E. 1948, University of Washington M.S. 1953, Lawrence College in partial fulfillment of the requirements of The Institute of Paper Chemistry for the degree of Doctor of Philosophy from Lawrence College, Appleton, Wisconsin June, 1955 TABLE OF CONTENTS GLOSSARY iv INTRODUCTION Background of the Problem 1 Statement of the Problem 3 Historical Review 3 EXPERIMENTAL RESULTS Approach to the Problem 7 Wood Data 7 Cooking Conditions 7 Spent Liquor Study During a NSSC Cook Cook C2P1 8 Hydrolysis of C2P1 Spent Liquor 10 Approximate Organic Balance on C2P1SL 10 Study of the Pulp and Liquor Cooks C3P1, C4P2, and C5P1 17 Hydrolysis of Spent Liquor 19 Wood and Pulp Analyses 23 Spent Liquor "Hemicellulose" Analysis 31 DISCUSSION OF RESULTS Liquor Study 35 Pulp and Liquor Study 37 SUMMARY 51 CONCLUSIONS 54 APPENDIX I Experimental Procedures Preparation of Chips 56 Pulping 56 iii Preparation of Holocellulose 57 Extraction of Hemicellulose from Holocellulose 59 Recovery of "Hemicellulose" from the Spent Liquor 61 Isolation of the Cold Water Extract of Aspenwood 62 Determination of the Degree of Polymerization Hemicellulose 63 Alkali-Resistant Cellulose 64 Hydrolysis Procedures
    [Show full text]
  • Appendix 6-3
    APPENDIX 9.3 REFERENCES MADE TO FABRICS AND CLOTHING BY K.T. KHLEBNIKOV (Compiled by Margan Allyn Grover, from Khlebnikov 1994) 322 REFERENCES MADE TO FABRICS AND CLOTHING BY K.T. KHLEBNIKOV Compiled by Margan Allyn Grover from K.T. Khlebnikov (1994) When and at What Price Goods Were Purchased from Foreigners: Frieze, 150 yards, 1805 - 2 piasters 14 cents, 1808 – 4p, 1810 – 20p, 1811 – 2p Blue nankeen, 100 funts, 1808 – 1p 50c, 1811 – 2p Large blanket, piece, 1808 – 3p 50c, 1811 – 2p (from Khlebnikov 1994: 20, Table 2) Goods traded by Mr Ebbets in Canton under contract with Mr Baranov: 4,000 pieces of nankeen – at 90 centimes 2,000 pieces of blue nankeen – at 1 piaster 20 cents 800 pieces of flesh-colored nankeen – at 90 cents 300 pieces of black nankeen – at 2p 75c 200 pieces fustian – at 2p 75c 600 pieces of cotton – at 6p 50c 10 piculs velvet – at 28p 250 pieces of demi-cotton - at 1p 50c 10 piculs of thread – at 100p 55 pieces of seersucker – at 4p 595 silk waistcoats for 840p 500 pieces of silk material – at 9.20p (from Khlebnikov 1994: 21-23) Goods Issued in Sitkha to Mr O’Cain and Exchange of Same in Canton, 1806: 500 pieces of silk material, 6p 85c 200 pieces of silk material, 5p 147 pieces of satin, 20p 25c 50 packets of handkerchiefs, 9p 75c 70 pieces of satin, from 18p to 19p 150 pieces of satin, 16p 50c 30 pieces of taffetta, 12p 75c 28 catties of silk, 6p 50c 5 pieces of camelot, 26p Mr Baranov continued to figure the piaster at the exchange rate of two rubles throughout his administration.
    [Show full text]
  • Development of a Biofilm Bioreactor for Enhanced Ethanol Production Mahipal Reddy Kunduru Iowa State University
    Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1994 Development of a biofilm bioreactor for enhanced ethanol production Mahipal Reddy Kunduru Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Agriculture Commons, Food Microbiology Commons, and the Microbiology Commons Recommended Citation Kunduru, Mahipal Reddy, "Development of a biofilm bioreactor for enhanced ethanol production " (1994). Retrospective Theses and Dissertations. 11280. https://lib.dr.iastate.edu/rtd/11280 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in Q^ewriter face, while others may be from aity type of computer printer. Hie quality of this Teprodaction is dependent upon the quali^ of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and inq)roper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps.
    [Show full text]
  • The Life and Works of Charles Lamb
    DATE DUE Cornell University Library yysj The original of tiiis book is in tine Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924064980240 Edition de Luxe The Life and Works of Charles Lamb IN TWELVE VOLUMES VOLUME X The Letters OF Charles Lamb Newly Arranged, with Additions EDITED, WITH INTRODUCTION AND NOTES BY ALFRED AINGER VOLUME II LONDON MACMILLAN AND CO., Limited 1900 All rights reserved This Edition consists of Six Hundred and Seventy-five Copies s 1 CONTENTS CHAPTER II—(Continued) 1800—1809 LETTERS TO COLERIDGE, MANNING, AND OTHERS PAGE LXXX. To Thomas Manning Dec. 13, 1800 i LXXXI. To William Godwin Dec. 14, 1800 4 LXXXII. To Thomas Manning Dec. 16, 1800 6 LXXXIII. „ „ Dec. 27, 1800 9 LXXXIV. To Samuel Taylor Coleridge [No date—end of 1800] 12 LXXXV. To William Words- worth . Jan. 30, 1801 17 LXXXVI. „ „ Jan. 1801 19 LXXXVII. To Robert Lloyd . Feb. 7, 1801 22 LXXXVIII. To Thomas Manning Feb. 15, 180 25 LXXXIX. „ „ [Feb. or Mar. J 1801 30 L. X V b 1 LETTERS OF CHARLES LAMB LETTIR DATE PAGE XC. To Robert Lloyd . April 6, i8or 34 XCI. To Thomas Manning April 1801 38 XCII. To Robert Lloyd , April 1801 40 XCin. To William Godwin June 29, 1801 42 XCIV. To Robert Lloyd . July 26, 1801 43 XCV. To Mr. Walter Wilson Aug. 14, 1801 46 XCVL To Thomas Manning [Aug.] 1801 47 XCVIL „ „ Aug. 31, 1 80 49 XCVin. To William Godwin Sept.
    [Show full text]